In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 41.4 (2003) 565-566 [Access article in PDF] Kai Hammermeister. The German Aesthetic Tradition. New York: Cambridge University Press, 2002. Pp. xv + 259. Cloth, $60.00. Paper, $22.00. This history of German (or more accurately, Germanic) aesthetics surveys the tradition stretching from Alexander Baumgarten to Theodor Adorno. The author has divided his survey into three thematic parts. In the first, "The Age of Paradigms," (...) Baumgarten, Mendelssohn, Kant, Schiller, Schelling, and Hegel establish the principal approaches to aesthetics and the philosophy of art that will structure the tradition. In the second part, "Challenging the Paradigms," Schopenhauer, Kierkegaard, and Nietzsche raise critical problems with the positions of their forebears. In the final part, "Renewing the Paradigms," Cassirer, Lukács, Heidegger, Gadamer, Marcuse, and Adorno revive elements of the classical tradition for twentieth-century purposes. As one might expect, covering fifteen complex figures in a relatively short book makes for a survey primarily of the surfaces of their thought. Even so, the exercise may be useful for those with no knowledge of German aesthetics who would like a quick introduction.From the outset the author establishes a plan to consider each philosopher's work in terms of his ontological treatment of art, the epistemic role he attributes to art and beauty, and the practical functions he assigns art. In the early chapters the author dutifully addresses these matters at the end of each chapter, but from Hegel on, the author's commitment to this structure seems to wane. It becomes more difficult to discern these assessments of each philosopher as the book progresses. It is an odd feature of the book that its [End Page 565] author announces these "principles of comparison" so explicitly in the introduction, but does not consistently apply them.There is also inconsistency in the author's choices regarding whose theories to directly criticize. In some cases (with Hegel, Schopenhauer, Nietzsche, and Cassirer, for example), Hammermeister offers quite global criticisms of the philosophers' views, while in other cases (with Kant, Schiller, Schelling, Heidegger, and Gadamer) he provides very little criticism. The book does not advance a philosophical position from which to understand why some figures in this tradition, but not others, warrant sharp criticisms that on occasion (with Kierkegaard, for example) amount to blanket dismissals.The second part of the book, "Challenging the Paradigms," stands in an uncertain relationship to the first part, "The Age of Paradigms." Hammermeister advertises Schopenhauer, Kierkegaard, and Nietzsche as thinkers intent on dismantling the aesthetic-theoretical systems of their predecessors, and there is no doubt much truth in this assertion. Yet these chapters offer little in the way of explicit elaboration of precisely which views of which prior thinkers each of these rebels seeks to undermine. Schopenhauer, for example, is presented as a champion of Kantian aesthetic disinterestedness, while his delirious antipathy for Hegel is hardly discussed. Kierkegaard's famous disagreements with Hegel receive little attention, either.The third part, "Renewing the Paradigms," advances one of the author's principal claims in the book: that twentieth-century German(ic) philosophers recapitulate the sequence of positions in the classical Kant-Schiller-Schelling-Hegel development. Cassirer revives Kant; Lukács and other neo-Marxist thinkers revive Schiller; Heidegger is far more indebted to Schelling than he acknowledges. To some extent the author's proposal is a useful heuristic, especially regarding Cassirer and Lukács. With Heidegger problems begin to arise. Hammermeister argues that Heidegger shares with Schelling a view of art as a "truth-event," but this, of course, would be a view that Heidegger also shares with Hegel. When Hammermeister notes (189) that for Heidegger truth can happen in practices other than art, this strengthens a comparison to Hegel (despite the profound differences between Heidegger and Hegel), rather than to Schelling (for whom art alone is the organon of truth, at least in the System of Transcendental Idealism that Hammermeister treats as the most Schellingian of Schelling's texts).As with the author's other overarching structures for the book, the paradigm-renewal claim also loses momentum halfway through. Hammermeister appropriately presents... (shrink)

Nic R. Jones ABSTRACT: The The lack of diversity in academic philosophy has been well documented. This paper examines the reasons for this issue, identifying two intertwining norms within philosophy which contribute to it: the assertion that the Adversary Method is the primary mode of argumentation and the excessive boundary policing surrounding what constitutes “real” ….

In "How to Forge a Musical Work," Peter Kivy poses a counterexample to Nelson Goodman's view that forgery is impossible in "allographic" art form such as music. Yet Kivy's example does not raise problems for Goodman's position, because his example does not exemplify the sort of forgery of concern to Goodman. By focusing on Kivy's characterization of what counts as a version of a work of art, I argue that he only seems to make room for musical forgeries (of the (...) sort damaging to Goodman's view) by collapsing the difference between versions of a work and instances of a work. (shrink)

Revelation is the thesis that having an experience that instantiates some phenomenal property puts us in a position to know the nature or essence of that property. It is widely held that although Revelation is prima facie plausible, it is inconsistent with physicalism, and, in particular, with the claim that phenomenal properties are physical properties. I outline the standard argument for the incompatibility of Revelation and physicalism and compare it with the Knowledge Argument. By doing so, I hope to show (...) that on various plausible interpretations of Revelation it is in fact consistent with physicalism. Moreover, there is a robust reading of Revelation that a posteriori physicalists can, and should, accept. (shrink)

For many, the paradigm of a deflationary theory of truth is the redundancy theory, which is typically taken to consist of two claims: namely (i) that sentences containing the truth predicate are synonymous with sentences not containing the truth predicate (and so the truth predicate is redundant) and (ii) that there is no property of truth.1 The redundancy theory is not an attractive theory of truth since neither of its claims is particularly plausible on its own, and the combination of (...) the two claims is, if not actually inconsistent, at least uncomfortable.2 Very few deflationists nowadays endorse either part of the theory. (shrink)

Deflationists about truth typically deny that truth is a causal-explanatory property. However, the now familiar 'success argument' attempts to show that truth plays an important causal-explanatory role in explanations of practical success. Deflationists have standardly responded that the truth predicate appears in such explanations merely as a logical device, and that therefore truth has not been shown to play a causal-explanatory role. I argue that if we accept Jackson and Pettit's account of causal explanations, the standard deflationist response is inconsistent, (...) for on this account even logical properties can be causally explanatory. Therefore the deflationist should remain neutral as to whether truth is a causal-explanatory property, and focus instead on the claim that truth, if it is a property, is a merely logical one. (shrink)

: Pillow's aim is to demonstrate how representations of Sacajawea have shifted in writings about the Lewis and Clark expedition in ways that support manifest destiny and white colonial projects. This essay begins with a general account of Sacajawea. The next section uses two novels (one hundred years apart) to make the case that shifts in the representation of this important historical figure serve similar purposes. There is some attention to white suffragist representations, but the central contrast is between (...) manifest destiny and multiculturalism. The final section addresses the important question of whether it is possible for feminists to theorize Sacajawea in ways that are not co-opted by colonial projects. (shrink)

Pillow's aim is to demonstrate how representations of Sacajawea have shifted in writings about the Lewis and Clark expedition in ways that support manifest destiny and white colonial projects. This essay begins with a general account of Sacajawea. The next section uses two novels to make the case that shifts in the representation of this important historical figure serve similar purposes. There is some attention to white suffragist representations, but the central contrast is between manifest destiny and multiculturalism. The (...) final section addresses the important question of whether it is possible for feminists to theorize Sacajawea in ways that are not co-opted by colonial projects. (shrink)

Pillow's aim is to demonstrate how representations of Sacajawea have shifted in writings about the Lewis and Clark expedition in ways that support manifest destiny and white colonial projects. This essay begins with a general account of Sacajawea. The next section uses two novels to make the case that shifts in the representation of this important historical figure serve similar purposes. There is some attention to white suffragist representations, but the central contrast is between manifest destiny and multiculturalism. The (...) final section addresses the important question of whether it is possible for feminists to theorize Sacajawea in ways that are not co-opted by colonial projects. (shrink)

In the last 30 years repeated attempts have been made to develop a proof-sketch Kripke gave for essentialism about material origins into a cogent argument. I argue that there are general reasons that all such attempts have failed, and so we should likewise expect future attempts to fail.

The current study compared thought suppression, focused attention and unfocused attention as strategies for managing spider fear. Spider fearful participants were exposed to a strategy induction before completing a Behavioural Approach Test . The BAT is a 10 step measurement of how close participants are willing to move towards a spider. Participants were instructed to use what they learned in the pre-BAT induction to help them advance through the steps of the BAT. The results of the study indicated that participants (...) given the thought suppression or the unfocused attention induction moved through significantly less steps of the BAT than did those given the focused attention induction. Additionally, the thought suppression group felt significantly more anxious than the focused and unfocused attention groups following completion of the BAT. These results are discussed in terms of the impact of thought suppression on avoidance behaviour in phobias. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 41.4 (2003) 565-566 [Access article in PDF] Kai Hammermeister. The German Aesthetic Tradition. New York: Cambridge University Press, 2002. Pp. xv + 259. Cloth, $60.00. Paper, $22.00. This history of German (or more accurately, Germanic) aesthetics surveys the tradition stretching from Alexander Baumgarten to Theodor Adorno. The author has divided his survey into three thematic parts. In the first, "The Age of Paradigms," (...) Baumgarten, Mendelssohn, Kant, Schiller, Schelling, and Hegel establish the principal approaches to aesthetics and the philosophy of art that will structure the tradition. In the second part, "Challenging the Paradigms," Schopenhauer, Kierkegaard, and Nietzsche raise critical problems with the positions of their forebears. In the final part, "Renewing the Paradigms," Cassirer, Lukács, Heidegger, Gadamer, Marcuse, and Adorno revive elements of the classical tradition for twentieth-century purposes. As one might expect, covering fifteen complex figures in a relatively short book makes for a survey primarily of the surfaces of their thought. Even so, the exercise may be useful for those with no knowledge of German aesthetics who would like a quick introduction.From the outset the author establishes a plan to consider each philosopher's work in terms of his ontological treatment of art, the epistemic role he attributes to art and beauty, and the practical functions he assigns art. In the early chapters the author dutifully addresses these matters at the end of each chapter, but from Hegel on, the author's commitment to this structure seems to wane. It becomes more difficult to discern these assessments of each philosopher as the book progresses. It is an odd feature of the book that its [End Page 565] author announces these "principles of comparison" so explicitly in the introduction, but does not consistently apply them.There is also inconsistency in the author's choices regarding whose theories to directly criticize. In some cases (with Hegel, Schopenhauer, Nietzsche, and Cassirer, for example), Hammermeister offers quite global criticisms of the philosophers' views, while in other cases (with Kant, Schiller, Schelling, Heidegger, and Gadamer) he provides very little criticism. The book does not advance a philosophical position from which to understand why some figures in this tradition, but not others, warrant sharp criticisms that on occasion (with Kierkegaard, for example) amount to blanket dismissals.The second part of the book, "Challenging the Paradigms," stands in an uncertain relationship to the first part, "The Age of Paradigms." Hammermeister advertises Schopenhauer, Kierkegaard, and Nietzsche as thinkers intent on dismantling the aesthetic-theoretical systems of their predecessors, and there is no doubt much truth in this assertion. Yet these chapters offer little in the way of explicit elaboration of precisely which views of which prior thinkers each of these rebels seeks to undermine. Schopenhauer, for example, is presented as a champion of Kantian aesthetic disinterestedness, while his delirious antipathy for Hegel is hardly discussed. Kierkegaard's famous disagreements with Hegel receive little attention, either.The third part, "Renewing the Paradigms," advances one of the author's principal claims in the book: that twentieth-century German(ic) philosophers recapitulate the sequence of positions in the classical Kant-Schiller-Schelling-Hegel development. Cassirer revives Kant; Lukács and other neo-Marxist thinkers revive Schiller; Heidegger is far more indebted to Schelling than he acknowledges. To some extent the author's proposal is a useful heuristic, especially regarding Cassirer and Lukács. With Heidegger problems begin to arise. Hammermeister argues that Heidegger shares with Schelling a view of art as a "truth-event," but this, of course, would be a view that Heidegger also shares with Hegel. When Hammermeister notes (189) that for Heidegger truth can happen in practices other than art, this strengthens a comparison to Hegel (despite the profound differences between Heidegger and Hegel), rather than to Schelling (for whom art alone is the organon of truth, at least in the System of Transcendental Idealism that Hammermeister treats as the most Schellingian of Schelling's texts).As with the author's other overarching structures for the book, the paradigm-renewal claim also loses momentum halfway through. Hammermeister appropriately presents... (shrink)

The topic of the sublime is making a return to contemporary discourse on aesthetics and cognition. In Sublime Understanding, Kirk Pillow makes sublimity the center of an alternative conception of aesthetic response and interpretation. He draws an aesthetics of sublimity from Kant's Critique of Judgment, bolsters it with help from Hegel, and establishes its place in a broadened conception of human understanding. He argues that sublime reflection provides a model for an interpretive response to the uncanny Other outside our (...) conceptual grasp; it advances our sense-making pursuits but eschews unified, conceptual determination. Thus "sublime understanding" is the always partial, indeterminate grasping of contextual wholes through which we make sense of the uncanny particular in both art and the lived world.The book is divided into three parts. In the first two parts, Pillow presents insightful reinterpretations of Kant's and Hegel's aesthetics. In the third part he develops his own model of an aestheticized understanding, which illuminates contemporary discussions of metaphor and interpretation, while bridging Anglo-American and continental treatments of these issues. The presentation is a model of clear and well-crafted exposition, exemplifying the practice of aesthetically reflective sublime understanding that it articulates. (shrink)

There is a significant lack of diversity in philosophy, including an underrepresentation of women and people of color, and a dearth of philosophy programs that offer classes exploring philosophy outside the Western canon. This problem is further compounded by institutional racism, sexism, and ableism within philosophy pedagogy and practice and the perception that philosophy is an abstract subject suitable only for academically advanced students. If philosophy were made more accessible to a diverse group of students before they entered college, would (...) it be possible to recruit more individuals from underrepresented groups into the field? In 2018, PLATO and the APA surveyed their members about their first exposure to philosophy. It was clear that early experiences—conversations with friends and family, books in grade school, and classes in high school—were pivotal moments that generated interest in philosophy. In this paper we describe some of these experiences and suggest that P4C programs, if done well, have the potential to help build a robust and inclusive K–12 to college philosophy pipeline by tapping into the natural interest children have in philosophical wondering. (shrink)

(1982). J. S. DREY EN F. SCHLEIERMACHER AAN HET BEGIN VAN DE FUNDAMENTELE THEOLOGIE OORSPRONGEN EN ONTWIKKELINGEN. Bijdragen: Vol. 43, No. 3, pp. 251-288.

Setting Out on the Great Way: Essays on Early Mahayana Buddhism, edited by Paul Harrison. Equinox Publications, 2018. 320pp. Hb. £75.00, Pb/eBook. £26.99. ISBN-13: Hb. 9781781790960, Pb. 9781781798539, eBook 9781781796856.

Although its use is not universal, there is a map of the logical space of theories of truth that is widely applied. According to this map, the most foundational divide amongst theories of truth is that between deflationary and inflationary theories, where, roughly, the former hold that truth is an insubstantial, logical property of little philosophical interest and the latter that it is a substantial property suitable for philosophical attention. Amongst the inflationary theories, there are other fundamental divisions. For example, (...) on the one hand, correspondence theorists hold that the truth of a proposition is a matter of the proposition’s standing in a relation to something else which is not a proposition, such as a fact. On the other hand, coherence theorists hold that the truth of a proposition is a matter of its relations to other propositions. And again, pragmatists hold that the truth of a proposition is a matter of its being useful to believe. Throughout the twentieth century, philosophers used one or other version of this map to orient themselves and their students in the often complex and confusing debates about truth, even while acknowledging that the map may be incomplete in crucial respects (it does not include functionalist and pluralist views, for example). Our objection to the map is not that it is incomplete—although it obviously is—, but that it needs to be radically redrawn. In particular, the familiar division between coherence theories and correspondence theories needs to be rethought. The coherence theory is so often glibly dismissed as absurd that labelling someone as a coherence theorist is often seen as reason enough to ignore them.1 While none of the philosophers usually so labelled should be ignored, we shall argue (§3) that none of them actually held this view anyway. The difficulty—perhaps impossibility—of finding a genuine coherence theorist of truth strikes us as more than just an indication that this is a rare animal. Rather, it suggests the possibility of something significant, namely, that the only occupant of this position in historical space is a set of slogans; this would give us some reason to suppose that the logical space of theories is just as empty at this point.. (shrink)

In a famous footnote in Naming and Necessity, Kripke offered “something like a proof” of the thesis that material things have their material origins essentially (EMO). Although the sketch of a proof Kripke gave was incomplete in important respects, many philosophers have since endeavoured to develop Kripke’s style of argument so that it reaches its intended conclusion.1 In particular, a number of philosophers have attempted to complete Kripke’s argument sketch by appealing to some sort of “sufficiency principle” – a principle (...) that gives sufficient conditions for the identity of objects across possible worlds. These developments of Kripke’s argument face a number of problems, as pointed out by Mackie (1987, 2002), Robertson (1998, 2000) and others.2 Recently, however, Rohrbaugh and deRosset (2004, 2006) have offered a new route to origin essentialism that develops a Kripke-style argument without appeal to a sufficiency principle. While this argument has also not escaped criticism3, the argument suffers from a crucial flaw which has not been noticed. More interesting, though, is that the problem the argument faces is the same problem facing the arguments that appeal to sufficiency principles, and indeed Kripke’s original “proof” – all these arguments over-generalize. This strongly suggests that there is no Kripkestyle route to origin essentialism. (shrink)

The most important contemporary debate in the theory of truth is that between inflationists and deflationists.1 But although the debate is of fundamental importance, we do not have a clear, unproblematic formulation of the difference between the two camps. Part of the reason for this is that contemporary deflationists have given up many of the distinctive positions that their predecessors endorsed: typically, they no longer claim that the truth predicate is redundant, that there is no property of truth, or that (...) ‘true’ is not a predicate.2 While the desire to eschew these claims is understandable, doing so has made it more difficult to identify any difference between deflationists and inflationists, and the debate, particularly between deflationists and correspondence theorists, sometimes appears to evaporate. Perhaps in response to this worry, contemporary deflationists have adopted a range of new and distinctive deflationary claims about truth. Yet, as a number of critics have pointed out, many of these new positions are equally as implausible as those of earlier deflationists. (shrink)

The Local Computation Framework has been used to improve the efficiency of computation in various uncertainty formalisms. This paper shows how the framework can be used for the computation of logical deduction in two different ways; the first way involves embedding model structures in the framework; the second, and more direct, way involves embedding sets of formulae. This work can be applied to many of the logics developed for different kinds of reasoning, including predicate calculus, modal logics, possibilistic logics, probabilistic (...) logics and non-monotonic logics. (shrink)

Australasian Journal of Philosophy, Volume 89, Issue 4, Page 735-738, December 2011.

Book Information The Compositionality Papers. The Compositionality Papers Jerry A. Fodor and Ernest Lepore , Oxford: Clarendon Press , 2002 , viii + 212 , US$65.00 ( cloth ), US$19.95 ( paper ) By Jerry A. Fodor. and Ernest Lepore. Oxford: Clarendon Press. Pp. viii + 212. US$65.00 (cloth:), US$19.95 (paper:).

Wanda Pillow presents a critical analysis of federal law and polciy towards pregnant teens, representations of teen pregnancy in popular culture and educational policy assesses how schools provide educational opportunities for school aged mothers. Through in- depth analysis of specific policies and programmes, both past and present, thsi book traces America's successes and failures in educating pregnant teens. Unfit Subjects uses feminist, race and poststructural theories to inform a satisfactory educational policy.

Ethical review systems need to build on their experiences of COVID-19 research to enhance their preparedness for future pandemics. Recommendations from representatives from over twenty countries include: improving relationships across the research ecosystem; demonstrating willingness to reform and adapt systems and processes; and making the case robustly for better resourcing.