I have always considered that the two questions respecting God and the Soul were the chief of those that ought to be demonstrated by philosophical rather than ...

Tout ce qui est dans l'oeuvre de Jacques, nous l'avons d'abord vécu à l'état de difficulté vitale et d'expérience, - les questions de l'art et de la morale, de la philosophie, de la foi, de la prière, de la contemplation. Cela nous a d'abord été donné à vivre, à chacun selon sa nature et la grâce de Dieu », notait Raïssa en 1934. Cette correspondance confirme le propos, qui nous fait pénétrer dans « l'amour fou » de deux vies données (...) l'une à l'autre, et la trame quotidienne de leur fécondité de pensée et de « grandes amitiés ».Leur conversion en 1906 scelle la vocation d'un couple venu déjà un peu d'ailleurs : lui, 18 ans, romantique, révolutionnaire et dreyfusard en diable, en rupture avec les élites républicaines laïques dont il est issu ; elle, 17 ans, comme sortie d'une peinture de Chagall, juive et slave en quête à la Sorbonne d'une nouvelle patrie spirituelle. Les premiers regards portés sur eux discernent déjà leur promesse : « Je les trouve absolument dignes l'un de l'autre ; ce sont même de si beaux types d'humanité qu'il faut se féliciter de les voir se rechercher. On ne trouve pas si souvent de couple bien assorti ; celui-là me paraît devoir donner un exemple lumineux. »Ils s'écrivent abondamment dès que les aléas de la vie les séparent et ce premier tome les suit dans la découverte d'eux-mêmes. Dans la discontinuité des circonstances, leur chemin métaphysique et mystique progresse, tandis que se révèle, derrière chaque ouvrage, chaque combat, chaque accompagnement spirituel, le secret de leur rayonnement : au fil de ces 712 lettres, c'est d'abord une histoire d'amour, dans un respect tendre et sacré de la singularité de l'autre. (shrink)

"Six Metaphysical Meditations" by René Descartes (translated by William Molyneux). Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone (...) in a high-quality digital format. (shrink)

Richard Wollheim famously argued that figurative pictures depict their scenes, in part, in virtue of their ability to elicit a unique type of visual experience in their viewers, which he called seeing-in. According to Wollheim, experiences of seeing-in are necessarily twofold, that is, they involve two aspects of visual awareness: when a viewer sees a scene in a picture, she is simultaneously aware of certain visible features of the picture surface, the picture’s design, and the scene depicted by the picture. (...) Even though Wollheim’s notion of twofoldness has been very influential, a number of philosophers have put forward powerful arguments against it. In this paper, I defend the claim that some pictorial experiences are twofold in Wollheim’s sense. My argument has two parts. In the first part, I provide a phenomenal contrast argument in favor of twofoldness. In the second part, I respond to what I take to be the most important objections against twofoldness. I believe that both parts together provide strong support for the claim that some pictorial experiences are twofold in Wollheim’s sense. (shrink)

Perceptual experiences inform us about objective properties of things in our environment. But they also have perspectival character in the sense that they differ phenomenally when objects are viewed from different points of view. Contemporary representationalists hold, at a minimum, that phenomenal character supervenes on representational content. Thus, in order to account for perspectival character, they need to indentify a type of representational content that changes in appropriate ways with the perceiver’s point of view. Many representationlists, including Shoemaker and Lycan, (...) argue that such contents are best construed in terms of mind-dependent properties. Other representationalists, including Tye and Dretske, hold that these contents involve only mind-independent properties. Susanna Schellenberg has recently developed an account of perceptual experience that would serve these latter representationalists extremely well. She suggests that we can do justice to the perspectival character of perceptual experience by appeal to representations of a certain type of relational properties, so-called ‘situation-dependent properties.’ In this paper, I critically engage with Schellenberg’s proposal in order to show how mind-independent representationalists can explain perspectival character. I argue that appeal to situation-dependent properties is problematic. I then show that mind-independent representationalists can account for perspectical character by means of scenario contents in Christopher Peacocke’s sense. (shrink)

Representationalists hold that the phenomenal character of a perceptual experience is identical with, or supervenes on, an aspect of its representational content. As such, representationalism could be disproved by a counter-example consisting of two experiences that have the same representational content but differ in phenomenal character. In this paper, I discuss two recently proposed counter-examples to representationalism that involve ambiguous or reversible figures. I pursue two goals. My first, and most important, goal is to show that the representationalist can offer (...) plausible responses to both counter-examples. My second goal is to show the implications of these responses for the nature of the spatial representational contents of perceptual experiences. (shrink)

Theory of Literature was originally published in 1949. It is not a textbook introducing the young to the elements of literary appreciation nor a survey of the techniques employed in scholarly research. The authors have sought to unite "poetics" (or literary theory) and "criticism" (evaluation of literature) with "scholarship" ("research") and "literary history" (the "dynamics"of literature, in contrast to the "statics" of theory and criticism).

Which properties can we visually experience? Some authors hold that we can experience only low-level properties such as color, illumination, shape, spatial location, and motion. Others believe that we can also experience high-level properties, such as being a dog or being a pine tree. On the basis of her method of phenomenal contrast, Susanna Siegel has recently defended the latter view. One of her central claims is that we can best account for certain phenomenal contrasts if we assume that we (...) can visually experience natural kind properties. In this paper, I argue that certain kinds of low-level properties, namely shape-gestalt properties, can explain these phenomenal contrasts just as well as high-level properties. If successful, this is a modest, but nevertheless significant result. Even though it does not prove the falsity of Siegel’s proposal, it nevertheless secures the existence of a plausible alternative. (shrink)

While common sense and rationality often have been viewed as two distinct features in a unitifed cognitive map, this this volume offers novel, even paradoxical views of the relationship. Touching on various disciplines, it considers what constitutes human rationality, behavior, and intelligence.

Richard Wollheim famously argued that figurative pictures depict their scenes, in part, in virtue of their ability to elicit a unique type of visual experience in their viewers, which he called seeing-in. According to Wollheim, experiences of seeing-in are necessarily twofold, that is, they involve two aspects of visual awareness: when a viewer sees a scene in a picture, she is simultaneously aware of certain visible features of the picture surface, the picture’s design, and the scene depicted by the picture. (...) Even though Wollheim’s notion of twofoldness has been very influential, a number of philosophers have put forward powerful arguments against it. In this paper, I defend the claim that some pictorial experiences are twofold in Wollheim’s sense. My argument has two parts. In the first part, I provide a phenomenal contrast argument in favor of twofoldness. In the second part, I respond to what I take to be the most important objections against twofoldness. I believe that both parts together provide strong support for the claim that some pictorial experiences are twofold in Wollheim’s sense. (shrink)

As the eleventh volume in the New Directions in Cognitive Science series (formerly the Vancouver Studies in Cognitive Science series), this work promises superb scholarship and interdisciplinary appeal. It addresses three areas of current and varied interest: common sense, reasoning, and rationality. While common sense and rationality often have been viewed as two distinct features in a unified cognitive map, this volume offers novel, even paradoxical, views of the relationship. Comprised of outstanding essays from distinguished philosophers, it considers what constitutes (...) human rationality, behavior, and intelligence covering diverse areas of philosophy, psychology, cognitive science, and computer science. Indeed, it is at the forefront of cognitive research and promises to be of unprecedented influence across numerous disciplines. (shrink)

A common view in the philosophy of perception holds that states of seeing objects face to face have particular contents. When you see, say, a dog face to face, your visual state represents the particular dog that is in front of you. In this paper, I argue for a related claim about states of seeing objects in conventional photographs. When you see a dog in a photograph, for example, your visual state represents the particular dog that was in front of (...) the camera when the photograph was taken, that is, the photograph's depictum. The argument in this paper proceeds in two steps. In the first step, I discuss states of seeing objects face to face. I argue that such a state represents the particular object whose surface is responsible for the optical information that the visual system uses to construct the state's attributive representational content. In the second step, I apply the result of this discussion to states of seeing objects in photographs. I argue that a state of seeing an object in a photograph has a particular content that represents the object that was in front of the camera when the photograph was taken. (shrink)

In this paper, I defend a representationalist account of the phenomenal character of color experiences. Representationalism, the thesis that phenomenal character supervenes on a certain kind of representational content, so-called phenomenal content, has been developed primarily in two different ways, as Russellian and Fregean representationalism. While the proponents of Russellian and Fregean representationalism differ with respect to what they take the contents of color experiences to be, they typically agree that colors are exhaustively characterized by the three dimensions of the (...) color solid: hue, saturation, and lightness. I argue that a viable version of representationalism needs to renounce this restriction to three dimensions and consider illumination to be a genuine phenomenal dimension of color. My argument for this thesis falls into two parts. I first consider the phenomenon of color constancy in order to show that neither Russellian nor Fregean representationalism can do justice to the phenomenal significance of local illumination. I subsequently formulate a version of representationalism that accounts for illumination by taking it as a phenomenal dimension of color. (shrink)

Paintings can exert a strong effect on their viewers by creating atmospheres. But how is it possible for a painting to create an atmosphere? My goal in this paper is to provide a partial answer to this question by focusing on the depiction of light. I argue that paintings can elicit experiences of atmospheres in part because they can depict pictorial space as filled with ambient light that has a distinctive phenomenal character. It is in virtue of this distinctive phenomenal (...) character that the depicted ambient light can make a significant contribution to the overall phenomenal character of the experienced atmosphere. (shrink)

In his paper “Double Vision, Phosphenes and Afterimages: Non-Endorsed Representations rather than Non-Representational Qualia,” Işık Sarıhan addresses the debate between strong representationalists and qualia theorists. He argues that qualia theorists like Ned Block and Amy Kind who cite double-vision, afterimages, etc., as evidence for the existence of qualia are mistaken about the actual nature of these states. According to Sarıhan, these authors confuse the fact that these states are non-endorsed representational states with the fact that they are at least partly (...) non-representational. I argue that Sarıhan’s argument contains gaps that suggest that he misidentifi es the mistake that leads these qualia theorists to their conclusion. In my view, these qualia theorists do not confuse the fact that the states in question are non-endorsed states with the fact that they are non-representational, but rather mistake certain representational contents, or certain aspects of these contents, for qualia. (shrink)

Many viewers presented with a round plate tilted to their line of sight will report that they see a round plate that looks elliptical from their perspective. Alva Noë thinks that we should take reports of this kind as adequate descriptions of the phenomenology of spatial experiences. He argues that his so‐called enactive or sensorimotor account of spatial perceptual content explains why both the plate's circularity and its elliptical appearance are phenomenal aspects of experience. In this paper, I critique the (...) phenomenal adequacy of Noë's sensorimotor account of spatial perceptual content. I begin by showing that some of its central claims are in conflict with the phenomenology of perceptual experience. I then argue that shape appearances have no phenomenal reality, thus undermining this central motivation for his account. (shrink)

Many viewers presented with a round plate tilted to their line of sight will report that they see a round plate that looks elliptical from their perspective. Alva Noë thinks that we should take reports of this kind as adequate descriptions of the phenomenology of spatial experiences. He argues that his so‐called enactive or sensorimotor account of spatial perceptual content explains why both the plate's circularity and its elliptical appearance are phenomenal aspects of experience. In this paper, I critique the (...) phenomenal adequacy of Noë's sensorimotor account of spatial perceptual content. I begin by showing that some of its central claims are in conflict with the phenomenology of perceptual experience. I then argue that shape appearances have no phenomenal reality, thus undermining this central motivation for his account. (shrink)

It is a common assumption among philosophers of perception that phenomenal colors are exhaustively characterized by the three phenomenal dimensions of the color solid: hue, saturation and lightness. The hue of a color is its redness, blueness or yellowness, etc. The saturation of a color refers to the strength of its hue in relation to gray. The lightness of a color determines its relation to black and white. In this paper, I argue that the phenomenology of shadows forces us to (...) consider illumination as an additional dimension of phenomenal colors. For this purpose, I will first introduce two different interpretations of shadow-experiences, which Chalmers has called the simple and the complex interpretations, and show that they both fail to account for important phenomenal facts about shadow-experiences. I will then introduce my own alternative interpretation based on the idea that illumination is a dimension of phenomenal colors and explain how it can account for these facts. (shrink)

I give a class forcing that adds a real which is Pi-1-2 and for which no forcing extension (by a set of conditions) can destroy this definability.

Attempts to interpret the manifold aspects of the ternary heaven, earth and man, drawing mainly on Far-Eastern sources. This study aims to demonstrate the metaphysical, cosmological and spiritual perspectives underlying the Triad symbol.

According to the monitoring theory of consciousness, a mental state is conscious in virtue of being represented in the right way by a monitoring state. David Rosenthal, William Lycan, and Uriah Kriegel have developed three different influential versions of this theory. In order to explain colour experiences, each of these authors combines his version of the monitoring theory of consciousness with a specific account of colour representation. Even though Rosenthal, Lycan, and Kriegel disagree on the specifics, they all hold that (...) colours are represented by a single type of mental state. The main goal of this paper is to show that a more complex account of colour representation is needed for the monitoring theory of consciousness to do justice to the phenomenology of colour experiences. In particular, I will argue that the fine-grained character of colour experience—that is, the fact that perceivers can become conscious of small differences between colours—requires that colour representation be construed in terms of two different types of mental states, namely sensory states that represent appearance properties and colour representations that represent physical colours. (shrink)

Cumulative evidence suggests that, for children and adolescents, peer relatedness is an essential component of their overall sense of belonging, and correlates with subjective well-being and school-based well-being. However, it remains unclear what the underlying mechanism explaining these relationships is. Therefore, this study examines whether there is a reciprocal effect between school satisfaction and overall life satisfaction, and whether the effect of peer relatedness on life satisfaction is mediated by school satisfaction. A non-recursive model with instrumental variables was tested with (...) econometric and structural equation modeling methodologies, using a cross-sectional sample of n = 5,619 Chilean early adolescents, aged 10, 11, and 12. Results were highly consistent across methods and supported the hypotheses. First, the findings confirmed a significant reciprocal influence between school satisfaction and overall life satisfaction, with a greater impact from school to life satisfaction. Second, the effect of peer relatedness on overall life satisfaction was fully mediated by school satisfaction. The study further suggests the importance of considering reciprocal effects among domain-specific satisfaction and overall life satisfaction and illustrates the application of non-recursive models for this purpose. (shrink)

I was first taken to Mr Gurdjieff's flat at a time very different from the present. Paris during the war, under German occupation, was in the grip of the ...

Quels sont les liens entre phantasia et perception? Aristote a bien découvert en la première, rattachée à la seconde, la faculté de se représenter en l'absence. Il y a certes des cas de représentation en présence imputés à la phantasia, mais cet emploi du terme, qui renvoie à des situations infraperceptives, est plutôt résiduel. Ces cas pathologiques sont pour Aristote assez peu dignes d'intérêt. On ne peut dire que la phantasia « interprète ». What is the link between phantasia and (...) perception? Although it depends on aisthêsis itself, Aristotle calls phantasia a faculty of representing in absentia, of which he is the discoverer. Of course, some cases of representation in praesentia are attributed to phantasia, but this use of the word is not central; these cases are cases below perception proper, and pathology of perception is of minor interest in Aristotle's mind. Phantasia is not an interpretation of the data. (shrink)

We give a direct, purely arithmetical and elementary proof of the strong normalization of the cut-elimination procedure for full (i.e., in presence of all the usual connectives) classical natural deduction.

The hexagonal structure for ‘the geometry of logical opposition’, as coming from Aristoteles–Apuleius square and Sesmat–Blanché hexagon, is presented here in connection with, on the one hand, geometrical ideas on duality on triangles (construction of ‘companion’), and on the other hand, constructions of tripartitions, emphasizing that these are exactly cases of borromean objects. Then a new case of a logical interest introduced here is the double magic tripartition determining the semi-ring ${\mathcal{B}_3}$ and this is a borromean object again, in the (...) heart of the semi-ring ${{\rm Mat}_{3}(\mathbb{B}_{\rm Alg})}$ . With this example we understand better in which sense the borromean object is a deepening of the hexagon, in a logical vein. Then, and this is our main objective here, the Post-Mal’cev full iterative algebra ${\mathbb{P}_4 = \mathbb{P}(\mathbb{F}_4)}$ of functions of all arities on ${\mathbb{F}_4}$ , is proved to be a borromean object, generated by three copies of ${\mathbb{P}_2}$ in it. This fact is induced by a hexagonal structure of the field ${\mathbb{F}_4}$ . This hexagonal structure is seen as precisely a geometrical addition to standard boolean logic, exhibiting ${\mathbb{F}_4}$ as a ‘boolean manifold’. This structure allows to analyze also ${\mathbb{P}_4}$ as generated by adding to a boolean set of logical functions a very special modality, namely the Frobenius squaring map in ${\mathbb{F}_4}$ . It is related to the splitting of paradoxes, to modified logic, to specular logic. It is a setting for a theory of paradoxical sentences, seen as computations of movements on the bi-hexagonal link among the 12 classical logics on a set of 4 values. (shrink)

In this paper, I reconstruct Edmund Husserl's view on the relationship between formal inquiry and the life-world, using the example of formal geometry. I first outline Husserl's account of geometry and then argue that he believed that the applicability of formal geometry to intuitive space (the space of everyday-experience) guarantees the conceptual continuity between different notions of space.

In this thesis, I investigate the nature of geometric knowledge and its relationship to spatial intuition. My goal is to rehabilitate the Kantian view that Euclid's geometry is a mathematical practice, which is grounded in spatial intuition, yet, nevertheless, yields a type of a priori knowledge about the structure of visual space. I argue for this by showing that Euclid's geometry allows us to derive knowledge from idealized visual objects, i.e., idealized diagrams by means of non-formal logical inferences. By developing (...) such an account of Euclid's geometry, I complete the "standard view" that geometry is either a formal system or an empirical science, which was developed mainly by the logical positivists and which is currently accepted by many mathematicians and philosophers. My thesis is divided into three parts. I use Hans Reichenbach's arguments against Kant and Edmund Husserl's genetic approach to the concept of space as a means of arguing that the "standard view" has to be supplemented by a concept of a geometry whose propositions have genuine spatial content. I then develop a coherent interpretation of Euclid's method by investigating both the subject matter of Euclid's geometry and the nature of geometric inferences. In the final part of this thesis, I modify Husserl's phenomenological analysis of the constitution of visual space in order to define a concept of spatial intuition that allows me not only to explain how Euclid's practice is grounded in visual space, but also to account for the apriority of its results. (shrink)

Since the terrorist attacks of September 11, 2001, the concept of 'evil' has enjoyed renewed popularity in both international political rhetoric and scholarly writing. World leaders, politicians, and intellectuals have increasingly turned to 'evil' to describe the very worst humanitarian atrocities that continue to mark international affairs. However, precisely what 'evil' actually entails is not well understood. Little consensus exists as to what 'evil' is, how it is manifested in the international sphere, and what we ought to do about it. (...) With this in mind, this work seeks to ascertain precisely what is meant by 'evil' when it is used to describe actors and events in international politics. Focusing on the history of evil in western secular and religious thought, it reintroduces a classical understanding of evil as the means according to which we seek to understand otherwise meaningless human suffering. (shrink)

In [gallier], general results (due to Coppo, Dezani and Veneri) relating properties of pure lambda terms and their typability in some systems with conjunctive types are proved in a uniform way by using the reducibility method.This paper gives a very short proof of the same results (actually, one of them is a bit stronger) using purely arithmetical methods.

The blind spot of philosophy: to live a life Age-old philosophical texts, from Plato to Montaigne or from Lao-tse to Rousseau, are still being read by many. What makes these texts so attractive and ‘contemporary’ today, other than scientific texts from long ago? Most of the time these texts do not address empirical or conceptual questions, but address the problem to understand ourselves as creatures that try to live a life. Academic philosophy has left this question more and more aside, (...) in an ongoing process of ‘scientification’, and concentrated more on conceptual and epistemological questions or on the reconstruction of the philosophical tradition. Yet, in the margins of academic philosophy, in neighboring fields of research and in the public sphere, we can discern examples of a philosophical practice that rephrases the classical philosophical question in a new manner. In this essay an attempt is made to draw the contours of this new practice of philosophy and the writings it produces. Starting with (among others) Nietzsche and Benjamin, and inspired by recent lectures by Norman Lear, a portrait is created of an author who operates somewhere on the borders between science and literature, as a placeholder – or more precise: as an ethnographer who, more than the average scholar, is closely involved with the object of his research, and who, more than the average novelist, addresses ‘the weird problem of having a life’ in a direct way, starting with the problematic and problematizing experiences of others. This philosophical attitude comes close to what Michel Foucault called ‘an ontology of the present’ that writes about the question of who or what we are here and now from a ironical involvement with everyday problematizations of our cultural, political or personal identity. The essay ends with some concrete examples of this philosophical practice and with some suggestions for a philosophical institute in which such a practice could be a central concern. (shrink)