La vision des sages de la Grèce archaïque est sortie profondément transformée par la réflexion qu'a menée tout au long de sa vie Jean Bollack. Son ambition est ici de surmonter la fragmentation d'un poème exceptionnel que nous avons perdu. Il construit un ensemble avec des pleins et des vides à remplir. Le caractère initiatique de cet exercice de méditation facilite la tâche du déchiffrement ; tout s'y tient et le lecteur moderne peut se conformer à ses lois. L'analyse du (...) langage prime. La pensée s'y libère et découvre un référent sûr. Une cosmologie s'y projette, des astres à la vie des hommes, de l'Etant au Monde, dont ce livre s'applique à dégager les correspondances. (shrink)

"This is the first English translation of Pilo Albertelli's seminal translation of the work of Pre-Socratic Greek philosopher Parmenides. It is a work that is cited and listed by leading philosophy scholars, acknowledging the importance of the original Albertelli Italian translation"--.

Placing Parmenides in his proper historical context by taking seriously the impact of Persian Zoroastrianism on his developing monoism, Henn supplies precise interpretation of the most difficult and vexing of Parmenides's fragments, while...

Das Lehrgedicht des Parmenides über das Wesen des Seienden (ca. 515 v. Chr.) begründete die Ontologie – und damit die abendländische Philosophie. Für diese Wirkungsgeschichte war es entscheidend, dass Parmenides nicht nur das in Wahrheit Seiende vom Nicht-Seienden unterschieden, sondern es auch als Eines, Unveränderliches, in sich Vollendetes, Ganzes und in sich Zusammenhängendes bestimmt hat. So kann Parmenides schon dadurch ein gegenwärtiges Bewusstsein beeindrucken, dass man bei ihm erstmalig die Unterscheidung begründet findet, ohne die auch wir in (...) der Bewältigung unserer Wirklichkeit nicht auskommen können, nämlich diejenige zwischen dem, was in Wahrheit ist, und dem, was in Wahrheit nicht ist, aber dennoch den Anschein erweckt, ein Wahres zu sein. Ebenso findet sich bei ihm ein Verständnis des Seienden, das sich nicht darauf beschränkt, ein bloßes Vorhandensein von etwas zu registrieren, sondern darin eine Kraft ausgedrückt findet, wie sie von einem Werk der Kunst oder der sinnlichen Präsenz einer Person ausgehen kann. Wir leben alle von solchen Eindrücken und zugleich von dem irritierenden Wissen, dass auch sie täuschen und in einer zunehmend durchmedialisierten Welt sogar häufig bewusst vorgetäuscht sein können, so dass es nach wie vor wichtig ist, Kriterien dafür an der Hand zu haben, überzeugend wirkliches Sein von Nicht-Seiendem unterscheiden zu können. Und vielleicht ist es auch für uns noch so, dass das, was für uns ein ›in Wahrheit Seiendes‹ ist, etwas Dauerhaftes darstellt, das nicht das eine Mal ist und dann wieder nicht oder mal diese und dann wieder jene Gestalt annimmt, sondern ein Wirkungskontinuum des Vollkommenen, das von seiner »Mitte aus nach allen Seiten gleich sich schwingt« (Parm., Fr. 9, 42ff.). (shrink)

This essay explicates the primary interpretative import of B1: 31-32 in Parmenides poem (On Nature)—lines which have radical implications for the overall argument, and which the traditional arrangement forces into an irreconcilable dilemma. I argue that the “negative” reading of lines 31-32 is preferable, even on the traditional arrangement. This negative reading denies that a third thing is to be taught to the reader by the goddess—a positive account of how the apparent world is to be “acceptably” understood. I (...) then suggest that a rearrangement of the fragments would make more sense overall, while further supporting the “negative” reading as more natural and coherent. In particular, the rearrangement dispels the objection that, “if mortal opinions were not true, why would Parmenides include such a lengthy false account of the apparent world--an account which explicitly denies the conclusions of the earlier section, Truth?”. (shrink)

" Studies in Continental Thought John Sallis, general editor This text, as one might expect in a book on ancient philosophy, is heavily flavored with Greek and Latin.

Parmenides, mystery and contradiction -- The early theory of forms -- The new theory of forms -- Understanding proofs : Meno, 85d₉-86c₂, continued -- Aristotle and the sea battle -- The principle of individuation -- Thought and action in Aristotle -- Necessity and truth -- Hume and Julius Caesar -- "Whatever has a beginning of existence must have a cause" : Hume's argument exposed -- Will and emotion -- Retraction -- The question of linguistic idealism.

This chapter contains sections titled: Before Parmenides Parmenides Empedocles Anaxagoras Atomism Eleaticism after Parmenides: Melissus Aftermath Bibliography.

_ Source: _Volume 60, Issue 1, pp 3 - 39 This paper pursues a new approach to the problem of the relation between Alētheia and Doxa. It investigates as interrelated matters Parmenides’ impetus for developing and including Doxa, his conception of the mortal epistemic agent in relation both to Doxa’s investigations and to those in Alētheia, and the relation between mortal and divine in his poem. Parmenides, it is argued, maintained that Doxastic cognition is an ineluctable and even (...) appropriate aspect of mortal life. The mortal agent, however, is nonetheless capable of sustaining the cognition of Alētheia by momentarily coming to think with—or as—his divine soul. (shrink)

Parmenides of Elea was the most important and influential philosopher before Plato. He rejected as impossible the scientific inquiry practiced by the earlier Presocratic philosophers and held that generation, destruction, and change are unreal and that only one thing exists. In this book, Patricia Curd argues that Parmenides sought to reform rather than to reject scientific inquiry, and she offers a more coherent account of his influence on later philosophers._ _The Legacy of Parmenides_ examines Parmenides' arguments, considering (...) his connection to earlier Greek thought and how his account of what-is could have served as a model for later philosophers. Curd also explores the theories of his successors, including the Pluralists, the Atomists, the later Eleatics, and the later Presocratics. She concludes with a discussion of the importance of Parmenides' work to Plato's _Theory of Forms._ _The Legacy of Parmenides_ challenges traditional views of early Greek philosophy and provides new insights into the work of Parmenides. "_The Legacy of Parmenides_ represents a milestone... of Parmenides' interpretation. It is full of ideas and tells a coherent story about Parmenides and early Greek thought." --_ Alexander Nehamas, Princeton University___ "Professor Curd offers a genuinely original and possibly correct interpretation of the core thesis of the poem of Parmenides in a field so well worked over that saying something both new and true is profoundly difficult, this is a notable achievement." --_ Thomas M. Robinson, University of Toronto___ "This will be a substantial book in the story of early Greek philosophy, and future writers on the tradition from Thales through Plato will not be able to ignore it without missing an important interpretive alternative. It will be of value to students of Presocratic philosophy or the Greek tradition, as well as to students of the scientific revolution, cosmology, the origins of logic, or comparative mysticism." --_ Scott W. Austin, Texas A&M University___ PATRICIA CURD_ is professor at Purdue University where she works primarily in Ancient Philosophy. She is a co-editor of _Readings in Ancient Greek Philosophy_, and is the editor of _A Presocratics Reader._. (shrink)

Parmenides may fairly be said to have undertaken two parallel efforts: first, to offer a persuasive account of the nature of ‘what-is’ (to eon); and second, to establish ‘it is’ as the only true and trustworthy way of speaking and thinking about what-is. Fragment 7.3-6 plays a crucial role in this latter effort when Parmenides’ goddess directs the youth to put aside all information obtained through sense perception and instead ‘judge by reason the poludêris elenchos spoken by me.’ (...) Although the meaning of the phrase has been variously understood, I argue that it is properly taken to mean ‘a much-contested testing’ (of the possible ways of inquiry). In characterizing the elenchos as poludêris or ‘much contested’ the goddess is asserting that the decision to follow the ‘it is’ route of inquiry must be continually reaffirmed against the pull of custom and sense experience. (shrink)

One of the main problems in the the study of Parmenides' poem is establishing the meaning of e0/00nai, 'to be'. Scholars often simply take it to mean: 'to exist', 'to be the case', 'to be so', or regard it as a copula. It's better to start by fathoming what Parmenides himself has to say about to be and about Being. This cannot be done without recognizing the logical pattern in his poem. Another main problem is: what does not-Being (...) mean? Is the so-called Doxa - as not-Being - a non-existing, hallucinatory world, an illusion, a fata morgana? Or is it only a detector of lies? In the present work the view will be advocated that the Doxa offers the description of a really existing world. A specific merit of this book is that all the problems involved will be examined in continuous debate with what scholars have offered as solutions so far. (shrink)

In his great poem, Parmenides uses an argument by elimination to select the correct "way of inquiry" from a pool of two, the ways of is and of is not , joined later by a third, "mixed" way of is and is not . Parmenides' first two ways are soon given modal upgrades - is becomes cannot not be , and is not becomes necessarily is not (B2, 3-6) - and these are no longer contradictories of one another. (...) And is the common view right, that Parmenides rejects the "mixed" way because it is a contradiction? I argue that the modal upgrades are the product of an illicit modal shift. This same shift, built into two Exclusion Arguments, gives Parmenides a novel argument to show that the "mixed" way fails. Given the independent failure of the way of is not , Parmenides' argument by elimination is complete. (shrink)

This page is dedicated to an analysis of the first section of Parmenides' Poem, the Way of Truth, with a selection of critical judgments by the most important commentators and critics. In the Annotated Bibliography I list the main critical editions (from the first printed edition of 1573 to present days) and the translations in English, French, German, Italian and Spanish, with a selection of studies on Parmenides; in future, a section will be dedicated to an examination of (...) some critical variants of the Greek text, with particular attention to corrections to the Diels-Kranz (abbreviated DK) edition of the Fragmente der Vorsokratiker. The fragments of Parmenides' Poem are cited according to Diels-Kranz numbering system as adopted in the 6th edition, Berlin 1952; the Poem is divided into three parts: the Proem fr. I, 1-32; the Way of Truth (Alethéia) from fr. II to VIII, 49, and the Way of Mortal Opinion (Doxa) fr. VIII, 50 to XIX, 3. (shrink)

In order to confirm that the sophist is a manufacturer of illusions, Plato argues that it is necessary to refute Parmenides’s thesis which states that there is only – as Plato interprets it – the absolute being. Most likely an echo of this thesis is found in Antisthenes, whom Plato seems to allude to in the _Sophist, _for whom “what is, is true”. This conception of truth is known as “ante-predicative” or ontological, and, according to Heidegger, would be original. (...) It is not the case. From Homer to Parmenides, truth was always attributed to a speech or thought, never to a “being”. The “ante-predicative” conception of truth was a creation of philosophy, which probably began with Parmenides and continued with Antisthenes. When Plato refutes it, in the second part of the _Sophist, _only returns to the past, because he makes speech the “place” of truth. (shrink)

Platón sostiene que, para confirmar que el sofista es un fabricante de ilusiones, hay que refutar la tesis de Parménides que afirma que sólo existe – según Platón lo interpreta – el ser absoluto. Muy probablemente un eco de esta tesis se encuentre en Antístenes, a quien Platón parece aludir en el Sofista, para quien “lo que es, es verdadero”. Esta concepción de la verdad se conoce como “ante-predicativa” u ontológica, y, según Heidegger, sería originaria. No es así. Desde Homero (...) y hasta Parménides, la verdad fue siempre atribuida a un discurso o a un pensamiento, jamás a un ente. La concepción “ante-predicativa” de la verdad fue una creación de la filosofía, que probablemente comenzó con Parménides y continuó con Antístenes. Cuando Platón la refuta, en la segunda parte del Sofista, no hace sino regresar al pasado, pues hace del discurso el “lugar” de la verdad. (shrink)

John Palmer develops and defends a modal interpretation of Parmenides, according to which he was the first philosopher to distinguish in a rigorous manner the fundamental modalities of necessary being, necessary non-being or impossibility, and non-necessary or contingent being. This book accordingly reconsiders his place in the historical development of Presocratic philosophy in light of this new interpretation. Careful treatment of Parmenides' specification of the ways of inquiry that define his metaphysical and epistemological outlook paves the way for (...) detailed analyses of his arguments demonstrating the temporal and spatial attributes of what is and cannot not be. An appendix presents a Greek text of the fragments of Parmenides' poem with English translation and textual notes. (shrink)

"Gill's and Ryan's Parmenides is, simply, superb: the Introduction, more than a hundred pages long, is transparently clear, takes the reader meticulously through the arguments, avoids perverseness, and still manages to make sense of the dialogue as a whole; there is a fine selective bibliography; and those parts of the translation I have looked at in detail suggest that it too is very good indeed." --Christopher Rowe, _Phronesis_.

G. E. M. Anscombe; IX—Parmenides, Mystery and Contradiction, Proceedings of the Aristotelian Society, Volume 69, Issue 1, 1 June 1969, Pages 125–132, https://do.

Parmenides is one of the greatest thinkers in the history of Western philosophy. His thought has been a major point of reference for many metaphysical discussions that define the history of philosophy. Indeed there is virtually no moment in the history of metaphysics that his thought has not been influential. It is usual to contrast his philosophy of the unchanging reality of the One with Heraclitus' philosophy of change and becoming. While his counter-intuitive denial of change is questionable the (...) philosophical burden is rethink his monism by infusing change into it without prejudice to the general idea that reality is a whole in which unity and diversity are reconciled. (shrink)

The object of this paper is to determine the relations between the two parts of Parmenides' poem: the Way of Truth, which deduces the necessary properties of a One Being, and the False Way, which contains a cosmogony based on ‘what seems to mortals, in which there is no true belief.’.

As is clear from the multiple references to knowledge in the proemium of fragment B1, Parmenides presented himself to his audiences as one who had achieved a profound insight into the nature of ‘what-is’. In support of this claim he conducted an elenchos or ‘testing’ of the ways of inquiry available for thinking, in the process revealing a set of sêmata or ‘signs’ indicating that what-is an eternal, indivisible, and unchanging plenum. In each of these respects, Parmenides was (...) speaking the language of discovery heard elsewhere in early Greek poetry. Similarly, his claim that we can neither learn nor know about what-is-not (hence must not say or think ‘it is not’) was justified by the ordinary meaning of the ancient Greek verbs for learning and knowing. Strikingly, Parmenides’ revisionary metaphysics rested in large measure on a widely shared view of what can be learned, known, and made known to others. -/- . (shrink)

Plato's Parmenides divides up into two main parts, the first ostensibly devoted to a series of criticisms launched by a venerable Parmenides against a theory of Forms previously articulated by a youthful Socrates, the second consisting of a virtually unbroken series of deductions to seemingly incompatible conclusions. As such, the dialogue poses a serious interpretative challenge, for it is unclear what conclusions Plato expected his readers to draw from both parts and how the conclusion of Part II is (...) supposed to bear on the conclusion of Part I. (shrink)

Evidence for a Parmenidean influence on Plato’s Republic typically focuses on content from Bks. V-VI, and the development of Plato’s Theory of Forms. This essay aims to suggest that Plato’s censorship of poetic content in Bks. II-III—particularly the rules for portraying divine nature (376e-383c)—also draw heavily upon the Eleatic tradition, particularly Parmenides’s. Identifying this further Eleatic influence will be enhanced by my own reading of Parmenides. This reading advocates understanding Parmenides in a more Xenophanean-vein—i.e. by taking What-Is (...) to be an explication of the essential qualities of divine nature, and the overall poem as rejecting traditional, mythopoetic accounts of divinity. Recognizing this Eleatic influence on the censorship of poetic content, a tension arises. For Plato infamously censors poetic styles next, concluding that mimetic dialogue may only be rarely employed, and only then in imitation of virtuous persons and actions (392c-398b). This would entail banning all poetic works relying exclusively on mimetic dialogue. Yet, not only do Plato’s own dialogues entirely consist of mimetic dialogue, so does Parmenides’s proto-dialogue. Furthermore, by so closely imitating Parmenides’s thought and language in Republic, has not Plato himself engaged in a type of intellectual and compositional mίμησις? Just as it would be strange to ban the very dialogue (Republic) which outlines and justifies Kallipolis in the first place, it would also be troubling to ban a philosophical work (i.e. Parmenides’s poem) which Republic is so heavily indebted to. Such a ban would also seem strongly at odds with Plato’s general reverence for Parmenides. In an attempt to address these tensions, I suggest that in Republic II-III, Plato’s lack of concern for banning philosophical works along with mimetic poetry should further suggest that he intends the ban to be far narrower than it first appears: as a rejection of performative, rather than compositional, mίμησις. (shrink)

I discuss the argument Aristotle ascribes to Parmenides at Physics 186a23-32. I discuss (i) the reasons why Aristotle considers it as eristic and inconclusive and (i) the solution (lusis) Aristotle proposes against it.

The object of this paper is to determine the relations between the two parts of Parmenides' poem: the Way of Truth, which deduces the necessary properties of a One Being, and the False Way, which contains a cosmogony based on ‘what seems to mortals, in which there is no true belief.’.

Parmenides of Elea Parmenides of Elea was a Presocratic Greek philosopher. As the first philosopher to inquire into the nature of existence itself, he is incontrovertibly credited as the “Father of Metaphysics.” As the first to employ deductive, a priori arguments to justify his claims, he competes with Aristotle … Continue reading Parmenides →.

It is generally accepted that the enigmatic fragment 12 of Parmenides, supplemented by the first part of A.tius II 7.1, represents an unlikely cosmos which comprises alternating spherical crowns of fire and night, surrounding the earth. A comparison of the fragment and A.tius’ text shows that the latter adds nothing substantial to the fragment. Thus, fragment 12 can actually represent the structure of the earth, which consists of a core of fire, is surrounded by the layers of the earth’s (...) crust, into which heat is transmitted from within, and on which the goddess of life dwells. (shrink)

Parmenides is generally recognized as Plato's most difficult dialogue. This work argues that the key to unlocking the puzzles of Parmenides II lies in the proper interpretive pairing of the eight hypotheses under which its arguments are grouped.

Turnbull offers a close and detailed reading of the Parmenides, using his interpretation to illuminate Plato's major late dialogues. The picture presented of Plato's later philosophy is plausible, highly interesting, and original.

Como é possível extrair filosofia de um texto de quatro ou cinco páginas, arbitrariamente montado ao longo de mil anos de citações na Antiguidade, cujo tamanho original se desconhece, e suas partes, precariamente conectadas, juntam-se a partir de critérios e suposições tardias? Normalmente, nem se quer refletimos sobre questões desse tipo quando tratamos de estudar o pensamento de um autor, pois é comum que o estudo de um filósofo não passe pela história da obra em questão, quando e de que (...) forma ocorreu a transmissão do texto ao longo da história. No presente artigo, teceremos algumas considerações importantes que leitor não familiarizado com o Poema de Parmênides tem de ter para que evite cair em armadilhas e reproduza dogmaticamente interpretações convencionalmente estabelecidas. (shrink)