Renaissance Thought [Book Review]

Review of Metaphysics 25 (1):144-145 (1971)
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Abstract

This volume is third in a series, Monuments of Western Thought, which Cantor and Klein are editing at Colgate. The bulk of this book consists of excerpts from the work of Dante and Machiavelli. Of the Dante material, seventy-five pages is from the Divine Comedy, the rest from De Monarchia. Of the Machiavelli material, thirty pages are from The Prince, the rest excerpted from various works and arranged under such heads as "Warfare" and "Fortune." The text is introduced by a sketch of the intellectual, social, and political context in which Dante and Machiavelli lived, and by brief intellectual biographies. The book closes with short critical selections, assessing and interpreting the source material. On Dante: E. Gilson deals with the ideological frame of the Divine Comedy, social order under divine Authority: J. A. Mazzeo with the hierarchy of light in the Paradiso; G. Santayana with Beatrice as woman and symbol. On Machiavelli: J. W. Allen argues that Machiavelli's originality lies in looking at men and affairs without concerning himself with what they ought to be and do; H. Butterfield that Machiavelli admired ancient Rome and advocated close imitation of her; F. Chabod argues that the theme of The Prince is that society is amorphous, waiting the impress of a dominant individual of supreme virtù; F. Meinecke that virtù, fortuna, and necessità are the basic themes of Machiavelli's thought. Each section is followed by a list of questions designed to challenge the student's understanding of what he has read and to send him back to the text.--L. G.

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