In lieu of an abstract, here is a brief excerpt of the content:The Journal of Aesthetic Education 38.1 (2004) 35-52 [Access article in PDF] Means Without End:Production, Reception, and Teaching in Kant's Aesthetics Gary Peters The Work of Art If aesthetics is to have a role within an art school context, it must be able to engage with the work of art as an ongoing and ontologically open productive enterprise. The reception of the artwork as a completed (...) thing or act and the aesthetic judgment necessary to take pleasure in the contemplation of it is largely irrelevant to the day-to-day work of the artist in the studio or onsite. Rarely do the tutor or student stand before a work that could be claimed to have reached completion or achieved what might be called "finality." On the contrary, in most cases an essential aspect of teaching practice is precisely to resist the impending closure of the work through a critical engagement which challenges the student to consider and reconsider the aesthetic possibilities of given forms within a situation of infinite reflection. Given this, it is important at the outset to consider Kant's notion of finality without end. So we may at least observe a finality of form, and trace it in objects — though by reflection only — without resting it on an end....Whenever an end is regarded as a source of delight, it always imports an interest as determining ground of the judgment on the object of pleasure. Hence the judgment of taste cannot rest on any subjective end as its ground. But neither can any representation of an objective end, i.e., of the possibility of the object itself on the principles of final connection, determine the judgment of taste. 1Echoing his famous description of art as "purposiveness without purpose," here the Kantian relation between finality and endlessness turns attention away from the art object, and the objective judgment determined by it, to the reflective process whereby the act of aesthetic judgment has primacy as that which acts upon the pleasure attending finality in the manner [End Page 35] of a tracing to be traced and retraced by the receiver. By thus denying finality an objective end, it is true that Kant removes the specter of desire from his aesthetics. But does this not also remove the originary work of the work of art, its eruptive production prior to reproduction in what might be called the "instant" of its creation outside of the "always already there" of what Jean-François Lyotard calls "aesthetic time?" 2 Indeed, to go further still, Maurice Blanchot famously conceives of the art work as harboring a radical "worklessness," a "neutral" absence that, nevertheless, is essential to its being a work, or its being as a work. 3 Does Kant's nonobjective account of aesthetic experience direct us, ultimately, toward this peculiar ontological neutrality, or does the communicative imperative at the heart of his aesthetics overlook what Blanchot would call the "fascination" of the work as the inscrutable presence of an absence? It is this problematic that weighs heavily upon the reading and teaching of Kant's aesthetics as presented here.In Lessons on the Analytic of the Sublime, Lyotard offers one solution to the problem. For him, reflective judgment is itself productive — "production that exceeds simple reproduction is an a priori condition for aesthetic judgment" (LAS, 67). That is to say, the power of the imagination and the pleasure associated with this power concern respectively the exercise and the registration of a productivity that is crucial for aesthetic reception to be possible. But does this playful enjoyment of our receptive/productive faculties and their beautiful attunement not obscure or distract us from the pure and immediate desire of the aesthetic where the concatenation of work and worklessness, that is to say, of production and reception, within the creative moment demands from the artist an interest in the ownership of, and responsibility for the work, as well as an absolute (one might say obsessive) commitment to the work of art — the labor of the aesthetic... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Journal of Aesthetic Education 38.1 (2004) 35-52 [Access article in PDF] Means Without End:Production, Reception, and Teaching in Kant's Aesthetics Gary Peters The Work of Art If aesthetics is to have a role within an art school context, it must be able to engage with the work of art as an ongoing and ontologically open productive enterprise. The reception of the artwork as a completed (...) thing or act and the aesthetic judgment necessary to take pleasure in the contemplation of it is largely irrelevant to the day-to-day work of the artist in the studio or onsite. Rarely do the tutor or student stand before a work that could be claimed to have reached completion or achieved what might be called "finality." On the contrary, in most cases an essential aspect of teaching practice is precisely to resist the impending closure of the work through a critical engagement which challenges the student to consider and reconsider the aesthetic possibilities of given forms within a situation of infinite reflection. Given this, it is important at the outset to consider Kant's notion of finality without end. So we may at least observe a finality of form, and trace it in objects — though by reflection only — without resting it on an end....Whenever an end is regarded as a source of delight, it always imports an interest as determining ground of the judgment on the object of pleasure. Hence the judgment of taste cannot rest on any subjective end as its ground. But neither can any representation of an objective end, i.e., of the possibility of the object itself on the principles of final connection, determine the judgment of taste. 1Echoing his famous description of art as "purposiveness without purpose," here the Kantian relation between finality and endlessness turns attention away from the art object, and the objective judgment determined by it, to the reflective process whereby the act of aesthetic judgment has primacy as that which acts upon the pleasure attending finality in the manner [End Page 35] of a tracing to be traced and retraced by the receiver. By thus denying finality an objective end, it is true that Kant removes the specter of desire from his aesthetics. But does this not also remove the originary work of the work of art, its eruptive production prior to reproduction in what might be called the "instant" of its creation outside of the "always already there" of what Jean-François Lyotard calls "aesthetic time?" 2 Indeed, to go further still, Maurice Blanchot famously conceives of the art work as harboring a radical "worklessness," a "neutral" absence that, nevertheless, is essential to its being a work, or its being as a work. 3 Does Kant's nonobjective account of aesthetic experience direct us, ultimately, toward this peculiar ontological neutrality, or does the communicative imperative at the heart of his aesthetics overlook what Blanchot would call the "fascination" of the work as the inscrutable presence of an absence? It is this problematic that weighs heavily upon the reading and teaching of Kant's aesthetics as presented here.In Lessons on the Analytic of the Sublime, Lyotard offers one solution to the problem. For him, reflective judgment is itself productive — "production that exceeds simple reproduction is an a priori condition for aesthetic judgment" (LAS, 67). That is to say, the power of the imagination and the pleasure associated with this power concern respectively the exercise and the registration of a productivity that is crucial for aesthetic reception to be possible. But does this playful enjoyment of our receptive/productive faculties and their beautiful attunement not obscure or distract us from the pure and immediate desire of the aesthetic where the concatenation of work and worklessness, that is to say, of production and reception, within the creative moment demands from the artist an interest in the ownership of, and responsibility for the work, as well as an absolute (one might say obsessive) commitment to the work of art — the labor of the aesthetic... (shrink)

ABSTRACT Research has found humour and gender to be linked, 96–113. doi:10.1016/j.pragma.2005.06.006; Kotthoff 2006, Gender and humor: The state of the art. Journal of pragmatics, 38, 4–25. doi:10.1016/j.pragma.2005.06.003), specifically within languages/cultures, The pragmatics of humour across discourse domains. John Benjamins, for jokes in Russian). In this respect, women are often subject of jokes and, in some cases, this reproduces the gendered imbalance of suitable roles in private and public spaces. In this paper, I examine the message of two jokes told (...) by Italian fathers policing their daughters’ sexuality, as well as the interactions between myself and these fathers on Twitter. Using Feminist Critical Discourse Analysis, 141–164. doi:10.1080/17405900701464816; Lazar, 2018, Feminist Critical Discourse Analysis. In J. Flowerdew, & E. J. Richardson, The Routledge Handbook of Critical Discourse Studies. Routledge), Social Media Critical Discourse Studies. In J. Flowerdew, & E. J. Richardson, The Routledge Handbook of Critical Discourse Studies. Routledge) and through adapting a framework designed to approach sexist jokes, 207–228. doi:10.1558/genl.v1i2.207), I discuss: the ‘who/what the text is about’, and a desire to a traditional fatherhood emerging from the interactions in it’s just banter and the good and happy father. Specifically, I discuss fatherhood as linked to an ontological desire, 213–239. doi:10.1558/genl.v5i2.213) in connection to an alleged transition from old to new fatherhood, 76–92. doi:10.1177/0011392112464231) in Italy. (shrink)

: Considerable unclarity exists in the literature concerning the origin and authorship of Wissenschaftliche Weltauffassung. Der Wiener Kreis, the Vienna Circle's manifesto of 1929 and on the extent of and the reasons for the mixed reception it received in the Circle itself. This paper reconsiders these matters on the light of so far insufficiently consulted documents.

Considerable unclarity exists in the literature concerning the origin and authorship of Wissenschaftliche Weltauffassung. Der Wiener Kreis, the Vienna Circle’s manifesto of 1929 and on the extent of and the reasons for the mixed reception it received in the Circle itself. This paper reconsiders these matters on the light of so far insufªciently consulted documents.

This article argues that attention and distraction form a central concern of Benjamin's writings on literature. Individually and in conjunction, they underpin processes of textual production and reception, yet their relationship is fluid and subject to historical change. In this respect, Benjamin's exploration of the interplay of attention and distraction in writers such as Leskov, Baudelaire and Brecht also leads to more general reflections about the social, cultural and psychological shifts brought about by industrialization and modern mass culture. (...) Benjamin's writings on literature trace developments which he also explores in relation to film. And echoes of his ‘literary history of attention’ can also be found in both his own critical approach and his self-reflexive comments on the process of writing. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Rhetoric 35.2 (2002) 96-119 [Access article in PDF] Re-Marking Slave Bodies: Rhetoric as Production and Reception Steven Mailloux There is much talk nowadays about the double nature of rhetoric: rhetoric as a practical guide for composing and rhetoric as a theoretical stance for interpreting. The two uses can be viewed as complementary, as flip sides of the same holistic approach to rhetorical studies. But they (...) can also appear in conflict: production models of writing and speaking versus reception models of reading and listening; models for inventing rhetoric versus models for analyzing it. Indeed, though the two models can be mutually supportive, they have often developed in tension within the evolution of academic disciplines over the last 125 years. Different emphases on one or the other model have resulted in different departmentalized disciplines and varied divisions within those departments, as we are all so well aware. One might even claim that advocating one or the other model has contributed significantly to the fragmentation of rhetoric as an interdiscipline during the last century and to the distribution of its parts into various academic units. In many English departments, for example, the continuing divisions between literature and composition faculty arise from contrasting professional interests in reception models focused on interpreting literary works versus production models focused on composing student texts. A similar reception/production antagonism appears in the history of speech departments separating from English departments. In 1915, when seventeen teachers of public address broke off from the National Council of Teachers of English, the production (oratory or debate) model they favored was at odds with the reception (philological or hermeneutic) model of most literature faculty. 1I don't mean to suggest that different choices between models of production and reception fully account for the academic fragmentation of rhetorical study. Nevertheless, practical antitheses do constitute disciplinary [End Page 96] identities. Antitheses between production and reception—between writing/speaking, on the one hand, and reading/listening, on the other—have variously combined with other distinctions between written texts versus oral performances as objects of study and between scientific research versus humanistic scholarship as intellectual traditions, and these assorted configurations of interpretive practices and institutional formations did help shape disciplinary identities throughout the past century. We are now faced with a situation in which rhetoric is distributed across several departments and programs, not in an integrated interdiscipline but as disciplinary fragments, where rhetorical critics in literary and cultural studies, for example, don't read deeply either in the work of rhetoric/ composition faculty in their own departments or the rhetorical scholarship produced in other departments such as communications or classics.Historically, I believe, the separation of written rhetoric (literature and composition) from oral rhetoric (public address and debate) within the academic humanities, this separation of English and speech departments, has been just as debilitating for rhetorical study as the literature/composition split within English departments alone. One might speculate about how these divisions encouraged the eventual exclusion of oratory from British and U. S. literary canons. More important, these divisions have resulted in a fragmented disciplinary approach to everything having to do with tropes, arguments, and narratives in culture, including most recently the study of local and global communication networks, old and new literacies, and past and present media revolutions.In the present essay I suggest an alternative to this disciplinary fragmentation of rhetoric. This alternative, call it rhetorical hermeneutics, learns from the more holistic approach to language arts found at the elementary and secondary levels of our U. S. educational system, where writing, speaking, reading, and listening (and sometimes viewing) are practices often taught in relation to one another. 2 Here production and reception models form parts of the same integrated framework for understanding and participating in the cultural conversations of diverse public spheres. In the following sections, I address these issues of model selection first by considering the objection that rhetorical hermeneutics is exclusively a method of reading and not a heuristic for writing. Then I move to an example of rhetorical hermeneutics in practice: a reception study of rhetorical productions... (shrink)

The article analyzes the concept of «reception», which has recently gained popularity, but remains not sufficiently clarified in studies of the history of philosophy. It is assumed that the concept has become the subject of explicit methodological reflection only in the reception aesthetics (Rezeptionsästhetik) of the Constance School of Literary Studies, where it not only opposes the concept of influence, but is interpreted in the context of a horizontal structure for text understanding. At the same time, it is (...) important to distinguish not only the «historical horizon» and the «horizon of modernity» (Gadamer), but also the «horizon of expectations» in its duality: both coded in the text itself and the life practice of the reader, «inter literary» and «external literary» horizons of expectation. The empirical trend of the reception study, developed later, makes it possible to formulate a number of specific proposals for the methodology of historical and philosophical research, which focuses on the principle of «history of receptions». It is clear that only «reproductive» and «productive» reception categories are relevant to this type of research. In particular, it is an analysis of the institutional prerequisites for the reception, the classification of the source base of that received, the channels (re)broadcast of that received, the specification of the types of scientific communication, the tradition determined positive or negative factors of reception, the status of philosophy in particular historical periods. (shrink)

This article discusses the reception of Plato's Timaeus in De docta ignorantia of Nicolas of Cusa (1401-1464), particularly about the philosophical concepts of being, time and the production of the cosmos. In this context, it is argued that the School of Chartres had played a significant role in the replacement of philosophical categories of Plato in the Christianity. But the contribution of Nicolas of Cusa to the history of the reception of the Timaeus in the Middle Ages (...) it seems original because Nicolas, more than others, use this text in order to show that the world is a being-in-relation, as God is the relationship of three persons. (shrink)

Tombs of the kings of the Western Han dynasty often contain burial items that are related to the material culture of the Eastern Eurasian Steppe. These artifacts are usually interpreted in a general sense, for instance as a sign for the fascination of the Han elite with the exotic. A closer analysis of relevant finds, however, shows different strategies of dealing with foreign influences. While the exchange with the empire’s northern neighbors is evidenced through goods for which identical excavated parallels (...) from the steppe exist, the royal tombs of the Han also contained items that resemble and reference steppe motifs and objects but were clearly produced locally and for local consumers. Especially the latter type of artifacts can thus not simply be interpreted as the passive byproduct of exchange relations. Instead, we have to acknowledge that design, production, and usage of these objects were based on conscious decisions. Based on the insight that objects always have a social function, this article argues that the Han elite not only appropriated steppe influences and motifs but also strategically produced and integrated them into their world in order to redefine, enhance, and strengthen their position within their social framework. (shrink)

In this paper, involvement in fictional films is defined as a multidimensional construct consisting of qualitatively differing, interdependent modes of reception. Based on theoretical considerations that we developed further through successive questionnaire studies, we construct a four-factor-model with the latent factors Identity Work, In-Emotion, Imagination, and Production. We subsequently develop and validate a measurement instrument, the Modes of Reception Inventory, which assesses dominant modes of reception for fictional films. The psychometric properties and the construct validity of (...) this scale are tested using structural equation modeling. Finally, we discuss possible extensions and applications of modes of reception for audience research. (shrink)

The essay aims to focus on reception and interpretation of Dostoevsky in the thought of Luigi Pareyson and his heirs, who have developed a deep and original theoretical reading of Dostoevsky's work, able to bring out not only its ethical stance, but most of the essential aspects of his thought, and to investigate its current relevance. The reflection of Pareyson – who promoted the introduction of Dostoevsky's thought into the academic circles of Turin, being convinced that philosophy cannot avoid (...) confronting the issues it explores – consists of three main moments: the experience of good and evil, the experience of freedom and the experience of God. Starting from consideration of Dostoevsky's characters as ideas, Pareyson proposes a new and coherent philosophical interpretation of his work, which can undoubtedly be compared to those of Ivanov, Berdjaev, Evdomikov, Šestov. His observations around the Legend of the Grand Inquisitor and the "refutation of Ivan" – which, according to him, constitute the most significant and theoretically prolific moments of Dostoevsky's production – seem unaffected by the flow of time and could still represent a valuable and indispensable contribution to the understanding not only of the great Russian author, but of human nature itself. (shrink)

In the article are highlighted features of the receptions of marxism in chinese philosophy. Currently, the study of reception is one of the productive directions of the modern history of philosophy, because it allows you to gain knowledge about the philosophical culture and philosophical tradition of China, as well as to find out when the birth of marxism in chinese philosophy took place. The main goals the article is reconstruction a way of describing the emergence of marxism in chinese (...) philosophical thought, reproduction of the theoretical model of the main stages of its development; to explanation the keys problems, to which the attention of chinese philosophers was directed, from the standpoint of soviet and modern researchers; a description of the main figures who laid the foundations for the birth of marxism in chinese philosophy. In the result of investigation, on the basis of theoretical and methodological guidelines and requirements of scientific analysis and theoretical reconstruction, the main post-soviet narratives of the genesis of marxist-leninist philosophy in china were systematized, as well as an assessment of their theoretical, methodological and ideological attributes. (shrink)

We describe a unified framework for the understanding of structure representation in primate vision. A model derived from this framework is shown to be effectively systematic in that it has the ability to interpret and associate together objects that are related through a rearrangement of common “middle-scale” parts, represented as image fragments. The model addresses the same concerns as previous work on compositional representation through the use of what+where receptive fields and attentional gain modulation. It does not require prior exposure (...) to the individual parts, and avoids the need for abstract symbolic binding. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Montaigne Among the Moderns: Receptions of the “Essais”Patrick HenryMontaigne Among the Moderns: Receptions of the “Essais,” by Dudley M. Marchi; xiii & 334 pp. Providence, Rhode Island: Berghahn Books, 1994, $49.95.This ambitious project is not a study of the Essais per se, but rather an analysis of their receptions from the seventeenth century to the present. Written by a comparativist with access to German, French, and English literature (...) and philosophy, it deals with authors from diverse backgrounds and time periods and pays careful attention throughout both to intertextuality and to the particular “horizons-of-experience” in which the Essais were received. “Reception” here does not mean some un-Mont aigne-like passive acceptance, but rather the assimilation and reactivation of the essayist’s concept of literature, writerly project, and theories of reading and writing in the works of later writers, mainly “premodernists” (Emerson and Nietzsche), “high modernists” (Pater and Woolf), and “postmodernists” (Butor, Chaillou, Sollers). In the most general sense, what Montaigne shares with all these authors is the need to make central in the form and substance of his work the paradox of a rupture with the pa st and its simultaneous continuation. Here modernism is less a period concept than a recurring literary phenomenon whereby the essayist not only influences the moderns and the postmoderns but is one of them. This enables us, finally, to perceive in the Essais a dialogical process that resists closure and reenacts the literary and philosophical debates of our own historical situation.Chapter One schematizes the history of the receptions of the Essais in France from 1580 to 1950 focusing mainly on the stylistic and religious readings of major figures in French literature. While much of this has already been done, Marchi syn thesizes well, makes his own original points, and offers us exceedingly interesting pages on the essayist’s covenant daughter and most active literary executrix, Marie le Jars de Gournay. Throughout he depicts how the shifting nature of the Essais’ textuality (their “hermeneutic undecidability” [p. 74]) allows them to assume various identities in the minds of different interpreters through the ages, thus problematizing the very act of reception and granting the reader a role in the production of me aning.The next chapters constitute the most original parts of the study and analyze the reception of the Essais in the works of Emerson, Nietzsche, Pater, Woolf, Butor, Chaillou, and Sollers. In Emerson and Nietzsche, we find reactivated the Montaig nean dialogue between the unique self and cultural tradition. Emerson read the Essais in the Cotton translation and wrote about Montaigne in Representative Men but only relied on the essayist to help him reach his own intellectual independen ce, finally moving from a more ego-centered position to the security of past models and rejecting skepticism in favor of dialectical resolution. Nietzsche read Montaigne in the original and knew him through Emerson. Marchi finds “an active inter textual Montaignean dimension” (p. 124) [End Page 140] in Nietzsche’s work and underscores their mutual preoccupation with radical skepticism, self-cultivation, self-portraiture, mutability, the instability of language, and the crisis of representa tion. He discovers two sides to Nietzsche’s reception of the Essais: the Apollonian “Socrantic optimism” and the Dionysian “libertine transgression” (p. 165) and indicates how the essayist’s concreteness and acceptance of human limitations tempered respectively Nietzsche’s propensity toward abstract metaphysics and Schopenhaurean pessimism.The third chapter unveils the aesthetic and thematic elements of the Essais in the critical and creative works of Pater and Woolf who went beyond the philosophical essaying of Emerson and Nietzsche, were the first to extend aspects of the E ssais in narrative works since Marie de Gournay, and created Montaigne the modernist “by insisting on the qualities of his textuality most akin to their own” (p. 186). The most interesting pages here delineate, on the one hand, Pater’s failed attempt to reconcile the religion of Pascal and the aesthetics of Montaigne and the essayist’s presence in Pater’s Gaston de Latour and, on the other, Woolf’s Montaigne-like essayistic techniques of weighing probabilities, suspending dogmatic judgment, and breaking of narrative sequentiality and her concomitant assimilation... (shrink)

Jacques Rancière’s work has become a major reference point for discussions of art and politics. However, while Rancière’s negative theses are becoming widespread and well understood, his positive thesis is still poorly understood, owing partly to Rancière’s own formulation of the issue. I first clarify Rancière’s account of the links between politics and art. I then explore a gap in this account; Rancière has stuck too closely to a politics of art’s reception. I argue for a politics of art (...) production, which would expand the possible engagement between politics and art. (shrink)

Popper holds to the unity of scientific method: any differences between natural and social science are a product of theory, not a pretheoretical premise. Distin guishing instead pure and applied generalizing sciences, Popper focuses on the different role of laws in each. In generalizing social science, our tools are the logic of the situation, including the rationality principle, and unintended conse quences. Situations contain individuals, but also social entities not reducible to individuals: conspiracy theory is the extreme form of individualism. (...) Action in situations has unintended consequences. Both social and natural laws may be required to explain outcomes. The fate of Popper's ideas is a case study in the logic of the situation. Professional philosophers of social science lean toward individualism and a priorism (either intuitionist or rational choice). There are social and political explanations of this outcome, but little critical engagement with Popper's ideas. (shrink)

Popper holds to the unity of scientific method: any differences between natural and social science are a product of theory, not a pretheoretical premise. Distin guishing instead pure and applied generalizing sciences, Popper focuses on the different role of laws in each. In generalizing social science, our tools are the logic of the situation, including the rationality principle, and unintended conse quences. Situations contain individuals, but also social entities not reducible to individuals: conspiracy theory is the extreme form of individualism. (...) Action in situations has unintended consequences. Both social and natural laws may be required to explain outcomes. The fate of Popper's ideas is a case study in the logic of the situation. Professional philosophers of social science lean toward individualism and a priorism (either intuitionist or rational choice). There are social and political explanations of this outcome, but little critical engagement with Popper's ideas. (shrink)

: It has been said that Kant's critical philosophy made it impossible to pursue either the Cartesian rationalist or the Lockean empiricist program of providing a foundation for the sciences (e.g., Guyer 1992). This claim does not hold true for much of nineteenth century French philosophy, especially the eclectic spiritualist tradition that begins with Victor Cousin (1792-1867) and Pierre Maine de Biran (1766-1824) and continues through Paul Janet (1823-99). This tradition assimilated Kant's transcendental apperception of the unity of experience to (...) Descartes's cogito. They then took this to be the method of a philosophical psychology that reveals the active self as substance or cause and thus provides the epistemological grounding for these categories. However, to dismiss these philosophers as simply confused or mistaken would be to overlook the historical role that their interpretations of Kant played in the subsequent development of philosophy and the social sciences in France. Specifically, Émile Durkheim's (1858-1917) sociological theory of the categories was deeply influenced by the eclectic spiritualist tradition and yet at the same time developed in reaction to it, as he thought that its psychological account of the categories failed to bring out their shared or universal character and the extent to which our conceptions of the categories are cultural products. (shrink)

To a great extent, cultural learning is mimetic learning, which is at the center of many processes of education, self-education, and human development. It is directed towards other people, social communities and cultural heritages and ensures that they are kept alive. Mimetic learning is a sensory, body-based form of learning in which images, schemas and movements needed to perform actions are learned. This embodiment is responsible for the lasting effects that play an important role in all social and cultural fields. (...) A mimetic process creates both similarities and differences to the situations or persons to which or whom they relate. By participating in the living practices of other people, humans expand their own life-worlds and create for themselves new ways of experiencing and acting. Receptivity and activity overlap. In all areas of human existence rituals and gestures are important for the mimetic development of body knowledge. Embodied knowledge is indispensable in religion, politics, economy, science, families, and education. It helps us to deal with difference and alterity and to create a sense of community and social relationships. It also enables us to assign meaning and structure to human relations. Ritual knowledge facilitates both continuity and change, as well as experiences of transition and transcendence. (shrink)

No-one can read far into our subject without finding an author linking aesthetic experience and freedom in one sense or another: Kant, notably of course, but also Schopenhauer, Schiller, and many more. In this article I want first [A] to remind you in a sentence or two of those by now classic ways of connecting concepts of freedom and aesthetic experience, and then [B] to outline some thoughts of my own. Section [C] opens up in more detail a less frequented (...) and less well-charted topic: basically, the many- layered nature of much aesthetic experience, and how that can involve freedom in an ‘improvisatory’ contribution by the apprec iator. Each layer can be thought of as containing a ‘given’—the product of earlier syntheses, plus a new component, in its turn, to be synthesized, whether historical, scientific, religious, or other. This probably occurs most of all in the aesthetic appreciation of nature, since art offers some controlling, ‘mastering’ of the appreciator’s response. (shrink)

The following is an interpretation of Aquinas’ agent intellect focusing on Summa Theologiae I, qq. 75-89, and proposing that the agent intellect is a metaphysical rather than a formal a priori of human understanding. A formal a priori is responsible for the intelligibility as content of the object of human understanding and is related to Kant’s epistemological views; whereas a metaphysical a priori is responsible for intelligibility as mode of being of this same object. We can find in Aquinas’ text (...) many indications that the agent intellect is not productive of the universal as content but is, rather, productive of the abstracted or intelligible mode of being of the universal nature. This is because for Aquinas the universal nature, which is the object of human understanding, is present in the things themselves but with a different mode of being. Chapter 1 is intended to establish the fact which requires for Aquinas an agent intellect, and provides two very important principles: one is that the object of human understanding (the universal nature) is present in the things themselves and, the other, that it is not in the things themselves with a mode of being which makes it available to the intellectual eye. These two principles lead us to the main point of Chapter 2, namely the distinction between the intelligible object and its intelligible mode of being. Now, because knowing is receptive of the intelligible object (Chapter 3), which is present in the things themselves (Chapter 1), the agent intellect is productive not of the object’s intelligible content, but of its abstracted or intelligible mode of being (Chapter 4). (shrink)

RESUMOA climatologia está no centro de um dos debates mais polarizados da atualidade, apresentado como confronto entre os defensores da existência de um aquecimento global antropogênico e aqueles que rejeitam sua existência. A instituição chave para esse tema é o Painel Intergovernamental sobre Mudanças Climáticas, um corpo simultaneamente científico e político. O debate surge aí mesclado com a discussão política sobre as respostas adequadas ao aquecimento global. Mas, rechaçados nesse terreno, os negacionistas transpõem o debate para a mídia, onde mobilizam (...) a pseudociência para deslegitimar as conclusões das disciplinas científicas ligadas ao entendimento do clima. Temos, assim, uma produção consciente da ignorância em larga escala sobre o tema do aquecimento global, demandando o uso da agnotologia para desvendar o mecanismo de produção da ignorância. A climatologia revela-se, então, um campo exemplar para o estudo da inserção histórico-social do conhecimento científico e das tensões e trajetórias conflitivas no seu interior, dos dilemas éticos que coloca e das possibilidades universalistas do conhecimento científico na era da tecnociência. ABSTRACTClimatology is at the center of one of the most polarized debates of today. It is presented as a confrontation between supporters of the existence of anthropogenic global warming and those who deny its existence. The key institution for this theme is the Intergovernmental Panel on Climate Change, which is both a scientific and political body. In this context, the debate arises merged with the political discussion on appropriate responses to global warming. However, contested on this ground, the deniers transfer the debate to the media, mobilizing pseudo-science to delegitimize the conclusions of the scientific disciplines related to climate understanding. Therefore, we have a deliberate production of large-scale ignorance on this subject, which requires the use of agnotology to unravel it. Thus, climatology reveals itself an exemplary space to study the historical and social roots of scientific knowledge and the tensions and conflicting trajectories inside it, the ethical dilemmas posed and the universalist possibilities of scientific knowledge in the age of technoscience. (shrink)

Ce texte étudie la réception et la postérité de deux anecdotes publiées par Cabanis. Celui-ci mettait en scène ses amis Franklin et Condillac comme des rêveurs croyant parfois en leurs productions nocturnes. Ces histoires furent citées très fréquemment au XIXe siècle et elles furent modifiées et « recréées » : on les présenta soit comme des exceptions soit comme des arguments contre un « matérialisme » de Cabanis. Plus généralement, ces histoires pouvaient apparaître comme anecdotiques ou avoir le statut plus (...) éminent d’exemples. (shrink)

In this paper, I argue that, after centuries of neglect, a revival of interest towards Aristotle’s Rhetoric took place in 12th century Constantinople, which led to the production of a number of commentaries. In order to give an overview of the commentary tradition on the Rhetoric, I examine first the surviving extant commentaries themselves, then the information that the commentators offer regarding their preceding interpretations, and last the traces of commentaries on the Rhetoric found in other treatises. This examination (...) will show that, at least within a specific group of scholars, the Rhetoric was studied and commented upon like never before. Finally, I attempt to explain this revival of interest, especially with respect to the role that philosophical and rhetorical education played in 12th century Byzantium. (shrink)

Artificial Intelligence -powered products have started to permeate various spheres of our lives. One of the most controversial of such products is the sex robot, an application of the AI-integrated robotic technology in the domain of human sexual gratification. The aim of this research is to understand the general public’s receptiveness towards this controversial new invention. Drawing upon the social intuitionist model, we find that the fear of AI, emblematic of the broader anxiety of technology’s encroachment on the human sphere, (...) shapes the public’s receptiveness to sex robots. Perceived substitutability of sex robots for human-to-human sexual interactions mediates this relationship. Religiosity is found to moderate this mediated relationship. Our findings are first established with a cross-sectional study. A “big data” field study further validates them. The present research is one of the first empirical studies to examine the underlying psychology of the public’s receptiveness to sex robots. By doing so, we aim to provide relevant government and industry bodies with a better understanding of this important topic for more informed policy making, and to raise awareness of the significant social and ethical implications should sex robots become widely accepted and adopted. (shrink)

In recent months months the hashtag #overlyhonestmethods has steadily been gaining popularity. Posts under this hashtag—presumably by scientists—detail aspects of daily scientific research that differ considerably from the idealized interpretation of scientific experimentation as standardized, objective and reproducible. Over and above its entertainment value, the popularity of this hashtag raises two important points for those who study both science and scientists. Firstly, the posts highlight that the generation of data through experimentation is often far less standardized than is commonly assumed. (...) Secondly, the popularity of the hashtag together with its relatively blasé reception by the scientific community reveal that the actions reported in the tweets are far from shocking and indeed may be considered just “part of scientific research”. Such observations give considerable pause for thought, and suggest that current conceptions of data might be limited by failing to recognize this “inherent variability” within the actions of generation—and thus within data themselves. Is it possible, we must ask, that epistemic virtues such as standardization, consistency, reportability and reproducibility need to be reevaluated? Such considerations are, of course, of particular importance to data sharing discussions and the Open Data movement. This paper suggests that the notion of a “moral professionalism” for data generation and sharing needs to be considered in more detail if the inherent variability of data are to be addressed in any meaningful manner. (shrink)

Paolo Beni da Gubbio (1553-1625) has been studied almost exclusively for his literary and rhetorical production. However, he finds an important place among the scholars of the Renaissance who developed a novel reading of Plato as an alternative to the predominant exegesis of Ficino and his followers. His writings represent a prime example of the interplay between exegetical discussions (both of literary and philosophical texts) and the emerging sciences. In the unpublished part of his commentary on Plato’s "Timaeus", Beni (...) discusses Platonic natural philosophy – cosmology in particular – in the light of the interpretations of other authors as well as the new scientific theories, mostly in relation to the Paduan scientific circles. From Galileo’s correspondence with Giovan Battista Manso, we know that Beni weas well-informed about Galileo’s astronomical observations and discoveries at the beginning of 1610, which were soon published thereafter in the "Sidereus Nuncius". Further, we have information concerning Beni’s active role in the circulation of these observations. We wish to cast new light on the reception of these novelties by an advocate of the classical tradition such as Beni. Beni’s praise of the new discoveries is testified by his unedited commentary to the Ciceronian "Dream of Scipio" (1610-15), in which he criticizes the Aristiotelian cosmological model, referring to the newly invented telescope and referring to Galileo’s astronomical observations. Echoes of new scientific and cosmological theories appear also in Beni’s commentaries on Tasso’s "Delivered Jerusalem". (shrink)

The aim of this study is twofold. Firstly, it intends to highlight the value of constructivist insights for religious studies by showing that various forms of approach to issues related to religion are mere constructs. In contrast to this viewpoint, the discipline of religious studies had traditionally sought a higher degree of objectivity in the scientific reflection of religious topics, but that has been a fraught path. Secondly, the example it refers to is worthy in itself. The reception of (...) Judaism in contemporary China is not only an under-investigated topic endowed with a great potential to reveal to what extent the Chinese ordinary man as well as the academic succeed to understand Western thought and to differentiate among the varied cultural traditions generally subsumed by them under the notion Western, but it also shows that the constructivist approaches preserve their validity in non-European contexts as well. Judaism’s reception in contemporary China will be pursued on four different levels: popular literature, fake books, articles in the Christian Chinese media and academic productions. The four categories of texts represent four different degrees of comprehension of the object of study, primarily offering information about the worldviews of the authors of the texts. The process of reception of thought is regarded as a form of encounter where the active part is striving to get out of its own mindset and move towards the other. (shrink)

The selection of nineteenth-century Arabic texts on medical education, medicine and health demonstrates the significant link between the revival of the Arabic language and literary culture of the nineteenth century, known as thenahda, and the introduction of medical education to the Ottoman Empire. These include doctor Ibrahim al-Najjar's autobiographical account of his studies in Cairo (1855), an article by doctor Amin Abi Khatir advising on the health and care of infants (1877), questions and answers in the major popular Arabic journalsal-Hilalandal-Muqtataf(1877–1901) (...) and an article about a new tuberculosis treatment by doctor Anisa Sayba‘a (1903). Taken together they contribute to our understanding of the bottom-up production, reproduction and reception of global scientific knowledge, as well as to a social and intellectual history of science. We argue that the engagement with science during thenahdawas a multi-vocal and dialogical process, in which doctors and patients, journal editors and their readers, negotiated the implications of scientific knowledge for their own lives and their own society. The texts of the original documents and their translations can be found in the supplementary material tab athttps://doi.org/10.1017/S0007087422000413. (shrink)

Praxis is the identifying signature of the most prevalent contemporary versions of the reception and interpretation of Marx and of the movements of thought inspired or provoked by him. This view seems to accord well with the early “Theses on Feuerbach” and is frequently mobilized in support of the further claim that the “mature” or “scientific” Marx, the Marx of Das Kapital, above all had left behind his former preoccupations with philosophy in anything like a traditional sense, in order (...) to pursue single-mindedly and whole-heartedly his critical diagnosis of bourgeois political economy, the opening wedge in his “practical” campaign to establish first socialism and then communism. In this essay, I want to call into question some of the central commitments of this consensus. In particular, I shall suggest that Marx’s understanding of praxis, of human activity and interaction, is pervasively shaped by his conception of poiesis, the production of hitherto non-existing objects and, therewith, the ongoing transformation of external Nature. Accordingly, appreciations of Marx’s supposedly revolutionary transfiguration of the relation between theoria and praxis need to be recast and reconstrued in light of his reduction of praxis to technical production. Poiesis is the cardinal, indeed the unique, category in the ontological vocabulary Marx adopted in his earliest works and never abandoned afterwards, even when he went on to treat ontological issues much more economically. This monochromatic vocabulary so colored Marx’s analysis of the nature and civic places of labor and human interrelations, that both tended to lose the variegated contours by which pre-modern, if not all pre-Marxist, thinkers recognized them. Marx’s elliptical, not to say sibylline, allusions to the condition and the telos of “socialized humanity” in the Grundrisse and in the final volume of Das Kapital prove so perplexing exactly because ‘labor’ itself has become paradoxical—does it figure with equal prominence in both the ‘realm of necessity’ and the ‘realm of freedom’?—while praxis, once it seems finally set free from the spell cast on it by the presumptive ultimacy of poiesis, appears to lose its bearings, its pre-modern orientation to a goal such as achieved and mutually-acknowledged human excellence. The claims and promises of praxis turn out to be deeply enigmatic. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Chinese and Indian Ways of Thinking in Early Modern European Philosophy: The Reception and the Exclusion by Selusi AmbrogioCatherine König-Pralong (bio)Chinese and Indian Ways of Thinking in Early Modern European Philosophy: The Reception and the Exclusion. By Selusi Ambrogio. London: Bloomsbury Academic, 2020. How Modern Historians of Philosophy Drew Their World MapsIn his latest book, Chinese and Indian Ways of Thinking in Early Modern European Philosophy: (...) The Reception and the Exclusion, Selusi Ambrogio presents an extensive survey of how Indian and Chinese traditions were conceived of and staged in modern European historiography. This study, which surpasses in detail and scope other works devoted to the same topic,1 reconstructs 150 years of philosophical historiography. Otto van Heurn's Barbaricae philosophiae antiquitatum libri duo (published in 1600) included for the first time contemporary and ancient Indian thinkers in the philosophical doxography; at the other end of the time span considered, Jacob Brucker's Historia critica philosophiae (1744) sanctioned the exclusion of Chinese and Indian thinkers by means of a detailed criticism of their pseudo-philosophies. Moreover, Ambrogio makes the choice to focus on the history of philosophy, unlike Étiemble, for example,2 who was interested in philosophy in a broad sense—academic and non-academic—as well as in travel accounts, the writings of the Jesuits, and those of their opponents, among other sources. According to Ambrogio, the histories of philosophy were more representative of "the common European understanding of these civilizations," since they "were not openly written for controversialist aims" (p. 2). Even though one may wonder whether defining philosophy ("what philosophy is and its role"—ibid.) and legitimizing its scholarly practice is a less political or less polemical undertaking than pamphlets, letters, and philosophical essays,3 it is probably true that philosophical historiography produced an effect of objectification or an appearance of neutrality.The author's main thesis is that the exclusion of all non-Greeks or non-Europeans from the history of philosophy does not date from the nineteenth century and Hegel, as is generally thought, but precisely from the moment when Indian and Chinese "civilizations" were considered by historians of philosophy and included in the philosophical historiography: from the beginning of the seventeenth century onwards (p. 3). Applying a segregationist model, modern historians of philosophy developed a dialectic of [End Page 203] identification—the author speaks of "reception"—and exclusion. They defined the European philosophical mind by demarcating it from other ways of thinking, which they situated in place and time on a civilizational world map. Encompassing the world from Europe produced in return processes of definition and situation. Philosophy was established in a territory and identified with a "culture" or "mind" that began to think itself in relation to the rest of the world under the name of Europe.4I will discuss Ambrogio's remarkable work in three moments. First, I will develop some particularly interesting conclusions drawn from the study; namely, they address periodization, the production of cultural categories, and the valorization of theory. I will then discuss the main thesis as well as some problematic issues, before concluding on the subject of a world absent from Ambrogio's book, the Near and Middle East.I. Logic of Time and Cultural TerritorializationAmbrogio's book is composed of three parts that address three successive historiographical models. First, the "perennialist universalism" (p. 57)—represented by, among others, Otto van Heurn, Thomas Burnet, Isaac Vossius, François Bernier, Georg Horn, and François de la Mothe le Vayer—included ancient India and then China in the "prisca theologia"; on the other hand, it described contemporary Indian and Chinese thinkers as "barbarian" philosophers. In this constellation, Buddhism began to function as the negative part of Oriental thought. According to the Jesuits, it had polluted and corrupted the original Chinese wisdom, often identified with Confucianism.The second model constructed an "Atheistic Asia," which was used either as a positive anthropological image (for example in Pierre Bayle), or as a negative foil for Lutheran philosophy and theology (for example in Johann Franz Buddeus). In the pages he dedicates to these endeavors, Ambrogio often moves away from philosophical doxography, represented by André-Fran... (shrink)

The British Association for the Advancement of Science sought to promote the understanding of science in various ways, principally by having annual meetings in different towns and cities throughout Britain and Ireland. This paper considers how far the location of its meetings in different urban settings influenced the nature and reception of the association's activities in promoting science, from its foundation in 1831 to the later 1930s. Several themes concerning the production and reception of science – promoting, (...) practising, writing and receiving – are examined in different urban contexts. We consider the ways in which towns were promoted as venues for and centres of science. We consider the role of local field sites, leading local practitioners and provincial institutions for science in attracting the association to different urban locations. The paper pays attention to excursions and to the evolution and content of the BAAS meeting handbook as a ‘geographical’ guide to the significance of the regional setting and to appropriate scientific venues. The paper considers the reception of BAAS meetings and explores how far the association's intentions for the promotion of science varied by location and by section within the BAAS. In examining these themes – the geographical setting of the association's meetings, the reception of association science in local civic and intellectual context and the importance of place to an understanding of what the BAAS did and how it was received – the paper extends existing knowledge of the association and contributes to recent work within the history of science which has emphasized the ‘local’ nature of science's making and reception and the mobility of scientific knowledge. (shrink)

Jacob Böhme (1575–1624) has been recognized as one of the internationally most influential German authors of the Early Modern period. Even today, his writings continue to impact fields as diverse as literature, philosophy, religion and art. Yet Böhme and his reception remain understudied. As a lay author, his works were often suppressed and circulated underground. Borrowing Böhme’s idea of “three worlds” or planes of existence, this volume traces the transmission of his thought through three stations: from his first underground (...) readers in Central and Eastern Europe, to the Netherlands, where most of his writings were first published, to Britain, where early translations made him a popular author for generations to come. Drawing on the work of both established and younger researchers from around the world, this volume charts new territory. It fills many lacunae and reveals a number of exciting discoveries, especially regarding the production and diffusion of manuscripts and previously overlooked sites of engagement. This book will be of interest to a wide range of scholars interested in the development of philosophical, religious, literary and artistic thought from the 17th century to the present day. (shrink)

This article analyses the production and reception of the natural history film series Secrets of Nature and its sequel Secrets of Life, exploring what these films reveal about the role of cinema in public discourses about science and nature in interwar Britain. The first part of the article introduces the Secrets using an ‘intermedial’ approach, linking the kinds of natural history that they displayed to contemporary trends in interwar popular science, from print publications to zoos. It examines how (...) scientific knowledge was communicated in the series, especially the appeal to everyday experience as a vehicle to engage mass audiences with scientific subjects. The second part examines the Secrets series through the lens of knowledge co-production, detailing how a range of different figures, including academic scientists, nature photographers, producers and teachers, became entangled in making the films. Recovering the term ‘ciné-biology’, it argues that Secrets developed a unique style of filmmaking that generated cultural space for the life sciences in British popular culture. The third part analyses two interwar cinema experiments to explore how audiences, imagined and real, shaped the kinds of natural knowledge characterized by the Secrets films. (shrink)

In today’s academia, scholars are compelled to be productive. The result is an overabundance of publications that often are formulaic follow-ups to the debates du jour. The essays included in this collection are a fortunate exception to this rule—they are original and make refreshingly bold claims. The articles are devoted to the reception of Aristotle’s logic and metaphysics in the Middle Ages and show the vitality of the cluster of scholars known as the “Copenhagen School of Medieval Philosophy.” Even (...) though the school does not identify as “neo-scholastic”, many of its members accept the idea that scholastic interpretations are relevant to our understanding of Aristotle’s thought. Undoubtedly, this is a... (shrink)

Psychoanalytic practice and theory do not map together in any seamless ways. Nevertheless, the creative tension between the two is essential in the production of psychoanalytic knowledge. In this paper, I recount Emma’s psychoanalytic journey using a series of five vignettes from her four-year psychotherapy. When I met Emma, she had been unable to walk for six months. The reasons for her affliction were, at this time, mysterious. During her therapy, a transformative process took place reflecting a movement from (...) symptom to the symbolization of an inner receptive space. The insights that emerged from this psychic journey challenge the conceptualization of a simple linear progression from the pre-Oedipal to the Oedipal moment which is seen to structure subjectivity. I argue that the representation of a receptive inner space is a necessary precondition for thought – and this is especially so for women’s development of mind. This argument calls into question the centrality given to the Oedipus complex and the associated paternal function in the structuring of subjectivity in some psychoanalytic models of mind. I suggest these models sit too closely to patriarchal fantasies which underestimate the complex processes involved in entering the symbolic realm. (shrink)

In this article I investigate the necessarily interdisciplinary nature of our contemporaneity, from the perspective of works by Gilles Deleuze, Félix Guattari, Bruno Latour and Michel Serres. While we often find that academia, society and governments push us towards interdisciplinarity, it is also true that those same institutions and powers, distance us from that purpose. Opposing this aporetic situation we come up against the Deleuzian concept of ‘contamination’, or the well-known ‘science of Venus’ concept of Michel Serres. In doing so, (...) we attempt ‘to put the tracing back on the map’, as Deleuze and Guattari suggest, and try to see the epistemological becomings that we find in contemporary culture. The main indicators which we use to study these contaminations and hybridisations are cinema and Bio Art. In both cases we observe that the real creative production is closer to ‘contamination’ than to the ‘purification’ and deletion of metabolic and hybrid processes criticised by Bruno Latour. (shrink)

The economic principle of communication, according to which successful communication can be reached by least effort, has been studied for verbal communication. With respect to nonverbal behavior, it implies that forms of iconic gestures change over the course of communication and become reduced in the sense of less pronounced. These changes and their effects on learning are currently unexplored in relevant literature. Addressing this research gap, we conducted a word learning study to test the effects of changing gestures on children’s (...) slow mapping. We applied a within-subject design and tested 51 children, aged 6.7 years, who learned unknown words from a story. The storyteller acted on the basis of two conditions: In one condition, in which half of the target words were presented, the story presentation was enhanced with progressively reduced iconic gestures ; in the other condition, half of the target words were accompanied by fully executed iconic gestures. To ensure a reliable gesture presentation, children were exposed to a recorded person telling a story in both conditions. We tested the slow mapping effects on children’s productive and receptive word knowledge three minutes as well as two to three days after being presented the story. The results suggest that children’s production of the target words, but not their understanding thereof, was enhanced by PRG. (shrink)

This paper discusses the communicability of musical listening, proposes a semanalytical perspective to approach it in terms of communicational production, and summarizes an analysis of the production of musical listenings in the case of Beethoven’s Ninth Symphony. Instead of assuming that verbal talk on music banalizes listening, or that musical arrangers are the privileged authorities when it comes to transmitting a personal listening, our suggestion is that communication produces – in the post-structuralist sense of the word – musical (...) listenings even when it seems to simply try and account for it. In a transmissive, “phenotextual” comprehension, listening may be understood as a phenomenological, receptive act that pre-exists its communication. Instead, our communicational research on musical listening turns to the listening-accounts in order to grasp the “listenabilities” as they emerge within specific listening-territories that “genotextually” produce their regulations and habits. This semiotic production is methodologically investigated, here, in terms of interpretant signs, especially as Normal Interpretants, within a particular listening-territory. Three remarks are made on the genotextual operations that produce “insufficiency,” “monumentality,” and “distinção” as listening normalities. (shrink)