The author of the article discusses the great variety of the visions of the figure of God and the heaven in the revolutionary poetry between 1918 and 1939. God, the religion, the church or the synagogue were the symbols of the social oppression and the injustice or, on the contrary, the figure of God, especially Christ, was created as the most significant revolutionist and the symbol of the new, communist order. The article offers a presentation of many revolutionary, atheistic lyrics, (...) which connect communist ideology with Jewish or Christian religious symbols. It is focused on the former futurists’ poetry (by Aleksander Wat, Bruno Jasieński, Anatol Stern) and the lyrics by the communist propagandists of the inter-war epoch. (shrink)

The article is a tentative analysis of the construction of reality created in Bolesław Leśmian’s lyric poetry; an attempt to specify its most important elements, the relationships between them and the main mechanisms which control the poetical world of the author of Łąka [The Meadow). The discussion centres on the motifs of existence and non-existence, death and nothingness, time and space, as well as the creation of Leśmian’s characters, especially God, who is presented in a variety of images (from the (...) presentation of the poetic consequences of Nietzsche’s conception of God’s death, depriving him of his omnipotence, placing him outside the world and his humanization to his pantheistic diffusion into the reality created in the poems). (shrink)

This article is a short presentation of God existance in Julian Tuwim’s works. In the early period of Julian Tuwim literal output, in juveniles and Czyhanie na Boga (Wailing for God), Sokrates tańczący (Dancing Socrates), Siódma jesień (Seventh Autumn), Słowa we krwi (Words in Blood), God is shown with a passion and nostalgia. But afterwords its position changed and was usually depicted as Jesus Christ. God became a sinonime of lost love, order, consolation in the article of awe existance, justice (...) which lack of them is visible for Tuwim. God is a creation power and women become deified by him. It is hard to talk about transcendental experience in Tuwim’s poetry. There is no way out to the history, society and culture. (shrink)