In the late 2010s, various international committees, expert groups, and national strategy boards have voiced the demand to ‘open’ the algorithmic black box, to audit, expound, and demystify artificial intelligence. The opening of the algorithmic black box, however, cannot be seen only as an engineering challenge. In this article, I argue that only the sort of transparency that arises from critique—a method of theoretical examination that, by revealing pre-existing power structures, aims to challenge them—can help us produce technological systems that (...) are less deceptive and more just. I relate the question of AI transparency to the broader challenge of responsible making, contending that future action must aim to systematically reconcile design—as a way of concealing—with critique—as a manner of revealing. (shrink)

It is part of the phenomenology of perceptual experiences that objects seem to be presented to us. The first guide to objects is their perceptual presence. Further reflection shows that we take the objects of our perceptual experiences to be among the causes of our experiences. However, not all causes of the experience are also objects of the experience. This raises the question indicated in the title of this paper. We argue that taking phenomenal presence as the guide to the (...) objects of perception, we can see that at least in two sensory modalities, smell and touch, there is no uniform answer to this question. The objects of olfactory and tactile experiences can move along the causal chain. Accordingly, the content of olfactory and tactile experience may vary. (shrink)

One can often hear that intuitions are standardly “appealed to”, “relied on”, “accounted for”, or “used as evidence” in ethics. How should we interpret these claims? I argue that the typical understanding is what Bernard Molyneux calls “descriptive evidentialism”: the idea that intuition-states are treated as evidence of their propositional contents in the context of justification. I then argue that descriptive evidentialism is false- on any account of what intuitions are. That said, I admit that ethicists frequently rely on intuitions (...) to clarify, persuade, discover, or to support things other than the intuitions’ contents. The contents of intuitions are also commonly used as starting premises of philosophical arguments. However claims about these practices need to be sharply distinguished from the prevalent dogma. (shrink)

In this paper we investigate Boolean connexive logics in a language with modal operators: □, ◊. In such logics, negation, conjunction, and disjunction behave in a classical, Boolean way. Only implication is non-classical. We construct these logics by mixing relating semantics with possible worlds. This way, we obtain connexive counterparts of basic normal modal logics. However, most of their traditional axioms formulated in terms of modalities and implication do not hold anymore without additional constraints, since our implication is weaker than (...) the material one. In the final section, we present a tableau approach to the discussed modal logics. (shrink)

In order to understand how the environment influences business owner/managers’ attitudes towards tax morale, we build a theoretical model based on a neo-institutionalist framework. Our model combines three complementary perspectives on institutions—normative, cultural–cognitive and regulatory–instrumental. This enables a broader understanding of factors that influence business owner–managers’ attitudes towards tax evasion. We test the resulting hypotheses using regression analysis on survey data on business owner/managers in Latvia—a transition country, which has undergone massive institutional changes since it was part of the Soviet (...) Union over 25 years ago. We find that legitimacy of the tax authorities and the government, feeling of belonging to the nation and perceptions of the risk and severity of punishment are all associated with higher tax morale for business owners and managers. (shrink)

Contemporary development of research methods and tools is often conducive to ambitious art studies, in which the research methodology and study protocol are the result of negotiations between creative and research strategies. The article discusses the key sources, possibilities, and threats of interdisciplinary projects often referred to as practice-as-research. The following comparison of the orders of the scientific methodology and the artistic convention allows one to show the similarities and potential points of contact between science and art, which are independent (...) of the different values and methods of evaluation in both of these areas. The research-based practice model by Pil Hansen and Bruce Barton is also presented as a solution that takes these issues into account. It is also used to present the project of Interdisciplinary Center for New Technologies of the Nicolaus Copernicus University in Toruń and the Art & Science Research Foundation om—organisms and machines in culture (FUNom) the project "Neurophysiology of the Artist in Performance", which is a bold example of the transdisciplinary activities of scientists and researchers. Its content is analyzed through the reports of artists, researchers, and participants taking part in public presentations of the project. (shrink)

W artykule podjęta jest próba intuicyjnej syntetycznej interpretacji sokratejskiej maieutyki w duchu psychologii homeryckiej. Bazując na tej interpretacji, opracowano ćwiczenie uświadomionego mówienia, które zostało włączone do zajęć akademickich: „Jak praktycznie wykorzystać własną głupotę? – doradztwo filozoficzne w warsztacie psychologa”, prowadzonych na Uniwersytecie Warszawskim i w Szkole Wyższej Psychologii Społecznej w latach 2004–2012. Na gruncie akademickim były to pierwsze w Polsce seminaria poświęcone doradztwu filozoficznemu. Podczas ćwiczeń studenci byli proszeni o zapisywanie swoich obserwacji. Niektóre ćwiczenia były filmowane. W ten sposób został (...) zebrany bardzo ciekawy materiał, który może być podstawą do dalszych poszukiwań teoretycznych i empirycznych. W artykule krótko przedstawiam, czym jest uświadomione mówienie, prezentuję zapiski z ćwiczeń studentów oraz wskazuję na krótki materiał filmowy. (shrink)

In his pioneering study of Grande Dame Guignol (also referred to as hag horror or psycho-biddy), a female-centric 1960s subgenre of horror film, Peter Shelley explains that the grande dame, a stock character in this form of cinematic expression, “may pine for a lost youth and glory, or she may be trapped by idealized memories of childhood, with a trauma that haunts her past” (8). Indeed, a typical Grande Dame Guignol female protagonist/antagonist (as these two roles often merge) usually deals (...) with various kinds of traumatic experiences: loss of a child, domestic violence, childhood abuse, family conflicts or sudden end of career in the fickle artistic industry, etc. Unable to cope with her problems, but also incapable of facing the inevitable process of aging and dying, she gradually yields to mental and physical illnesses that further strengthen the trauma and lead to her social exclusion, making her life even more unbearable. Unsurprisingly, scholars such as Charles Derry choose to name psycho-biddies horrors of personality, drawing attention to the insightful psychological portrayal of their characters. Thus, it would be relevant and illuminating to discuss films such as Die! Die! My Darling! (1965) and Whoever Slew Auntie Roo? (1971) as narratives of trauma. This will be the main concern of my article. (shrink)

The article discusses the issue of the departure from examining real behaviours in a real environment, a trend in social psychology which has been observed going back several years, and the impact of this phenomenon for social psychology as a scientific discipline. The article presents two studies on the well-known and explored “bystander effect”. This phenomenon is examined in two ways – once by way of a “traditional” field experiment conducted in natural conditions, and once through a survey. As it (...) turned out, the results generated by the two studies were diametrically opposite, and only in the field experiment were we able to achieve a pattern of results consistent with those in the original studies. (shrink)

Standard deontic logic (SDL) is defined on the basis of possible world semantics and is a logic of alethic-deontic modalities rather than deontic modalities alone. The interpretation of the concepts of obligation and permission comes down exclusively to the logical value that a sentence adopts for the accessible deontic alternatives. Here, we set forth a different approach, this being a logic which additionally takes into consideration whether sentences stand in relation to the normative system or to the system of values (...) under which we predicate the deontic qualifications. By taking this aspect into account, we arrive at a logical system which preserves laws proper to a deontic logic but where the standard paradoxes of deontic logic do not arise. It is a logic of strictly-deontic modalities DR. (shrink)

The aim of this paper is to reconstruct and correct one argument in support of the symmetrization postulate in quantum mechanics. I identify the central premise of the argument as a thesis specifying a particular ontic property of quantum superpositions. The precise form of this thesis depends on some underlying assumptions of a metaphysical character. I compare the exchange degeneracy argument with alternative formal arguments for the symmetrization postulate, and I discuss the role and meaning of labels in the symmetric/antisymmetric (...) representations of the states of many particles. (shrink)

Consider how we evaluate how normal an object is. On the dual-nature hypothesis, a normality evaluation depends on the object’s goodness and frequency. On the single-nature hypothesis, the evaluation depends solely on either frequency or goodness. To assess these hypotheses, I ran four experiments. Study 1 shows that normality evaluations vary with both the goodness and the frequency assessment of the object. Study 2 shows that manipulating the goodness and the frequency dimension changes the normality evaluation. Yet, neither experiment rules (...) out that some people evaluate normality solely based on frequency, and the rest evaluate normality solely based on goodness. Whence two more experiments. Study 3 reveals that when scenarios are contrasted—presented one after another—only frequency matters. But, as study 4 shows, when scenarios are evaluated alone, both frequency and goodness influence normality evaluations in a single person, although the more a person is sensitive to one dimension, the less she’s sensitive to the other. The dual-nature hypothesis seems thus true of uncontrasted applications of the concept of normality, whereas the single-nature hypothesis seems true of contrasted applications. (shrink)

Oficjalny dorobek literacki Mariana Pankowskiego jest imponujący, ale dopiero przebadanie jego obfitego archiwum domowego pokazuje, ile literackich planów czy szkiców nie zostało zrealizowanych i, w związku z tym, jak naprawdę rozległa była twórczość tego pisarza. W jego prywatnych zbiorach znajdują się, między innymi, duże fragmenty planowanych sztuk, ciekawe warianty znanych z późniejszych oficjalnych wydań krótkich form prozatorskich, jak również pominięte rozdziały ze słynnej powieści Matuga idzie. Wśród innych materiałów, które dopiero czekają na odkrycie, są opowiadania, szkice, recenzje, relacje, a także (...) fraszki, dowcipy, wierszyki okazjonalne, setki listów, wreszcie prywatno-artystyczny dziennik pisany w drugiej połowie lat pięćdziesiątych XX wieku. To ważny dla historii polskiej literatury materiał, który czeka na kolejnych badaczy. W niniejszym artykule, łącząc metodę close reading niewydanych materiałów źródłowych z ujęciem komparatystycznym w odniesieniu do oficjalnej bibliografii omawianego pisarza, pokazano, w jakim stopniu warsztatowe wprawki oraz warianty wpływały na jego publikowaną twórczość lub ją uzupełniały. (shrink)

The author of the article discusses the great variety of the visions of the figure of God and the heaven in the revolutionary poetry between 1918 and 1939. God, the religion, the church or the synagogue were the symbols of the social oppression and the injustice or, on the contrary, the figure of God, especially Christ, was created as the most significant revolutionist and the symbol of the new, communist order. The article offers a presentation of many revolutionary, atheistic lyrics, (...) which connect communist ideology with Jewish or Christian religious symbols. It is focused on the former futurists’ poetry (by Aleksander Wat, Bruno Jasieński, Anatol Stern) and the lyrics by the communist propagandists of the inter-war epoch. (shrink)

The article is a tentative analysis of the construction of reality created in Bolesław Leśmian’s lyric poetry; an attempt to specify its most important elements, the relationships between them and the main mechanisms which control the poetical world of the author of Łąka [The Meadow). The discussion centres on the motifs of existence and non-existence, death and nothingness, time and space, as well as the creation of Leśmian’s characters, especially God, who is presented in a variety of images (from the (...) presentation of the poetic consequences of Nietzsche’s conception of God’s death, depriving him of his omnipotence, placing him outside the world and his humanization to his pantheistic diffusion into the reality created in the poems). (shrink)

This article is a short presentation of God existance in Julian Tuwim’s works. In the early period of Julian Tuwim literal output, in juveniles and Czyhanie na Boga (Wailing for God), Sokrates tańczący (Dancing Socrates), Siódma jesień (Seventh Autumn), Słowa we krwi (Words in Blood), God is shown with a passion and nostalgia. But afterwords its position changed and was usually depicted as Jesus Christ. God became a sinonime of lost love, order, consolation in the article of awe existance, justice (...) which lack of them is visible for Tuwim. God is a creation power and women become deified by him. It is hard to talk about transcendental experience in Tuwim’s poetry. There is no way out to the history, society and culture. (shrink)

In my article I present the conception of soul of Cornelius Agrippa based on his greatest work "De occulta philosophia" which is a kid of summa of natural and occult philosophy, hermeticism, cabbala, astrology, humanistic theology, medicine, and alchemy. Henricus Cornelius Agrippa von Nettesheim (1486-1535) was a famous renaissance philosopher, cabalist, astrologer and theologian whose contribution in renaissance philosophical deliberations is significant but still unknown in Poland. Agrippa's notion of soul is very important for his own project of new pure (...) magic which is described in his opus magnum. Therefore agrippian magic contains and perfects three kinds of knowledge: phisics, mathematics and theology. In the similary way Agrippa divided whole Cosmos in to three worlds. First and the most inferior world of the threefold Cosmos is the world of four elements of substance in Aristotle's meaning. The second one is the world of celestial bodies which comprises planets, stars and laws that rule them, and which is above the first world. The third one is the divine world of angels, soul of the world with platonic ideas and other intelligibilities. The three kinds of knowledge which Agrippa also called "regulative philosophy" are very useful for human in studying of each of three agrippian worlds. From this point of view also notion of humanity is very important for Agrippa. By the similarity between the macro- and microcosmos which appear in Agrippa's thought also human soul is threefold. Thus human soul contains in hierarchical order three parts viz.: idolum (which is the most inferior), ratio (being the middle part) and mens (which is on highest position in human soul). Each part has its own function which can be fully activated by God's light received by mens. In describing of functions of threefold soul Agrippa receives inspirations from prior philosophers like Aristotle, Awicenna or Awerroes. Another cause which emphases a great role of the agrippian conception of the soul is its connection with oryginal concepts of phantasy and threefold melancholy which is similar to the treepartite soul. Those two concepts are the examples of the influences of celestial powers which source is in stars and planets. (shrink)

Artykuł dotyczy formułowania hipotez w pracach doktorskich. Składa się z dwóch części. W pierwszej omówione jest znaczenie terminu hipoteza i jej miejsce w schemacie postępowania badawczego. W drugiej części przedstawiona jest typologia niedoskonałości związanych z formułowaniem hipotez. Wyróżnia się w niej trzy główne kategorie niedoskonałości. Omówienie tych kategorii opiera się na przykładach zaczerpniętych z prac doktorskich.

The paper presents a draft model of the relationship between shame, treated as one of the self-conscious emotions, and the identity formation process. Two main concepts of shame have been discussed here: shame as an adaptive emotion, in line with the evolutionary approach, and as a maladaptive emotion, according to cognitive attribution theory. The main thesis of this paper states that shame has an essential, both constructive and maladaptive, importance for identity development and that its effect is indirect as it (...) works through the mechanisms of emotion regulation. The destructive and disrupting influence of shame is not an immanent feature of this emotion, but it is a consequence of malfunctioning mechanisms of shame regulation. The association of shame with identity formation relates to the exploration dimensions - exploration in breadth, exploration in depth and ruminative exploration, as well as to commitment making and identification with commitment. (shrink)

Here, we discuss historical, philosophical and technical problems associated with relating logic and relating semantics. To do so, we proceed in three steps. First, Section 1 is devoted to providing an introduction to both relating logic and relating semantics. Second, we address the history of relating semantics and some of the main research directions and their philosophical applications. Third, we discuss some technical problems related to relating semantics, particularly whether the direct incorporation of the relation into the language of relating (...) logic is needed. The starting point for our considerations presented here is the 1st Workshop On Relating Logic and the selected papers for this issue. (shrink)

Timeless Radcliffe: A Review of Ann Radcliffe, Romanticism and the Gothic - Tomasz Fisiak Yeats’s Genres and Tensions: A Review of Charles I. Armstrong’s Reframing Yeats: Genre, Allusion and History - Wit Pietrzak Review of Anna Pochmara’s The Making of the New Negro: Black Authorship, Masculinity, and Sexuality in the Harlem Renaissance - Antoni Górny “Artful Exaggeration” - Krzysztof Majer Interviews Bill Gaston Transcultural Theatre in the UK - Uilleam Blacker Talks to Joanna Kosmalska.

Timeless Radcliffe: A Review of Ann Radcliffe, Romanticism and the Gothic - Tomasz Fisiak Yeats’s Genres and Tensions: A Review of Charles I. Armstrong’s Reframing Yeats: Genre, Allusion and History - Wit Pietrzak Review of Anna Pochmara’s The Making of the New Negro: Black Authorship, Masculinity, and Sexuality in the Harlem Renaissance - Antoni Górny “Artful Exaggeration” - Krzysztof Majer Interviews Bill Gaston Transcultural Theatre in the UK - Uilleam Blacker Talks to Joanna Kosmalska.

The principles that govern the functioning of science and visions of the ethics of scientific research are changing. Many researchers who are examining these changes observe a shift from the academic ethos to the industrial — or “corporate” — ethos. Under the new law on higher education and science, which was passed by the Polish Parliament in 2018, new regulations to the Polish state university system have come into effect. The basic aim of my article has been to examine the (...) scientific ethos in Poland. I based my research on the new statutes adopted by university senates, in which I focused on the value statements and declarations that express the beliefs of university authorities about the most important and desirable model of science. I compared two groups of universities, those which have obtained the status of research universities and colleges from the Upper Silesian Metropolis. My goal was to answer the following questions: 1. What values create the declared ethos of science? 2. What is their hierarchy? 3. To what extent is the ethos of both groups of universities similar? 4. Has the scientific ethos present in the new statutes changed in relation to what was declared earlier? In order to answer these questions, I have applied the technique of document content analysis. My research shows that 1. The ethos of science is changing; 2. The set of declared values in the material under scrutiny is rich and varied. (shrink)