The thinking of Pierre Bourdieu, even in its most subtle aspects, is characterized by a distrust of the “high” theory. He does not totally reject it, but it is questioned by his critical reflection upon it. By a resort to the functions of the social and the French epistemology, which examines and analyzes the scientific terms in connection to their constitution, Bourdieu’s theory aims to develop a “sociological thinking” in relations which integrates motives of the “social” into the theoretical reflection (...) and works out their interaction in the form of significant chains. The range and the precision of this methodical reflection is illustrated and specified in this article also on the basis of examples. (shrink)

The thinking of Pierre Bourdieu, even in its most subtle aspects, is characterized by a distrust of the “high” theory. He does not totally reject it, but it is questioned by his critical reflection upon it. By a resort to the functions of the social and the French epistemology, which examines and analyzes the scientific terms in connection to their constitution, Bourdieu’s theory aims to develop a “sociological thinking” in relations which integrates motives of the “social” into the theoretical reflection (...) and works out their interaction in the form of significant chains. The range and the precision of this methodical reflection is illustrated and specified in this article also on the basis of examples. (shrink)

How have the theories of aesthetics which were worked out in europe evolved in america? are there widely differing standpoints between european and american aestheticians? what herrmann tried to do, to shed light on these questions, was to look over the issues of "the journal of aesthetics and art criticism" since 1941. thomas munro, a pupil of john dewey and founder of the journal tried to provide in the united states a broader and more open-ended and undogmatic platform for aesthetics (...) including such separate disciplines as philosophy, psychology, and cultural history. this interdisciplinary approach was an important part of his campaign against an a priori aesthetics. once this encyclopedic view concerning art and its theoretical understanding is adopted, one is in a position to go beyond the one-sided, partial, and dogmatic attitude in aesthetics that often dominates in european journals. the author concludes by considering an example that is closely related to contemporary aesthetics as well as to the present american scene. what is the reason that there have been so few articles on these contemporary art movements? (shrink)

In lieu of an abstract, here is a brief excerpt of the content:BOOK REVIEWS 487 Although this reviewer would have appreciated a fuller expression of the dialectical interdependency and synthetic elements holding between Fichte and Schelling than Schurr actually developed, his study is nevertheless an orderly and well-documented presentation of their fundamental views. The study can serve as a solid and professional introduction to the postKantian phase of German Idealism, and it most certainly deserves translation into English. LAWRENCES. STEPELEVICH Villanova (...) University Die Konstitution der Jl'sthetik in Wilhelm Diltheys Philosophie. By Michael Heinen. Abhandlungen zur Philosophie, Psychologie und P~dagogik, no. 100. (Bonn: Bouvier, 1974. Pp. 220) Michael Heinen's book draws attention to Dilthey's interest in the original dimension of art experience. That interest has been the traditional stock in the trade of philosophers since the ancient Greeks, and most crucially since the subjectivization of the aesthetic sphere in the speculative thought of Kant and German idealism. But the point is that there is a gap between those philosophers who speculated about perception, aesthetic pleasure, and the enjoyment of the senses, and who tried to justify those speculations through wide-ranging inquiries into the order of the world and its understanding through our ego and its potentialities--betweenthem and Dilthey, who knows that this age-old enthusiasm for metaphysical and epistemological inquiries has become obsolete. The earlier display of erudition may be vast and awe inspiring. But in Dilthey's mind an interest in those inquiries is no longer foremost. Commendable as all of them may be, they approach the world of the work of art and its experience from the outside, in an independent, self-sufficient, and almost autonomous manner, without facing up to the horizon of the world in which an artistic work is rooted. This horizon of the world emerges as the leitmotif of Heinen's book. Heinen reminds the reader that those who create are immersed in this horizon. The conditions under which they work, the tools they have, the methods they use, the materials that are available to them, the ideas they have in mind--all this can be traced back to the world which surrounds them. Moreover, they belong to an historical world. They are oriented toward a past they remember, a future they anticipate; and all they think, or feel, or will, stands in an historical context, long before they are conscious of themselves in this respect. Heinen rightly points out that this creates a problem not only for the analysis of the artistic expression but for the field of hermeneutics, for the method of understanding this expression. It is not so much something that is understood in its meaning by referring to an ego, or a system of cognitive faculties. It emerges from the socio-historical world; and we must place it back in the same horizon from which it emerges. Heinen agrees with Dilthey that we always find ourselves within the whole of life; and when understanding something--a work of art or any other historical object--we have to do it within the full context of life to which we belong. It is an objectification of life that we have to understand from life itself. This may help to explain why a work of art is more than an object created by an artist through his inspiration and the unconscious production of his genius. From his Hegelian perspective Heinen tells us that whenever an artist is involved in the creation of something he is dependent upon the world in which he lives and upon a dialectic between himself and the horizon of life. Heinen expressly defends the probability of this dialectic in a chapter on the presuppositions of Dilthey's aesthetics (pp. 134-162). He studies Dilthey's attempt to discover a methodological basis for the human sciences. He calls attention to the remarkable sequence of sketches in which Dilthey distinguishes between Geisteswissenschaften and Naturwissenschaften, between human sciences that, in one way or another, deal with historical and other manifestations of 488 HISTORY OF PHILOSOPHY life and inner experience, and natural sciences that deal with phenomena, with objects of nature. Dilthey is profoundly conscious and frank in announcing that the human sciences also treat phenomena or objects. But... (shrink)

Im Fokus dieser ersten Ausgabe des Jahrbuchs HealthCapital Berlin-Brandenburg stehen die Qualifikation sowie die Aus-, Fort- und Weiterbildung einschließlich der akademischen Studiengänge in der Gesundheit. Renommierte Fachleute aus Wirtschaft, Wissenschaft und Praxis berichten über die Entwicklungen, Trends, Praxiserfahrungen und Perspektiven von Qualifizierung sowie über neue Berufs- und Geschäftsfelder. Schwerpunktmäßig werden drei Themenkomplexe behandelt: I. Stand und Perspektive von Fachkräften in Berlin-Brandenburg II. Neue Berufsbilder und Ausbildungsgänge III. Entwicklung und Einführung neuer Gesundheitsstudiengänge Das Jahrbuch HealthCapital Berlin-Brandenburg stellt somit einen aktuellen Überblick (...) über wesentliche Fragen im Zusammenhang mit Qualifikationen, Berufsperspektiven und Arbeitsfeldern in der sich weiter entwickelnden Gesundheitswirtschaft in der Region Berlin-Brandenburg zur Verfügung. (shrink)

In this volume, Dieter Henrich provides an invaluable guide to the better understanding of the Grundlinien der Philosophie des Rechts. That well-known book was published in 1821, but the manuscript was finished on June 25, 1820, in other words, in immediate proximity to the Berlin lectures on the same topic, published here with Henrich’s extensive editorial introduction and comment. Furthermore, the Grundlinien of 1821 were intended to be an aid to the listeners of his lectures: in these published lectures (...) on the same topic of 1819/20 such a printed aid was not available to students. Hence the lectures have a directness, freshness, and attention to systematic detail that is missing both in the later lecture notes by Hotho and by D. F. Strauss, as also in the Grundlinien. This difficult publication of 1821 was to be interpreted by the later lectures, whereas in those of 1819/20 Hegel had to develop the theoretical foundation in the lectures themselves. They show an admirable cohesiveness in the flow of argumentation, and have some similarity to the popular editions of the lectures on the philosophy of history, aesthetics, and religion. (shrink)

Die fünf Bände enthalten die überarbeiteten Fassungen aller Haupt- und Sektionsvorträge des IX. Internationalen Kant-Kongresses, der im März 2000 an der Berliner Humboldt-Universität stattfand. Die Beiträge gliedern sich in die folgenden Sektionen: Der vorkritische Kant, Kants Theoretische Philosophie, Kants Praktische Philosophie, Kants Ästhetik, Kants Religionsphilosophie, Kants Geschichtsphilosophie, Kants Rechts-, Staats- und Politische Philosophie, Kants Anthropologie, Kants Naturphilosophie und das Opus postumum, Kants Logik, Kant und die Aufklärung, Kant, Deutscher Idealismus und Neukantianismus, Kant und die Folgen. Zu den Autoren zählen u.a. (...) Manfred Baum, Mario Caimi, Konrad Cramer, Jean Ferrari, Eckhardt Förster, Michael Friedman, Simone Goyard-Fabre, Paul Guyer, Gary Hatfield, Agnes Heller, Dieter Henrich, Otfried Höffe, Wolfgang Kersting, Béatrice Longuenesse, Onora O'Neill, Robert Pippin, Gerold Prauss und Michael Wolff. (shrink)

We provide first-order axioms for the theories of finite trees with bounded branching and finite trees with arbitrary (finite) branching. The signature is chosen to express, in a natural way, those properties of trees most relevant to linguistic theories. These axioms provide a foundation for results in linguistics that are based on reasoning formally about such properties. We include some observations on the expressive power of these theories relative to traditional language complexity classes.

What is unique about the development of business ethics in the USA, and how does it compare with various countries of Europe and with Japan? Institutional, legal, social and cultural factors are identified by the Professor of Business and Public Policy at the Haas School of Business, University of California at Berkeley. An earlier version of this article titled “The Globalization of Business Ethics: Why America Remains Distinctive” was published in the Fall 1992 issue of the California Management Review, Vol. (...) 35, No. 1. Reprinted by Permission of The Regents of the University of California. (shrink)

Introduction: Fundamental Ontology as a "Fundamental Ethics" In his "Letter on Humanism" Martin Heidegger claims that the fundamental ontology he works out ...

Matthias Vogel challenges the belief, dominant in contemporary philosophy, that reason is determined solely by our discursive, linguistic abilities as communicative beings. In his view, the medium of language is not the only force of reason. Music, art, and other nonlinguistic forms of communication and understanding are also significant. Introducing an expansive theory of mind that accounts for highly sophisticated, penetrative media, Vogel advances a novel conception of rationality while freeing philosophy from its exclusive attachment to linguistics. Vogel's media of (...) reason treats all kinds of understanding and thought, propositional and nonpropositional, as important to the processes and production of knowledge and thinking. By developing an account of rationality grounded in a new conception of media, he raises the profile of the prelinguistic and nonlinguistic dimensions of rationality and advances the Enlightenment project, buffering it against the postmodern critique that the movement fails to appreciate aesthetic experience. Guided by the work of Jürgen Habermas, Donald Davidson, and a range of media theorists, including Marshall McLuhan, Vogel rebuilds, if he does not remake, the relationship among various forms of media--books, movies, newspapers, the Internet, and television--while offering an original and exciting contribution to media theory. (shrink)

Die Studie «Sittlichkeit und Verbrechen bei Hegel» analysiert den Komplex von Sittlichkeit, Verbrechen und Strafe bei Hegel. Sie verfolgt, wie Hegel das Verbrechen vom Standpunkt der Sittlichkeit aus einerseits als etwas davon Abweichendes beurteilt und andererseits die Strafe als die Realisation des Willens des Verbrechers deduzieren will. Dabei werden die logischen Abstraktionen, unter die Hegel das Verbrechen subsumiert, ebenso einer selbständigen Untersuchung unterzogen wie bei der Untersuchung der Sittlichkeit der Standpunkt der Sittlichkeit. Der Abschnitt der Hegelschen «Rechtsphilosophie» «Die bürgerliche Gesellschaft» (...) wird nachgezeichnet als eine Folge jeweils besonders bestimmter Existenzweisen der Begriffsbestimmungen der Idee der Sittlichkeit. (shrink)