Existenz und Coexistenz č l'opera in cui Eugen Fink espone la sua filosofia sociale in base ai presupposti dell'ontologia del "Mondo" che egli sviluppa a partire dal secondo dopoguerra. Cosě come questa ontologia si compone di piani di analisi differenti, anche la struttura della socialitÀ si rivela complessa e stratificata, tesa fra la descrizione fenomenologica e l'approfondimento speculativo. L'obiettivo del saggio č di esaminare tanto le premesse metodiche e teoriche dell'indagine finkiana, quanto le sue componenti strutturali, al fine di ricostruire (...) la risposta fornita dal pensatore alla questione della coesistenza, nonché la sua originale definizione del rapporto fra individuo e comunitÀ. (shrink)

The phenomenological interpretation of the human being is not a naturalistic explanation. Likewise phenomenology does not interpret the human being as an example of a complex animal: from a phenomenological point of view man is not an animal, inasmuch as his definition and his essence imply a specifically human component, which cannot be attributed to the linear development of animal complexity. However, this does not mean that any animal component is excluded from the structure of humans. How can human animality (...) be acknowledged without denying human specificity and upholding a reductionist view? The purpose of the paper is to analyse and compare two different ways in which the phenomenological tradition has answered this question. (shrink)

Francis Fukuyama, who teaches at Stanford, has written, in Identity, a highly accessible, compellingly written work. He argues that the “demand for recognition of one’s identity is a master concept...

Volume 25, Issue 5, August 2020, Page 588-594.

As is well known, Roman Ingarden and Edith Stein had a deep intellectual relationship and friendship, which began during their stay in Göttingen and Freiburg. The time spent together during this period and the correspondence that they maintained over the following years allowed them to be in close contact with their respective philosophies and to influence each other. This article aims at illustrating the affinities between Ingarden’s description of soul in § 78 of Controversy over the Existence of the World (...) and the analysis of soul and psyche developed by Stein between 1916 and 1922. Furthermore, it aims at presenting the hypothesis that this analysis influenced the formal anthropology elaborated by the Polish philosopher many years later. Both the depiction of the soul as a personal nucleus that manifests itself in human lived experiences and the description of this manifestation through the notion of “force” are theoretical elements that are essential in Ingarden’s mature ontology of man and that already played a crucial role in Stein’s early writings. Both thinkers, within several years of one another, elaborated an anthropological view that does not have the life of consciousness as a primary guideline, but that brings to light the ontological relevance of the unitary psychic source of human dispositions, of human character, and of consciousness itself. (shrink)

Now in a third edition, Introduction to Philosophy: Classical and Contemporary Readings is a highly acclaimed, topically organized collection that covers five major areas of philosophy--theory of knowledge, philosophy of religion, philosophy of mind, freedom and determinism, and moral philosophy. Editor Louis P. Pojman enhances the text's topical organization by arranging the selections into a pro/con format to help students better understand opposing arguments. He also includes accessible introductions to each chapter, subsection, and individual reading, a unique feature for an (...) anthology of this depth. While the book focuses on a compelling sampling of classical material--including selections from Plato, Aristotle, Descartes, Locke, Berkeley, Hume, and Kant--it also incorporates some of philosophy's best twentieth-century and contemporary work, featuring articles by Bertrand Russell, Richard Taylor, John Searle, Thomas Nagel, and others. This third edition contains an expanded glossary, more extensive section introductions, and twelve new selections: Karl Popper: "Epistemology without a Knowing Subject" Richard Rorty: "Dismantling Truth: Solidarity Versus Objectivity" Daniel Dennett: "Postmodernism and Truth" Bruce Russell: "The Problem of Evil: Too Much Suffering" David Chalmers: "Against Materialism: Can Consciousness Be Reductively Explained?" Baron Paul Henri d'Holbach: "A Defense of Determinism" Michael Levin: "A Compatibilist Defense of Moral Responsibility" Plato: Socratic Morality: "Crito" Herodotus: "Custom Is King" J. L. Mackie: "The Subjectivity of Values" Louis P. Pojman: "A Critique of Mackie's Theory of Moral Subjectivism" Thomas Nagel: "Moral Luck". (shrink)

This paper intends to sum up the main findings of the European project RoboLaw. In this paper, the authors claim that the European Union should play a pro-active policy role in the regulation of technologies so as to inform the development of technologies with its values and principles. The paper provides an explication of the rationale for analysing of a limited and heterogeneous number of robotics applications. For these applications, the following issues are addressed: whether robotics deserve a special case (...) of regulation; the direct and indirect role ethics can play in regulating technology; the transformations of both vulnerabilities and capabilities, and the effects of liability law in favouring the socially relevant applications. In conclusion, a reflection on the possibility to generalize some of the RoboLaw findings to other technologies is proposed, with respect to liability and ethics. (shrink)

Volume 11 of Eugen Fink’s ‘Collected Works’ brings together Fink's contributions on ancient philosophy since the 1940s: three main texts—the lecture on the ‘Basic Questions of Ancient Philosophy’ (winter semester 1947/48), the seminar on the ‘Principle of Contradiction’ (winter semester 1959/60) and the seminar on Heraclitus (winter semester 1966/67), which he held together with Heidegger—, two smaller works entitled ‘Time and the Concept of Time in Aristotle’ and ‘Asebeia and Techne in the 10th Book of the Nomoi’ (1963 and 1969), (...) and drafts in the context of several seminars on Heraclitus, Parmenides, Plato and Aristotle. The volume shows the important role played by Fink’s analysis of the ancient philosophers for the development of his phenomenological cosmology in the tension between Husserl and Heidegger: In the early thinkers, Fink finds traces of an original philosophy that has the world as a whole as its centre and guiding principle. (shrink)

In Liberalism in Dark Times, an important, impressive and well documented book, Joshua Cherniss, associate professor of government at Georgetown University, focuses on an aspect of liberal theory t...

The essay focuses on Jeff Wall’s theoretical writings and artistic productions. The inquiry on the photograph’s medium has been re-enacted in the late 1970s and 1980s by the use of the large scale and the “tableau-form”; in Wall’s work the large scale of the images, coupled with the light box, stimulates at the same time a new relationship with the beholder’s gaze and the possibility of a historical dialogue with other media, like painting and cinema. By the analysis of photographs (...) like Mimic and A view from an Apartment the interplay between document and fiction, capture of everyday and mise en scène appears at the core of Wall’s research and a main subject in contemporary photography. (shrink)

Perception et action : la pluralité des styles perceptifs selon M. Merleau-Ponty et I. MurdochAutant M. Merleau-Ponty que I. Murdoch ont souligné la pluralité des styles perceptifs comme un aspect structurel de l’expérience, rigoureusement lié à la configuration morale du percevant. La compréhension de l’agir humain s’insère dans l’optique d’une ampleur perceptive plus ou moins grande, sans ignorer que les évaluations morales entrent comme facteurs d’orientation dans les descriptions du monde. Les deux auteurs posent la compréhension de l’activité pratique en (...) connexion stricte avec la structuration perceptive, réfutant la mythification de pseudofacultés psychologiques comme le désir, le choix, la volonté. Leurs propositions les plus intéressantes pour leurs conséquences implicites dans le champ éthique concernent la confi guration plurielle du perçu et ses possibilités de remodulation qui permettent une réorganisation continue de l’expérience. L’article relève quelques différences de développement dans cette position commune et identifie certains noeuds problématiques irrésolus qui sont l’objet de débats éthiques actuels.Perception and Action: The Plurality of Perceptual Styles according to M. Merleau-Ponty and I. MurdochM. Merleau-Ponty, just as much as I. Murdoch, has emphasized the plurality of perceptual styles as a structural aspect of experience, rigorously linked tothe moral configuration of the perceiver. The understanding of human action fits into the optics of a more or less large perceptual range, without ignoringthat moral evaluations enter as orienting factors into descriptions of the world. The two authors posit the understanding of practical activity in strictconnection with perceptual structuration, refuting the mythification of such pseudo-faculties as desire, choice, and will. Those propositions of theirs whoseimplied consequences are the most interesting for the field of ethics concern the plural configuration of the perceived and its possibilities of remodulationthat permit a continuous reorganization of experience. The article takes up several differences in the development of this common position and identifiescertain problematic and unresolved knots that are the object of current ethical debates. (shrink)

Perception et action : la pluralité des styles perceptifs selon M. Merleau-Ponty et I. MurdochAutant M. Merleau-Ponty que I. Murdoch ont souligné la pluralité des styles perceptifs comme un aspect structurel de l’expérience, rigoureusement lié à la configuration morale du percevant. La compréhension de l’agir humain s’insère dans l’optique d’une ampleur perceptive plus ou moins grande, sans ignorer que les évaluations morales entrent comme facteurs d’orientation dans les descriptions du monde. Les deux auteurs posent la compréhension de l’activité pratique en (...) connexion stricte avec la structuration perceptive, réfutant la mythification de pseudofacultés psychologiques comme le désir, le choix, la volonté. Leurs propositions les plus intéressantes pour leurs conséquences implicites dans le champ éthique concernent la confi guration plurielle du perçu et ses possibilités de remodulation qui permettent une réorganisation continue de l’expérience. L’article relève quelques différences de développement dans cette position commune et identifie certains noeuds problématiques irrésolus qui sont l’objet de débats éthiques actuels.Perception and Action: The Plurality of Perceptual Styles according to M. Merleau-Ponty and I. MurdochM. Merleau-Ponty, just as much as I. Murdoch, has emphasized the plurality of perceptual styles as a structural aspect of experience, rigorously linked tothe moral configuration of the perceiver. The understanding of human action fits into the optics of a more or less large perceptual range, without ignoringthat moral evaluations enter as orienting factors into descriptions of the world. The two authors posit the understanding of practical activity in strictconnection with perceptual structuration, refuting the mythification of such pseudo-faculties as desire, choice, and will. Those propositions of theirs whoseimplied consequences are the most interesting for the field of ethics concern the plural configuration of the perceived and its possibilities of remodulationthat permit a continuous reorganization of experience. The article takes up several differences in the development of this common position and identifiescertain problematic and unresolved knots that are the object of current ethical debates. (shrink)

Volume 25, Issue 1, February 2020, Page 82-91.

Volume 25, Issue 4, June 2020, Page 469-474.

Nuestra hipótesis consiste en considerar la alegría como fruto del dinamismo interpersonal entre Dios y el hombre bajo la figura de la nupcialidad, cuyas notas de reciprocidad, exclusividad, intimidad y fecundidad especifican esta dimensión particular de vida teologal. Al desplegarse en la historia, la nupcialidad adquiere una tensión escatológica pues el diálogo amante de libertades intensifica la presencia recíproca de Dios y el hombre hasta desembocar en una radicalidad que puede conducir al martirio. Tales fueron los casos de dos místicos (...) y mártires contemporáneos, Christophe Lebreton y Edith Stein, cuyos textos testimonian que la alegría se manifiesta como un fruto visible de la entrega definitiva de sus cuerpos. Our hypothesis is to consider joy as a result of the interpersonal dynamics between God and man under the figure of marriage, whose traits of reciprocity, exclusivity, intimacy and fecundity give a distinctive specifity to this particular dimension of theological life. As it unfolds in history, nuptiality develops an eschatological tension, as the loving dialogue of freedoms intensifies God and man's mutual presence, leading to a radicality which can usher into martyrdom. Such were the cases of two contemporary mystics and martyrs, Christophe Lebreton and Edith Stein, whose texts testify that joy is manifested as a visible fruit of the final offering of their bodies. (shrink)

El objetivo de este artículo es estudiar el Curso de Xavier Zubiri de 1975 Reflexiones sobre lo estético a la luz de la “noología”, horizonte de pensamiento que el autor español dejó planteado al final de su vida. Allí lo estético cobra otra dimensión en su estudio al vincular las tres esferas de la noología: la aprehensión primordial de la realidad, el logos sentiente y la razón sentiente. A partir de estas tres categorías cardinales, vemos lo estético en un primer (...) nivel de la aprehensión misma, otro segundo nivel en donde lo estético se diseña y son las artes las que expresan lo fruitivo de la realidad y por último, un tercer nivel que son las obras de arte propiamente dichas. (shrink)

Massimo Reichlin, Fondamenti di bioetica; Antonio D'Aloia, a cura di, La tempesta del Covid. Dimensioni bioetiche; Maria Zanichelli, a cura di, La persona come categoria bioetica. Prospettive umanistiche; Ferruccio Andolfi, a cura di, L'uomo e l'unico; Roberto Cipriani, L'incerta fede. Un'indagine quanti-qualitativa in Italia; Marcella D'Abbiero, Affetti privati, pubbliche virtù. La psiche come fattore politico.

Ringraziamo Michele Bertolini per averci permesso di riprodurre il suo testo. Esso è sato pubblicato per la prima volta nella rivista De Musica, V, 2001. Introduzione Nell'opera di Raymond Bayer , uno dei protagonisti dell'estetica francese di ispirazione realistico-formale e cofondatore insieme a Lalo e Souriau della Revue d'esthétique nel 1948, la riflessione specifica sulla musica e sul sentimento estetico della natura occupa un posto importante ma certamente non esclusivo - Musique et Musicologie – GALERIE – Nouvel article.