Building upon an earlier critique of the Food and Drug Adminstration (FDA) granting of a humanitarian device exemption for deep brain stimulation in treatment-resistant obsessive compulsive disorder, this article considers how we regulate and finance DBS. It suggests that these devices are mosaic in nature: both potentially therapeutic and probative and that their dual roles need to be appreciated to maximize their therapeutic and investigational potential.

This longitudinal study explored patterns of basic psychological needs and self-determined motivation, as well as its association with the teaching style and the physical activity enjoyment in a group of students. The sample consisted of 200 secondary education students (105 girls and 95 boys) aged 11 to 13 years (M= 12.65,SD= 0.79) at the start of the study. Students were assessed twice in a 22 month-period. Descriptive analyses were conducted between major variables at both time points, and to explore the (...) number and nature of clusters, we relied on latent profile analysis. The statistical analyses showed three different patterns: downward, stable and upward, with different outcomes and determinants. The downward pattern was associated with more negative enjoyment and a controlling style, while the upward pattern with more positive enjoyment and autonomy support. This study, which was based on a person-centered approach, provided a bigger picture of the interplay between autonomy, competence, relatedness, self-determined motivation, autonomy/control support, and physical activity enjoyment. (shrink)

This essay critiques the fiercely utilitarian allocation scheme of Cameron et al. Children have no hope of recovery if their lives are cut short based on administrative protocols that misrepresent the nature of their conditions. Unilateral futility judgements - especially those based on a false predicate - are discriminatory. When considering the best interests of children, we should see possibility in disability and not advance ill-informed utilitarianism.

The COVID-19 pandemic that struck New York City in the spring of 2020 was a natural experiment for the clinical ethics services of NewYork-Presbyterian (NYP). Two distinct teams at NYP’s flagship academic medical centers—at NYP/ Columbia University Medical Center (Columbia) and NYP/ Weill Cornell Medical Center (Weill Cornell)—were faced with the same pandemic and operated under the same institutional rules. Each campus used time as an heuristic to analyze our collective response. The Columbia team compares consults during the pandemic (...) with the same period during the year prior. The Weill Cornell service describes the phases of the pandemic to depict its temporal evolution and subsequent ethical challenges. Both sites report that the predominant ethical challenges centered around end-of-life decision making, setting goals of care, and medical futility, all complicated by resource allocation questions and the ambiguity of state law under crisis standards of care. The Columbia campus saw a statistically significant increase in ethics consultations provided to Hispanic patients, perhaps reflective of the disproportionate burden of COVID-19 suffered by this demographic. While Weill Cornell and Columbia saw a surge in clinical ethics consultations, the two services assumed a more expansive role than one normally played in institutional life. Serving as intermediaries between frontline clinicians and senior hospital administrators, consultants provided critical intelligence to hospital leadership about the evolution of the pandemic, disseminated information to clinicians, and attended to the moral distress of colleagues who were asked to provide care under truly extraordinary circumstances. The COVID-19 surge in New York City revealed latent capabilities in ethics consultation that may prove useful to the broader clinical ethics community as it responds to the current pandemic and reconceptualizes its potential for future service. (shrink)

Abstract:Vulnerability is an important criterion to assess the ethical justification of the inclusion of participants in research trials. Currently, vulnerability is often understood as an attribute inherent to a participant by nature of a diagnosed condition. Accordingly, a common ethical concern relates to the participant’s decisionmaking capacity and ability to provide free and informed consent. We propose an expanded view of vulnerability that moves beyond a focus on consent and the intrinsic attributes of participants. We offer specific suggestions for how (...) relational aspects and the dynamic features of vulnerability could be more fully captured in current discussions and research practices. (shrink)

Comment définir l’homme d’un point de vue médical, sans tomber dans un pur matérialisme? Voilà la question que se posèrent les médecins italiens de la fin du Moyen Âge lorsqu’ils élaborèrent une théorie complète de la notion de complexion, conçue comme « qualité substantielle » propre à l’homme, mais variant dans certaines limites en fonction de l’hérédité, du régime, de l’âge ou encore des climats et des moeurs. Dès lors, certains de ces médecins pouvaient envisager d’améliorer, par leur art, non (...) seulement la santé, mais aussi l’humanité de chaque individu. (shrink)

Le prix Nobel de chimie montre comment ses résultats les plus récents en physique théorique lui permettent de résoudre les problèmes qui rendent invraisemblables, malgré leur succès retentissant, tant la physique classique que la mécanique quantique : le paradoxe du temps et le paradoxe quantique. ©Electre 2021.

La Déclaration des droits de l'homme nous est familière. Mais de quel homme parle-t-on? L'homme/esprit des Lumières ou l'homme/matière des sciences? En discutant ces deux approches, l'objectif de cet ouvrage est de réfléchir sur la particularité ontologique de chaque existence humaine. À partir d'exemples tirés de l'actualité juridique et politique, ce livre insiste sur la quête de sens inhérente à toute entreprise humaine. Être humain est un effort pour chacun, ce n'est pas un acquis. " Devenir humain " signifie lutter (...) pour trouver les valeurs de l'existence humaine. Le but de l'auteur est de montrer que l'être humain est constitué par le devenir. Sa vision du vivant redonne alors une place au finalisme : la vie n'est pas due au hasard. (shrink)

Que valent les formes de pensée traditionnelles face à l'apparition des régimes totalitaires? La démocratie a-t-elle présenté des lacunes favorisant l'émergence en son sein de tels régimes? Que devient l'idéal de progrès, de bonheur et de liberté des citoyens? Leo Strauss et Hannah Arendt ont tous deux affronté ce dilemme et posé la question de la portée de la philosophie politique. C'est leur démarche, strictement parallèle mais radicalement opposée, que Carole Widmaier confronte dans une étude stimulante : du constat de (...) la crise à leur parcours dans l'histoire de la pensée et à leur rapport respectif à la tradition et à la modernité. Tandis que Strauss invite à réhabiliter l'idée classique d'une nature humaine, Arendt montre la nécessité d'abandonner cette idée pour approcher l'existence humaine et ses différentes modalités. D'une part la défense d'un mode de vie philosophique retiré, la recherche de la vérité, de l'autre le « souci du monde » et l'attention à l'événement. Une réflexion salutaire pour affronter les maux de la modernité et s'ouvrir au changement politique. (shrink)

Throughout History, several arguments have been presented to support that though there are multiple intermediate ends, there is a single ultimate end. In this paper, we analyse the two possible lines of argument, one formal and the other of substantive nature. Both originate in Aristotle, but neither of them are conclusive in my opinion.

Using this bit of dialogue from Oscar Wilde as introduction, we propose to demonstrate the pertinence of the hostess’ remark and to show that the “Fin de siècle” really did mark a certain “Fin du globe”, connoting as it does the decline of art, the end of an era and of the eras in which artistic experience, and even experience of the world, was realized in a specific style. It was indeed the end of what we will here call “globe (...) style”.For a long time the notion of style had a very general significance. The origin of the word can no doubt be traced back to the term stilus, designating the punch that monks used for writing, and also probably an Egyptian etymon signifying a pillar. Through metonymic extensions the name of the instrument (an instrument, nevertheless, used in a highly intellectual activity) and the name of the individual work (but a work of cultural and artistic nature) have been subject to generalization and ultimately designate the specific quality of a phenomenon. Obviously it was necessary that this phenomenon be confirmed and made official through imitation and tradition. As for generalization of the phenomenon of style, its scope has become almost unlimited, taking in all forms of creative activity whether artistic or not, and ultimately almost all beings as long as they have assumed a form hallowed by tradition. (shrink)

La globalisation affecte les sociétés contemporaines en redessinant simultanément l’espace économique global et la configuration des pouvoirs. Elle s’insinue dans notre quotidien à travers la circulation des images et des objets de consommation, une circulation qui ignore la distance et les frontières. On ne s’étonnera pas que les flux culturels et leur impact local aient retenu la curiosité des anthropologues. Ils n’étudient pas seulement la nature de ces flux, mais la manière dont les sociétés s’adaptent ou résistent à cette situation, (...) allant de l’appropriation au rejet. Récusant toute forme d’essentialisme, l’anthropologie prend en considération des processus complexes trop vite amalgamés sous les catégories de multiculturalisme et de diversité culturelle. (shrink)

La fin du " monde humain "? Un panorama-discussion des tendances de la pensée actuelle (Badiou, Meillassoux, réalisme spéculatif, Latour, Stengers, Descola, Viveiros de Castro...), dans la perspective métaphysique propre à Pierre Montebello.

La sexualité préoccupe le Moyen Âge occidental : miroir de la nature peccamineuse de l’homme, elle en révèle le meilleur (tempérance, renoncement) et le pire (appétit, violence). Envisagée dans le seul mariage chrétien, elle est hors de ce cadre adultère, condamnée (juridiquement, judiciairement) et expose les individus à la vindicte populaire. Les lettres de rémission (grâce royale des crimes) des xiv e et xv e siècles témoignent de façon originale de l’impact que le type de conjugalité vécu peut avoir sur (...) les violences sexuelles faites aux femmes. Si les sources sont muettes et absentes sur les violences matrimoniales, isolement, célibat laïc, séparation et adultère exposent les femmes médiévales au viol. Mariée, la femme est appropriée, son corps territorialisé, gardé ; seule ou concubine, elle est mal famée et son corps à prendre. C’est dans ce paradigme que la question du couple et des violences sexuelles se pose alors. (shrink)

La sexualité préoccupe le Moyen Âge occidental : miroir de la nature peccamineuse de l’homme, elle en révèle le meilleur (tempérance, renoncement) et le pire (appétit, violence). Envisagée dans le seul mariage chrétien, elle est hors de ce cadre adultère, condamnée (juridiquement, judiciairement) et expose les individus à la vindicte populaire. Les lettres de rémission (grâce royale des crimes) des xiv e et xv e siècles témoignent de façon originale de l’impact que le type de conjugalité vécu peut avoir sur (...) les violences sexuelles faites aux femmes. Si les sources sont muettes et absentes sur les violences matrimoniales, isolement, célibat laïc, séparation et adultère exposent les femmes médiévales au viol. Mariée, la femme est appropriée, son corps territorialisé, gardé ; seule ou concubine, elle est mal famée et son corps à prendre. C’est dans ce paradigme que la question du couple et des violences sexuelles se pose alors. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Fabuler la fin du monde: La puissance critique des fictions d’apocalypse by Jean-Paul EngélibertCyril CamusJean-Paul Engélibert. Fabuler la fin du monde: La puissance critique des fictions d’apocalypse [Fabulating the end of the world: The critical power of apocalypse fiction]. Paris: Éditions La Découverte, 2019. 239 pp. Print. 20€. ISBN 978-2-348-03719-1.Jean-Paul Engélibert is a well-established expert on apocalyptic and postapocalyptic fiction. His exploration of the genre thus far includes (...) the monograph Apocalypses sans royaume: Politique des fictions de la fin du monde, XX–XXIe siècles (2013), numerous articles, as well as the essay collection L’Apocalypse: Une imagination politique, XIXe–XXIe siècles (2018), which he co-edited. In his latest book, Fabuler la fin du monde, he returns to several texts and aspects of the genre previously covered, delving deeper into what he calls “fictions of the end of the world.” In the ten chapters, gathered in five parts, he approaches his subject as a seasoned scholar in the field of comparative literature, and his analysis draws from comparisons between modern fiction’s representation of apocalypse and biblical literature’s visions of apocalypse and messianism. The book also offers ecocritical insights into the specter of Anthropocenic manifestations in fiction, with reflections on the interrelated genres of utopia and dystopia, theories of cinema, and philosophical writings on the catastrophic history of the twentieth and twenty-first centuries.The range of fictional works discussed is wide, including Jean-Baptiste Cousin de Grainville’s Le dernier homme (1805); Mary Shelley’s Frankenstein (1818); Émile Souvestre’s Le monde tel qu’il sera (1846); Didier de Chousy’s Ignis (1883); Robert Merle’s Malevil (1972); José Saramago’s Blindness (1995); Antoine Volodine’s Minor Angels (1999); Don DeLillo’s Cosmopolis (2003); Cormac McCarthy’s The Road (2006); Céline Minard’s Le dernier monde (2007); Davide [End Page 163] Longo’s The Last Man Standing (2010); and Margaret Atwood’s MaddAddam trilogy (Oryx and Crake [2003], The Year of the Flood [2009], and MaddAddam [2013]). Engélibert also touches on feature-length movies such as Stanley Kramer’s On the Beach (1959), Lars von Trier’s Melancholia (2011), Abel Ferrara’s 4:44 Last Day on Earth (2012), and Mamoru Oshii’s Ghost in the Shell (1995), as well as on other literary and audiovisual fictions, such as E. M. Forster’s short story “The Machine Stops” (1909), Edward Bond’s dramatic trilogy The War Plays (1985), and the first season (2014) of Damon Lindelof and Tom Perrotta’s TV series The Leftovers (2014–17).Engélibert’s exegeses of the genre build around two aspects of the evolving relationship of apocalyptic narratives to the context of their production. Apocalypse (in the sense of “the end of the world” rather than the etymological sense of “revelation”) is no longer primarily a religious myth: the creation and use of the atomic bomb during the Second World War, the theorization of the Anthropocene, and the mainstreaming of concerns over climate change have made the term “apocalypse” a very real, tangible prospect for the future. Engélibert relies on Günther Anders’s Die atomare Drohung (1981) to highlight the importance of the A-bomb in bringing home the reality of potential annihilation to people’s collective consciousness. Yet his second contextual/historical point is that the Anthropocene (albeit unnamed at the time) actually started with the Industrial Revolution, and that thinkers and polemicists such as Charles Fourier or Eugène Huzar, as well as contemporary fiction writers, were already acknowledging the environmental impact of humans and their economic/industrial/technological activity as threats to human and nonhuman life, and to the health of the planetary system itself.1Citing the work of Jean-Baptiste Fressoz and Christophe Bonneuil on the history of climate science, Engélibert analyzes in detail several nineteenth-century novels (namely Le Dernier homme, Frankenstein, Le monde tel qu’il sera, and Ignis) and one early-twentieth-century story (Forster’s “The Machine Stops”) that denounce the harm that the idol of the time, Progress, was already wreaking on nature and human life... (shrink)

La référence à la nature, qu'elle soit normative ou descriptive, croise les thèmes essentiels de l'éthique d'Aristote : la fin ultime, l'acquisition des vertus, le plaisir et les émotions, les liens relationnels, la justice et la vie en cité, la responsabilité. L'éthique aristotélicienne n'est pas pour autant "naturaliste" au sens où le bien humain dériverait de tendances et de prédispositions naturelles. Cet ouvrage, en procédant à une étude systématique de la référence à la nature dans l'éthique aristotélicienne, défend une nouvelle (...) interprétation du naturalisme pratique d'Aristote : un naturalisme critique, le plus souvent dialectique, qui s'interroge sur les conditions de base du bien humain ; non pas un naturalisme scientifique, en vertu duquel la biologie serait source de prescriptions morales, mais un naturalisme problématique qui délimite des possibilités d'agir. L'une des tâches primordiales du théoricien de l'éthique, comme celle du politique actif, est précisément d'évaluer dans quelle mesure le bien humain dépend de la nature ou s'en affranchit."--Page 4 of cover. (shrink)

No terceiro momento da “Analítica do belo”, Kant caracteriza o juízo de gosto de modo geral como aquele que se funda na percepção de uma conformidade a fins sem fim. O filósofo, entretanto, reconhece em seguida que muitas situações concretas não correspondem integralmente a esse ideal de pureza judicativa. Um caso notável é o da arte, pois a produção e a recepção dos seus objetos não pode perder completamente de vista o fim que determina aquilo que eles devem ser. Em (...) meu trabalho, abordo essas dificuldades sugerindo que, ao contrário do que se verifica no caso do belo natural, os juízos sobre o belo artístico têm por fundamento a percepção de uma “inconformidade a fins com fim”, expressão que, embora não seja utilizada por Kant, creio ser bastante útil para esclarecer o que o filósofo tem vista nessas passagens. (shrink)

En la filosofía kantiana la explicación de los organismos, como ejemplos de diseño complejo, es un problema de difícil solución. Como entidades materiales deberían ser explicables por leyes mecánicas. Por su diseño, exigen una explicación por causas finales. Ambas explicaciones son inaceptables. Per..

: The shepherd embodies a strange and disturbing society. Isolated, marginal, it forms a world apart and evolves in a wild space where mountains, valleys, meadows or forests make up the framework of its activity. In this non-domesticated nature the human presence is suspect. This confusing being is very often represented with an animalized, almost monstrous or deformed body which becomes a metaphor for social order. This grotesque body translates the prejudices of urbanites and elites. It fuels sexual fantasies and (...) symbolizes the disturbances of the natural and social order: freed from the laws of the city, it can try to seduce the young ladies and be insolent in front of the knights. It is a threat to the established order. But the shepherd also carries virtues. It is a model of Christian life: humility and holiness. It belongs to an original humanity, the form closest to divine creation. Two styles of representation of the shepherd therefore oppose the extremes. From texts from the end of the Middle Ages, we will see how the shepherd is an imaginary in opposition to an organized society but that his image has evolved positively until becoming the guardian of traditions and a being who lives in harmony with nature. Key words: stereotypes, shepherd, savagery, holiness, littérature, Middle Ages. Résumé: Le berger incarne une société étrange et inquiétante. Isolé, marginal, il forme un monde à part et évolue dans un espace sauvage où les montagnes, vallées, prés ou forêts composent le cadre de son activité. Dans cette nature non domestiquée la présence humaine est suspecte. Cet être déroutant est bien souvent représenté avec un corps animalisé, quasi monstrueux ou déformé qui devient une métaphore de l’ordre social. Ce corps grotesque traduit les préjugés des urbains et des élites. Il alimente les fantasmes sexuels et symbolise les dérèglements de l’ordre naturel et social : affranchi des lois de la cité, il peut tenter de séduire les demoiselles et se montrer insolent face aux chevaliers. C’est une menace contre l’ordre établi. Mais le berger est également porteur de vertus. C’est un modèle de vie chrétienne : humilité et sainteté. Il appartient à une humanité originelle, forme la plus proche de la création divine. Deux styles de représentation du berger opposent donc les extrêmes. A partir de textes de la fin du Moyen Age, nous verrons comment le berger est un imaginaire en opposition avec une société organisée mais que son image a évolué positivement jusqu’à devenir le gardien des traditions et un être qui vit en harmonie avec la nature. Mots clés : stéréotypes, berger, sauvagerie, sainteté, littérature, Moyen Age. Resumen. El pastor encarna una sociedad extraña y perturbadora. Aislado, marginal, forma un mundo aparte y evoluciona en un espacio salvaje donde montañas, valles, praderas o bosques conforman el marco de su actividad. En esta naturaleza no domesticada, la presencia humana es sospechosa. Este ser confuso a menudo se representa con un cuerpo animalizado, casi monstruoso o deformado que se convierte en una metáfora del orden social. Este cuerpo grotesco traduce los prejuicios de los urbanitas y las élites. Alimenta las fantasías sexuales y simboliza las perturbaciones del orden natural y social: liberado de las leyes de la ciudad, puede tratar de seducir a las jóvenes y ser insolente frente a los caballeros. Es una amenaza para el orden establecido. Pero el pastor también posee virtudes. Es un modelo de vida cristiana, de humildad y santidad. Pertenece a una humanidad original, la forma más cercana a la creación divina. Dos estilos de representación del pastor, por lo tanto, se oponen. A partir de los textos del final de la Edad Media, analizamos la imagen del pastor en oposición a toda sociedad organizada y la evolución positiva de su figura hasta convertirse en guardián de las tradiciones y en un ser que vive en armonía con la naturaleza. Palabras clave: estereotipos, pastor, salvajismo, santitad, literatura, Edad Media. (shrink)

Il y a naturellement un point de vue sociologique sur l'oecuménisme chrétien, point de vue d'autant plus légitime que l'oecuménisme se décline au pluriel. Mais ce même point de vue renvoie inévitablement aux divers conflits qui sont à l'origine des différenciations confessionnelles; ainsi se trouve pour une large part fondée et révélée l'importance anthropologique de la différence catholico-protestante. L'auteur cite au passage les chiffres d'enquêtes révélatrices de consciences d'appartenance et donc d'identité, avec pour effet des différences dans l'oecuménicité du vécu (...) religieux entre acteurs et organisations ecclésiastiques, ceci en raison d'un certain brouillage contemporain des différenciations confessionnelles. Par-delà les logiques de reconfessionalisations et de souci identitaire, l'auteur se demande si cette ultramodernité ne signe pas la fin de l'oecuménisme.Naturally, there is a sociological point of view about Christian ecumenism, a point of view all the more legitimate as ecumenism has many varieties. But this same point of view inevitably points to diverse conflicts that are at the origin of confessional differences. Thus, the anthropological importance of Catholic-Protestant differences are, for the most part, founded and revealed. Along the way the author cites the numbers in surveys that reveal the awareness of belonging, and therefore identity. The consequence is the difference between how ecclesiastical actors and organizations live religion ecumenically. This is due to a certain contemporary blurring of confessional differences. Beyond the logic of returning to one's confession and concern about identity, the author asks himself if this ultra modernity is not a sign of the end of ecumenism. (shrink)

A cultural icon of the fin de siècle, the New Woman was not one figure, but several. In the guise of a bicycling, cigarette-smoking Amazon, the New Woman romped through the pages of Punch and popular fiction; as a neurasthenic victim of social oppression, she suffered in the pages of New Woman novels such as Sarah Grand's hugely successful The Heavenly Twins. The New Woman in Fiction and Fact marks a radically new departure in nineteenth-century scholarship to explore the polyvocal (...) nature of the late Victorian debates around gender, motherhood, class, race and imperialism which converged in the name of the New Woman. (shrink)

Transformar el modo de vida individual es necesario para abordar la crisis ecosocial, y resulta perentorio que las políticas comprometidas con su resolución promocionen una capacidad individual de acción ecosocial. Sin embargo, parece que cierta brecha motivacional está obstaculizando la transformación del modo de vida individual. A fin de dar respuesta a esta brecha, ensayamos una mixtura del enfoque de las capacidades con las teorías de Hartmut Rosa. Argumentamos que la resonancia natural funge de factor personal de conversión necesario, (...) si bien no suficiente, para la capacidad de acción ecosocial; y que una política que promocione la resonancia natural se adecuaría también a los requisitos impuestos al desarrollo humano tanto por el enfoque de las capacidades como por la sostenibilidad. (shrink)

This article analyses the evolutionist discourses on the senses that emerged in the late 19th century, when theories on the evolution of species were in full sway. Drawing on newspapers, essays and medical literature, this article aims to set face to face the two currents of thought that I have identified regarding sensory evolution: the one that stressed the value of the progressive specialisation of the senses as evidence for human evolution mainly supported by Max Nordau, and the one which (...) regarded the sensory regrouping, exemplified by the phenomenon of synaesthesia, as the true symptom of evolution, strongly supported by Victor Segalen. A close examination of their arguments will provide clues concerning their relative position vis-à-vis the theory that stressed the exceptional nature of humankind among all living beings. Based on newspapers, essays and medical literature, this paper, which straddles several fields (history of science, philosophy, cultural history and aesthetics) aims to set both positions face to face, examining their arguments in detail and establishing their genealogies. This will lead to a better understanding of the scope and range of evolutionist discourses in the fin de siècle culture and on their impact upon artistic practices. (shrink)

Le présupposé éthique et politique de la modernité veut que la " nature " soit extérieure aux humains. Les hommes la considèrent comme leur " environnement ", comme si les choses de la nature étaient conçues aux seules fins de les servir. Telle est l'origine de la crise écologique de notre temps : le projet politique et technique d'asservissement d'une nature fantasmatique vouée à satisfaire nos besoins. L'État moderne résulte donc d'un prétendu droit selon lequel nous devons nous organiser en (...) vue de la lutte contre la nature et non d'une vie en harmonie avec elle. Ainsi pensée, la nature n'est plus qu'un vaste magasin où nous puisons notre nourriture. Quant à sa " valorisation ", elle se réduit à la marchandisation capitaliste de ses ressources. Pour faire face à la crise, nous devons requalifier les fondements politiques et moraux de nos façons de penser et d'agir, et substituer au droit naturel un droit biotique permettant une réforme radicale de la relation qu'entretiennent la cité des hommes et la nature. Car, en réalité, la crise n'est pas écologique mais politique : c'est celle des fondements essentiels de la cité. Plutôt qu'une politique des hommes sur les choses de la nature, il nous faut concevoir une cosmopolitique de la nature. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Beyond the Aesthetic Garden: Politics and Culture on the Margins of Fin-de Siècle ViennaScott SpectorThe rhetorical structure supporting Carl E. Schorske’s seminal Fin-de-Siècle Vienna: Politics and Culture 1 is frankly exposed. The argument—which may have single-handedly changed the discipline of cultural history—is an apparently simple one, and it is reasserted in this series of essays on diverse areas of cultural activity through the use of recurring metaphors. Schorske’s famous (...) thesis (modern culture as political surrogate for a marginalized liberal bourgeoisie) is represented through constantly resurfacing dichotomies: liberal political engagement and (vs.) the aesthetic “garden” of modern art; history and (vs.) desire and “the psyche”; politics and (vs.) culture. All of this is well known. In this essay I want both to assess our necessary debt to Schorske’s powerful work and to suggest what lies beyond it. If at the end of our own century we want to rethink Schorske’s founding project of an interdisciplinary cultural history of Central Europe, we cannot limit this initiative to the obviously important question of extending the contents of cultural inquiry (from high culture to popular culture, from the hegemonic nationality to non-German-speaking cultures, from patriarchy to the voices of women). The formal question packed up in the image of refuge from the historico-political in the aesthetic garden or the fortress of the psyche may offer most productive access to rethinking the Schorskean paradigm, instead of merely expanding its scope. For these reasons I want to focus on the rhetorical structure of Schorske’s essay collection against that of aesthetic and critical works from the Central European turn of the century. 2 Schorske’s historical analysis seems to be at odds [End Page 691] with these projects seen on their own terms—but to utter this is ironically to reiterate the tension between history or politics and aesthetic modernism articulated in the essays.The question at hand is hence two-fold. First of all, what is ideologically at stake in a historiographical construction that identifies Central European modernist aesthetic innovation as an escape from history and politics? Schorske’s interdisciplinary project of contextualization (his significant subtitle “Politics and Culture” has become an unshakable legacy for cultural history) is peculiar insofar as his diagnosis is that culture became increasingly isolated from political life. I have chosen to focus on the rhetorical opposition of “center” and “margin” in this essay because of Schorske’s implicit claim that the very class which was central to nineteenth-century Austrian liberalism—the German-speaking bourgeoisie—was “marginalized” by the rise of hostile anti-liberal ideologies (the “culture-makers” were “alienated along with their class in its extrusion from political power”). 3 As I hope to show, this geometry of center and margins was at the heart of the most innovative and potentially explosive play within so-called aestheticist texts around 1900. This brings us to the second half of this two-fold question: how might the “aesthetic moment” of the Central European fin de siècle be seen if we wish to go beyond Schorske’s diagnosis of a forced retreat into the temple of art, the fortress of the psyche, or the aesthetic garden? To get at both sides of this question—the ideological valence of the aesthetic moment and of its histories—I will focus on literary products, in particular on essays, for several reasons. One of these is that Schorske’s synthetic work is, after all, itself a collection of essays published over two decades.The privileging of the essay genre in coming to terms with the problem of turn-of-the-century aestheticism was established long before Schorske’s work. If we can find early examples of this generic strategy in fin-de-siècle authors such as Musil and Broch, the paradigmatic instance—and the place where the function of the essay-critique within aestheticist criticism is worked through—is the collection of Georg Lukács, Soul and Forms. 4 Several positions are taken in that work which may be useful to an understanding of Schorske’s essay project: Lukács asserts the essay’s fragmentary nature at... (shrink)

Although his positions on gender were neither particularly radical nor particularly representative of his age, Hegel proved counterintuitively central to early German philosophers elaborating openly feminist positions. The Young Hegelians' critique of religion offered a readymade way to critique traditional modes of grounding and vindicating gender roles. But it also, especially among more materialist thinkers like Ludwig Feuerbach, tended to rely on supposedly “natural” bases for gender inequality. This article traces a line of women thinkers beginning in Hegel's age, (...) stretching through the immediate aftermath of Hegel's death, all the way to the fin-de-siècle, who sought to destabilize the very idea of nature that lay behind both Hegelian and Young Hegelian accounts. Thinkers like Bettina Brentano-von Arnim (1785–1859), Louise Dittmar (1807–1884), and Helene von Druskowitz (1856–1918) charted a path between Hegel himself, Hegel's critics, renewers, and overcomers, to arrive at strikingly modern position. In particular von Druskowitz, critic of Feuerbach and Comte, interlocutor to Nietzsche and Hartmann, ended up with a philosophical position on nature that was nearly identical to the most radical feminist proposals of the 1960s: the end of human nature, even if it meant the end of the species. (shrink)

Summary Theories of familial, racial, and national degeneration in the late nineteenth and early twentieth centuries have been explored by historians in the context of social and moral pathology. At the same time nerve degeneration was studied in the post mortem room and in the laboratory but links to the broader ideology of degeneration have not been investigated by scholars. This paper joins these domains by examining the concept of Wallerian degeneration. It argues that various discourses—including those of the laboratory (...) scientist, the clinician, and the social theorist—employed the term degeneration, and these discourses frequently overlapped demonstrating that degeneration was a ubiquitous fact of Victorian and Edwardian nature. (shrink)

Se presenta al iusnaturalismo clásico, especialmente el defendido por Tomás de Aquino, como alternativa digna de reconocimiento en la actual situación de dispersión-y también de confusión- en que se encuentra la filosofía del derecho. La empresa intelectual que se ha intentado concretar en este libro es la mediación entre los resultados de los estudios sobre la ley natural y las líneas centrales de la argumentación teórica moderna con el fin de plantear en una nueva perspectiva el múltiple debate iusfilosófico (...) de nuestros días. Aquí se ha tratado de abordar algunos de los principales tópicos de la iusfilosofía actual, poniendo en diálogo al iusnaturalismo de raíz clásica con las principales propuestas de la filosofía del derecho actual, reinterpretándolo para hacerlo comprensible, interesante y expresivo para los hombres de comienzos del siglo XXI. (shrink)

Cet article propose, à la lumière d’un exemple particulier – l’abandon de la croyance en l’existence du Père Noël –, de tester différents scénarios théoriques de la rupture cognitive. L’exemple choisi, en raison de ses spécificités, ne peut prétendre invalider un modèle ou en confirmer définitivement un autre, mais il souhaite être une contribution au débat sur la base d’un matériau empirique rarement réuni en cette matière. Les 142 entretiens mobilisés permettent d’appréhender dans le détail divers aspects de l’abandon de (...) cette croyance : est-elle le fait d’incohérences internes ? de dissonances externes ? d’une concurrence cognitive ? est-elle suivie d’une crise ?This article proposes – with reference to a specific example : the denial of the existence of Santa Claus – to test several theoretical scenarios of cognitive rupture. Owing to its specific nature, this example cannot hope to invalidate one model or to confirm another, once and for all. However, being based on an empirical and original survey, it could emerge as a contribution to the debate. The 142 interviews allow us to examine different visions of the denial of this belief : is it the consequence of an internal disjuncture ? Of external dissonances ? Of cognitive competition ? Will it lead to a crisis ? (shrink)

This paper discusses the history of human being as a process of increasing inadaptation from nature and, at the same time, of adaptation to the technocultural environment, which human beings have built upon nature. The components of this environment have been easily identifiable as artificial until this century. Nevertheless, we are now creating copies of natural entities--living beings among them--which are so well designed that it is almost impossible to be able to distinguish between original and replicas.

The popularity of films like Titanic betokens a massive shift in the nature of aesthetic spectatorship in our time. The contemplative, distanced viewer who is able to judge from afar the spectacle before him or her, has been replaced by a more proximate, involved "kinaesthetic" subject whose body is stimulated as much as his or her eye. This is evident not only in mass culture with amusement thrill rides and the return of what has been called the "cinema of attractions"; (...) this new spectator can also be discerned in avant-garde culture, as shown by the Sensation exhibition of Young British Artists which caused such a stir in London and New York. This spectator is especially attracted to simulacral scenes of destruction and catastrophe, in which he or she is virtually immersed. If aesthetic judgement is to be a model for its political counterpart, as has been argued by theorists like Lyotard and Arendt, it cannot do so on the basis of this aesthetics of violent immersion. (shrink)

Ansgar Lyssy,Christian Leduc | : Le principe de moindre action fut découvert dans le domaine de l’optique et dans celui de la mathématisation du corps en mouvement à l’intérieur d’une structure de forces. Aussi bien Euler que Maupertuis prennent appui sur une compréhension métaphysique de la nature pour justifier l’extension de ce principe à un principe général de physique. Dans le présent article, je soutiens que les deux croient que la nature elle-même ne saurait employer de moyens inutiles pour ses (...) fins, et est donc économique. Le principe de moindre action peut être compris comme une tentative d’intégrer l’idée métaphysique d’une « économie de la nature » à l’intérieur du domaine de la science. | : The principle of least action was discovered in the realm of optics and in the mathematical properties of a body moving within a framework of forces. Both Euler and Maupertuis rely on a metaphysical understanding of nature to justify the expansion of this principle into a general principle of physics. In this paper, I argue that both believe that nature itself uses no unnecessary means for its ends, thus is economical. The principle of least action can be understood as the attempt to integrate this metaphysical idea of an “economy of nature” into the realm of science. (shrink)

en este artículo la imaginación es el concepto clave para identificar la evolución epistemológica del hombre natural. A través de la primacía del sentimiento de placer se va a exponer, en tres momentos, el desarrollo de las facultades mentales en donde, primero, predomina una imaginación pictórica individual que refiere el placer a los objetos de la sensibilidad y utiliza la razón calculadora para asegurárselos de forma continua. Segundo, su paso hacia una imaginación pictórica mediada por un poder capaz de (...) reunir a los hombres e imponerse, que refiere el placer hacia una realidad de signos y comportamientos comunes. Por último, la inmediatez del sentimiento de placer de la imaginación pictórica es subordinada al placer derivado de la creación de símbolos significativos lingüísticos y se ciñe a ellos. (shrink)

As scholars envision a new regulatory or statutory neurorights schema it is important to imagine unintended consequences if reforms are implemented before their implications are fully understood. This paper critically evaluates provisions proposed for a new Chilean Constitution and evaluates this movement against efforts to improve the diagnosis of, and treatment for, individuals with disorders of consciousness within the broader context of disability law, international human rights, and a capabilities approach to health justice as advanced by Amartya Sen and Martha (...) Nussbaum. Framed in this way, any neurorights regime would need to satisfy several criteria. First it would be obliged to balance both positive and negative rights in the furtherance of human capabilities. Second, it would need to be future oriented and informed about the science it sought to regulate and not fall prey to science fiction fantasies that remain ungrounded in reality. Third, it would need to be specific and avoid generalizations that would lead to conceptual confusion and litigation that could delay scientific progress. Finally, it would need to harmonize novel neurorights with long-established norms in international disability and human rights law. A failure to meet these criteria will destine any novel neurorights regime to the periphery. At this juncture Chile’s nascent constitutional venture into neurorights fails to satisfy these criteria. While there yet may be a role for a more capacious and bivalent articulation of neurorights that account for capabilities and precedent, the current Chilean neurorights reforms are vague and premature. As such they should undergo additional scholarly scrutiny and should not be adopted by other jurisdictions. (shrink)

El trabajo consiste en una elucidación de los elementos que conforman el concepto de pena natural (poena naturalis) en el Derecho penal. Se puede caracterizar la pena natural como el daño o sufrimiento que recae sobre el autor de un delito, producto de la comisión del mismo, que debe ser descontado de la pena legal que ha de aplicársele. Si bien existe un mínimo acuerdo sobre esto, tanto en la jurisprudencia como en la doctrina penal se observan serios (...) desacuerdos acerca de los requisitos que se deben cumplir para reconocer que se está frente a una pena natural. Para elucidar los elementos, se utilizará el constructivismo conceptual de Ronald Dworkin, a fin de describir el desacuerdo y sus implicancias, reconocer los elementos principales de la pena natural y justificarlos bajo su mejor luz moral. ABSTRACT This study focuses on the clarification of the conceptual elements of poena naturalis in criminal law settings. The poena naturalis is the damage or suffering that falls on the convict for its commission. This damage must be deducted from the poena forensis to be applied. Although there is a minimum agreement about the concept of poena naturalis, in the jurisprudence and among legal scholars, there are serious disagreements about the elements of poena naturalis. To elucidate the elements, I will adopt Ronald Dworkin’s conceptual constructivism to describe the disagreement and its implications. At last, I will justify the main elements of the poena naturalis by their best moral light. (shrink)

Joseph J. Fins calls for a reconsideration of severe brain injury treatment, including discussion of public policy and physician advocacy.

En 1975, Michelle Perrot s’interrogeait : « Refuser à la femme sa nature criminelle, n’est-ce pas encore une façon de la nier? ». Cette citation, rappelée en introduction (p. 5) puis en conclusion (p. 323), illustre bien la voie adoptée par Adrien Dubois. Le propos de cet ouvrage, en effet, est moins la violence faite aux femmes que celle qu’elles exercent. Il s’inscrit donc dans un champ historiographique très neuf. Des publications récentes ont montré combien les premières études féministe...

El presente artículo es una reflexión sobre los paisajes naturales y los jardines como paisajes construidos, a fin de hacer comprensible su importancia en las ciudades, así como la necesidad de reincorporarlos a la vida citadina y al diseño urbano. Para ello, me he centrado en las consideraciones filosóficas de Simmel y Watsuji sobre el tema, con el propósito de mostrar que el encuentro poéti- co entre la naturaleza y su contemplador no sólo permite reconoce el carácter particular o Stimmung (...) del paisaje natural con el cual nos vinculamos, sino que, al habitar poéticamente con la naturaleza, se manifiesta nuestro Kimochi, éste revela nuestro vínculo existencial e histórico con el clima y los eventos naturales, nos invita a desarrollar un lazo cultural existencial con los demás y con nosotros mismos. De ahí la necesidad de incorporar la naturaleza en las ciudades y apren- der a habitar poéticamente con ella. (shrink)