Le roman proustien est une référence constante chez Genette. Cet article prend comme point de départ sa théorie du récit élaborée à partir de À la recherche du temps perdu dans Discours du récit, puis dans Nouveau Discours du récit et Fiction et Diction. Si Genette part du particulier (l’œuvre de Proust) pour aller vers le général (sa théorie narratologique), je me demanderai, en allant du général vers le particulier, en quoi son analyse narrative nous permet une meilleure compréhension de (...) l’œuvre de Proust. Pour montrer comment la poétique peut devenir complémentaire de la critique, j’étudie le cas de Paul Ricœur, qui s’est lui aussi penché sur la question du temps et du récit, pour montrer comment il a intégré la théorie de Genette dans une herméneutique littéraire, en déplaçant l’accent du texte vu comme une structure vers « le monde du texte ». (shrink)

Investment in financially distressed companies has taken place since the end of the depression. But a new breed of predatory activist investors called "vultures" has emerged in recent years. They take sizable debt positions in insolvent companies with the intention of significantly increasing the value of their investment through aggressive negotiation either in bankruptcy or in pre-bankruptcy restructurings. Predators thrive on adversarial conflict. Vulture investment is legal, but is it morally acceptable? This paper argues that the strategies and tactics (...) of vultures may be very unpleasant, but in themselves these are insufficient grounds for moral censure. (shrink)

In his Res Gestae, the historian Ammianus Marcellinus describes the Egyptian city of Thebes and the obelisks that can be found there. There is an unusual passage in which he describes hieroglyphic writings. He goes on to show, through two examples, how hieroglyphs might seem bizarre, but in fact contain their own logic which can be explained : non enim ut nunc litterarum numerus praestitutus et facilis exprimit quicquid humana mens concipere potest, ita prisci quoque scriptitarunt Aegyptii, sed singulae litterae (...) singulis nominibus seruiebant et uerbis; non numquam significabant integros sensus. cuius rei scientiam his inseram duobus exemplis. per uulturem naturae uocabulum pandunt, quia mares nullos posse inter has alites inueniri rationes memorant physicae, perque speciem apis mella conficientis indicant regem moderatori cum iucunditate aculeos quoque innasci debere his signis ostendentes. et similia plurima.For the ancient Egyptians did not write as nowadays, when a prescribed and easy series of letters expresses whatever the human mind can imagine; but individual characters served as individual nouns and verbs; and sometimes they signified whole ideas. I will show the knowledge of this with these two examples. They represent the word for ‘nature’ by a vulture, because no males can be found among these birds, as natural history records; and by the figure of the bee making honey they indicate ‘a king’, showing by these signs that in a ruler stings also ought to arise from sweetness. And there are many similar instances. (shrink)

In this paper, I argue that clinically-oriented practical and theoretical approaches to the problem of pain should more carefully heed narrative and phenomenological research. I begin with the work of S. Kay Toombs, contending that her phenomenological account of multiple sclerosis demonstrates how a degenerative condition attendant with pain ultimately effect a constriction of one’s world. Drawing upon two of artist Yosl Bergner’s depictions of the story, I then present a reading of Kafka’s “The Vulture” as a literary account (...) of the constrictive movement of acute, localized pain to chronic, systemic pain. I conclude by discussing the implications of literary and phenomenological accounts of pain for its diagnosis, management, and treatment. (shrink)

The picture of an eagle carrying its young on its wings (Dt 32:11) is a powerful and encouraging image of trust and security in God. It is particularly relevant for Western culture, where the eagle is a prominent symbol of power and strength. In recent years, though, the translation of the Hebrew term רֶשֶׁנ as ‘eagle’ has come into question and modern exegetes claim that it is more accurately translated as ‘vulture’. But can this really be a symbol of (...) comfort? Furthermore, do eagles (or vultures) even carry their young on their wings? This article intends to shed some light on these questions.Keywords: Old Testament; Deuteronomy; Eagle; Vulture. (shrink)

A leading figure in the emerging field of extinction studies, Thom van Dooren puts philosophy into conversation with the natural sciences and his ethnographic encounters to vivify the cultural and ethical significance of modern-day extinctions. Unlike other meditations on the subject, _Flight Ways_ incorporates the particularities of real animals and their worlds, drawing philosophers, natural scientists, and general readers into the experience of living among and losing biodiversity. Each chapter of _Flight Ways_ focuses on a different species or group of (...) birds: North Pacific albatrosses, Indian vultures, an endangered colony of penguins in Australia, Hawaiian crows, and the iconic whooping cranes of North America. Written in eloquent and moving prose, the book takes stock of what is lost when a life form disappears from the world--the wide-ranging ramifications that ripple out to implicate a number of human and more-than-human others. Van Dooren intimately explores what life is like for those who must live on the edge of extinction, balanced between life and oblivion, taking care of their young and grieving their dead. He bolsters his studies with real-life accounts from scientists and local communities at the forefront of these developments. No longer abstract entities with Latin names, these species become fully realized characters enmeshed in complex and precarious ways of life, sparking our sense of curiosity, concern, and accountability toward others in a rapidly changing world. (shrink)

As Paul Griffiths [2002] puts it, “innateness” is associated with different clusters of related ideas where each cluster depends on different historical, cultural and intellectual contexts. In psychology innateness is typically opposed to learning while the biological opposite of innate is ‘acquired’. ‘Acquired’ and ‘learned’ have different extensions. Learning is one way to acquire a character but there are others. Cuts and scratches are unlearned yet acquired; if we could acquire languages by popping a pill, then languages would be unlearned (...) yet acquired according to the wide biological application of the term [Sober, 1998]. Further, in psychology and philosophy innateness is often associated with both “universality” (or species-specificity), and, relatedely, innate traits are often thought to be “fixed” or “unmodifiable”. But, biologists recognize a range of developmental patterns that a specific trait may take. Some are universal, but others are not, as in the case of innate diseases. Some are “fixed” in the sense that once we develop them we have them for the rest of our lives; some innate diseases are like this, but others, are modifiable. Sober [1998] cites a case of an Egyptian vulture that when first confronted with an ostrich egg and a stone, will break the egg with the stone, but if the vulture repeatedly comes to find broken eggs to be empty, it will eventually stop breaking eggs. These examples lend support to Griffiths’s thesis, since the concept of innateness in psychology appears to be in several ways distinct from the concept of innateness in biology. (shrink)

In a recent article in this journal M. L. West made the plausible suggestion that some features of the parodos of Aeschylusü Agamemnon, including the famous simile of the vultures deprived of their young, display the influence of Archilochusü celebrated epode in which Lycambes was admonished with the tale of the fox and the eagle. I think a passage in the Choephoroe confirms his view. One of the Oresteiaüs most characteristic traits is the manner in which themes and images recur (...) during the trilogy. The simile of the vultures at Ag. 48 ff. and the omen of the eagle and the hare at 112 ff. are conspicuously placed and vividly drawn, and we are not surprised to find a resumption of this imagery in the Choephoroe, when the eagleüs nestlings, Electra and Orestes, are reunited and plan their revenge . Here we find the image reversed: the young have lost their parents, not the parent-birds their young as at Ag. (shrink)

The Homeric influence on two prominent avian images in the parodos of the Agamemnon—the vulture simile and the omen of the eagles and the pregnant hare —has long been noted. In 1979 West suggested that the animal imagery also derived in part from Archilochus’ fable of the fox and the eagle , and his discussion was quickly welcomed and supplemented by Janko's reading of the eagle and snake imagery used by Orestes at Cho. 246–7. Capping this triennium mirabile of (...) critical interest in Aeschylus’ birds of prey, Davies argued that the convincing resemblances between the fable and the Aeschylean passages in West's thesis—the anthropomorphism implied in παίδων and δεγπνον and the concern of Zeus for aggrieved animals —derive more generally from the nature of fable rather than from any one particular tale. Thus we have, according to Davies, an example of Aeschylus ‘exploring the resources and familiar modes of expression of a popular and well-known genre’ and transforming it into ‘the purest and sublimest type of poetry’. (shrink)

:This selection draws from Vinciane Despret's book Beasts and Humans, a compendium to the eponymous art exhibition held in Paris's Parc de la Villette. The two selections translated here highlight the abilities of animals to teach us their forms of knowledge and intelligence. The first selection draws from the ancient Greek concept mētis to highlight a form of cunning intelligence that is shared and learned between humans and animals. It is an overlooked and often neglected form of intelligence, especially in (...) comparison to phronesis or sophia, but, as Despret notes, humans have been transformed by what they've learned, habitually and bodily, by their proximity with animals. The second selection showcases how animals continue to surprise and confound humans’ expectations. Drawing on two different cases where vultures have been reintroduced into extirpated areas of Europe, Despret shows how the success and achievement in one area is not necessarily duplicated elsewhere, and how different forms of kno.. (shrink)

An English eccentric and an agitated dean -- Mr. McGregor's garden -- I banish you -- Vultures and ostriches -- Post mortem.

In this paper, I investigate Freud’s study of infantile zoophobias. According to Freud, in nearly all cases of infantile animal phobias, the feared animal functions as a father figure. The feared animal takes on the prohibitive role as the father substitute. The substitutability of the animal and the father is crucial for Freud, as it anchors his theory regarding the familial, social, and religious structure of a patriarchal society. In light of this standard animal-father substitution, Freud’s biography of Leonardo da (...) Vinci stands out as a provocative exception. In this psychoanalytic biography, Freud examines da Vinci’s relationship with a vulture—only here the vulture is an androgynous creature that serves as a mother substitute. More significantly, unlike other accounts of infantile zoophobia, the vulture has an empowering rather than crippling effect on the infant da Vinci. With the story of the androgynous vulture, I argue that Freud’s interpretation of da Vinci opens up a new way to understand our relationships with animals—a way that not even Freud himself anticipated. In short, I analyze the significance of this deviant case of animal obsession in Freud’s corpus and its ramifications for reconceiving the human-animal relationship. (shrink)

On inquiring into the nature of the Charites one may be astonished at the disagreement of their compounding elements. On the one hand, they appear as the very representatives and even personification of gracefulness and charm, brightness, and joy; their name itself seems to testify this, closely allied as it is with the verb χαρειν besides the particular names of the most renowned Hesiodic trinity—Aglaia, Euphrosyne, and Thalia—that is to say, brilliancy, mirth, and florescence. Hence arose the Roman conception of (...) the Gratiae decentes; hence also the widespread neo-humanistic idea, clothed by Goethe in the well-known verse of the Classical Walpurgis Night: ‘Grace we are bringing into life ….’ But, on the other hand, we discover the incontestable kinship of Charis with Charon, the ugly and sullen ferryman of the lower world, the still more amazing relation between Eurynome, the mother of the Hesiodic trinity, and Eurynomos, the horrid demon of decay, the vulture-skinned devourer of putrefying corpses in the Delphic Nekyia of Polygnotos. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Courage To LiveAntonella ColaceI am not the patient. I have not received an organ. I am her mother; I am a shadow patient. My responsibility was to make decisions about a gift for my one-year-old daughter in the summer of 2007. A liver.Elisa had a hepatoblastoma. After chemotherapy, the tumor might have been removed, but in the final stages of the work-up a portal vein malformation necessitated a (...) transplant. The medical team at a hospital in northern Italy informed us of the intervention.So many words! Trying to understand what they were saying seemed like a lost cause to me, but I quickly realized that these were people I should trust blindly.These medical team members, by the end of the experience, would all become part of my family. They embraced us in their capacity as professionals and as human beings. I never felt alone or excluded.How many times late in the evening I heard a soft knock at the door of Elisa’s hospital room and behind that delicate touch, I found her doctor ready to leave for home, but not before one last [End Page 131] recommendation for his little patient and a wish of peaceful sleep.The relationship between health workers and the family has developed into an effective relationship of communion and understanding, which has often translated into affectionate terms in communicating with each other. They asked me: “Mom, how is Elisa?”..... Yes—mom!These highly trained medical experts have understood that a parent can sometimes somehow discern the danger behind the otherwise asymptomatic daughter’s subdued attitude; or a surreptitiously high fever, of little concern because Elisa was playing and laughing.I was made to feel an active part of every initiative and decision. My observation point on Elisa, who could not speak for herself, was fundamental for them.I never experienced the hospital as a hostile environment—quite the contrary!It comforted me to have people around us, ready to intervene, reason, and solve the physiological difficulties of my little girl. The hospital was a room in my house, a room whose door was always ajar and in need, I crossed its threshold full of trust, hope, and courage.Today some of those doctors and nurses are my friends. I have a lot of respect for them, gratitude, and admiration.Elisa being placed on the transplant list and waiting for a donor were the first obstacles to overcome.The “warrior” fought against two monsters, time and the tumor. The timing was everything because Elisa had to be in the period of non-toxicity after chemotherapy but could not wait too many weeks without active therapy in favor of a cancer that, lurking like a vulture, was only waiting for the ideal moment to start growing again.The most dramatic thing to overcome and accept was hoping for someone’s death. For Elisa to live, someone else had to die. I felt like an executioner. I didn’t think of anything else; I didn’t sleep at night.In the end, choosing to visualize death as a gift, I had to accept it.It was summer, on August 20th, and another hot and boring night in hospital awaited us. The nurse came into the room to tell me that our lottery ticket had won that night. There was a compatible liver for Elisa. The organ would come from a young woman who had died while swimming in the Sicilian Sea.If they had stabbed me at that moment, maybe not a drop of blood would have left my body. I was paralyzed, incredulous, terrified.My daughter had already been operated on, but it would be different this time. This time they would open her abdomen to remove her diseased liver and replace it with that of a dead young woman, by now sealed in a body bag in a Sicilian morgue. A cold body, deaf now, silent!A young woman for whom, while I was rejoicing, some other shadow patient was despairing, caught up in an unstoppable whirlwind of pain.I felt like throwing up while I cried tears of joyful hope. Guilt grew in my... (shrink)

The largest flying creature alive today is the Andean condor Vultur gryphus. At maximum size it weighs about 22 pounds and has a wingspread of about 10 feet. But 65 million years ago in the late cretaceous period, the last age of dinosaurs, there was another larger flying animal, the giant pterosaur Quetzalcotalus. It had a wingspread of over 40 feet, the size of a small airplane. Other pterosaurs were also quite large. The pteranodons of the late jurassic period, the (...) classic flying dinosaurs of magazine illustrations, had a maximum wingspan of about 33 feet. (shrink)