While we are accustomed to Dante's appropriations and revisions of history, the case of Francesca da Rimini is rather different from the norm, since in her case no trace remains of the historical record that the poet could have appropriated. There is no completely independent documentation of Francesca's story; we are indebted for what we know to Dante and to his commentators. A fourteenth-century chronicler of Rimini, Marco Battagli, alludes in passing to the event, but his history was written in (...) 1352, thus postdating by three decades Dante's death in 1321. Two factors come into play when we assess Battagli's chronicle as an independent verification of Francesca's story: on the one hand, he an indisputable authority regarding Rimini and the Malatesta; on the other, he knew Dante's poem. Therefore, Battagli's passing and indirect reference serves at best as plausibly independent confirmation of an occurrence about which the contemporary historical record is silent. That silence is broken by Dante. By reintegrating history—including the silence of history—into our reading of canto 5, we restore a context in which to remember that in the case of Francesca da Rimini Dante is the historian of record: in effect he saved Francesca from oblivion, giving her a voice and a name. (shrink)

Social and cultural difference. "Only historicize": history, material culture (food, clothes, books), and the future of Dante studies -- Dante's sympathy for the other, or the non-stereotyping imagination: sexual and racialized others in the Commedia -- Contemporaries who found heterodoxy in Dante: Cecco d'Ascoli, Boccaccio, and Benvenuto da Imola on Fortuna and Inferno 7.89 -- Dante's limbo and equity of access: non-Christians, children, and criteria of inclusion and exclusion, form Inferno 4 to Paradiso 32 -- Metaphysical difference. Toward a Dantean (...) theology of eros: form Dante's lyrics to the Paradiso -- Amicus eius: Dante and the semantics of friendship -- Paradiso and the mimesis of ideas: realism versus reality -- Dante squares the circle: textual and philosophical affinities of Monarchia and Paradiso (Solutio distinctiva in Mon. 3.4.17 and Par. 4.94-114) -- Difference as punishment or difference as pleasure: from the tower of Babel in De vulgari eloquentia to the death of Babel in Paradiso 26 -- Aristotelian disruptions 1: wealth and society. Aristotle's Mezzo, courtly Misura, and Dante's Canzone "Le doci rime": humanism, ethics, and social anxiety -- Dante and wealth, between Aristotle and Cortesia: from the moral Canzoni "Le dolci rime" and "Poscia ch'amor" through Convivio to Inferno 6 and 7 -- Aristotelian disruptions 2: love and compulsion. Archeology of the Donna Gentile: the importance of disconversion in conversion narratives -- Dante and Cecco d'Ascoli on love and compulsion: the epistle to Cino, "Io sono stato," the third heaven -- "Voi che 'ntendendo il terzo ciel movete," a dramatization of "utrum de passione in passionem possit anima transformari": conflict, compulsion, consent, conversion -- Critical philology and Italian cultural history. The case of the lost original ending of Dante's Vita nuova: more notes toward a critical philology -- Critical philology and Dante's Rime. (shrink)