Nicholas of Cusa (1401-1464) was one of the most original thinkers of the Renaissance. This collection examines, from several viewpoints, his speculative thought and reviews his ideas on dialogue with non- Christians in the light of his theories. The articles originated in papers presented at several conferences sponsored by the American Cusanus Society, 1981-1988. Annotation copyrighted by Book News, Inc., Portland, OR.

In his Pramāṇaviniścaya 3, Dharmakīrti criticizes the view of the Sāṅkhyas that the word anityatva (“impermanence”) means a process of transformation ( pariṇāma ) of primordial matter ( pradhāna ). In this connection, he deals with the following two explanations of transformation: (1) the disappearance ( tirodhāna ) of the previous dharma of an entity ( dharmin/dravya ) and (2) the cessation ( nivṛtti ) of the previous state ( avasthā ) of an entity ( avasthātṛ ). In response to (...) these explanations, he proves that whenever a transformation takes place, the previous entity is destroyed, and therefore, impermanence does not mean transformation, but only destruction ( vināśa ). His criticism is basically along the same lines as Vasubandhu’s arguments found in the Abhidharmakośabhāṣya . However, because of developments in the theory of transformation, Vasubandhu’s criticism allows room for a retort from the Sāṅkhya. For this reason, Dharmakīrti augments Vasubandhu’s theory in order to make it sustainable against the more developed Sāṅkhya theory. (shrink)

History of Buddhist philosophy, with special reference to canonical and early philosophical literature, presenting Sarvāstivāda and Theravāda school.

1. IntroductionHaving been adapted into a movie by Martin Scorsese in 2016, Silence is Shūsaku Endō’s most famous novel outside of Japan. Initially published in 1966, the novel is about seventeenth-century Jesuit missionaries who secretly make a voyage to Japan in search of their spiritual Father who has reportedly renounced his faith after being tortured by local authorities. In his foreword to Endō’s Silence, Scorsese, a devout Catholic and long-standing admirer of Endō’s work, claims that the novel is “about the (...) particular and the general. And it is finally about the first overwhelming the second.”1 Not only did Endō acknowledge an inevitable conflict between experience and belief, but he also creatively adapted his faith for a different reality. Endō described Catholicism as “Western clothing my mother gave me,” which, throughout his life, he tried to tailor into a Japanese kimono that would fit him.2 Suffering from an unhappy marriage, his mother turned to Catholicism, and Endō followed her in this pursuit at the age of eleven. (shrink)

Kōzō to kaishaku -- Ei-Bei tetsugaku nyūmon -- Bākure ni okeru shisō taiken -- Ryōkai ni teuite -- Gendai ni okeru sonzai no mondai.

We review some notions for general quantum entropies. The entropy of the compound systems is discussed and a numerical computation of the quantum dynamical systems is carried for the noisy optical channel.