In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Ethics of Creativity: Beauty, Morality and Nature in a Processive CosmosJohn W. LangoBrian G. Henning The Ethics of Creativity: Beauty, Morality and Nature in a Processive Cosmos University of Pittsburgh Press, 2005. 250 + xii pp.The aim of this interesting but flawed book by Brian Henning may be related through some remarks about the terms in its title.1 The term "creativity" stems from the most (...) basic category in Whitehead's metaphysics in Process and Reality, "The Category of the Ultimate." The term "processive cosmos" echoes the full title of Whitehead's magnum opus: Process and Reality: An Essay in Cosmology. For Whitehead's metaphysics is both a philosophy of process and a philosophical cosmology. Thus, as the term "ethics" implies, Henning's book "presents a Whiteheadian ethic" (p. 8), an ethics grounded in Whitehead's metaphysics. This ethics is grounded particularly in Whitehead's axiology of aesthetic value (hence the term "beauty"), and it includes an environmental ethics (hence the linkage of the terms "morality" and "nature"). The inclusion of environmental ethics is central to the book's aim:If we are to have any hope of reversing the potentially catastrophic destruction and consumption of our natural environment, we must devise an ethical theory grounded in an axiology that acknowledges that every individual—from the most insignificant flicker of existence at the opposite end of the universe to complex individuals such as ourselves—has value not only for itself, but for others, and for the whole of reality.(p. 2)"The aim of this project, then, is," according to Henning's own summary, "to develop and defend a holistic, organic ethical theory grounded firmly in Whitehead's aesthetico-metaphysics of process" (p. 3).Indeed, Henning's project is worthwhile. Traditional ethical theory should be enlarged to include environmental ethics. Insofar as an ethics can be grounded on a metaphysics, it is important to explore how an ethics can be grounded on Whitehead's metaphysics. Since Whitehead's metaphysics is a philosophical cosmology, it is especially suitable as a grounding for an environmental ethics. Accordingly, in reading Henning's book, process philosophers should encounter many interesting ideas. [End Page 450]Nonetheless, the book has some significant flaws. First, there is a problem of audience. In addition to process philosophers, Henning wants his book to be accessible to philosophers who are not conversant with Whitehead's metaphysics, as the following passage evidences:Anyone seeking to develop a moral philosophy based on Whitehead's work faces many challenges. One obvious reason for the relative lack of attention given to Whitehead's work by mainstream environmental and moral philosophers is the density and abstruseness of the texts themselves. Coupled with the generally unfavorable view of metaphysical speculation among most contemporary ethicists, this has led many to admire Whitehead's work from afar. Given this, a secondary, though not unimportant, goal of this project is to show the value of Whitehead's complex process metaphysics for moral and environmental philosophy by presenting it in language that strives for clarity and seeks to do justice to the richness and nuances of his thought.(p. 8)Unfortunately, in the judgment of this reviewer, this secondary goal is not accomplished. The first chapter of Henning's book ("From Mechanism to Organism") contains an exposition of Whitehead's metaphysics (pp. 27–37). But this exposition is far too brief. Whitehead's technical terms are not explained sufficiently, and quotations from his writings are used too frequently. In subsequent chapters, an understanding of his metaphysics is presupposed. For example, the second chapter ("An Ecstatic Axiology") defends "an alternative to the classical interpretation of Whitehead's metaphysics" (p. 42), namely, "the ecstatic interpretation" (p. 51). (The classical interpretation is exemplified by Ivor Leclerc and William Christian, and the alternative interpretation by Jorge Nobo and Judith Jones.) Specialists in Whitehead should find this second chapter accessible, but nonspecialists are likely to find it unenlightening. Before attempting to read Henning's interesting book, I would encourage mainstream environmental and moral philosophers to study Whitehead's metaphysics from other sources.Acceptance of Henning's aim of developing an ethics grounded in Whitehead's metaphysics is impeded by "the... (shrink)

Principled discussions of civil rights became inherently less likely as a direct result of the observation by Earl Warren, in Brown v. Board of Education, that, respecting freedmen, “Education of Negroes was almost non-existent, and practically all of the race were illiterate,” and in proportion as that observation increasingly became the foundation of common opinion on the subject. Warren's observation was not true in any meaningful or non-trivial sense. Nevertheless, it served to perpetuate the myth of a backward people needing (...) help to catch up instead of the truth of a people being held back. That is the perspective – the disadvantaged group perspective – that ultimately infected all discussion of civil rights, even after the designation of so-called “disadvantaged groups” had been extended beyond American blacks. To define civil rights, we may well begin with what all mankind would likely recognize. Thus the dictionary definition of “civil rights” stands: “the rights that belong to all individuals in a nation or community touching property, marriage, and the like.” In that definition the term “rights” may be further expanded to mean “legitimate claims,” following the definition of right as law – as “a claim or title or interest in anything whatever that is enforceable by law.” This definition applies with minimal distinction of regimes intruding and, therefore, without the host of recent complications in the United States that create the impression that civil rights have something to do with pluralism. Previously, the generic definition was thought to exhaust the meaning of the term in the United States. (shrink)

"Bibliographical notes": pages [243]-244.

Das Buch widmet sich Komparatistischen Studien der interkulturellen Germanistik zu den Beziehungen zwischen Literaturen und anderen Künsten, Gattungen, Medien aus Mitteleuropa und aus anderen Kontinenten mit dem Ziel der Entwicklung einer Pluralität von Perspektiven auf gemeinsame Gegenstände 'Komparativer Ästhetik(en)'.

A new dimension is given to modulo theory by defining MOD planes. In this book, the authors consolidate the entire four quadrant plane into a single quadrant plane defined as the MOD planes. MOD planes can be transformed to infinite plane and vice versa. Several innovative results in this direction are obtained. This paradigm shift will certainly lead to new discoveries.

W. B. Gallie; IV—The Idea of Practice, Proceedings of the Aristotelian Society, Volume 68, Issue 1, 1 June 1968, Pages 63–86, https://doi.org/10.1093/aristoteli.

W. B. Gallie; I *—The Presidential Address: Rationality and the Use of Force, Proceedings of the Aristotelian Society, Volume 71, Issue 1, 1 June 1971, Pages 1–.

W. B. Gallie; I *—The Presidential Address: Rationality and the Use of Force, Proceedings of the Aristotelian Society, Volume 71, Issue 1, 1 June 1971, Pages 1–.

W. B. Gallie; IV—The Idea of Practice, Proceedings of the Aristotelian Society, Volume 68, Issue 1, 1 June 1968, Pages 63–86, https://doi.org/10.1093/aristoteli.

Intellectual eminence apart, what did Kant, Clausewitz, Marx and Engels, and Tolstoy have in common? Professor Gallic argues that they made contributions to 'international theory' - to the understanding of the character and causes of war and of the possibility of peace between nations - which were of unrivalled originality in their own times and remain of undiminished importance in ours. But these contributions have been either ignored or much misunderstood ; chiefly because, as with all intellectual efforts in unexplored (...) fields, they were often imperfectly expressed, and were also overshadowed by their author's more striking achievements. Professor Gallic has sorted out, compared and contrasted, criticised and re-phrased the teachings of his chosen authors on peace and war. (shrink)

Smarandache in 2019 has generalized the algebraic structures to NeutroAlgebraic structures and AntiAlgebraic structures. In this paper, authors, for the first time, define the NeutroAlgebra of neutrosophic triplets group under usual+ and x, built using {Zn, x}, n a composite number, 5 < n < oo, which are not partial algebras. As idempotents in Zn alone are neutrals that contribute to neutrosophic triplets groups, we analyze them and build NeutroAlgebra of idempotents under usual + and x, which are not partial (...) algebras. We prove in this paper the existence theorem for NeutroAlgebra of neutrosophic triplet groups. This proves the neutrals assocaited with neutrosophic triplet groups in { Zn, X} under product is a NeutroAlgebra of triplets. We also prove the non-existence theorem of NeutroAlgebra for neutrosophic triplets in case of Zn when n = 2p, 3p and 4p (for some primes p). Several open problems are proposed. Further, the NeutroAlgebras of extended neutrosophic triplet groups have been obtained. (shrink)

Is The Prelude a philosophical poem? It is, of course, many things besides: it is an autobiography; it contains profound reflections on psychology, education and politics; and there are passages of an almost purely lyrical character. Does it also contain philosophical poetry? On this question, the critics of Wordsworth are divided. Coleridge and Raleigh answer Yes; Arnold, Bradley, Dr. Leaves, from their different points of view, agree in answering No. I believe that the first answer is right, although it has (...) usually been supported by the wrong reasons. I believe the second answer to be wrong, although many of the arguments that are supposed to lead to it are in themselves sound enough. Those who say that The Prelude is not a philosophical poem, usually mean that it does not offer a coherent system of philosophy—that it expresses an original outlook and a personal wisdom, but that the only systematic philosophy in it comes at second-hand from Hartley or Coleridge and contributes not at all to the poem. And this is largely true. But the mistake is, to identify philosophy with system, philosophizing with “a philosophy.” This is a mistake that has been repudiated again and again by many of the greatest philosophers, from Socrates and Plato to Locke and Kant and others. I shall argue that The Prelude achieves philosophical poetry, because in it Wordsworth grapples with philosophical problems—problems which arise out of the story of his own early life—which are actually forced upon him by the poem itself; and because he tries to answer these problems in a way which would be possible only in poetry. (shrink)