Discusses Locke's life and views and their impact on American philosophy, as well as his role in the Harlem Renaissance.

Loin des caricatures que s'est permises Voltaire, Alain Niderst voit en Leibniz le plus grand esprit des XVIIe et XVIIIe siècles, dont on ne peut qu'admirer l'universelle curiosité et l'intrépide audace qu'il a montrées dans tous les domaines. Ce n'est pas une statue solennelle de Leibniz que le lecteur trouvera dans cet ouvrage. Il verra au contraire comment Laineur de la Théodicée a été amené à un combat mille fois répété pour édifier et pour défendre son système. Ainsi, Bayle, (...) Locke, Fontanelle, Clarke et bien d'autres furent les correspondants du philosophe de Hanovre et ses lecteurs, souvent admiratifs, parfois critiques. Si le système de Leibniz s'est forgé dans cette lutte si longue et si audacieuse, ce n'est, peut-on dire, que dans ses dernières années qu'il parviendra à des certitudes, et donc à une forme de sérénité. Le livre d'Alain Niderst n'est pas seulement l'histoire d'un homme et de son siècle : on y trouve l'histoire toujours renouvelée de la pensée à la recherche de vérités sûres qui la justifient et la consolident. (shrink)

Sous l’apparence d’une exégèse du traité aristotélicien des Catégories, Harris, dans ses Philosophical arrangements, cherche à constituer une doctrine des concepts ultimes ou premiers, faisant ainsi endosser à l’aristotélisme un innéisme à rebours de ce qu’un Locke pouvait lui prêter. C’est, au-delà de l’enquête sur les catégories elles-mêmes, une métaphysique de l’esprit qu’insinue Harris, prolongeant ainsi sans le dire les polémiques de Shaftesbury à l’encontre de Locke. Il ne faut donc pas se laisser prendre à l’aspect « exégétique (...) » de ce traité harrisien. C’est une des rares tentatives connues d’étendre la considération des Catégories jusqu’aux confins d’un pré-transcendantalisme. (shrink)

Alain Locke is most known for his involvement in the Harlem Renaissance. However, he received his PhD in philosophy from Harvard University in 1918, and produced a very large corpus of philosophical work. His work shows him to have been a sophisticated philosopher who thought through practical and theoretical problems regarding the nature of cosmopolitanism, democracy, race, value, religion, art, and education. Although Locke’s philosophical work has been discussed in parts, there has been no theorizing about how (...) his different philosophical commitments fit together. In this book Corey L. Barnes begins to systematize Locke’s philosophical thought, showing how his democratic theory, philosophy of race, and value theory are connected to and undergirded by a commitment to cosmopolitanism. In so doing, Barnes unearths aspects of Locke’s thought—for example, his economic thinking—that have not been accorded attention and reimagines parts of his work about which have been theorized, all while bringing Locke into current debates about each subject. (shrink)

Self-portrait -- The early Washington, D.C. Baha'i community -- Conversion -- Race amity -- Pilgrimage -- Harlem Renaissance and Baha'i service -- Estrangement and rededication -- Baha'i essays -- Alain Locke's philosophy of democracy : America, race, and world peace.

Locke consistently argues for the importance of cosmopolitan identity, i.e., cultural-citizenship. Paradoxically, he also argues for the importance of particular, local, and racial/ethnic identities. People have a natural instinct that Locke terms a consciousness of kind, to bond with persons in relatively closed communities. Communities are not natural social groups for Locke, but historical social constructions. I argue that Locke''s ethical and conceptual paradox is revolved by considering the relationship between instincts and particular social groups as (...) asymmetrical; that groups are inherently constructed, and thus require continual revaluation. Particular communities are, at best, Gemeinschaft. (shrink)

This collection of essays by American philosopher Alain Locke makes readily available for the first time his important writings on cultural pluralism, value relativism, and critical relativism. As a black philosopher early in this century, Locke was a pioneer: having earned both undergraduate and doctoral degrees at Harvard, he was a Rhodes scholar at Oxford, studied at the University of Berlin, and chaired the Philosophy Department at Howard University for almost four decades. He was perhaps best known (...) as a leading figure in the Harlem Renaissance. Locke’s works in philosophy—many previously unpublished—conceptually frame the Harlem Renaissance and New Negro movement and provide an Afro-American critique of pragmatism and value absolutism, and also offer a view of identity, communicative competency, and contextualism. In addition, his major works on the nature of race, race relations, and the role of race-conscious literature are presented to demonstrate the application of his philosophy. Locke’s commentaries on the major philosophers of his day, including James, Royce, Santayana, Perry, and Ehrenfels help tell the story of his relationship to his former teachers and his theoretical affinities. In his substantial Introduction and interpretive concluding chapter, Leonard Harris describes Locke’s life, evaluates his role as an American philosopher and theoretician of the Harlem Renaissance, situates him in the pragmatist tradition, and outlines his affinities with modern deconstructionist ideas. A chronology of the philosopher’s life and bibliography of his works are also provided. Although much has been written about Alain Locke, this is the first book to focus on his philosophical contributions. (shrink)

In its comprehensive overview of Alain Locke's pragmatist philosophy this book captures the radical implications of Locke's approach within pragmatism, the critical temper embedded in Locke's works, the central role of power and empowerment of the oppressed and the concept of broad democracy Locke employed.

In this paper, I consider Alain Locke’s critical pragmatism to see how he might address the problem of racist literature, particularly, the use of stereotypes. For my purposes here, it will be assumed that stereotypes are sustained by evil and malicious intentions, whether consciously acknowledged or not. Two issues arise when considering Locke’s critical pragmatism. First, Locke denies the objective status of morality—objective in the sense that moral absolutes exist “out there” and can be classified rightly (...) or wrongly. Thus, claiming that stereotypes are “evil” must have a different connotation for Locke than one might assume. The second issue is that it has been argued that Locke creates and uses stereotypes himself. The paper will progress as follows: I first address Locke’s use of stereotypes, contending that Locke does not in fact use stereotypes. He has a notion of collective identity or representation that he uses as a heuristic to counteract racist uses of stereotypes. While similar to a stereotype, collective identity is qualitatively different. Next, I discuss Locke’s understanding of cultural pluralism as the tool with which Locke is able to address racist stereotypes, on the one hand, and defend his use of collective identity on the other. I conclude that though Locke’s account is useful it lacks the moral weight, which I would like, to condemn stereotypes as fully wrong. (shrink)

In its comprehensive overview of Alain Locke's pragmatist philosophy this book captures the radical implications of Locke's approach within pragmatism, the critical temper embedded in Locke's works, the central role of power and empowerment of the oppressed and the concept of broad democracy Locke employed.

It would not be an exaggeration to say that pluralism was central to the philosophical thought of William James. Repeatedly, James claimed that the difference between monism and pluralism was the "most pregnant" in philosophy.1 Radical empiricism, James's distinctive metaphysical vision, was first introduced as the view that pluralism was a plausible hypothesis about the permanent state of the world, and this pluralism continued to be a central feature of his philosophy in later years.2The assertion that pluralism was a valid (...) philosophical hypothesis was not merely theoretical, but practical. James often connected pluralism with democracy, and monism with "despotism" (James... (shrink)

Several contemporary scholars have embraced the aesthetic resources in the Black Radical Tradition for the purpose of revitalizing the democratic project. Ironically, however, many drawn to the radical potential of fugitive escape are concerned about flight or exodus from the democratic project itself resulting in a defense of politics that constricts the possible benefits of fugitive aesthetics for democratic life. This article draws on the work of Alain Locke, a key figure of the Harlem Renaissance, to suggest another (...) way in which we might follow Black fugitive aesthetics. Through an engagement with Locke, I theorize the notion of a fugitive bearing associated with a set of sensibilities that we might cultivate in order to approach the task of democratic transformation as a “reverent vandalism.” This article also challenges dismissive readings of Locke’s aestheticism by closely reexamining his commitment to expressive autonomy in connection with his theory of democracy. His “New Negro” avant-garde, like the fugitive, remains tethered to political life even while seeking a freedom that is unavailable within the strictures of the standing normative order. (shrink)

The definitive biography of Alain Locke, the first African American Rhodes Scholar and Harvard PhD in philosophy, Howard University philosophy scholar, and architect of the Harlem Renaissance, who mentored a generation of artists including Langston Hughes and Zora Neale Nurston and promoted the work of African Americans as the quintessential creators of American modernism. This biography explores his professional and private life, including his relationships with white patrons and his lifelong search for love as a gay man.

When Alain Locke developed a philosophy of valuation that he termed “functional relativism,” he contrasted his position to “value realism,” apparently because he wanted to keep valuations free from being bound to status quo existence. This article considers Locke's philosophy of valuation in relation to the “realism” of Charles S. Peirce in order to show that there is an approach to realism that answers to requirements of dynamic, evolutionary growth and creativity. The argument begins by placing (...) class='Hi'>Locke's cardinal values onto a compass-like diagram inspired by Black Elk's ritual acknowledgment of cardinal directions. The illustration of a hoop of valuation is used to explore the usefulness of thinking in terms of diagrams, with explicit reference to Peircean semiotics. Next the article pursues a context of valuation developed through the psychical philosophy of George Herbert Mead and recent work on Peircean realism. It shows how valuation may be viewed as an exercise in freedom, not confined to status quo existence. Sources of error are acknowledged and reviewed. In the end, Peirce's choice of realism versus nominalism is found to be consistent with Lockean commitments to shared living in communities of inquiry. A Lockean philosophy of valuation, therefore, is not necessarily antirealist. (shrink)

This article confronts the problems of establishing normative restrictive claims for delegitimizing conduct and attitudes of cultural appropriation. Using C. Thi Nguyen’s and Matthew Strhol’s intimacy account (IA) as a background, I offer an alternative of cultural adoption relying upon Alain Locke’s value theory and philosophical pluralism. The phenomenon of cultural adoption I propose develops some insights from Nguyen’s and Strohl’s IA, while critiquing their framework’s perceived limitations. By adding loyalty and intensity to the prerogatives of intimacy, the (...) hope is that a more nuanced approach to the ethical concerns of cultural adoption will be achieved. My contention is that Locke’s notions of a racial sense or kinship feeling provides stronger grounds for establishing an ethics of the passerby or what I will call non-intimate encounters. Next, I will argue that the interpersonal relations of groups cannot be interpreted as simple, but only as complex wholes. Instead of monoliths and exclusive binaries, we have to recognize variation within groups and learn to think in what Albert Murray calls “mulatto,” or a culture of novel hybrids. In the final section, I argue that Locke’s philosophy, broadly construed, operates as a contraceptive knowledge against the growing imperial apathy of populists and absolutists. We should work to abandon forms of political and epistemological violence by rejecting these forms of cultural abuse. It is my grand contention that human groups express in their differences a uniqueness that makes us distrust or admire and like each other. (shrink)

The title of Stewart’s biography is a tribute to Alain Locke’s seminal work, The New Negro: An Interpretation. This 1925 anthology highlighted the works of several up-and-coming black writers of the 20th century, planting these authors and, thus, a new black intellectual movement squarely in the public eye. While Alain Locke and John Dewey did not work directly together, Dewey’s philosophical approaches, specifically aesthetic valuation, significantly influenced Locke’s life. John C. Stewart provides a dense and (...) thorough illustration of Locke’s use of aesthetic valuation in his personal, professional, and educational experiences. Locke was pursuing his doctoral degree at Harvard University in Dewey’s discipline at... (shrink)

Jacoby Adeshei Carter has done an invaluable service in editing this critical edition of Alain Leroy Locke’s series of six lectures in Haiti delivered “from April 9 to July 10, 1943, when he was the Inter-American Exchange Professor to Haiti under the joint auspices of the American Committee for Inter-American Artistic and Intellectual Relations and the Haitian Ministry of Education”. African American Contributions to the Americas’ Cultures consists of two parts. The first part is Locke’s series of (...) six lectures entitled “The Negro’s Contribution to the Culture of the Americas.” The second part is Carter’s critical interpretative essay on Locke’s lectures entitled “‘Like Rum in the Punch’: The Quest for Cultural... (shrink)