These articles address the complex interactions between religion, natural philosophy and magic in sixteenth- and seventeenth-century Europe. The essays on the Elizabethan mathematician John Dee show that his angelic conversations owed a significant debt to medieval magical traditions and how Dee's attempts to communicate with spirits were used to serve specific religious agendas in the mid-seventeenth century. The essays devoted to Giordano Bruno offer a reappraisal of the magical orientation of the Italian philosopher's mnemotechnical and Lullist writings of (...) the 1580s and 90s. The three studies on the atomistic or corpuscularian natural philosophy of the Northumberland and Cavendish circles, argue that there was a distinct English corpuscularian tradition prior to the Gassendian influence in the 1640s and 50s. Finally, two essays on the seventeenth-century Intelligencer Samuel Hartlib and his correspondents show how religion alchemy and natural philosophy interacted during the 'Puritan Revolution'. (shrink)

: The controversy about research on human embryonic stem cells both divides and defines us, raising fundamental ethical and religious questions about the nature of the self and the limits of science. This article uses Jewish sources to articulate fundamental concerns about the forbiddenness of knowledge in general and of knowledge thought of as magical creation. Alchemy, and the turning of elements into gold and into substances for longevity, and magic used for the creation of living beings was at (...) stake in various Talmudic texts. Since contemporary discourse calls regenerative science magical, and makes claims about its restorative power, careful reflection on when magic is forbidden and when it is responsible allows a novel understanding of ethical questions in stem cell research. (shrink)

A widespread view of the natural sciences holds that their historical development was accompanied by a constantly widening gap between them and magic. Originally closely bound up with magic, the sciences are supposed to have distanced themselves from it in a long-drawn-out process, until they attained their present magic-free form. I would like, in this essay, to discuss some arguments in support of this plausible view. To this end, I shall begin with a definition of magical (...) and scientific concepts of nature. To exemplify the gap which, over several epochs, widened between the magical and the scientific understanding of nature, I would like to examine two concepts in natural science, both assumed by physics. The first concept I select is Aristotle's concept of physis. It was fundamental to the emergence of physics, and sets its mark on thought in this field right up to the beginning of the modern period. The distinctive characteristic of the second concept of nature is negative, consisting in the elimination of the Aristotelian distinction between physis and techne. I consider Galileo Galilei to be a trail-blazer for this anti-magical position, as well as a co-founder of experimental science with his mechanical and astronomical works. As a conclusion I will say something of the relationship of magic to concepts of nature typical of the following period, both in physics and other natural sciences. (shrink)

This book explores the changing perspective of astrology from the Middle Ages to the Early Modern Era. It introduces a framework for understanding both its former centrality and its later removal from legitimate knowledge and practice. The discussion reconstructs the changing roles of astrology in Western science, theology, and culture from 1250 to 1500. The author considers both the how and the why. He analyzes and integrates a broad range of sources. This analysis shows that the history of astrology—in particular, (...) the story of the protracted criticism and ultimate removal of astrology from the realm of legitimate knowledge and practice—is crucial for fully understanding the transition from premodern Aristotelian-Ptolemaic natural philosophy to modern Newtonian science. This removal, the author argues, was neither obvious nor unproblematic. Astrology was not some sort of magical nebulous hodge-podge of beliefs. Rather, astrology emerged in the 13th century as a richly mathematical system that served to integrate astronomy and natural philosophy, precisely the aim of the “New Science” of the 17th century. As such, it becomes a fundamentally important historical question to determine why this promising astrological synthesis was rejected in favor of a rather different mathematical natural philosophy—and one with a very different causal structure than Aristotle's. (shrink)

Eine weit verbreitete Auffassung über die wissenschaftlichen Naturverständnisse besagt, dass ihre historische Entwicklung von einer zunehmenden Abgrenzung gegenüber der Magie begleitet gewesen sei. Ursprünglich eng mit der Magie verbunden, hätten sich die wissenschaftlichen Naturverständnisse in einem langwierigen Prozess immer weiter von der Magie entfernt, bis sie ihre heutige amagische Gestalt erhalten hätten. Mein Beitrag diskutiert einige Argumente zur Stützung dieser, wie ich meine, plausiblen Auffassung. / A whitespread view of the natural sciences holds that their historical development was accompanied (...) by a constantly widening gap between them and magic. Originally closely bound up with magic, the sciences are supposed to have distanced itself from it in a long-drawn-out process, until they attained their present magic-free form. This essay discusses some arguments in support of this plausible view. (shrink)

Renaissance magic was an attempt to supply Platonism with a philosophy of nature that could compete with Aristotelian physics. It was expected to heal the increasing breach between science and faith. However, the basic presupposition of every magic worldview, the notion of a living universe, favors immanentism and arguably hastened the rise of secularism. Secularism, it should be noted, was not an identifiable set of theories but a process towards modernity with its correspondent philosophical theology. Three different stages (...) in that development can be shown in the philosophical systems of three famous Renaissance magicians: Henry Cornelius Agrippa, Giordano Bruno, and Tommaso Campanella. (shrink)

Can emancipatory, decolonial histories of science be extracted from objects collected from—or made visible to history by—the archives of colonialism? To answer this question, this essay presents the case study of a rhinoceros horn amulet (qarn al-khartit), an ethnographic object collected by the British anthropologist Winifred Blackman during her fieldwork in Egypt in the late 1920s. Markedly decentering the traditional colonial history of how the rhinoceros horn was collected and displayed as an object in European museums, the essay follows the (...) trail of the rhinoceros horn back to the site of its collection in Egypt to reveal a strikingly different story: one of non-Western histories of science/magic/medicine, gender, race, and enslavement, all set against the backdrop of Egypt’s imperial pursuits in East Africa. The essay proposes the method of decolonial materialism to “read” objects, like the rhinoceros horn, as archives of scientific knowledge otherwise. (shrink)

Magic takes many forms. Supernatural magic is what our ancestors used in order to explain the world before they developed the scientific method. The ancient Egyptians explained the night by suggesting the goddess Nut swallowed the sun. The Vikings believed a rainbow was the gods’ bridge to earth. The Japanese used to explain earthquakes by conjuring a gigantic catfish that carried the world on its back—earthquakes occurred each time it flipped its tail. These are magical, extraordinary tales. But (...) there is another kind of magic, and it lies in the exhilaration of discovering the real answers to these questions. It is the magic of reality—science. Packed with clever thought experiments, dazzling illustrations and jaw-dropping facts, The Magic of Reality explains a stunningly wide range of natural phenomena. What is stuff made of? How old is the universe? Why do the continents look like disconnected pieces of a puzzle? What causes tsunamis? Why are there so many kinds of plants and animals? Who was the first man, or woman? This is a page-turning, graphic detective story that not only mines all the sciences for its clues but primes the reader to think like a scientist as well. Richard Dawkins, the world’s most famous evolutionary biologist and one of science education’s most passionate advocates, has spent his career elucidating the wonders of science for adult readers. But now, in a dramatic departure, he has teamed up with acclaimed artist Dave McKean and used his unrivaled explanatory powers to share the magic of science with readers of all ages. This is a treasure trove for anyone who has ever wondered how the world works. Dawkins and McKean have created an illustrated guide to the secrets of our world—and the universe beyond—that will entertain and inform for years to come. (shrink)

Constitutivism is the view that we can derive a substantive account of normative reasons for action—perhaps a Kantian account, perhaps a hedonistic account, perhaps a desire-fulfillment account, this is up for grabs—from abstract premises about the nature of action and agency. Constitutivists are thus bound together by their conviction that such a derivation is possible, not by their agreement about which substantive reasons can be derived, and not by agreement about the features of action and agency that permit the derivation. (...) In the final section of the penultimate chapter of Reasons, a chapter devoted to discussing the merits of constitutivism, Eric Wiland has this to say: Constitutivism is ambitious. It attempts to extract an account of reasons for action from reflection on the bare ideas of action and agency. So we shouldn’t be surprised if doubts remain. Those who claim to extract reasons out of agency might remind us of those who claim to pull rabbits out of hats. you suspect that there must be a trick. (shrink)

Language, through the discrete nature of linguistic names and strictly determined grammatical rules, creates absolute, “quantized”, sharply separated “facts” within the external world that is continuous, “fuzzy” and relational in its essence. Therefore, it is similar, in some important sense, to magic, which attributes causal and creative power to magical words and formulas. On the one hand, language increases greatly the effectiveness of the processes of thinking and interpersonal communication, yet, on the other hand, it determines and distorts to (...) a large extent the picture of the world created within the mind. The relatively smallest (but still significant) magical admixture is present in science, because of its relatively reliable methodology, while the largest is found in religion and a large part of philosophy. The magical nature of language also manifests itself in logic and mathematics that refer to ill determined, fuzzy objects, sets and relations in the real world. The meaning of linguistic names is based on the conceptual network—an epiphenomenon (continuous in its essence) of the neural network—where interactions between particular concepts are based on the relation of connotation. The names and formulas of language correspond to these concepts which are best separated and determined. A direct relation of denotation between the elements of language and “facts” of the world is an illusion. While we cannot dispense with language because of its immense usefulness, we must remember about its “fact-creating” nature and influence on our thought and cognitive processes. The picture of the reality created as the result of them is to a large extent formed and deformed by the nature of language, and not by the “immanent” properties of the world in itself. (shrink)

The Ikhwan al-Safa (Brethren of Purity), the anonymous adepts of a tenth-century esoteric fraternity based in Basra and Baghdad, hold an eminent position in the history of science and philosophy in Islam due to the wide reception and assimilation of their monumental encyclopaedia, the Rasa'il Ikhwan al-Safa (Epistles of the Brethren of Purity). This compendium contains fifty-two epistles offering synoptic accounts of the classical sciences and philosophies of the age; divided into four classificatory parts, it treats themes in mathematics, logic, (...) natural philosophy, psychology, metaphysics, and theology, in addition to didactic fables. The Rasa'il constitutes a paradigmatic legacy in the canonization of philosophy and the sciences in mediaeval Islamic civilization, as well as having shown a permeating influence in Western culture. This is the fifth volume in a series presenting the very first critical edition of the Rasa'il in its original Arabic, complete with the first fully annotated English translation. Epistle 52: On Magic is the last in the corpus, and presents the short version of the 'Epistle on Magic, Incantations, and the Evil Eye'. Within its pages the authors of the epistle argue for the legitimacy of magic and the other occult sciences, and seek confirmation of their views in authorities as diverse as Plato, the Qur'ân, the Torah, the astrologer Abû Ma'shâr, and the mysterious sect of pagan star-worshippers known as the Sabians of Harrân. As in all other volumes of the series, this volume provides the first critical edition of the Arabic text, together with an English translation and a substantial range of notes. An extensive introduction highlights the unique relevance of this treatise within the framework of the Brethren's encyclopaedia itself, and to the history of science in general. (shrink)

It is argued here that cognitive science currently neglects an important source of insight into the human mind: the effects created by magicians. Over the centuries, magicians have learned how to perform acts that are perceived as defying the laws of nature, and that induce a strong sense of wonder. This article argues that the time has come to examine the scientific bases behind such phenomena, and to create a science of magic linked to relevant areas of cognitive science. (...) Concrete examples are taken from three areas of magic: the ability to control attention, to distort perception, and to influence choice. It is shown how such knowledge can help develop new tools and indicate new avenues of research into human perception and cognition. (shrink)

"Through a close reading of rarely studied materials, the author examines the contested position of the body in Renaissance philosophy, showing how abstract metaphysical ideas evolved in tandem with the creation of new metaphors that shaped the understanding of early modern political, cultural, and scientific practices. The result is a new approach to the issues that describes the function of new technologies (such as optics and distillation) and their interaction with popular creeds (such as witchcraft and folk medicine), as well (...) as their relationship to the newly discovered ancient Greek and Roman texts that captured the attention of Renaissance intellectuals. The text also investigates, for the first time, how some philosophers forged their original syntheses from newly available and traditional materials. In so doing, these philosophers contributed in unexpected ways to the formation of new cultural practices--practices that entailed largely unexplored conceptualisations of physical bodies but also linked inextricably to the formation of new and striking metaphors for the physical world."--Publisher. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:700 BOOK REVIEWS certain violations of justice can be appreciated without " any back· ground of social conventions" (p. 95). The cases he cites-racial and gender bias and the failure to return kindness-may he unproblematic for us, hut is this not because we have been tutored by the institutions of modern liberalism? A strong case can be made, moreover, that our general agreement vanishes when it comes to particular (...) cases. This raises a larger question: can character ethics-with its repudiation of impersonal decision procedures-provide a basis for even limited universalism? A less impersonal route would be that of Thomistic natural law, but Kupperman's meager attention to personhood and his emphasis upon the self as a " metaphysical term of art" makes this an unlikely route. Kupperman seems intent on securing limited universalism as a nee· essary framework for pluralism; the view is central to his thesis that moral education cannot substitute values clarification for absolutism, at least not in its initial stage (pp. 174-78). It is not clear, however, that the primacy of the language of " values " is compatible with an emphasis on strength of character. Kupperman concedes that an "antiphony of values " may make the achievement of strong character more difficult. He fails, however, to entertain seriously the possibility that the pluralism of post-modern liberalism might well generate a society of Nietzsche's last men, with no more than a " qualified loyalty to anything " (p. 137). While the argument of Character may not he fully persuasive, it nonetheless marks an important contribution to recent Hterature attempting to show that liberalism need not be indifferent to questions of the good and of human excellence. THOMAS s. HIBBS Boston College Chestnut Hill, Massachusetts The Magic of Ritual: Our Need for Liberating Rites that Transform Our Lives and Our Communities. By TOM F. DRIVER. San Francisco : Harper, 1991. Pp. 270. $19.95. Tom Driver, former theater critic and author of hooks about theater and religion, is Paul Tillich Professor of Theology and Culture at Union Theological Seminary, New York. He is also an active leader in the Ritual Studies section of the American Academy of Religion. This engagingly written book reflects all of these vocations and interests. When he writes compellingly that we suffer from a void of ritual that could give shape and meaning to human life he critiques the view that BOOK REVIEWS 701 Christianity is primarily about theology and doctrine as well as the shape and content of the liturgy as presently celebrated in many Christian churches. On the one hand, this book is an apologia for the role of ritual in Christian life; on the other, it is a trenchant critique of what and how liturgical churches ritualize their faith. In the Introduction he states that by design this work is about the " deep human longing for ritual; to interpret it in the light of our physical, social, polemical, sexual, moral, aesthetic, and religious existence; and to urge a reform of our ritual life, especially in religion, so that our longing for ritual and our longing for freedom may come together " (4). He poignantly observes that the book is a response to "ritual boredom" (7) and that much Christian liturgical practice " has become moribund " (ll). The book's fairly evenly distributed three parts concern "ritual pathways," a cursory survey of animal, human and church ritual behavior (chapters l to 3), " modalities of performance," relating ritual to theater and reflecting on ritual's relationship to confession and ethics (chapters 5 and 6), and" ritual's social gifts," reflecting on the results of ritual: order, community and transformation of participants (chapters 7 to 9). In many ways the book's Conclusion and two Appendices betray Driver's slant on the state of contemporary Christian liturgy and ritual studies by offering critiques of the celebration of some Christian liturgies (Conclusion and Appendix A) and of the work of the ritual theorist Victor Turner (Appendix B). While there is nothing really new in this last part of the book, these sections offer a particularly clear view of where Driver stands, what his prejudices are, and how current his scholarship really is. Reading these last sections first would... (shrink)

Is magic real? Could anything be real that can't be quantified or scientifically investigated? Are qualities like love, beauty, and goodness really just about hormones and survival? Are strangely immaterial things, like thought and personhood, fully explainable in scientific terms? Does nature itself have any intrinsic value, mysterious presence, or transcendent horizon? Once we ask these questions, the answer is pretty obvious: of course science can't give us a complete picture of reality. Science is very good at what it (...) is good at, but highly important aspects of human meaning are simply outside of science's knowledge range. So how might we better relate scientific facts to qualitative mysteries? How might we integrate our powerful factual knowledge with wisdom about the higher meaning of things? This book defines magic as the real qualities and mysteries of the world that science just can't grasp. It looks at how we came to put magic in the box of subjective make-believe. It explores how we might get it out of that box and back into our understanding of reality. (shrink)

In the “Notes for Lectures on “Private Experience‘ and “Sense Data‘", Wittgenstein endorsed one kind of inverted spectrum hypothesis and rejected another. This paper argues that the kind of inverted spectrum hypothesis that Wittgenstein endorsed is the thin end of the wedge that precludes a Wittgensteinian critique of the kind of inverted spectrum hypothesis he rejected. I will attempt to explicate the difference between the innocuous and dangerous scenarios, to give arguments in favor of the coherence of the dangerous scenario, (...) and to show that the standard arguments to the effect that the dangerous scenario is impossible are flawed or ineffective against the version of the dangerous scenario whose coherence I will be advocating. I will also agree with what I think is Wittgenstein’s position that the kind of inverted spectrum hypothesis he rejected lets qualia in the door, where qualia are qualities of experiential states whose phenomenal character cannot be expressed in natural language. Further, I will argue that acknowledging the coherence of the innocuous inverted spectrum commits Wittgenstein to the coherence of the dangerous inverted spectrum, thereby undermining Wittgenstein’s deepest views about the mind. In other work, I have used the inverted spectrum hypothesis as an argument against functionalism and representationism, but here the focus is on its role in arguing for the possibility of qualia. (shrink)

This comprehensive, psychological, and naturalistic analysis of prayer offers an alternative to William James's model of prayer. Faber analyzes religious faith psychologically and anthropologically, concluding that subjective prayer is finally an instance of homeopathic "magical" conduct. It ritualistically conjures up a version of the first, primal, biological situation, in which the dependent "little" one cries out to a parental "big" one for physical and emotional nourishment. Eventually, religion, and its expression of faith through prayer, provides us with a magical protective (...) presence that is natural in its return to the primal, rather than supernatural, as James argues, in its presence and existence. (shrink)

We regularly wield powers that, upon close scrutiny, appear remarkably magical. By sheer exercise of will, we bring into existence things that have never existed before. With but a nod, we effect the disappearance of things that have long served as barriers to the actions of others. And, by mere resolve, we generate things that pose significant obstacles to others' exercise of liberty. What is the nature of these things that we create and destroy by our mere decision to do (...) so? The answer: the rights and obligations of others. And by what seemingly magical means do we alter these rights and obligations? By making promises and issuing or revoking consent When we make promises, we generate obligations for ourselves, and when we give consent, we create rights for others. Since the rights and obligations that are affected by means of promising and consenting largely define the boundaries of permissible action, our exercise of these seemingly magical powers can significantly affect the lives and liberties of others. (shrink)

In an environment where astrology was widely respected, Plotinus accepted the role of heavenly bodies in answering prayer. Considering them divine, he denied them the use of memory (iv 4, 6-8); how then could he explain response to prayer received after an interval of time? Plotinus was also concerned to deny attributing intentionality in any response given, for good or evil, since that would make the astral deities responsible also for morally dubious answers. In his treatment of the issue in (...) this passage, Plotinus draws on a lengthy earlier discussion of the role of memory in the soul’s thinking and knowing (iv 3, 25-iv 4, 12), as associated primarily with that which exists in time and is characterized by αἴσθησις, i.e., the lower soul belonging to the composite living being (iv 3, 25.12-14; iv 4, 16-17). If astral deities have bodies, these are of a highly refined fiery nature, and can be affected only inasmuch as they participate in the cosmic circuit. What suppliants may regard as intentional response must therefore be understood as the effect of a type of ‘linking’ of the universe as a living organism in which all parts are coordinated in an interrelationship characterized by sympathy. This is why answers to prayer represent no more than the unintended reaction of natural forces in the universe, the very same forces also responsible for effective use of magic. If Plotinus does not assign much value to prayer, he does recognize that, as with magic, such incantations may have a harmful effect, if only for the lower soul. He therefore warns the wise person to guard against such outcomes by focusing the soul in its contemplation of what is higher, i.e., its inner life. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The “Magic” of Music:Archaic Dreams in Romantic Aesthetics and an Education in AestheticsAlexandra Kertz-WelzelO, then I close my eyes to all the strife of the world—and withdraw quietly into the land of music, as into the land of belief, where all our doubts and our sufferings are lost in a resounding sea....1Music serves many different functions in human life, accompanying everyday activities such as working, shopping, or watching (...) TV, as well as creating an individual world of sounds in which to relax, to enjoy life, or just to escape into one's dreams. Tia DeNora describes this personal use of music as a technology for the self and quotes Mireille, a contract cleaner, who thinks that "everybody should listen to music. It helps you to be calm, relaxed, to see your life differently."2This desire to change minds or moods and perhaps to be personally transformed by music also motivates adolescents to listen to their music giving them a strong feeling of self-identity and helping to relieve boredom, get through difficult times, or reduce tension.3 Although this obviously everyday use of music is usually different from the life-changing strong experiences with music which Robert Panzarella4 or Alf Gabrielsson5 investigate in their research, it nevertheless shows the natural human desire to use music to transform emotions or experience life more intensively. Certainly, adolescents do have different kinds [End Page 77] of intensive and even ecstatic experiences with music; for example, while attending a rock concert with its pseudo-religious implications, or a Friday night dance party with friends, or while making music in a band. Gabrielsson quotes the description of a young woman, attending an outdoor concert of Prince:One feels so free somehow. At concerts one can dance, jump, scream and sing as much as one wants. You are like a part of it all, not just a spectator. Throughout the whole concert the audience was in total ecstasy. It was only one thing that mattered: the music! You are filled with the wonderful feeling that everything is all right, that you are living only for what is happening 'right now.' You are in a way 'intoxicated with joy."... You don't think about what you are doing. You do what you feel like, without even thinking about it.6This desire for intensive or even ecstatic experiences through music is not only an aspect of individual life, it is also an important issue in the history of music and aesthetics from ancient times. One origin of music and art can be found in the relationship of music with religion and ritual, using sound's emotional and ecstatic power to connect the world of human beings and the sacred. Music as magic and a means of ecstasy was a frequent conceptualization in ancient Egypt, as well as in Greece, in the rites of ancient Celts and early Christians, and also in non-Western religions today.7 Priests or shamans among the Australian Aborigines, Native Americans, and West-African tribes use the emotional power of music to evoke trance in their contemporary practices.Unfortunately, the aesthetics of Western European art music, especially since the eighteenth century, tends to eliminate this sensual "magic"8 of music only to replace an ecstatic way of experiencing music with a more intellectual approach. The idea of absolute music or the aesthetics of formalism attempts to establish a "pure" approach to listening without feeling, imagination, or sensuality. It is a claim to elitism which might be one reason why it is difficult for students to be affected by Western European art music, since it appears to be far away from their own world of intensive music experience. Not only the way of listening and performing Western European art music, but also the music itself may prevent students from further involvement in "classical" music and having the kind of intensive experiences their "own" music offers them. If a goal of music education is not only to involve students in art music but also to deepen and enhance their lives through aesthetic experiences, it may be reasonable to start with their musical experiences and to... (shrink)

Ces dernières décennies, il est devenu habituel de considérer que la polis de la période classique contrôlait la religion sous tous ces aspects. Ce n’est que récemment que ce point de vue a été mis en question. Même si les aspects plus marginaux de la religion de la polis ont déjà reçu l’attention nécessaire, leur étude reste marquée, dans une certaine mesure, par les préjugés des savants des générations antérieures, eux-mêmes nourris des préjugés et des représentations des auteurs anciens. Cet (...) article se concentre sur les lieux de la vie reli­gieuse grecque, et plus particulièrement athénienne, où des livres et de l’écrit étaient particu­lièrement importants, dans la mesure où l’écrit permet aux gens de prendre une position plus indépendante en regard de la religion de la polis. Mes observations concerneront les manteis , la magie , les mystères et l’Orphisme , la mythographie , en terminant par quelques considérations sur la nature de la religion de la polis .In recent decades it has become customary to assume that in the classical period the polis controlled religion in all its aspects. It is only recently that this view is being questioned. Although the more marginal aspects of polis religion have already received the necessary attention, the study of these marginal aspects remains dominated, to a certain extent, by old prejudices of previous generations of scholars, which in turn were sometimes fed by the prejudices or representations of ancient authors. I will concentrate on those areas of Greek, especially Athenian, religious life in which books and writing were particularly important, as the written word enabled people to take a more independent stance in polis religion. Subsequently, I will make observations on manteis , magic , mysteries and Orphism and mythography , and end with some remarks on the nature of polis religion. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The “Magic” of Music:Archaic Dreams in Romantic Aesthetics and an Education in AestheticsAlexandra Kertz-WelzelO, then I close my eyes to all the strife of the world—and withdraw quietly into the land of music, as into the land of belief, where all our doubts and our sufferings are lost in a resounding sea....1Music serves many different functions in human life, accompanying everyday activities such as working, shopping, or watching (...) TV, as well as creating an individual world of sounds in which to relax, to enjoy life, or just to escape into one's dreams. Tia DeNora describes this personal use of music as a technology for the self and quotes Mireille, a contract cleaner, who thinks that "everybody should listen to music. It helps you to be calm, relaxed, to see your life differently."2This desire to change minds or moods and perhaps to be personally transformed by music also motivates adolescents to listen to their music giving them a strong feeling of self-identity and helping to relieve boredom, get through difficult times, or reduce tension.3 Although this obviously everyday use of music is usually different from the life-changing strong experiences with music which Robert Panzarella4 or Alf Gabrielsson5 investigate in their research, it nevertheless shows the natural human desire to use music to transform emotions or experience life more intensively. Certainly, adolescents do have different kinds [End Page 77] of intensive and even ecstatic experiences with music; for example, while attending a rock concert with its pseudo-religious implications, or a Friday night dance party with friends, or while making music in a band. Gabrielsson quotes the description of a young woman, attending an outdoor concert of Prince:One feels so free somehow. At concerts one can dance, jump, scream and sing as much as one wants. You are like a part of it all, not just a spectator. Throughout the whole concert the audience was in total ecstasy. It was only one thing that mattered: the music! You are filled with the wonderful feeling that everything is all right, that you are living only for what is happening 'right now.' You are in a way 'intoxicated with joy."... You don't think about what you are doing. You do what you feel like, without even thinking about it.6This desire for intensive or even ecstatic experiences through music is not only an aspect of individual life, it is also an important issue in the history of music and aesthetics from ancient times. One origin of music and art can be found in the relationship of music with religion and ritual, using sound's emotional and ecstatic power to connect the world of human beings and the sacred. Music as magic and a means of ecstasy was a frequent conceptualization in ancient Egypt, as well as in Greece, in the rites of ancient Celts and early Christians, and also in non-Western religions today.7 Priests or shamans among the Australian Aborigines, Native Americans, and West-African tribes use the emotional power of music to evoke trance in their contemporary practices.Unfortunately, the aesthetics of Western European art music, especially since the eighteenth century, tends to eliminate this sensual "magic"8 of music only to replace an ecstatic way of experiencing music with a more intellectual approach. The idea of absolute music or the aesthetics of formalism attempts to establish a "pure" approach to listening without feeling, imagination, or sensuality. It is a claim to elitism which might be one reason why it is difficult for students to be affected by Western European art music, since it appears to be far away from their own world of intensive music experience. Not only the way of listening and performing Western European art music, but also the music itself may prevent students from further involvement in "classical" music and having the kind of intensive experiences their "own" music offers them. If a goal of music education is not only to involve students in art music but also to deepen and enhance their lives through aesthetic experiences, it may be reasonable to start with their musical experiences and to... (shrink)

This paper deals with the “magic” of the Carpocratians, who, according to Irenaeus of Lyon, believed in the Platonic tripartite nature of the soul. The Carpocratian approach to philosophical magic is probably derived from Neoplatonic ideas popular during the first centuries of the Common Era. The Carpocrations, a second-century Christian Gnostic group, believed Yeshua was a soul personality like all other people, but because of his “spiritualization,” he reached the state of the “philosophical magician.” He did not lose (...) his memory while “staying with his Father” (while he was in the eternal sphere before his next incarnation) and, according to Irenaeus, despised the creators (angels) of the world during the ascension of the soul, a Hermetic and Neoplatonic notion. In addition, as the Christ, Yeshua overcame all emotions and passions. That is, according to the Neoplatonic tripartite nature of the soul, he overcame the emotional part of himself in favor of the spirit. This ascent gave him magical abilities such as healing and prophecy. The Carpocratians believed that each soul can achieve what Christ achieved. Ceremonial and heavenly magic was practiced by the Carpocratians, but their main goal was to achieve the complete spiritualization of the soul or the attainment of Christ Consciousness. To analyze Carpocratian magic, it is useful to use the theories of other magicians like Agrippa von Nettesheim or Iamblichus, because their ideas improve our limited understanding of the text by the Early Church Writer Irenaeus whose basic interest in the Carpocratians was heresiology. Finally, this analysis of how magic was applied by the Carpocratians could contribute to a better understanding of their philosophy. (shrink)

This paper deals with the “magic” of the Carpocratians, who, according to Irenaeus of Lyon, believed in the Platonic tripartite nature of the soul. The Carpocratian approach to philosophical magic is probably derived from Neoplatonic ideas popular during the first centuries of the Common Era. The Carpocrations, a second-century Christian Gnostic group, believed Yeshua was a soul personality like all other people, but because of his “spiritualization,” he reached the state of the “philosophical magician.” He did not lose (...) his memory while “staying with his Father” (while he was in the eternal sphere before his next incarnation) and, according to Irenaeus, despised the creators (angels) of the world during the ascension of the soul, a Hermetic and Neoplatonic notion. In addition, as the Christ, Yeshua overcame all emotions and passions. That is, according to the Neoplatonic tripartite nature of the soul, he overcame the emotional part of himself in favor of the spirit. This ascent gave him magical abilities such as healing and prophecy. The Carpocratians believed that each soul can achieve what Christ achieved. Ceremonial and heavenly magic was practiced by the Carpocratians, but their main goal was to achieve the complete spiritualization of the soul or the attainment of Christ Consciousness. To analyze Carpocratian magic, it is useful to use the theories of other magicians like Agrippa von Nettesheim or Iamblichus, because their ideas improve our limited understanding of the text by the Early Church Writer Irenaeus whose basic interest in the Carpocratians was heresiology. Finally, this analysis of how magic was applied by the Carpocratians could contribute to a better understanding of their philosophy. (shrink)

This chapter focuses on one of the common fallacies in Western philosophy called 'mystery, therefore magic fallacy' (MTM). One commits the (MTM) when one takes the fact that one cannot find a “natural” or “rational” explanation for some event or thing as a reason to favor or to accept a magical, supernatural, or fantastic explanation for that event or thing. This fallacy gets its name from the fact that we instinctually avoid it every time we watch a good (...) magic show. MTM is very common in religious circles since “God did it” is often the religious supernatural explanation of choice. In fact, MTM is simply another way of committing the appeal to ignorance fallacy. When committing MTM, one simply takes one's inability to prove there is a natural explanation (by finding one) to be a good reason to conclude there is not one. (shrink)

Despite its enduring popularity, theatrical magic remains all but ignored by art critics, art historians, and philosophers. This is unfortunate, since magic offers a unique and distinctively intellectual aesthetic experience and raises a host of interesting philosophical questions. Thus, this article initiates a philosophical investigation of the experience of magic. Section I dispels two widespread misconceptions about the nature of magic and discusses the sort of depiction it requires. Section II asks, “What cognitive attitude is involved (...) in the experience of magic?” and criticizes three candidate replies; Section III then argues that Tamar Szabó Gendler's notion of “belief-discordant alief” holds the key to a correct answer. Finally, Section IV develops an account of the experience of magic and explores some of its consequences. The result is a philosophically rich view of the experience of magic that opens new avenues for inquiry and is relevant to core issues in contemporary aesthetics. (shrink)

The task of this paper is to gather together Guattari’s scattered references to magic, from Chaosmosis and Schizoanalytic Cartographies, and to reconstitute his position, using animism as a guide. For magic is a bulwark against positioning schizoanalysis as another specialism, and in maintaining what Guattari called its ‘eccentric’ relation to professional psychotherapeutic practices. Magic serves Guattari as an antidote to the scientific schemas that dominate psychoanalysis and psychology. Guattari’s effort to reanimate magic as a viable reference (...) within schizoanalysis flies in the face of the ‘ideal of scientificity’. Whereas animism served Guattari’s decentring of subjectivity from the human individual, and his critique of the prevailing dichotomies of subject/object, human/nature, sign/real, to bring magic into play in schizoanalysis is to open it to ethno-psychiatric investigations of sorcery, as well as neo-pagan ecosophy. Magic is indispensable for understanding contemporary assemblages of enunciation, as it exists concurrently with the very forces that would try to banish it, as well as those which would attempt to exploit it for fascistic purposes. (shrink)

This article considers the meaning of the ancient Chinese magic square Luoshu. It is known that this square is the most ancient of this type of squares. The importance of the magic square in the philosophical tradition and in the whole culture of China is large. The ancient understanding of number differs from the modern one by its dual character, combining the features of philosophical symbolism and mathematical constructions. Unfortunately, modern interpretations of the Luoshu as well as other (...) numerical constructions preserved by the Chinese tradition are too often limited to a superficial statement of their symbolic, “numerological” nature, ignoring the effects of the mathematical structure represented by them. At the same time, some scholars strongly emphasize the intuitive aspects of numerology, which do not presuppose accuracy. On the contrary, Leibniz saw in the Chinese binary system of thinking the beginning of an exact universal language. The author, appealing to the concept of A.A. Krushinskiy, analyzes the arithmetic laws of the structure of the square. The article shows that the magic square Luoshu is not a numbers game. Without any doubt, its main meaning lies in the application of arithmetic. Chinese magic square is an illustrative implementation of one of the main features of Chinese language and traditional thinking – its rational and mathematical basis. The Luoshu square is a vivid example of visual constructivism in the Chinese style of thinking. By means of the magic square’s scheme, the procedure of generalization that is a basis of concepts formation is carried out. This procedure uses a mathematical magic square algorithm based on the numerical codes of the five elements. The quinary spontaneous symbolism is rooted in the Chinese traditional culture of thinking and life order. (shrink)

In this article, we discuss some issues concerning magical thinking—forms of thought and association mechanisms characteristic of early stages of mental development. We also examine good reasons for having an ambivalent attitude concerning the later permanence in life of these archaic forms of association, and the coexistence of such intuitive but informal thinking with logical and rigorous reasoning. At the one hand, magical thinking seems to serve the creative mind, working as a natural vehicle for new ideas and innovative (...) insights, and giving form to heuristic arguments. At the other hand, it is inherently difficult to control, lacking effective mechanisms needed for rigorous manipulation. Our discussion is illustrated with many examples from the Hebrew Bible, and some final examples from modern science. (shrink)

Hegel’s conception of a universal history of reason is usually interpreted as a Eurocentric project that is dismissive of the genuine contributions by other cultures. In contrast to this assumption, his views concerning Chinese philosophical traditions evolved significantly in his late Lectures on the Philosophy of Religion. Hegel increasingly acknowledges a unique contribution of Confucianism and especially Daoism. While Confucianism is depicted as a natural religion of magic in which the emperor governs as the supreme magician, Daoism revolts (...) against the emperor’s nepotism and turns to the Dao to elaborate a speculative philosophy of reason. The paper argues that the search for a rational form of mysticism is the basis for increasingly valuing the Chinese contributions to a conception of reason that incorporates mystical elements. (shrink)

In this article, we discuss some issues concerning magical thinking—forms of thought and association mechanisms characteristic of early stages of mental development. We also examine good reasons for having an ambivalent attitude concerning the later permanence in life of these archaic forms of association, and the coexistence of such intuitive but informal thinking with logical and rigorous reasoning. At the one hand, magical thinking seems to serve the creative mind, working as a natural vehicle for new ideas and innovative (...) insights, and giving form to heuristic arguments. At the other hand, it is inherently difficult to control, lacking effective mechanisms needed for rigorous manipulation. Our discussion is illustrated with many examples from the Hebrew Bible, and some final examples from modern science. (shrink)

"Konrad Talmont-Kaminski offers a very thoughtful and thought-provoking critique of the field and an alternative approach to magic, religion, and science that should spark some debate and further research Talmont-Kaminski has thrown down a challenge to the mainstream of anthropological thought about religion, and it is a challenge that we necessarily and gladly pick up." -- Anthropology Review Database "A philosophical naturalist's delight, this book - crisply written and carefully argued - weaves together insights about evolution, mind, and society (...) to explain how religions work and how secularisation threatens them." - Robert N. McCauley, Emory University Is religious belief a product of the mind? This book brings to light the multifaceted relationship between reason and religion. Religion as Magical Ideology examines the relationship between rationality and supernatural beliefs arguing that such beliefs are products of evolution, cognition and culture. The book does not offer a false rapprochement between reason and religion; instead, it explores their interrelationship as a series of complex adaptations between cognitive and cultural processes. Exploring the nature of the tension between religious traditions and reason, Religion as Magical Ideology develops a dual inheritance theory of religion - which combines the cognitive byproduct and prosocial adaptation accounts - and analyses the connection between the function of a belief and the degree of protection it gets from potential counter-evidence. With discussion ranging from individual cognitive mechanisms, general functional considerations, to the limits of evolutionary and cognitive processes, the book offers readers a systematic account of how cognition shapes religious beliefs and practices. (shrink)

ABSTRACT The imagination has always been thought to operate primarily in conjunction with the sense of vision, imagined objects and scenes being conjured up before the ‘mind’s eye’. In early nineteenth-century Scotland the natural philosopher David Brewster developed a theory of the imagination that explained its operation through a reversal of the normal processes of visual perception. These ideas were rooted in the mental philosophy of the eighteenth-century Scottish Enlightenment. For Brewster the mind’s eye was also the eye of (...) the body, and images from the memory and imagination were projected onto the retina in the same manner that images were projected onto the screen in a magic lantern show. This theory underpinned his belief that imagination played an essential role in scientific discovery. Brewster believed that this process was as essential to the discoveries of science as it was to the creation of great poetry. The writings of Brewster can tell us a great deal about the connections between science and literature in the early nineteenth century, as well as showing that the philosophy of science in contemporary Britain was far from monolithic. (shrink)

I present a detailed ethnographic study of magic and divination of the Nuosu people in southwest China and offer a cognitive account of the surprising prevalence of these objectively ineffective practices in a society that has ample access to modern technology and mainstream Han culture. I argue that in the belief system of the Nuosu, ghosts, divination, and magical healing rituals form a closely interconnected web that gives sense and meaning to otherwise puzzling practices, and such a belief system (...) is importantly supported and reinforced by individual’s everyday experiences. Contemporary Nuosu people overwhelmingly treat these practices as instruments for achieving specific ends and often entertain considerable uncertainty regarding their efficacy, which may be overestimated for a number of reasons, including the following: (1) the intuitive plausibility of divination for ghost identification and exorcist rituals is enhanced by the belief in the existence of ghosts as a result of abductive reasoning, (2) negative instances (divinatory or healing ritual failures) are underreported, and (3) people’s misperception of the probability of uncertain events’ occurrence often prevents them from realizing that the efficacies of magical/divinatory practices do not outperform chance. I conclude with some comments on the generalizability of the psychological and social mechanisms discussed. (shrink)