In the countries with a strong muslim immigration, the practice and the organization of Islam represent a national and international politica! stake. The Belgian state, which recognizes and supports the most important cults financially, recognized Islam in 1974. But this cult doesn't still obtain this state support and the questions concerning its organization are more complex than ever. Thelegislation is insufficient and its application almost non-existent. The debates on 'integrism' and hijab have confronted us with the problem of the integrating (...) role of Islam. The Belgian political world seems today to fear the influence of foreign countries on immigrants. All these factors throw light on the history and the present state of the Belgian legislation on the organization of the islamic cult, which this article analyses. (shrink)

:Neuroprosthetic speech devices are an emerging technology that can offer the possibility of communication to those who are unable to speak. Patients with ‘locked in syndrome,’ aphasia, or other such pathologies can use covert speech—vividly imagining saying something without actual vocalization—to trigger neural controlled systems capable of synthesizing the speech they would have spoken, but for their impairment.We provide an analysis of the mechanisms and outputs involved in speech mediated by neuroprosthetic devices. This analysis provides a framework for accounting for (...) the ethical significance of accuracy, control, and pragmatic dimensions of prosthesis-mediated speech. We first examine what it means for the output of the device to be accurate, drawing a distinction between technical accuracy on the one hand and semantic accuracy on the other. These are conceptual notions of accuracy.Both technical and semantic accuracy of the device will be necessary for the user to have sufficient control over the device. Sufficient control is an ethical consideration: we place high value on being able to express ourselves when we want and how we want. Sufficient control of a neural speech prosthesis requires that a speaker can reliably use their speech apparatus as they want to, and can expect their speech to authentically represent them. We draw a distinction between two relevant features which bear on the question of whether the user has sufficient control: voluntariness of the speech and the authenticity of the speech. These can come apart: the user might involuntarily produce an authentic output or might voluntarily produce an inauthentic output. Finally, we consider the role of the interlocutor in interpreting the content and purpose of the communication.These three ethical dimensions raise philosophical questions about the nature of speech, the level of control required for communicative accuracy, and the nature of ‘accuracy’ with respect to both natural and prosthesis-mediated speech. (shrink)

In medical research, the ethical principle of respect for persons is operationalized into the process of informed consent. The consent tools should be contextualized and adapted to the different socio-cultural environment, especially when research crosses the traditional boundaries and reaches poor communities. We look at the challenges experienced in the malaria Quinact trial, conducted in the Democratic Republic of Congo, and describe some lessons learned, related to the definition of acceptable representative, the role of independent witness and the impact of (...) socio-economic vulnerability. To ensure children's protection, consent is required by the parents or, in their absence, by a legally mandated representative. In our setting, children's responsibility is often entrusted permanently or temporarily to relatives or friends without a tribunal mandate. Hence, a notion of ‘culturally acceptable representative’ under supervision of the local Ethics Committee may be more suitable. To ensure protection of illiterate subjects, an independent witness is required to confirm that the consent was freely given. However, in low-literacy contexts, potential witnesses often don't have any previous relationship with patient and there may be power-unbalance in their relationship, rather than genuine dialogue. In poor communities, trial participation may be seen as an opportunity to secure access to healthcare. Poverty may also lead to ‘competition’ to access the research-related benefits, with a risk of disturbance at societal or household level. Adjusting consent procedures to sociocultural and socioeconomic realities is essential for fulfilling the underlying ethical principles. This requires a collaborative dialogue between researchers, regulators and ethics committees. (shrink)

Philibert Secretan compose ici une manière de portrait de Pascal par le choix de quelques "Pensées" où se dessine sa vision de la condition humaine ; il en commente certains thèmes et donne la voix à des pages riches de résonances poétiques : plus qu'il ne le lit, il écoute Pascal. Enfin, associant sa lecture à celle de trois autres grands lecteurs du philosophe Ludwig Wittgenstein, Edgar Morin et Pierre Bourdieu, il s'arrête sur deux aspects particuliers du philosophe : (...) Pascal, critique, précurseur de Kant ; Pascal, architecte d'une pensée qui s'organise autour de la hiérarchie des ordres. A rebours d'une tradition de lecture par aphorismes, Philibert Secretan privilégie une systématique pascalienne qui en fait ressortir les fulgurances et les abîmes. (shrink)

III. INTERPRÉTATION ET CONTRARIÉTÉS 1. Contrariétés et apologétique Le Père Garasse justifie l'existence de contradictions dans la Bible en comparant les Ecritures au corpus des textes législatifs, que les juristes ont souvent du mal à ...

Philosophe, moraliste, inventeur de machines et de formes, mathématicien, physicien, théologien, polémiste... Blaise Pascal semble avoir eu mille visages. Mais de lui, finalement, que sait-on vraiment? En suivant l'écrivain pas à pas, de sa naissance à Clermont à sa mort à Paris, Pierre Lyraud nous dévoile les lignes de force d'une vie prématurément écourtée, mais passionnée par la recherche constante d'une vérité blessée par les troubles de son temps. C'est alors un nouveau visage de Pascal qui nous apparaît, (...) celui d'un penseur de la joie et de la grandeur de l'âme humaine; d'un honnête homme soucieux de vulgarisation; d'un ardent chrétien inquiet de l'avenir des autres; d'un plein vivant se rendant peu à peu compte que la vie véritable n'est pas celle du monde. Un parcours inédit dans l'œuvre de l'un des plus grands auteurs français"--Page 4 of cover. (shrink)

Le Professeur Pierre Magnard n'a eu de cesse, au cours de son itinéraire intellectuel, où le pédagogue et le chercheur opérèrent toujours en synergie, de révéler, de construire et d'enrichir la tradition philosophique et théologique gréco-latine, notamment à travers l'étude du Néoplatonisme, de travailler à mieux faire connaître les auteurs des quinzième et seizième siècles, comme Nicolas de Cues, Marsile Ficin,Jean Pic de la Mirandole, Michel de Montaigne ou Charles de Bovelles, et d'y entretenir inlassablement la flamme de celui (...) qui demeurera à ses yeux un penseur phare : Blaise Pascal. Constitués en académie platonicienne une pléiade de chercheurs, issus de cet enseignement, a voulu en témoigner par quelques-unes de leurs avancées, manifestant la convergence de leur investigation sans prétendre en couvrir le champ. (shrink)

This article starts, on the one hand, with a consideration of the paradoxical way in which, namely when he wanted to evoke those intellectual figures that have decidedly contributed to the revelation of the "true Pascal", i. e., of the Pascal that had known the good usage of reason, Fortunat Strowski comes to the idea of putting side by side Pierre Duhem and Leon Brunschvicg. On the other, a reference is made to the fact that Duhem only published two (...) articles and a preface on Pascal while Brunschvicg is the author of a major work on the great figure of the XVIIth -Century. Hence, the question raised is about the consideration that shall be given to a paradoxical affirmation that seems to place on equal terms the few pages that Duhem has written on Pascal with the imposing contributions of Brunschvicg. For the author of the article, it would not be very consequent to take such affirmations as if they were unreflected ones, since it is clear that Strowski knew exactly what he was writing as we can see from the very good knowledge he had of the writings of both Blaise Pascal and Pierre Duhem. Indeed, and more than anyone else, Strowski was in a very good position to enlighten us about these two thinkers and to write about them in the terms he effectively did. The goal of the article, therefore, is to justify that assertion, which on its face is quite paradoxical, by showing in concrete terms the extent to which Pierre Duhem was truly influenced by Blaise Pascal. ––– O presente artigo começa por realçar o modo paradoxal como, uma vez que ele se dá ao trabalho de evocar aqueles autores que contribuíram para a revelação do verdadeiro Pascal, ou seja, daquele que conheceu o bom uso da razão, Fortunat Strowski não hesita em colocar o nome de Pierre Duhem lado a lado com o de Léon Brunschvicg. O facto, porém, é que Pierre Duhem não fez mais do que publicar dois artigos e um prefácio sobre Blaise Pascal, ao passo que Brunschvicg lhe dedicou uma obra que haveria de ficar famosa. O problema, portanto, consiste em saber qual o valor que se deve atribuir a uma tal afirmação desconcertante, a qual parece simplesmente equalizar as poucas páginas de Duhem sobre Pascal com as imponentes contribuições de Brunschvicg. Nesse sentido, a estratégia do autor do artigo consiste em não tomar de forma ligeira uma tal afirmação, como se Strowski não tivesse considerado bem as consequências e o alcance daquilo que escrevia, pois a verdade é que ele conhecia não só a obra de Pascal mas também a de Duhem. Ou seja, mais do que ninguém, ele estava perfeitamente à altura de nos comunicar algo de substancial acerca de cada um destes pensadores e de escrever a seu propósito aquilo que ele efectivamente escreveu. Em suma, o presente artigo não tem outra pretensão que não a de justificar essa afirmação aparentemente paradoxal segundo a qual Pierre Duhem foi um verdadeiro pascaliano. (shrink)

O ceticismo desempenha um papel decisivo na filosofia pascaliana. De fato, amplamente influenciado por autores como Michel de Montaigne e Pierre Charron, Blaise Pascal acaba por contrariar a tendência geral do século do grande Racionalismo, levantando profundas objeções relativamente à pretensão – tipicamente cartesiana – de se conhecer a Verdade de maneira certa e segura. Como se pode depreender mesmo de uma rápida leitura de seus escritos, a obra pascaliana é toda perpassada por uma notável desconfiança de nossa (...) suposta capacidade de adquirir certezas inabaláveis sobre o que quer que seja: desconfiança esta que, diga-se de passagem, está em profunda sintonia com a chocante posição do autor concernente às consequências do pecado original. Assim sendo, o que pretendemos neste artigo é: i) apresentar os argumentos céticos subscritos por Pascal em sua principal obra filosófica – os Pensamentos; e ii) analisando a obra Do espírito geométrico e da arte de persuadir, indicar que nem mesmo os conhecimentos oferecidos pela luz natural são capazes de nos livrar das dúvidas suscitadas pela argumentação cética. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Ideas 63.4 (2002) 599-617 [Access article in PDF] Thinking Geometrically in Pierre-Daniel Huet's Demonstratio evangelica (1679) April G. Shelford Sometime after 1679, Pierre-Daniel Huet (1630-1721) indulged an author's vanity by comparing his Demonstratio evangelica with works whose authors are far better known today. He recorded his judgments on a scrap of paper. 1First, he contrasted the Demonstratio to Antoine Arnauld's Les nouveaux (...) élémens de géometrie (1664). While Arnauld had assumed that all the principles of geometry were true and all geometrical demonstrations certain, and had considered religious questions not amenable to methodical demonstration, Huet noted, "I made clear the contrary by proving religion through a methodical sequence of propositions similar to those one finds in geometry." For Arnauld religious belief fell into the class of things better proven through a series of mutually reinforcing propositions than through proofs modeled on geometry; Huet had actually accomplished the latter. Arnauld did not require geometric proofs in religious works; Huet wrote the Demonstratio "to satisfy those who do." Indeed, Arnauld forbade such proofs, "but I permitted them... and I proposed something to satisfy those who do [demand them]."Huet then considered Blaise Pascal's Pensées (1670). Pascal had also rejected demonstration in proving religious truths, Huet noted, opting instead for "moral proofs, which are directed more to the heart than to the mind. In other words he desired to work harder at moving and disposing the heart than at convincing and persuading the intellect." Apparently, "M. Pascal did not believe that one could prove the truth of the Christian religion by geometric proofs; much less that he had any hope of doing so." [End Page 599]Huet's jottings precisely situate the Demonstratio evangelica (1679)between the claims of Cartesian rationalism and Pascal's fideism and religion of the heart, inviting us to take another look at an imperfectly understood work. Scholarly treatment of the Demonstratio has generally been cursory or partial because it has been considered less for its own merits than for how it fits into larger research agendas. 2 Some scholars have offered important insights but either do not develop them or do not consider the Demonstratio in a sufficiently broad context. 3 A consensus on the Demonstratio's general thrust thus masks puzzling questions. Everyone acknowledges, for example, that Huet's apologetic responded to Baruch Spinoza's Tractatus theologico-politicus (1670). Like other Christian apologists, he had to maintain "the Mosaic authorship" that was "the supposed guarantee of the truth of the text," 4 devoting "long chapters to the authenticity of the books of the Old Testament." 5 Yet Huet began the Demonstratio with an assault on geometrical knowledge and an epistemological discussion—an odd place to begin refuting the Tractatus. 6 Why? The question deserves a good answer, as Huet was a scholar of international reputation, and his contemporaries judged the Demonstratio an important work. 7More important for us, the evolution of the Demonstratio superbly reflects a vanished intellectual world and scholarly culture and in fact records change [End Page 600] in that world over four decades. Its genesis was the rash promise of a young man inspired by the possibilities of geometry and aspiring to recognition in the Republic of Letters, but before fulfilling that promise Huet developed a lively interest in such diverse fields as biblical criticism and natural philosophy, and he would apply the insights gained there in his apologetic. 8 A central question confronting Huet and his contemporaries was how to achieve certainty in matters religious, historical, and scientific. 9 The Demonstratio reveals Huet's conclusion that certainty in all three was profoundly interrelated. Finally, he composed the Demonstratio during the 1670s, having grasped with much alarm the consequences of the spread of Cartesianism. Thus, the Demonstratio is an intellectual biography not just of the author but of an era.Of course, Huet had to contend with Spinoza's challenge to Mosaic authorship, which fatally undermined the historical certainty of the Bible, but he also wrote... (shrink)

Comment devient-on philosophe? Par quel sursaut un Aristoclès se fait-il Platon, jusqu'à s'imposer dans la liste des " auteurs philo " Il faut enquêter, non pas sur la vie privée, mais sur la vie intime : rumination intellectuelle, ton sur lequel on parle, motivations amoureuses... Ce qui fait un philosophe, c'est un immense travail sur soi, et la rencontre d'autres philosophes, vivants, de leurs problématiques. Mémoire sémantique + obsession métaphysique, voilà le code génétique du philosophe. Il débute par un attentat (...) religieux, puisqu'il commence sa carrière en niant tel ou tel sacré. Bien sûr, il vaut mieux être mâle, communiquer par les livres adopter la langue dominante, écrire quand on est célibataire. Comment gagner sa vie? Pas forcément en étant enseignant, comme c'est le cas aujourd'hui. Le profil du philosophe nous le révèle orphelin, vivant à l'étranger, souvent laid, jamais fou, et serial thinker, prêt à changer de philosophie pourvu qu'il reste, lui, à menacer le monde donnera ou donnera pas du sens à notre vie? Le philosophe est l'être inquiet qui pense inquiéter l'Être par deux trois mots bien aiguisés. (shrink)

Journal Name: Semiotica Issue: Ahead of print.

Pascal was a scientist and man of the world who came to be a passionately devout Christian. The fragments of his great defense of Christianity, left unfinished at his death in 1662, survive in the form of the Pensees. This series of brief, dramatic notes on his religious convictions are here translated into English. These thoughts expose Pascal's vision of the world and display powerful reasoning and a profound faith.

Cet ouvrage rassemble les textes des interventions prononcées lors du colloque Cornelius Castoriadis. Réinventer l'autonomie qui s'est déroulé aux universités de Paris-VIII et de Cergy-Pontoise en mars 2007.

During the last two decades, sociologist Pierre Bourdieu has become a dominant force in cultural activity ranging from taste in music and art to choices in food and lifestyles. _The Field of Cultural Production_ brings together Bourdieu's major essays on art and literature and provides the first introduction to Bourdieu's writings and theory of a cultural field that situates artistic works within the social conditions of their production, circulation, and consumption. Bourdieu develops a highly original approach to the study (...) of literary and artistic works, addressing many of the key issues that have preoccupied literary art and cultural criticism in the last twentieth century: aesthetic value and canonicity, intertextuality, the institutional frameworks of cultural practice, the social role of intellectuals and artists, and structures of literary and artistic authority. Bourdieu elaborates a theory of the cultural field which situates artistic works within the social conditions of their production, circulation, and consumption. He examines the individuals and institutions involved in making cultural products what they are: not only the writers and artists, but also the publishers, critics, dealers, galleries, and academies. He analyzes the structure of the cultural field itself as well as its position within the broader social structures of power. The essays in his volume examine such diverse topics as Flaubert's point of view, Manet's aesthetic revolution, the historical creation of the pure gaze, and the relationship between art and power. The Field of Cultural Porduction will be of interest to students and scholars from a wide range of disciplines: sociology and social theory, literature, art, and cultural studies. (shrink)

Over the last four decades, the French sociologist Pierre Bourdieu produced one of the most imaginative and subtle bodies of social theory of the postwar era. When he died two years ago, he was considered to be a thinker on a par with Foucault, Barthes, and Lacan--a public intellectual as influential to his generation as Sartre was to his. Science of Science and Reflexivity will be welcomed as a companion volume to Bourdieu's now seminal An Invitation to Reflexive Sociology (...) . In this posthumous work, Bourdieu declares that science is in danger of becoming a handmaiden to biotechnology, medicine, genetic engineering, and military research--that it risks falling under the control of industrial corporations that seek to exploit it for monopolies and profit. Science thus endangered can become detrimental to mankind. The line between pure and applied science, therefore, must be subjected to intense theoretical scrutiny. Bourdieu's goals in Science of Science and Reflexivity are to identify the social conditions in which science develops in order to reclaim its objectivity and to rescue it from relativism and the forces that might exploit it. In the grand tradition of scientific reflections on science, Bourdieu provides a sociological analysis of the discipline as something capable of producing transhistorical truths he presents an incisive critique of the main currents in the study of science throughout the past half century and he offers a spirited defense of science against encroaching political and economic forces. A masterful summation of the principles underlying Bourdieu's oeuvre and a memoir of his own scientific journey, Science of Science and Reflexivity is a capstone to one of the most important and prodigious careers in the field of sociology. (shrink)

Written with verve and intensity (and a good bit of wordplay), this is the long-awaited study of Flaubert and the modern literary field that constitutes the ...

Examining in detail the work of consecration carried out by elite education systems, Bourdieu analyzes the distinctive forms of power—political, intellectual, bureaucratic, and economic—by means of which contemporary societies are governed.

Replete with madwomen, murderers, musicians, and mystics, "Lonely Woman" dramatically interweaves the lives of five women. It remains Takako Takahashi's most sustained and multifaceted fictional realization of her concept of "loneliness.".

Cet article est disponible en texte intégral en format PDF.

Afin de clarifier la réalité elle-même, Nietzsche rapporte généalogiquement le « conatus » spinoziste à une volonté de statisme à laquelle il oppose la dynamique expansive de la volonté de puissance. Pourtant, on peut montrer que Nietzsche rejette moins la conservation qu’il ne la réinterprète dans l’ordre d’une grandeur à produire, indissociable du tragique.

Martin Heidegger's overt alliance with the Nazis and the specific relation between this alliance and his philosophical thought - the degree to which his concepts are linked to a thoroughly disreputable set of political beliefs - have been the topic of a storm of recent debate. Written ten years before this debate, this study by France's leading sociologist and cultural theorist is both a precursor of that debate and an analysis of the institutional mechanisms involved in the production of philosophical (...) discourse. Though Heidegger is aware of and acknowledges the legitimacy of purely philosophical issues (in his references to canonic authors, traditional problems, and respect for academic taboos), Bourdieu points out that the complexity and abstraction of Heidegger's philosophical discourse stems from its situation in the cultural field, where two social and intellentual dimensions - political thought and academic thought - intersect. Bourdieu concludes by suggesting that Heidegger should not be considered as a Nazi ideologist, that there is no place in Heidegger's philosophical ideas for a racist conception of the human being. Rather, he sees Heidegger's thought as a structural equivalent in the field of philosophy of the 'conservative revolution', of which nazism is but one manifestation. (shrink)

AESTHETICS OF “PURE SIGN” ADORNO, MERLEAU-PONTY AND ART AS AN ENDLESS REINVENTION OF REALITY Contemporary painting has often dealt with signs, graffiti, calligraphy, and more precisely with aesthetic objects that take the form and appearance of signs, but which do not belong to any existing alphabet. These are forms that imitate signs but are what we might call “pure signs”, i.e. signifiers without a signified. This form of artistic experimentation has elicited parallel and convergent analyses by Merleau-Ponty and Adorno. These (...) authors show the ways in which this kind of artistic experimentation at once renews reflection on language and reflection on art, through a more fundamental reflection on the cognitive actions that they necessarily share, namely deciphering and interpretation. By asking how signs that have no conventional meaning can still be identified as signs–the “decryption” of which is therefore impossible–we re-actualize a question that goes back to Plato and Augustine. How can we begin to investigate and understand what we do not know yet? How does the decryption and interpretation process arise for one who does not yet know if there is something to understand? This type of artwork actually has a meaning, but not in the traditional sense. Although they are unreadable and untranslatable, such works clarifying the meaning of interpretation for us, they free us from a naive and simplistic conception of the process of understanding. They show us that interpretation is always a process of inventing and producing a new meaning, but never of actually finding a pre-existing meaning. In doing so, these kinds of artwork are inseparable from ontological and political issues. Against a conservative view of our relationship to reality, they make us aware that the sense of reality is never simply given nor definitive, and that our relationship to reality contains much more potential than we commonly believe. (shrink)

On associe habituellement Rousseau à la tradition républicaine, opposée schématiquement à la tradition libérale. Sans remettre en cause globalement cette thèse, il peut être intéressant de déplacer les termes de la problématique, en présentant la critique rousseauiste du libéralisme comme une critique menée de l’intérieur, plutôt que de l’extérieur. On peut en effet, à l’exemple de John Pocock, identifier un tronc commun aux pensées républicaine et libérale ou, à l’exemple de Charles Larmore, voir dans le républicanisme « une formulation plus (...) lucide de la théorie libérale ». Cela se traduit chez Rousseau par une stratégie consistant à se réapproprier les promesses contenues dans les prémisses du libéralisme, pour mieux en dénoncer les conséquences dogmatiques. De fait, on trouve chez Rousseau une défense des droits individuels, un souci de l’indépendance individuelle dans les relations économiques et plus généralement dans les rapports sociaux, une justification jusnaturaliste de la propriété privée, et même des emprunts à l’idée selon laquelle la mise en concurrence permettrait de définir les conditions d’un choix optimal. Cependant l’analyse de certains textes de l’Émile montre que Rousseau vise en définitive à dissiper l’illusion d’une autorégulation optimale des rapports sociaux et économiques : l’opacité et les distorsions des rapports économiques ainsi que l’usage spontanément irrationnel de la liberté individuelle impliquent la nécessité de gouverner la liberté, par l’éducation et par la législation. (shrink)

L’Émile met en scène deux leçons de choses visant à initier l’élève à la science économique : l’une concernant le fondement du droit de propriété, l’autre concernant l’échange marchand et la division sociale du travail. Ces deux moments éducatifs donnent un précieux éclairage sur la pensée économique de Rousseau, pensée plus complexe et informée qu’on ne le considère communément. Mais c’est également dans les décisions existentielles d’émile que sont abordées philosophiquement les conditions d’un choix rationnel, la maximisation de la satisfaction (...) et les vertus supposées de la concurrence. Par ces différents biais, Rousseau met à l’épreuve et critique les thèses de la science économique, annonciatrices du libéralisme, qui s’ébauchent à son époque.Two practical lessons, in Émile, aim to introduce the pupil to economics. The first one concerns the foundation of the right to property ; the second one concerns trade and the social division of work. Both of these educational moments show Rousseau’s economic thought to be more complex and informed than we often believe. But Émile’s existential decisions are also occasions for philosophical investigations on the conditions of rational choice, the maximization of satisfaction and the supposed benefits of competition between bids. Through these differents issues, Rousseau puts to the test and critically examines the free market principles which are starting to take shape just then. (shrink)

Le perspectivisme nietzschéen se situe-t-il « après la vérité »? Si Nietzsche critique le concept même de vérité, il emploie pourtant très régulièrement cette expression, jusque dans Ecce homo et L’Antéchrist. Prendre acte de cette tension est insuffisant : y a-t-il contradiction ou s’agit-il plutôt de polysémie? Cette étude, qui distingue chemin faisant perspectivisme et relativisme, procède à l’examen des différents sens de « vérité » dans l’œuvre de Nietzsche afin de construire une réponse à ce problème.