De Monarchia representa una de las obras de Dante que más influjo político ha ejercido. Probablemente movido a escribirla, hacia 1313. Con ella, Dante quiere contribuir a erradicar la anarquía imperante de su época, en Italia y, concretamente, en su ciudad florentina. Sueña con un orden social que establezca la paz universal. El tono de la obra, netamente gibelino, muestra a un Dante que ha evolucionado intelectualmente. Dante se muestra aquí como un intelectual a caballo entre la escolástica y (...) el florecimiento de un estilo nuevo. Hay en él toda una serie de giros, expresiones, alegorías, imágenes y simbolismos claramente medievales, pero también un conjunto de ideas que, contra corriente, contribuyeron a cambiar el modo de interpretar el mundo. Su De Monarchia ha de considerarse una obra innovadora porque, aunque el texto ciertamente recogió tradiciones legales, jurídicas, políticas y teológicas precedentes, su mayor mérito radicó en la elaboración de una densa, brillante y novedosa teoría, según la cual, el emperador no sólo debía su poder a la elección directa de Dios —con lo que su investidura no devenía un mero oficio de la Iglesia— sino que, además, la institución imperial resultaba superior a la pontificia. Por tanto, hay que plantearse si «De Monarqchia» es una obra que precederá algunas de las principales tesis que posteriormente defenderá la Reforma protestante en cuestiones políticas. (shrink)

The Monarchia, Dante's treatise on political theory, addresses the fundamental question of what form of political organisation best suits human nature; it embodies a political vision of startling originality and power, and illuminates the intellectual interests and achievements of one of the world's great poets. The whole text is here presented in a new translation, the first for forty years, based on a more up-to-date and scholarly version of the Latin original than has previously been available. The translation, together (...) with accompanying introduction and notes, has been prepared by Prue Shaw. In this new and accessible form, the Monarchia will interest not only Dante specialists, but also students of literary studies, political history and philosophy. (shrink)

Das Weltbild der Demokratie im 5. Jahrhundert v. Chr. ist gepragt von Irrationalitat und Willkur, wie die Untersuchung des Ostrakismos, der politischen Prozesse und des Denunziantentums zeigt. Das Verhaltnis der Intellektuellen zu diesem Weltbild spiegelt sich in Leitkonzepten wie Physis, Techne und Metabole. Die Abgrenzung der intellektuell-rationalistischen Weltsicht von anderen Sichtweisen weist auf einen radikalen Erkenntniszweifel. Als der Demos die Verfugungsgewalt uber das Politische erreichte, ruckten die Intellektuellen von der, das Politische beherrschenden, Wirklichkeit des Demos ab. (Franz Steiner 1993).

Drawing primarily upon Dante’s three major philosophical treatises (De vulgari eloquentia, Convivio, and Monarchia), this essay explores how Dante’s ethico-political philosophy operates within the crucial tension between the phenomenology of time as the condition for the possibility of human moral development and yet also as, metaphysically speaking, the privation and imitation of eternity. I begin by showing that, in the De vulgari eloquentia, Dante’s understanding of the poetic and rhetorical function of the illustrious vernacular is tied to his political (...) philosophy in a way that depends upon a rich but ultimately unresolved tension between (a) the demand that only an atemporal, unchanging vernacular would be suitable for the tasks of universal monarchy and (b) the recognition that only a temporal, localized, and changing illustrious vernacular could possibly bring about the existence of the universal monarchy. In the second half of the essay, I will turn to Dante’s treatment of the providential grounding for the independence of spiritual and temporal authority in Convivio and Monarchia. I will argue that Dante’s understanding of divine providence provides common justification for the temporal and spiritual authorities whose independence he otherwise insists upon. Finally, drawing on the letter to Cangrande della Scala (the authorship of which is disputed), I will discuss how, for Dante, the providential ground for the legitimacy of temporal authority can only be discerned through the allegorical interpretation of history itself. In light of my discussion of these themes in Dante’s political philosophy and its dependence on his understanding of divine providence, I will conclude with a brief reflection on how Dante’s understanding of divine providence might help us better appreciate important aspects of the neglected legacy of Renaissance humanism in the history of early modern philosophy. (shrink)

Článek se zaměřuje na některé aspekty Dantova spisu De monarchia, především na povahu Alighieriho realizace ideje celosvětové monarchie, jež je jedinou zárukou trvalého míru, který je představen jako nezbytný předpoklad plné realizace všech duchovních potencí lidského rodu jako takového. Ačkoliv Dantovy názory vykazují ovlivnění dobovým averroismem, opírá se ve filosofické argumentaci pro upřednostnění vlády jediného celosvětového vladaře o scholasticky interpretovanou aristotelskou metafyziku. Autor konfrontuje základní momenty Dantovy politické filosofie s názory Marsilia z Padovy a především s koncepcemi Tomáše Akvinského. (...) Ačkoliv Dante přispěl k posílení autonomie světského a vymanění se panovnické moci z nároků, jež si osobovalo dobové papežství, vytvořilo jeho zbožštění panovnické moci ideové předpoklady pro zbožštění státu a novodobý etatismus. The study focuses on aspects of Dante`s De monarchia — particularly on Alighieri`s conception of realization of the idea of universal monarchy as the only guarantee of permanent peace. This is presented as a necessary precondition for a full realization of all spiritual potentialities of the human kind as such. Although Dante`s views display an influence of contemporary Averroism, his philosophical argumentation in favour of the rule of one universal monarch is based on scholastic interpretations of Aristotelian metaphysics. Key moments of Dante`s philosophy are confronted with the views of Marsilius of Padua and, particularly, with the conceptions of Thomas Aquinas. It is then argued that Dante contributed to strengthening of the autonomy of the secular order and to liberation of monarchic rule from power claims of the contemporary papacy. At the same time, however, his deification of monarchic rule created preconditions for deification of the state and modern etatism. (shrink)

El artículo procura mostrar, en primerlugar, la tipologia de la utilización de textosfilosóficos a partir de la segunda mitad dei s. XIII,concentrándose en el uso de un mismo locus conobjetivos teóricos diferentes. Luego reconstruyesintéticamente la tradición dei microcosmos en lahistoria dei pensamiento clássico. Analiza luegoel locus dei hombre microcosmos en sus dosdimensiones: como adunatio, porque reune ysintetiza algo de la natureza de toda la realidadmaterial y espiritual, y como horizonte entre ellos.Luego muestra cómo el microcosmos es utilizadocon fines radicalmente opuestos (...) por Egidio en elDe ecclesiastica potestate cano reunión y síntesisde todo lo real, y por Dante en la Monarchia,como lugar a partir dei cual lo real puede serdiferenciado en mundo material y espiritual. (shrink)

Exam of affinities and differences in the philosophy, of them qualified representatives of the Humanism of the XII and XIV centuries, John of Salisbury and Dante Alighieri respectively, through a compared study of Policraticus and De Monarchia; to the light of the secularization process of the culture and european thoughts at the end of the Medieval Age.

The purpose of this article is to analyze the figure of the monarch presented in Dante's “De Monarchia”. The study of Dante's political project will provide us with an opportunity to see the shifts in intellectual environment of the late Middle Ages through the evolution or perhaps return from the theocratic model to the earlier pre-Christial concept of the ruler. The study of Dante's political lexicon will demonstrate the revival of the original meanings starting to challenge and shift the (...) consensus of the political philisophy at the time. (shrink)

Il volume contiene la traduzione della Prefazione e del Libro I dell'opera di Benjamin Constant (1767-1830) - teorico della democrazia liberale, storico e filosofo nel dominio delle religioni, romanziere, politico che debutta nella Rivoluzione francese, matura sotto il regime napoleonico, invecchia durante la monarchia della Restaurazione - De la Religion, pubblicata in cinque tomi tra il 1824 e il 1831. Corredato di un ampio saggio introduttivo del curatore, il libro colma una lacuna della cultura filosofica italiana, ossia l'assenza di (...) una traduzione dell'opera religiosa di Constant, di cui viene proposta la parte iniziale contenente l'introduzione generale alla vasta storia comparata delle religioni antiche - dal feticismo al politeismo - che compone il lavoro constantiano. "Opera capitale per intendere compiutamente il Constant" - scrive Fulvio Tessitore nella Presentazione - e, ancor più, l'età nevralgica in cui essa apparve e della quale è uno dei vertici letterari e teoretici--OCLC. (shrink)

Este trabajo presenta con bastante detalle y examina críticamente las posturas historiográficas de dos intelectuales que vivieron en la primera mitad del siglo XX: Francesco Ercole y Bruno Nardi. Estos intelectuales italianos, especialistas en el pensamiento de Dante Alighieri y en particular en su filosofía política, desarrollaron sus respectivos análisis estudiando la articulación entre dos conceptos esenciales en la elaboración de las teorías políticas que surgieron entre el siglo XIII y XIV en el Occidente Latino. En efecto, esas nociones son (...) “naturaleza” y “fin”. Uno de los objetivos de este artículo es mostrar que, en el marco de la teoría política presentada por Dante en Monarchia y Convivio, la operatividad de estas ideas resulta fundamental para definir en qué consiste la autonomía de una comunidad respecto de los poderes políticos con los que se relaciona. (shrink)

Social and cultural difference. "Only historicize": history, material culture (food, clothes, books), and the future of Dante studies -- Dante's sympathy for the other, or the non-stereotyping imagination: sexual and racialized others in the Commedia -- Contemporaries who found heterodoxy in Dante: Cecco d'Ascoli, Boccaccio, and Benvenuto da Imola on Fortuna and Inferno 7.89 -- Dante's limbo and equity of access: non-Christians, children, and criteria of inclusion and exclusion, form Inferno 4 to Paradiso 32 -- Metaphysical difference. Toward a Dantean (...) theology of eros: form Dante's lyrics to the Paradiso -- Amicus eius: Dante and the semantics of friendship -- Paradiso and the mimesis of ideas: realism versus reality -- Dante squares the circle: textual and philosophical affinities of Monarchia and Paradiso (Solutio distinctiva in Mon. 3.4.17 and Par. 4.94-114) -- Difference as punishment or difference as pleasure: from the tower of Babel in De vulgari eloquentia to the death of Babel in Paradiso 26 -- Aristotelian disruptions 1: wealth and society. Aristotle's Mezzo, courtly Misura, and Dante's Canzone "Le doci rime": humanism, ethics, and social anxiety -- Dante and wealth, between Aristotle and Cortesia: from the moral Canzoni "Le dolci rime" and "Poscia ch'amor" through Convivio to Inferno 6 and 7 -- Aristotelian disruptions 2: love and compulsion. Archeology of the Donna Gentile: the importance of disconversion in conversion narratives -- Dante and Cecco d'Ascoli on love and compulsion: the epistle to Cino, "Io sono stato," the third heaven -- "Voi che 'ntendendo il terzo ciel movete," a dramatization of "utrum de passione in passionem possit anima transformari": conflict, compulsion, consent, conversion -- Critical philology and Italian cultural history. The case of the lost original ending of Dante's Vita nuova: more notes toward a critical philology -- Critical philology and Dante's Rime. (shrink)

Examen de afinidades y diferencias en la filosofía de dos cualificados representantes del Humanismo del siglo XII y XIV, Juan de Salisbury y Dante Alighieri respectivamente, a partir de un estudio comparado del Policraticus y De Monarchia; a la luz del proceso de secularización de la cultura y pensamiento europeos a fines del Medievo.Exam of affinities and differences in the philosophy, of them qualified representatives of the Humanism of the XII and XIV centuries, John of Salisbury and Dante Alighieri (...) respectively, through a compared study of Policraticus and De Monarchia; to the light of the secularization process of the culture and european thoughts at the end of the Medieval Age. (shrink)

Following the edition of the works of Ps. Justin by B. Pouderon, this article presents some critical notes concerning de monarchia and the Cohortatio ad Graecos. Notwithstanding the significant relationship with Clement of Alexandria, the de monarchia in fact comes from the Judeo-Hellenic background of Alexandria. The work was composed in the context of the anti-polytheistic controversy, and lacks the detail which would indicate a Christian origin. Concerning the Cohortatio it is suggested that due to its linguistic characteristics (...) the probable author is Marcellus of Ancyra, despite the fact that neither the doctrine nor the exegesis support this assumption. (shrink)

Die Entdeckung der Aristotelischen Politica muss als einschneidendes Ereignis in der Geschichte der politischen Theorien im Mittelalter verstanden werden. Gleich nach dem Erscheinen der ersten vollständigen Übersetzung wurde dieses Werk von der gelehrten Welt des Abendlandes mit grossem Interesse studiert und kommentiert. Die berühmtesten politischen Werke des späten Mittelalters, wie der Bestseller De regimine principum von Aegidius Romanus oder die äusserst kontroversen Bücher wie die Monarchia von Dante oder der Defensor pacis von Marsilius von Padua basieren weitgehend auf der (...) mittelalterlichen Rezeption der Aristotelischen Politica. Von zentraler Bedeutung für das Verständnis politischer Theorien im 13. und 14. Jahrhundert sind natürlich auch die Kommentare zu diesem Werk. Weit über hundert Kommentare sind von circa 1270 bis 1500 überliefert. Sie zeigen, wie die politische Philosophie des den mittelalterlichen Verhältnissen angepasst werden musste und auf welche Weise das erste Mal im Abendland an der Universität politische Wissenschaft gelehrt wurde. Der zweite Teilband enthält ein Verzeichnis der Kommentare zur Politica and Yconomica im genannten Zeitraum. Besondere Aufmerksamkeit wird dabei den Kommentaren in Quaestionenform gewidmet, von denen jeweils auch die Tabula quaestionum ediert wird. (shrink)

L’article examine la reprise que le « prince des Averroïstes » Jean de Jandun fait de cette phrase délicate d’Averroès, tirée de son Grand Commentaire du De anima d’Aristote : « forte igitur philosophia invenitur in maiori parte subiecti in omni tempore ». On cherche à montrer par l’analyse des textes que l’interprétation du maître ès arts s’écarte radicalement de la pensée du Cordouan qu’il prétend suivre. Tandis qu’Averroès suppose l’existence continue d’au moins un philosophe dans le monde, Jean de (...) Jandun, rejetant comme irréaliste l’idée d’un homme parfait en qui s’incarnerait tout le savoir, et tributaire d’une erreur de traduction arabo-latine qui donne « sujet » pour « lieu », soutient qu’il n’y a chaque fois de perfection que si l’on totalise tous les savoirs particuliers des différents penseurs en activité sur la terre. Autrement dit, la philosophie est parfaite, certes, mais il n’y a pas de philosophe parfait. C’est coniunctim que la science est achevée, et non pas divisim. Un tel constat, qui rapproche l’analyse de Jean de celle menée par Dante au début de sa Monarchia, permet deux révisions : d’une part, l’idée d’un « averroïsme » latin réactionnaire, se contentant de répéter les paroles du maître, est à revoir ; d’autre part, cela signifie qu’il n’y a pas chez Jean les bases théoriques de l’idéal éthico-intellectualiste dont l’historiographie moderne assure qu’il en fut le champion parisien. (shrink)

This article outlines the vision of freedom and its connection with the law found in Wolan’s work `De libertate politica sive civili libellus lectu'. The introductory section presents the tradition of thinking about these two categories and their mutual connections, as well as presenting a profile of the author. The first principal part of the article then analyses the problem of freedom, emphasizing its relevance to the lives of individuals and states and indicating how freedom may come to be restricted (...) in the light of both internal and external factors. The situation in Poland is also considered. The next section of the article then portrays legal frameworks as guardians of freedom. After elucidating this idea, it shows how Poles have sought to protect themselves from the tyranny of domination, before going on to identify particular flaws in the system of law and propose solutions for these. Finally, it shows the relation between freedom and the law, arguing that the best possibilities for realizing this interconnection lie in a form of government of the sort known as monarchia mixta. It argues that real freedom only exists alongside wise laws, and that good laws will not emerge in the absence of freedom. (shrink)

Dante’s engagement with philosophy cannot be studied apart from his vocation as a writer, in which he sought to raise the level of public discourse by educating his countrymen and inspiring them to pursue happiness in the contemplative life. He was one of the most learned Italian laymen of his day, intimately familiar with Aristotelian logic and natural philosophy, theology, and classical literature. He is, of course,most famous for having written the Divine Comedy, but in his poetry as well as (...) his philosophical treatises and other writings, he freely mingles and synthesizes philosophical and theological language as well extensive references and allusions to scripture and classical and contemporary poetry. While his contributions to world literature and other artistic genres are universally acknowledged, his theological imagination has also remained influential from his own time to the present day. His philosophical legacy, by comparison, remains more difficult to assess, though his writings provide, at the very least, a powerful tool for the study of the landscape of late medieval and Renaissance philosophy. (shrink)

The paper presents a reconstruction of the metaphysical core of Dante’s political thought as expressed in the Monarchy, following on the footsteps of Guido Vernani’s critique of Dante’s political ideas in his De reprobatione Monarchie composite a Dante (Bologna, 1327-1334). The paper focuses on the link between Dante’s alleged Averroism, an accusation formulated for the first time by the Dominican friar, but latter repeated by philosophical historiography, and the interpretation of the Monarchy as a sign of the beginning of modern (...) philosophy. (shrink)

Lo Stato, Il sovrano, Repubblica o monarchia, di A.C. de Meis.--Lettere di F. Fiorentino a Silvio Spaventa sullo Stato moderno.

Introduction : "The idea of divine providence in Orosius, Augustine, and Dante" -- "Destined lands and chosen fathers: Virgil, Livy, and the Bible" -- "Orosius defends the Roman Empire" -- "Augustine's theology of history" -- "Dante's monarchia with and against Augustine" -- "Dante's Commedia and the ascent to incarnational history" -- Conclusion : "The hand of God".

This volume is third in a series, Monuments of Western Thought, which Cantor and Klein are editing at Colgate. The bulk of this book consists of excerpts from the work of Dante and Machiavelli. Of the Dante material, seventy-five pages is from the Divine Comedy, the rest from De Monarchia. Of the Machiavelli material, thirty pages are from The Prince, the rest excerpted from various works and arranged under such heads as "Warfare" and "Fortune." The text is introduced by (...) a sketch of the intellectual, social, and political context in which Dante and Machiavelli lived, and by brief intellectual biographies. The book closes with short critical selections, assessing and interpreting the source material. On Dante: E. Gilson deals with the ideological frame of the Divine Comedy, social order under divine Authority: J. A. Mazzeo with the hierarchy of light in the Paradiso; G. Santayana with Beatrice as woman and symbol. On Machiavelli: J. W. Allen argues that Machiavelli's originality lies in looking at men and affairs without concerning himself with what they ought to be and do; H. Butterfield that Machiavelli admired ancient Rome and advocated close imitation of her; F. Chabod argues that the theme of The Prince is that society is amorphous, waiting the impress of a dominant individual of supreme virtù; F. Meinecke that virtù, fortuna, and necessità are the basic themes of Machiavelli's thought. Each section is followed by a list of questions designed to challenge the student's understanding of what he has read and to send him back to the text.--L. G. (shrink)

In this essay the author focuses on some problematic questions of the political reflection of Alberico Gentili. He was an Italian jurist and he was well-known for his contribution to modern international law. Gentili’s juridical and internationalist theory, consecrated to the individuation of a system of laws to rule the relations between sovereign actors, is based on a concept of sovereignty inspired by Bodin’s doctrine but it also elaborates classical cosmopolitanism ideal of an universal societas hominum. However, these models seem (...) difficult to conciliate. How can the interests of the State be harmonized with the natural principles of justice innate to human reason? This contradiction emerges widely in Gentili’s writings, witnessing the critical aspects of the relation between ethics and political power in the Modern age. (shrink)

The aim of the work is to present the conservative views of the journalist and historian Henryk Lisicki and the role he played in the community with which he collaborated, i.e. the Krakow conservatives called the Stańczyk Circle. The source of the article are monographs, brochures, dissertations, essays and articles published in „Przegląd Polski“ by Lisicki. In order to evaluate to what extent Lisicki’s political thought was original, and to what extent it was in conformity with the Stańczyk Circle, the (...) publications of Walerian Kalinka, Stanisław Tarnowski, Michał Bobczyński, Józef Szujski and Stanisław Koźmian were also used. While working on the topic, the author made use of the works specializing in the history of Polish and Western conservative thought published by Ryszard Ludwikowski, Bogdan Szlachta, Jacek Bartyzel, Józef Szacki and the views expressed by the members of the Stańczyk Circle such as Michał Jaskólski, Wojciech Dutka, Stanisław Filipowicz, Henryk Michalak. When examining the above issues, a comparative method was used, tracing both the similarities and differences in the ideas of Lisicki and his colleagues from the Stańczyk Circle. The main thesis formulated in the work is that although Lisicki did not belong to the group of leaders, his close intellectual ties with Stanisław Koźmian gave him a respected position among Krakow conservatives. The analysis of his works confirmed that he was also capable of original reflections which focused on the attitude of the conservatives to the nineteenth-century democratization processes, the evolution of Western absolute monarchies towards the constitution democracies and the expansion of electoral rights. Hence, it was symptomatic for Lisicki and his community to argue, inter alia, for the necessity of rapprochement with moderate liberals, the aim of which was to weaken the danger coming from the revolted masses which were being under the influence of radicals. (shrink)