Abstract

The article is a tentative analysis of the construction of reality created in Bolesław Leśmian’s lyric poetry; an attempt to specify its most important elements, the relationships between them and the main mechanisms which control the poetical world of the author of Łąka [The Meadow). The discussion centres on the motifs of existence and non-existence, death and nothingness, time and space, as well as the creation of Leśmian’s characters, especially God, who is presented in a variety of images (from the presentation of the poetic consequences of Nietzsche’s conception of God’s death, depriving him of his omnipotence, placing him outside the world and his humanization to his pantheistic diffusion into the reality created in the poems).