For much of the 20th century, dance writers and critics regularly bemoaned a shortage of male dancers. As one writer put it, the average American father would rather see his son dead than performing on stage in tights. This article looks at commentary about male dancing as a means of understanding popular conceptions of effeminacy. It addresses the way discourses about sport, physical prowess and hard bodies have been appropriated in attempts to validate the manliness of male dancers. Drawing on (...) works by dance educators, critics and dancers, such as Gene Kelly and American modern dancer Ted Shawn, the article looks at gendered notions of the body and movement and the way these have been shaped by the late 19th-century conflation of effeminacy and homosexuality. The athleticism and muscularity of male dancers were to have brought them mainstream respect; that they have yet to do so at all but elite levels reminds us that even the hardest bodies must be read through the limitations of the discursive contexts in which they move. (shrink)

If the discourse of manners and customs aspires to a stable fixing of subjects and systems of differences, however, its project is not and never can be complete. This is true if only for the seemingly trivial reason that manners-and-customs descriptions seldom occur on their own as discrete texts. They usually appear embedded in or appended to a superordinate genre, whether a narrative, as in travel books and much ethnography, or an assemblage, as in anthologies and magazines.6 In the case (...) of travel writing, which is the main focus of this essay, manners-and-customs description is always in play with other sorts of representation that also bespeak difference and position subjects in their own ways. Sometimes these other positioning complement the ideological project of normalizing description, and sometime they do not.In what follows, I propose to examine this interplay of discourses in some nineteenth-century travel writing chiefly about Africa. While Barrow’s work is not prominent on anybody’s mental bookshelves these days, readers will recognize such names as David Livingstone, John Speke, James Grant, Richard Burton, Mungo Park, or Paul Du Chaillu. During the co-called opening up of central and southern Africa to European capitalism in the first half of the nineteenth century, such explorer-writers were the principal producers of Africa for European imaginations—producers, that is, of ideology in connection with the European expansionist project there. What I hope to underscore in these writings is not their tendency towards single, fixed subject positions or single, fixed systems of difference. Rather, I wish to emphasize the multiplicity of ways of codifying the Other, the variety of fixed positions and the variety of given sets of differences that they posit. European penetration and appropriation is semanticized in numerous ways that can be quite distinct, even mutually contradictory. In the course of examining discursive polyphony in these travel writings, I hope to stress the need to consider ideology not only in terms of reductive simplification but also in terms of the proliferation of meanings. 6. Ethnographies would seem to be a counterexample to this claim, but in fact one can fairly easily show that ethnographic writing is inextricably tied to personal narrative. Indeed this tie is a symptom of a serious contradiction between ethnographic methods and ethnographic discourse. See my “Fieldwork in Common Places,” in Writing Culture: The Poetics and Politics of Ethnography, ed. James Clifford and George Marcus . Mary Louise Pratt is an associate professor in the Department of Spanish and Portuguese and the Program in Comparative Literature at Stanford University. She is author of Toward a Speech-Act Theory of Literary Discourse and is a member of the editorial boards of Poetics, Signs Tabloid, and Cultural Anthropology. (shrink)

Contributing to both ageing research and queer-feminist scholarship, this article introduces feminist philosopher Margrit Shildrick’s queer notion of the monstrous to the subject of ageing and the issue of dealing with frailty within ageing research. The monstrous, as a norm-critical notion, takes as its point of departure that we are always already monstrous, meaning that the western ideal of well-ordered, independent, unleaky, rational embodied subjects is impossible to achieve. From this starting point the normalizing and optimizing strategies of ageing research (...) – here exemplified through the concept of successful ageing and the treatment of Alzheimer’s disease – can be problematized. The notion of the monstrous instead suggests a view on ageing and ‘monstrous’ embodiment which provides room for other, different ways of being recognized as an embodied subject, and for dealing with difference, vulnerability and frailty. (shrink)

Though I doubt it has put a Rolls Royce in anybody’s garage, the criticism industry is a reality not to be overlooked. Academics have a responsibility to stay self-aware and self-critical about their own and their profession’s interests. All academic activity has a careerist dimension, but it obviously cannot be explained by that dimension alone, and in this sense Fromm’s point is simply reductive. But of course it is not all academic activity that Fromm is objecting to, only some and (...) notably mine.The image of academic colonization suggests one has stepped beyond some legitimate borders and laid claim to territory rightfully inhabited by others. Whose world was invaded by my essay, or by the “Race,” Writing, and Difference issue in general? Mr. Fromm’s, evidently. Fromm wants a world where words stand still and refer, and don’t get changed. In particular, to use his own examples, he wants a world where blacks are blacks, whites are whites, Americans are Americans, knives are knives, brothers are brothers, and Indians are Indians . Mary Louise Pratt is an associate professor in the Department of Spanish and Portuguese and the Program in Comparative Literature at Stanford University. She is the author of Toward a Speech-Act Theory of Literary Discourse. (shrink)

The Heart of School Leadership focuses on 50 areas that school leaders need to think about in order to nurture a cohesive school community.

Mastery imagery has been shown to be associated with more positive cognitive and emotional responses to stress, but research is yet to investigate the influence of mastery imagery ability on imagery’s effectiveness in regulating responses to acute stress, such as competition. Furthermore, little research has examined imagery’s effectiveness in response to actual competition. This study examined (a), whether mastery imagery ability was associated with stress response changes to a competitive stress task, a car racing computer game, following an imagery intervention, (...) and (b), the effects of different guided imagery content on pre-task cognitive and emotional responses. In Session 1, 78 participants (M age = 20.03 years, SD = 1.28) completed ratings of pre-task anxiety intensity and direction, confidence, and perceived control. Imagery ability was also assessed before completing the task. In Session 2, participants were randomly allocated to an imagery condition (positive mastery, negative mastery, relaxation) or control group (no imagery) before completing the task and outcome measures again. For the negative mastery group, greater positive mastery imagery ability was associated with greater perceived control and perceiving anxiety as more facilitative. Furthermore, mastery imagery ability moderated the relationship between anxiety intensity and direction. Altogether, results suggest that positive mastery imagery ability may act as a potential buffer against the effects of negative images. (shrink)

Allan Bell calls on hermeneutics to enliven the relation between discourse analysts and the materials they study, exploring the image of the analyst ‘standing before’ a corpus, prepared to be transformed by it. The ingredient of desire must be added to the account, as well as the embodied scenario of interpretation. These elements are mobilized to situate Bell’s rereading of Babel and of empire.

Until 1976, the most important measures to fight unemployment in Belgium consisted of creating an easier situation for the unemployed, of preventing older people to join the number of unemployed, and of some measures to safeguard and facilitate access to the labour marketfor youths. This policy was continued in 1977, but some new dimensions were added, such as the creation of a «third labour circuit» and the humanization of working conditions.

This article examines how immigrant careworkers relate dynamically with the Norwegian gender regime. While the importation of careworkers contributes both to the practical maintenance and to the undermining on a more ideological level of the Norwegian gender regime, it also brings in new constellations and possibilities. In this article examples from two studies are discussed in the light of institutional and intersectional perspectives. It describes features of the Norwegian gender regime that are especially relevant to carework, and the highly gendered (...) distribution and sharing of carework across the public and private domains. One central Norwegian form of care institution, the nursing home, then comes into focus. Making use of empirical examples from fieldwork and interviews, the article discusses how, as immigrant careworkers increasingly staff these institutions, new light is thrown on existing power structures, while at the same time these structures may be challenged through the fluidity of situational and relational gendering processes. (shrink)

En décembre 1897, la journaliste Marguerite Durand a fondé le journal La Fronde. Conçu d'après les quotidiens de masse de l'époque, La Fronde embrassait les domaines de la politique, des sports et de la haute finance. Mais le journal se distinguait plus particulièrement des autres quotidiens par le fait que la publication, la rédaction et aussi la typographie étaient exclusivement faites par des femmes. Dans leur effort d'imiter un quotidien bourgeois, les frondeuses adoptèrent le reportage comme style journalistique. Cette imitation (...) répresentait un double défi lancé par les frondeuses aux rôles attribués à leur sexe. Tout d'abord, en s'engageant dans la vie publique contemporaine, les frondeuses allaient au-delà des limites domestiques conventionnelles établies pour les femmes. Deuxièmement, pour être de vraies reporters, les frondeuses devaient s'aventurer dans le dur monde des faits. Se faisant, elles mettaient en question la notion répandue que les femmes étaient des créatures de fantaisie plutôt que de raison. (shrink)

Kant cite Bacon : « de nobis ipsis silemus... etc. », sur nous-mêmes, à propos de nous, de nous-mêmes, nous faisons silence, nous ne disons rien – je lis quelque part que Beckett emprunte cette citation. Je tiens que « poète » pour moi est une fiction. « Il ne nous suffit pas d'exposer simplement ce qui est vrai, mais [...] il faut encore exposer ce qu'on désire savoir. » La poésie ne répond pas à cette question.

"Ethics for Modern Life," an anthology of classic and contemporary readings, offers students a well-balanced and cohesive introduction to ethics.

En décembre 1897, la journaliste Marguerite Durand a fondé le journal La Fronde. Conçu d'après les quotidiens de masse de l'époque, La Fronde embrassait les domaines de la politique, des sports et de la haute finance. Mais le journal se distinguait plus particulièrement des autres quotidiens par le fait que la publication, la rédaction et aussi la typographie étaient exclusivement faites par des femmes. Dans leur effort d'imiter un quotidien bourgeois, les frondeuses adoptèrent le reportage comme style journalistique. Cette imitation (...) répresentait un double défi lancé par les frondeuses aux rôles attribués à leur sexe. Tout d'abord, en s'engageant dans la vie publique contemporaine, les frondeuses allaient au-delà des limites domestiques conventionnelles établies pour les femmes. Deuxièmement, pour être de vraies reporters, les frondeuses devaient s'aventurer dans le dur monde des faits. Se faisant, elles mettaient en question la notion répandue que les femmes étaient des créatures de fantaisie plutôt que de raison. (shrink)