The particle internal clock conjectured by de Broglie in 1924 was investigated in a channeling experiment using a beam of ∼80 MeV electrons aligned along the 〈110〉 direction of a 1 μm thick silicon crystal. Some of the electrons undergo a rosette motion, in which they interact with a single atomic row. When the electron energy is finely varied, the rate of electron transmission at 0° shows a 8% dip within 0.5% of the resonance energy, 80.874 MeV, for which the (...) frequency of atomic collisions matches the electron’s internal clock frequency. A model is presented to show the compatibility of our data with the de Broglie hypothesis. (shrink)

The genre to which an artwork belongs affects how it is to be interpreted and evaluated. An account of genre and of the criteria for genre membership should explain these interpretative and evaluative effects. Contrary to conceptions of genres as categories distinguished by the features of the works that belong to them, I argue that these effects are to be explained by conceiving of genres as categories distinguished by certain of the purposes that the works belonging to (...) them are intended to serve. (shrink)

Nul besoin d’être exceptionnellement perspicace pour observer de visu que les femmes sont en général plus petites que les hommes. Mais pourquoi? Comment sélection naturelle et facteurs biologiques opèrent-ils pour produire du dimorphisme? Quel est le rôle de la culture et notamment des habitudes alimentaires dans la formation des différences de taille entre hommes et femmes? Et, plus généralement, comment la culture influence-t-elle les processus biologiques? La vaste et fascinante enquêt...

Introduction. The rapid dynamics of the present world results in its complication and construction. Reality turns out to be woven from many quote fragments, representing a collage that a person creates and comprehends through the prism of various texts. Constantly transformable forms come to the fore and, as a result, there exists a plurality of meanings. Models of the world are continuously generated, replacing the actual reality with a multi- tude of spectacular simulacra. The search for ways to comprehend reality (...) through the identification of markers of its transformations is noted, and under- standing becomes the basis of ontology and one of the dominants of consciousness in the last quarter of the 20th and first quarter of the 21st centuries. Signs and symbols of subculture, determined by the context of culture and presented by various means, become one of the markers of the social reality transformations. The purpose of the study is to show the markers of the transformation of the total communication society. Methods. Methodological framework is in G. Gadamer’s hermeneutic approach and the provi- sions of M. Halliday’s social semiotics to coding/de- coding the meanings of operators-markers of social transformations. In addition, other methods were used in the work - methods of analogy, analysis and synthesis. Fragments of the study devoted to the study of chanson as a creolized text required the use of a systematic method. Scientific novelty of the research. The authors re- vealed the specificity of the chanson as a creolized text and present understanding of the subculture as a marker of the social reality transformations, which is manifested by sign-symbolic forms of con- tinuously generated creolized texts, thanks to the technique and technologies of communication. Results. Markers of social reality transformations represent them in the format of creolized texts. What is broadcast in them is filled with a person and, consequently, his responsibility for their con- tent is growing. Semiotic methodology based on the synthesis of the intellectual capital of hermeneutics and linguistics makes it possible for us to consider them as a product of human sign-symbolic activity and decode the content. Conclusions. The specificity of human existence is determined by the existence of a person in the lin- guistic aspect of the world around him - the world is given by language, which involves the search for meaning and understanding of the world. Thinking and language are ontologically connected: mean- ing is expressed by linguistic means. Although the nature of the markers of social reality transforma- tions is different, nevertheless, it is presented and framed as a text, the understanding of which is one of the ways to comprehend social reality. (shrink)

Sylvia Wynter, novelist, dramatist, cultural critic, and philosopher, has called for a new poetics that “will have to take as its referent subject, that of the concrete individual human subject”. By “referent subject” Wynter means a shared sense, poetic in nature, that can nevertheless exclude many who are also expected to live it. Man, Wynter argues, as a referent subject first appeared in the Italian Renaissance. As Walter Mignolo has argued, this way of representing an individual is made visual in (...) Leonardo da Vinci’s Vitruvian Man, a man of perfect... (shrink)

Le livre de Françoise Thébaud, Écrire l’histoire des femmes, constitue une contribution importante à l’historiographie de la France et a reçu un accueil très favorable en 1998. Méditation, en premier lieu, sur l’évolution professionnelle de son auteure, le livre analyse en outre le développement de « l’histoire des femmes » et les débats théoriques et méthodologiques qui l’ont marqué. Cette nouvelle édition rend compte des développements jusqu’à l’année 2007 et met à jour la bibliographie. C...

Dans ce livre original et provocant, le linge n’est pas qu’une métaphore. On y trouvera beaucoup de matérialité : « les rideaux, les étoffes et tissus, les linges du corps et les uniformes », entre autres choses. Mais le linge y est aussi une métaphore, aux développements insoupçonnés : Le linge est le rappel du faste, du drapé, des brocarts. Linge de maison, il est le rappel des heures et des jours, des ordonnancements quotidiens, des servitudes du privé et du (...) public, des pratiques de l’int... (shrink)

Hegel’s viewpoint on Greek tragedy is a valuable way-station in any theoretical as well as practical consideration of dramatic play. Hegel considered Greek tragedy from the perspective of his dialectical system, thereby indirectly influencing dramaturgical practice in the 19th and 20th centuries. This is why the paper explores Sophocle’s tragedy Oedipus Rex from the viewpoint of Hegel’s theoretical perspective, as well as practical perspectives based on an influential textbook on playwriting by Lajos Egri. The paper further explores the different understandings (...) of dialectics in philosophical and dramatic dialogue. Also, it addresses the kind of applied dialecticism in the work of Greek artists of the 5th century BC. Finally, the text explores the early Greek literary form gnome, which is – hypothetically speaking – the source of the later Greek understanding of dialectics. (shrink)

Les phénoménologies historiques et contemporaines ont analysé la sexualité (Sartre, Merleau-Ponty), l’expérience de l’erôs et du féminin (Levinas), le phénomène de l’érotisme (Michel Henry, Jean-Luc Marion) en prétendant rendre compte de la structure générale de cette expérience. Toutefois, ils adoptent implicitement, « normalement » le point de vue du sujet masculin et, qui plus est, le plus souvent, celui d’une hétérosexualité dite « normale ». Et ce, sans procéder à un examen critique de c...

This 1995 book takes as its starting point Plato's incorporation of specific genres of poetry and rhetoric into his dialogues. The author argues that Plato's 'dialogues' with traditional genres are part and parcel of his effort to define 'philosophy'. Before Plato, 'philosophy' designated 'intellectual cultivation' in the broadest sense. When Plato appropriated the term for his own intellectual project, he created a new and specialised discipline. In order to define and legitimise 'philosophy', Plato had to match it against genres of (...) discourse that had authority and currency in democratic Athens. By incorporating the text or discourse of another genre, Plato 'defines' his new brand of wisdom in opposition to traditional modes of thinking and speaking. By targeting individual genres of discourse Plato marks the boundaries of 'philosophy' as a discursive and as a social practice. (shrink)

Pour compléter ce numéro, nous avons voulu échanger avec Krassimira Daskalova, professeure d’histoire contemporaine à l’université St. Kliment Ohridski de Sofia. Ses recherches personnelles sur la Bulgarie et les Balkans, mais aussi ses activités de coordination de la recherche – qui l’ont conduite, notamment, à présider l’International Federation for Research in Women’s History entre 2005 et 2010 – font de K. Daskalova une actrice de premier plan dans le développement de l’histoire des femme...

Dans la lignée des travaux issus du séminaire interdisciplinaire « Rapports sociaux de sexe dans le champ culturel », créé en 1995, ce recueil réunit sept articles centrés sur la question de la légitimité. Longtemps le regard porté sur la place des femmes dans la création s’est évertué à pointer l’absence de génies féminins, leurs apparitions ponctuelles et exceptionnelles, la moindre qualité de leur production sanctionnée par le déficit de postérité. Ce constat récurrent d’invisibilité bute...

Verb tenses play an important role in managing deictic relations between the narrator, the audience and the events happening in the story world. Across languages, the Simple Past is considered the conventional story-telling tense, reflecting the prototypical deictic configuration of stories in which the narrator is positioned at some distance from the events unfolding in the story. The Simple Present, on the other hand, is considered a marked option for narration, assumed to automatically result in a shift to a subjective (...) perspective. This paper reports on an analysis of a corpus made up of Dutch fictional short stories, news reports and feature articles. The results suggest that conventions for use and interpretation of verb tenses in narrative contexts are in fact genre-dependent. In the news genres, the Simple Present tense dominated in narration. This did not automatically result in a subjective mode or narration, but was naturally used to express a default narration of story events that temporally overlap with the temporal deictic center of the communicative ground. These findings suggest that previous analyses of verb tenses in relation to narration reflect an over-generalization based on the situational characteristics of prototypical narrative genres such as literary fiction and personal anecdotes. (shrink)

On associe souvent le début du xixe siècle avec une crise de masculinité. Les guerres napoléoniennes une fois terminées, la floraison de littérature romantique laisse croire que les hommes de cette génération cherchaient en vain un modèle de masculinité convenant à leur époque et aux circonstances du moment. Ce beau livre, issu d’une thèse de doctorat soutenue à l’université Paris-VII en 2010, utilise une vaste et diverse collection de sources publiées et non publiées pour s’interroger sur le...

Devenue mixte de façon très empirique depuis les années 1960, l’école est souvent mise en question pour son enseignement inégalitaire. L’auteure pose donc dans ce livre la question de la notion de l’égalité entre les sexes à l’école, une égalité qui se heurte à de fortes réticences provenant des traditions sociales et disciplinaires, des préjugés, des comportements hérités et même plus vraiment réfléchis. L’enjeu pédagogique, social et citoyen est majeur puisque, au-delà des savoirs, les manu...