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  1. Aftereffects, High-Levelism and Gestalt Properties.Yavuz Recep Başoğlu - forthcoming - Review of Philosophy and Psychology:1-15.
    According to high-levelism, one can perceptually be aware of high-level properties such as natural kind properties. Against high-levelism, the Gestalt proposal suggests that instead of high-level properties, one can have a perceptual experience as of Gestalt properties, i.e., determinables of determinate low-level properties. When one looks at a bird, the high-levelist argues that one can perceive the property of being a bird, and the proponent of the Gestalt proposal argues that one first perceives the property of having the bird Gestalt (...)
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  • Perceiving Aesthetic Properties.Alberto Voltolini - 2023 - British Journal of Aesthetics 63 (3):417-434.
    In this paper, I want to claim that, in conformity with overall intuitions, there are some aesthetic properties that are perceivable. For they are high-level properties that are not only grasped immediately, but also attended to holistically—just like the grouping properties they depend on and that are responsible for the Gestalt effects or switches through which they are grasped. Yet, unlike such grouping properties, they are holistically attended to in a disinterested modality, where objects and their properties are regarded for (...)
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  • Cognitive penetrability and late vision.Alberto Voltolini - 2020 - Rivista Internazionale di Filosofia e Psicologia 11 (3):363-371.
    : In Cognitive penetrability and the epistemic role of perception Athanasios Raftopoulos provides a new defense of the thesis that, unlike early vision, late vision is cognitively penetrable, in accordance with a new definition of cognitive penetrability that is centered on the ideas of direct influence of cognition upon perception and of the epistemic role of perception. This new definition allows him to maintain that late vision is a genuinely perceptive stage of the perceptual process. In this paper, I try (...)
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  • Perceptual Kinds as Supervening Sortals.Błażej Skrzypulec - 2018 - Pacific Philosophical Quarterly 100 (1):174-201.
    It seems intuitive that in situations of perceptual recognition additional properties are represented. While much has been written about the significance of such properties for perceptual phenomenology, it is still unclear (a) what is the relation between recognition-based properties and lower-level perceptual properties, and (b) whether it is justified to classify them as kind-properties. Relying on results in cognitive psychology, I argue that recognition-based properties (I) are irreducible, high-level properties, (II) are kind properties by virtue of being sortal properties, but (...)
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  • A disjointed account of the illusion of auditory continuity: in favor of hearing everyday sounds but against hearing semantic properties.Elvira Di Bona - forthcoming - Inquiry: An Interdisciplinary Journal of Philosophy.
    I will investigate the auditory illusion of continuity, which is the phenomenon of auditory occlusion in which we are able to hear a sound as continuous even though it has been masked by another sound. This phenomenon seems to have a perceptual nature when it occurs in the context of everyday sounds, while it seems to have a cognitive nature when it occurs in the context of speech sounds. This difference has the following consequences: (1) We need to have a (...)
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  • Perception of Faces and Other Progressively Higher-Order Properties.Fabrizio Calzavarini & Alberto Voltolini - 2022 - Topoi 41 (4):671-684.
    On the basis of a new criterion for a property to be perceivable–a property is perceivable iff it is not only given immediately and non-volitionally, but also grasped via a holistic form of attention–in this paper we will claim that not only facial properties, but other high-order properties located in a hierarchy of high-order properties, notably gender and racial properties, are perceivable as well. Such claims will be both theoretically and empirically justified.
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  • Twofoldness and Three-Layeredness in Pictorial Representation.Alberto Voltolini - 2018 - Estetika: The European Journal of Aesthetics 55 (1):89-111.
    In this essay, I defend a Wollheimian account of a twofold picture perception. While I agree with Wollheim’s objectors that a picture involves three layers that qualify a picture in its complexity -- its vehicle, what is seen in it, and its subject --, I argue that the third layer does not involve perception, even indirectly: what is seen in a picture constrains its subject to be a subject of a certain kind, yet it does not force the latter to (...)
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