In spite of its carefully planned - and fully justified - modesty, the title of this book might very well surprise more than one potential reader. It is not normal to see such controversial concepts as "Renaissance," "Renaissance Thought," "Spanish Renaissance," or even "Spanish Thought" freely linked together in the crowded intimacy of one single printed line. The author of these essays is painfully aware of the com plexity of the ground he has dared to cover. He is also aware (...) that all the assumptions and connotations associated with the title of this book have been the subject of great controversy among scholars of high repute who claimed (and probably had) revealing insight into human affairs and ideas. That these pages have been written at all therefore needs some justification. I am convinced that certain of the disputes among historians of ideas do not touch upon matters of substance, but rather reveal the taste and intellectual idiosyncracies of their authors. Much of the disagreement is, I think, a matter of aesthetics. Those who find special gratification in well-defined labels, clear-cut schemes, and compre hensive generalizations, can hardly bear the company of those who insist upon detail, complexity, and organic growth. The nightmarish dilemma, still unresolved, between Unity and Diversity, between the Universal and the Individual, haunts the History of Ideas. (shrink)

CHAPTER THE VICISSITUDES OF VIVES' FAME During his life and in the first hundred years after his death (-) Vives enjoyed tremendous prestige. ...

Este libro presenta más de medio siglo de la historia de España a través de los ojos de un espectador lúcido y atento que nunca ha sido extraño a su propia época. Es un testimonio vital de un gran historiador de la filosofía y un documento valioso para entender algunos aspectos de la historia del pensamiento español y de la evolución de la enseñanza en la segunda mitad del siglo XX. Índice: Prólogo, por Horacio Capel.- Preámbulo.- Infancia y orígenes.- Guerra (...) y posguerra, universidad y milicia.- Segunda juventud y madurez.- En la monarquía de Juan Carlos.- Penúltimas reflexiones (aunque no nuevas).- Epílogo, por Laureano Bonet. (shrink)

t. 1. La Antigüedad -- t. 2. Edad Media, renacimiento y barroco -- t. 3. Siglos XVIII, XIV y XX.

A Bioética, que podemos qualificar, sem a menor dúvida, como uma ciência jovem - embora cheia de vigor, dinamismo e em plena expansão - se ocupa, desde as multifacetadas óticas das grandes perguntas que se formula a cada dia, o homem moderno, em torno da vida. Neste livro, os autores tratam de alguns aspectos conceituais que, às vezes, são obliterados no discurso bioético. Por exemplo, quais as relações que se interpõem entre Bioética e Direito, começando por delimitar cada uma destas (...) disciplinas. (shrink)

La obra incluye legislación de quince países, así como diversos documentos de la ONU, la UNESCO, el Consejo de Europa, la Unión Europea, Comités Nacionales de Ética, dictámenes y resoluciones de Instituciones Internacionales, jurisprudencia española y una selección bibliográfica con unas 1.300 referencias, clasificada por materias. Algunas leyes nacionales y los documentos del Consejo de Europa se publican traducidos al español y en su idioma original, cuando éste se ha considerado fácilmente asequible, con el fin de facilitar el acceso a (...) la fuente directa. (shrink)

Fornece um panorama sobre os avanços biotecnológicos, dando ênfase aos aspectos jurídicos e éticos do impacto destes na área genética sobre o homem e o meio ambiente.

Coference papers from the X National Seminar of Theory and History of the Art carried out in Medellín to address certain implications that the question entails, for both art and philosophy. For art: Why and since when do we think that art without aesthetics is something reprehensible or desirable? For philosophy: Is it irremovable or not the turn that the philosophical aesthetic took towards the experience of art from the eighteenth century? At the heart of these questions is a basic (...) concern: Who needs more aesthetics (taste, pleasure, beauty): art or human life?. (shrink)

"Epistola a Memeceo, Maximas capitales, Sentencias vaticanas, fragmentos y testimonios; texto griego y traduccion": p. [87]-161.

A collection of essays on the human genome, European patent law, cloning, and genetic malpractice suits.

This article aims at contributing to the contemporary reception of Heidegger’s thought in eco-philosophical perspective. Its point of departure is Heidegger’s claim, in his Bremen lectures and The Question Concerning Technology, that today the earth is submitted to permanent requisition and planned ordering, and that, having thus lost sight of its auto-poiesis, we are no longer capable of listening, tuning in, and singing back to what he calls in his course on Heraclitus the “song of the earth.” Accordingly, first we (...) examine how the inherently reciprocal dynamics of “earth” and “world,” as thematised by Heidegger in The Origin of the Work of Art, have become opaque. Second, we analyse whether it is possible to find those same dynamics at play behind Heidegger’s “Fourfold,” which we propose to reread in binary key in dialogue with contemporary anthropology, from Bateson and Lévi-Strauss to Wagner and Viveiros de Castro, and in light of Guattari’s notion of “trans-entitarian generativity.” Third, we stress the need to reposition Heidegger’s thought alongside contemporary concerns on “worlding” and we explore its plausible intersections with today’s object-oriented ethnography. Lastly, we discuss the possibility of rereading Heidegger’s Fourfold afresh against the backdrop of Heidegger’s non-foundational thinking, as a conceptual metaphor for the joint dynamics of Abgrund and Grund. (shrink)

En este texto se analizan los motivos gastronómicos de la obra del escritor japonés Junichiro Tanizaki, con el fin de discutir sus implicaciones estéticas y metafísicas. Para ello, se ofrece una breve semblanza del autor y se plantea la problemática de cómo interpretar sus textos, en un marcado contraste con la hermenéutica filosófica de corte occidental, y en función de una digresión filosófica sobre las nociones de utopía y heterotopía de Paul Ricœur y Michel Foucault.

This title provides an overview of the atomic nucleus and the theories that seek to explain it. Bringing together a systematic explanation of hadrons, nuclei, and stars for the first time, the author provides the core material needed by students of physics to acquire a solid understanding of nuclear and particle science.

Las nociones de "uno" y de "múltiple" han sido, históricamente, objeto de tratamiento, a la vez, filosófico y teológico. En el contexto de la filosofía islámica oriental, y en el marco de su vertiente más específicamente neoplatónica, el "Príncipe de los Teósofos", Sadrá Sirázi (ob. 1050/1640), estudia ambas desde una perspectiva ontológica y distanciándose del enfoque consignado al respecto por los filósofos peripatéticos del Islam. Adaptando y continuando, de un lado, la gnosis de 1km aI-'Arabi, y, de otro, la sabiduria (...) iluminativa de Sohravardi, MollA Sadrá discute la distinción aviceniana entre un Ser Necesario y una multiplicidad de seres posibles, así como la posibilidad de considerar accidental la realidad de la existencia. Basado en la eoimplicación de tres conceptos fundamentales: i~álat al-wu9ñd (prioridad del ser), i,vahdat al-wu9i2d (unidad del ser) y tagkik (diferenciación y gradación intensiva del ser), el univocismo monadológico de 5adrá puede, por otra parte, permitirnos reevaluar ciertas cuestiones filosóficas que pugnan por ser examinadas hoy a una nueva luz. (shrink)