& co-graphy names here writing experienced as differance of ‘now’ and ‘then’, of memory and erasure called here ‘saw’ and ‘was’ and the rupture that const...

Abstract The use of photo research methods is influenced by underlying ontological and epistemological assumptions. Variant assumptions about reality and knowledge converge to conceive a relationship between the knower and what can be known. These assumptions provide the rationale for decided ways of engaging participants in the process of scientific inquiry. In this paper, we examine how perspectives of realism and relativism may shape epistemological understandings and influence type and use of photo methods in qualitative research. Based on deliberations about (...) underlying ontological and epistemological assumptions and related strengths and challenges of photo methods, we assert that photo methods contribute to the development of knowledge that both matters to participants and informs nursing practice. (shrink)

The aim of this study is to describe how hermeneutic photography and one application of hermeneutic photography in particular, namely the photo-instrument, can be used as a health care intervention that fosters meaning (re-)construction of mental illness experiences. Studies into the ways how patients construct meaning in illness narratives indicate that aesthetic expressions of experiences may play an important role in meaning making and sharing. The study is part of a larger research project devoted to understanding the photostories that result (...) from groups of psychiatric patients using the photo-instrument. Within a focused ethnography approach we employed a qualitative design of a single case study. Text analysis of photostories was combined with observational data. Data were analyzed using hermeneutic theory. Participant observations were used for triangulation and complementarity. The interaction and collaboration between health care professionals and patients in the context of a photo group emerged as core concept that underlies the photo-instrument. The interaction triggered a reframing of meaning in the patient’s illness narrative that offered new perspectives on positive identity growth. The role of visualizing meaning in images was found to lend a dynamic power to the process and triggered a dialectic between real life circumstances and imagination played out in the context of situated action. The findings suggest that a positive reframing of meaning in illness narratives is facilitated by the photo-instrument. (shrink)

Digital Photo Projects For Dummies presents a unique twist on understanding the basics of digital photography. This full-color book walks you through the most common projects and tasks you’ll encounter in your digital photography activities. The book demonstrates the basics of setting your camera for the best shot before diving into how to improve your photos. Projects include brightening a dark photo, improving focus, getting rid of red-eye, touching up blemishes, creating a collage, adding a photo to a business card, (...) rescuing old or damaged photos, and turning a photo into a piece of artwork ready for framing. This book includes a DVD that contains "screencast" lessons created by the author that let you watch the specific steps of selected projects on your screen while you do them yourself. The DVD also includes trial versions of photo software as well as sample images from the book. (shrink)

A full-color reference-and-DVD package covers shooting and editing a successful multimedia project With the introduction of dSLRs with high definition video functionality, a new world of multimedia capture has been opened to digital photographers. This book shows you how to embrace the exciting new option of photo fusion, by incorporating digital video content with your photography. The author duo guides you through creating seamless multimedia presentations that maximize both still-frame and video photography functions on your dSLR. From the setting up (...) and shooting, to downloading, editing and presenting a multimedia project, this book clearly explains how to move beyond stills into the exciting world of multimedia creation. Encourages you to embrace the exciting possibilities of photo fusion in the field of wedding photography Explains how to incorporate digital video content with photography Walks you through all of the necessary steps for shooting and editing a memorable multimedia creation Details every aspect involved in setting up, shooting, downloading, editing, and presenting a multimedia project Features more than 200 color images and an indispensible DVD of inspiring examples Packed with more than 200 stunning images and featuring a 45-minute DVD, Photo Fusion presents you with inspiration and instruction so you can create your own multimedia projects. Note: CD-ROM/DVD and other supplementary materials are not included as part of eBook file. (shrink)

Cet article propose d’examiner les incidences affectives des affordances numériques observées à travers un corpus authentique d’échanges par WhatsApp. La notion d’affordance, définie dans le champ de la psychologie sociale comme l’ensemble des potentialités d’action offertes par l’environnement, sera intégrée ici dans une perspective linguistique et saisie comme un concept-clé pour analyser la parole située. Ainsi, la présente étude sur les interactions WhatsApp appréhendera les affordances de l’objet mobile parallèlement à celles de l’interface d’application. WhatsApp donne aux usagers la possibilité (...) de converser par écrit tout en communiquant en temps réel une photo à leur correspondant. Ce partage d’« images conversationnelles » constitue d’une part, une trace de l’affordance générée par l’application mobile et d’autre part, un observable d’une discursivité à caractère composite qui met au m... (shrink)

Blue Fier is a master of composition technique, and the advice he shares in this essential book teaches you to bring together subjects, lighting, color, depth of field, and design elements to produce photos that make powerful statements.

This book focuses on the role of photographs embedded in specific films to look at how we understand images. The book also explores how the viewer s perceptions of the photos are vital to the understanding and interpretation of each of the films discussed.".

The “photo-text,” as he defines it, is concerned as much with the oral as it is with visual and written culture.

Twenty years after cultivating a new orientation for aesthetics via the concept of non-photography, François Laruelle returns, having further developed his notion of a non-standard aesthetics. Published for the first time in a bilingual edition, _Photo-Fiction, a Non-Standard Aesthetics_ expounds on Laruelle’s current explorations into a photographic thinking as an alternative to the worn-out notions of aesthetics based on an assumed domination of philosophy over art. He proposes a new philosophical photo-fictional apparatus, or philo-fiction, that strives for a discursive mimesis (...) of the photographic apparatus and the flash of the Real entailed in its process of image making. “A bit like if an artisan, to use a Socratic example, instead of making a camera based off of diagrams found in manuals, on the contrary had as his or her project the designing of a completely new apparatus of philo-fiction, thus capable of producing not simply photos, but photo-fictions.” One must enter into a space for seeing the vectorial and the imaginary number. Laruelle’s philo-fictions become not art installations, but “theoretical installations” calling for the consideration of the possibility of a non-standard aesthetics being of an equal or superior power to art and philosophy, an aesthetics in-the-last-instance that is itself an inventive and creative act of the most contemporary kind. (shrink)

Humans experience a profound and indescribable emotion when they unearth artifacts from ancient times. Scientific disciplines like paleontology and archaeology reflect our curiosity and desire to understand the natural world’s past and evolutionary history. Physics also invests significant effort in exploring the origin and evolution of the universe. In social life, the study field of humanities also has journals about art history, such as the Art History or Journal of Art History. Through our shared thoughts and efforts to restore humanities (...) for the cause of ecological and biological conservation, we have discovered a picture of a kingfisher taken nearly a century ago by A. F. Skutch in The Condor. Obtaining such a vivid, genuine, and emotionally evocative image was no easy task. This image has the power to stir the thoughts and awaken the conscience of the viewer, emphasizing the importance of a vibrant environment. (shrink)

Drawn from the photography journal Photofile, this volume collects work by prominent critics, theorists, and cultural commentators about many of Australia's most significant photoartists. It illustrates how, located between the realms of fine art and visual culture, photography has underpinned many key developments in our understanding of both during the last decades of the twentieth century. The essays investigate a wide range of subjects including documentary photography, race and representation, and photography and national identity.

Advances in technology might seem to help to temper belief in the supernatural, but it turned out that they served, for example, to prove the existence of the otherworldly. The appearance of photography was perceived by spiritualists as a possible way to demonstrate the existence of spirits. The reusing of stacked plates, the duration of the exposure, illumination, etc. often added details to the new photograph, so unintentionally additional images fell into the photograph, causing confusion. The article considers cases of (...) falsification of collisions of people with supernatural forces, imprinted on photos of XIX, XX and XXI centuries. as well as videos from the 20th and 21st centuries. Only 37% of the photos and 63% of the videos were falsified intentionally – exposure, editing, counterfeiting, scenery or acting actors, while 53% of the photos and 29% of the videos were unintentionally. It was an accident, a game of light and shadow, spoiled photo/video. Presented as supernatural can have a resemblance to a human figure, or be a spot, a shadow. Most of the evidence of encounters is unintentional, in the daytime, outside. The article examines the progress of technologies through which you can create fake pictures. Especially in modern times, the development of digital technologies had reached a level where it was impossible to distinguish between real and edited images. (shrink)

* This update features fifty fast and impressive digital photo techniques-eighty percent of which are new since the previous edition * The CD-ROM includes a bonus e-book of the entire first edition-giving readers two books for the price of one * Developed by professional photographer and eDigital Photo contributing writer Gregory Georges, the techniques are valuable to both pros and hobbyists alike * Uses the latest version of Adobe Photoshop Elements in the examples, but the techniques are readily adaptable to (...) most image-editing programs * Includes techniques for traditional photo effects, combining photos, artistic effects, animations, digital photo blends, and much more * Step-by-step details, in-depth instructions, and plenty of illustrations-including a full color insert-make it easy for people to apply the techniques to their own photos. (shrink)

Cet ouvrage trouve son intérêt dans le caractère déchiré de la double autobiographie de Louis Althusser, Les faits et L'avenir dure longtemps. Par ailleurs, ce «corpus» particulier offre l'occasion d'une réflexion sur les rapports riches et complexes, entre archives et genèse, ainsi que sur les rapports libres et contraints entre génétique du texte et linguistique de l'énonciation.

Master exposure and enhance your professionalism Since the first edition of this book, camera technology has seen dramatic improvements. Light, however, hasn't changed—nor has the importance of just the right exposure.

The Aerial Photo Sourcebook is an illustrated reference for the novice. It has a complete bibliography of over 800 books and articles for those looking for more details on aerial photography. Collins provides the most comprehensive listing available of federal government sources, state and regional sources, and commercial sources and collections. All contact information is included. The sourcebook begins with an overview of the field and with basic instruction in photographic interpretation. The fundamentals section explores the variety of aerial photography: (...) color infrared, black and white, and color. It also explains the difference between oblique and vertical views. Collins discusses formats, tools, and map skills in clear, non-technical terms. She summarizes the traditional roles of aerial photography, as well as the new customers that aerial photography will serve in the future. A bibliography of more than 800 items from over 40 subject areas is included. The bibliography consists primarily of English or English-translated works related to aerial photography in the United States, augmented by a few international perspectives are included.The bibliography lists information and research in aerial photography in the fields of agriculture, balloon and kite photography, geology, history, intelligence, mapping and cartography, aerial photo interpretation, remote sensing, transportation, soil studies, urban problems, wetlands, and more. The Aerial Photo Sourcebook offers numerous ideas for using aerial photography to solve a wide range of problems, to enhance presentations, and to facilitate research. (shrink)

50 Fast Digital Photo Techniques is an immensely useful book for anyone wanting to take advantage of photo-quality printers, digital cameras, Web technologies, Adobe's Photoshop, and other top photo editing apps. The techniques are valuable to those with artistic skills as well as those without -- they enable everyone to enjoy successful creation of fine art images and prints! The step-by-step and richly illustrated collection of awesome techniques are easily accessible and understandable to users on every level. This is a (...) new kind of Photoshop book -- one that can help both casual users and professional users create and enjoy fine art prints without having to become an expert in Photoshop. (shrink)

Review of literature and independent essay on the 1989 sesquicentennial of photography, winner of Canadian Association for American Studies 1991 award for paper that "best exemplifies the discipline of American Studies".

Based on an account of the Brighton Photo-Biennial Memory of Fire: The War of Images and Images of War, curated by Julian Stallabrass in late 2008, this essay considers the photographic coverage of the recent imperialist interventions in the Middle East. Taking its cue from Stallabrass's event, it reflects on the decline of documentary and photojournalism since the Vietnam War and the current attenuated politics of the media. It argues that the problem of the sublime extends beyond the current genre (...) of 'aftermath'-photography and asks what might constitute a more cognitively adequate politics of the image. (shrink)

A beetle's wing. A hood ornament. Dew shimmering on a petal. With this essential book, you'll learn to make magnificent photos of little things and small portions of bigger things.

O'Connor and Wyatt use more than 250 color photographs and illustrations to help us break out of the linear mode and see the world differently.

Offers advice and instruction on creating sucessful photographs in any lighting situation, including tips on working with natural light, creating effects with shadows, and shooting photographs at night and in low-light.

The paper analyzes the phenomenon of the visual, namely, the analysis of the possibility and means of expressing the surrounding world through the concepts of photography and simulation, which are widely used in modern studies of visual culture. Through the expressions of authenticity, the authenticity and aura of Walter Benjamin, the simulacrum and simulation of Jean Baudrillard, an image of the city and an understanding of its reality in general and individual parts in particular arise. The interpretations of a separate (...) space by individual human units of the city with their own meanings and understanding of authenticity are the result of the visualization by the subject-bearer of a specific image of the urban space. (shrink)

Offers step-by-step techniques for a wide range of creative digital photography projects, from greeting cards, recipe pages, invitations, and illustrated books to panoramas, collages, bound photo albums, DVD slide shows, and Web galleries Perfect for the exploding digital photography market, which has grown from 6.7 million cameras sold in 2000 to a projected 42 million in 2005 Released to hit stores right after the 2004 gift-giving season, it's the perfect companion to the author's previous bestsellers, which include 50 Fast Digital (...) Camera Techniques. (shrink)

This photo-essay considers the other lives of family photographs by offering an analysis of my mother's collection of professional studio portraits and other vernacular photographs shot between the mid 1950s and late 1960s. How do we read the photo-archive of an 'Indian' woman born in 1941 to parents who were wards of the colonial state? A woman who was one generation removed from the sugar-cane plantations and coal mines where Indians were indentured as a coercive labour force? Influenced by Santu (...) Mofokeng's project The Black Photo Album and Tina Campt's method of 'listening to' rather than 'looking at' photos, I refigure the family photo-archive to produce The Brown Photo Album, which is an experiment in seeing and being seen. In a context where the institutional visual archives of colonialism and apartheid have trained South African publics to see and thus know the Indian in very specific ways, this article redirects us away from the violence of the visual to the relationship between race, aesthetics and affect. It positions the family photo album not only as an alternative archive of the Indian experience but also as an archive through which we can begin to comprehend the Indian experience otherwise. This project probes the making of Indianness in the Natal Midlands, shifting the lens from urban centres like Durban and Johannesburg. As a work in progress, I present The Brown Photo Album as an experiment, an iteration of a project, a praxis of refiguring family photos in order to understand what this archive can reveal about our past, presents and futures. (shrink)

This essay considers the challenges that the gendered and raced transnational subaltern refugee subject poses to the order of ‘the liberal state’ and ‘the liberal subject’, and argues that the latter are bound up in complex ways with entrenched understandings of the ocean as elementally distinct from land. This distinction, constituted by the freedom of the sea-going individualist liberal subject, invariably raced as white and gendered as male, to range across the waves in search of new worlds to conquer, is (...) one that is continually reproduced both in popular culture's contemporary sea romances, and in the spatial and legal demarcations of the nation and its limits. In the diverse forms of traffic flowing from south to north, the historical oceanic mobility of this unfettered liberal subject (always shadowed and weighted down by its invisible freight of non-white bodies) now meets the transversal movements of the contemporary transnational subaltern as complex subject. Through the narratives of two refugees to Australia, the article traces the possibilities of an embodied refugee poetics for inscribing new geographies across the global borderlands. (shrink)

Hē koinōnikē epalētheusē tēs gnōsēs -- Tomē: hē kritikē ontologia -- Ontologia tēs technēs, hoi energeies -- Parenthesē, hōs mē hōphele, amyntikē -- Empeirikos realismos tēs metaphysikēs -- To adiarrēkto philosophias kai metaphysikēs -- Hellada kai Dysē: hē diaphora.

Essays extending the research in The concept of non-photography, Urbanomic/Sequence Press, 2011.