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John B. Brough [31]John Brough [12]John Barnett Brough [2]
  1. The emergence of an absolute consciousness in Husserl's early writings on time-consciousness.John Brough - 1972 - Man and World 5 (3):298-326.
    The collection of Edmund Husserl's sketches on time-consciousness from the years 1893-1917, edited by Rudolf Boehm and published as Volume X in the Husserliana series, affords significant new material for the study of the evolution of Husserl's thought. Specifically, the sketches suggest that in the course of analyzing the consciousness of temporal objects Husserl became convinced that a distinction must be drawn between an ultimate or absolute flow of consciousness and the immanent temporal objects or contents -- sense-data, appearances of (...)
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  2.  53
    Something that is Nothing but can be Anything: The Image and our Consciousness of it.John Brough - 2012 - In Dan Zahavi (ed.), The Oxford handbook of contemporary phenomenology. Oxford: Oxford University Press.
    This chapter concentrates on the nature of the image as it presents itself in experience, with its remarkable capacity to represent within itself people, events, emotions, and many other things, and with its place in art. The Husserlian perspective has many affinities with more recent investigations of images. The physical dimension of image plays an important role in imaging and has been largely neglected by philosophers, though not by artists. The uniqueness of image consciousness rests in its ability to see (...)
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  3. Consciousness is not a bag: Immanence, transcendence, and constitution in the idea of phenomenology.John B. Brough - 2008 - Husserl Studies 24 (3):177-191.
    A fruitful way to approach The Idea of Phenomenology is through Husserl’s claim that consciousness is not a bag, box, or any other kind of container. The bag conception, which dominated much of modern philosophy, is rooted in the idea that philosophy is restricted to investigating only what is really immanent to consciousness, such as acts and sensory contents. On this view, what Husserl called the riddle of transcendence can never be solved. The phenomenological reduction, as Husserl develops it in (...)
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  4. “The Most Difficult of all Phenomenological Problems”.John B. Brough - 2011 - Husserl Studies 27 (1):27-40.
    I argue in this essay that Edmund Husserl distinguishes three levels within time-consciousness: an absolute time-constituting flow of consciousness, the immanent acts of consciousness the flow constitutes, and the transcendent objects the acts intend. The immediate occasion for this claim is Neal DeRoo’s discussion of Dan Zahavi’s reservations about the notion of an absolute flow and DeRoo’s own efforts to mediate between Zahavi’s view and the position Robert Sokolowski and I have advanced. I argue that the flow and the tripartite (...)
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  5. Husserl on Memory.John B. Brough - 1975 - The Monist 59 (1):40-62.
    The point of departure for husserl's mature account of memory is his rejection of the traditional view that what is immediately and directly experienced in memory is a present image or replica of what is past and not what is past itself. Husserl rejects the image theory on logical and descriptive grounds, Arguing that memory is a direct consciousness of the past. Memory is experienced as a unique mode of consciousness giving its object in a manner irreducible to pictorial or (...)
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  6. Translator’s Introduction».John B. Brough - 2005 - In Edmund Husserl (ed.), Phantasy, Image Consciousness, and Memory (1898-1925). Dordrecht, The Netherlands: Springer.
     
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  7. Husserl's phenomenology of time-consciousness.John Brough - 1989 - In Jitendranath Mohanty & William R. McKenna (eds.), Husserl's phenomenology: a textbook. Washington, D.C.: University Press of America. pp. 249-290.
     
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  8.  75
    Some Husserlian Comments on Depiction and Art.John Brough - 1992 - American Catholic Philosophical Quarterly 66 (2):241-259.
  9.  93
    Husserl and the Deconstruction of Time.John B. Brough - 1993 - Review of Metaphysics 46 (3):503 - 536.
    IN A RECENT AND PHILOSOPHICALLY RICH STUDY, David Wood has undertaken the deconstruction of time through an engagement with the thought of Nietzsche, Husserl, Heidegger, and, of course, Derrida. The present essay is not intended to offer a sustained criticism of Wood's arguments or to canvass what he says about the quartet of philosophers noted above; rather, with his book as background, the essay's purpose is to say something about only one of the four philosophers--Edmund Husserl--and particularly about the place (...)
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  10.  24
    Temporality and illness: a phenomenological perspective.John B. Brough - 2001 - In S. Kay Toombs (ed.), Handbook of Phenomenology and Medicine. Kluwer Academic Publishers. pp. 29--46.
  11. Showing and Seeing: Film as Phenomenology.John B. Brough - 2010 - In Joseph Parry (ed.), Art and Phenomenology. Routledge. pp. 192-214.
     
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  12.  40
    Time and the one and the many.John B. Brough - 2002 - Philosophy Today 46 (5):142-153.
  13. Image and Artistic Value.John B. Brough - 1997 - In Lester Embree & James G. Hart (eds.), Phenomenology of Values and Valuing. Springer. pp. 29-48.
     
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  14. The Curious Image: Husserlian Thoughts on Photography.John B. Brough - 2015 - In Nicolas de Warren & Jeffrey Bloechl (eds.), Phenomenology in a New Key: Between Analysis and History: Essays in Honor of Richard Cobb-Stevens. Cham: Springer.
  15. Art and Non-Art: A Millennial Puzzle.John Brough - 2001 - In Steven Crowell, Lester Embree & Samuel J. Julian (eds.), The Reach of Reflection: Issues for Phenomenology's Second Century. An Electron Press Original. pp. 1-16.
     
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  16. Picturing Revisited: Picturing the Spiritual.John B. Brough - 1996 - In Robert Sokolowski, John J. Drummond & James G. Hart (eds.), The truthful and the good: essays in honor of Robert Sokolowski. Boston: Kluwer Academic Publishers. pp. 47-62.
     
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  17. Art and aesthetics.John B. Brough - 2011 - In Sebastian Luft & Søren Overgaard (eds.), The Routledge Companion to Phenomenology. Routledge. pp. 287-296.
     
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  18.  17
    (1 other version)Briefe an Roman Ingarden.John B. Brough - 1971 - New Scholasticism 45 (1):154-156.
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  19.  17
    Cuts and bonds.John Brough - 1999 - Philosophy Today 43 (4):115-123.
  20.  8
    Meanings Reserved, Re-served, and Reduced.John Brough - 1994 - Southern Journal of Philosophy 32 (Supplement):27-54.
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  21.  17
    Husserl and Erazim Kohák's "Idea and Experience".John B. Brough - 1981 - Man and World 14 (3):331.
  22.  15
    Husserl's Ego.John Brough - 2005 - Philosophy Today 49 (Supplement):222-231.
  23. La passion de Jeanne d'arc and the cadence of images.John B. Brough - 2019 - In David P. Nichols (ed.), Transcendence and Film: Cinematic Encounters with the Real. Lanham: Lexington Books.
     
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  24.  16
    Philosophical knowledge.John B. Brough, Daniel O. Dahlstrom & Henry Babcock Veatch (eds.) - 1980 - Washington, D.C.: National Office of the American Catholic Philosophical Association, Catholic University of America.
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  25.  11
    Plastic Time: Time and the Visual Arts.John B. Brough - 2000 - In The Many Faces of Time. Dordrecht: Kluwer Academic. pp. 223--244.
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  26.  74
    Some Reflections on Time and the Ego in Husserl’s Late Texts on Time-Consciousness.John B. Brough - 2016 - Quaestiones Disputatae 7 (1):89-108.
    Time-consciousness made its appearance in Husserl’s thought in the first decade of the twentieth century in analyses that were notably silent on the issue of the ego. The ego itself made its debut in the Ideas in 1913, but without an account of its relationship to time. Husserl described time-consciousness, particularly what he called the absolute time-constituting flow of consciousness, as perhaps the most important matter in all of phenomenology. He also came to view phenomenology as centered on the study (...)
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  27. The invention of art. A cultural history.John B. Brough - 2003 - British Journal of Aesthetics 43 (2):189-191.
  28.  51
    The Many Faces of Time.John B. Brough (ed.) - 2000 - Dordrecht: Kluwer Academic.
    The authors of the essays collected in this volume continue that tradition, challenging, expanding, and deepening it.
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  29. The Seduction of Images: A Look at the Role of Images in Husserl’s Phenomenology.John Brough - 2011 - In Pol Vandevelde & Kevin Hermberg (eds.), Variations on Truth: Approaches in Contemporary Phenomenology. Continuum. pp. 41-56.
     
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  30. Temporality, Transcendence, and Difference: Some Reflections on Nicolas de Warren’s Husserl and the Promise of Time.John B. Brough - 2012 - Research in Phenomenology 42 (1):130-137.
  31.  14
    Wilfrid Desan, 1908-2001.John B. Brough - 2002 - Proceedings and Addresses of the American Philosophical Association 75 (5):189 - 190.
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  32.  23
    Selections from Classical Sanskrit Literature, with English Translation and Notes.M. B. Emeneau & John Brough - 1952 - Journal of the American Oriental Society 72 (4):197.
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  33.  19
    The Gāndhārī DharmapadaThe Gandhari Dharmapada.M. B. Emeneau & John Brough - 1962 - Journal of the American Oriental Society 82 (3):400.
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  34.  24
    John Brough: Collected Papers.Edwin Gerow, Minoru Hara, J. C. Wright & John Brough - 1998 - Journal of the American Oriental Society 118 (1):152.
  35. The Phenomenology of Painting. [REVIEW]John B. Brough - 2007 - Review of Metaphysics 60 (4):894-896.
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  36.  44
    (1 other version)Three book reviews: Edmund Husserl. 'Texte zur Phänomenologie des inneren Zeitbewusstseins (1893-1917)' ed. Rudolf Bernet. Robert Sokolowski: 'Moral Action: A Phenomenological Study'. Hugo Dingler: 'Aufsätze der Methodik' ed. Ulrich Weiss. [REVIEW]John B. Brough, Bernard P. Dauenhauer & Karl Schuhmann - 1987 - Husserl Studies 4 (3):243-266.
  37.  72
    Time and Experience. [REVIEW]John B. Brough - 1992 - Review of Metaphysics 45 (3):622-623.
    The author addresses three interlocking issues in this rich and interesting study: time-consciousness ; the question of temporal realism ; and the possibility of a special temporality belonging to human beings. The author's approach to these questions is phenomenological, generally in Husserl's sense of the term, although he does not hesitate to amend Husserl's method from a Heideggerian perspective and even to depart from it in ways that might leave Husserl himself quite aghast--as in the use of conclusions drawn from (...)
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  38.  38
    The Paradoxes of Art. [REVIEW]John B. Brough - 2006 - Review of Metaphysics 59 (4):895-897.
    Much recent discussion in philosophical aesthetics has focused on the issue of defining art, particularly visual art. Such efforts generally presume that art is important without explaining why it is important. It is the latter question that Alan Paskow addresses. He is interested in discovering how and why art, and especially painting, matter in our lives. This is an important topic. If art did not matter to people in some deeply personal sense, it would not be the subject of such (...)
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  39.  27
    Wittgenstein and Phenomenology. [REVIEW]John B. Brough - 1985 - Idealistic Studies 15 (2):165-166.
    Professor Gier intends to offer a revisionist reading of Wittgenstein: “It is the analytic or positivist Wittgenstein who is the odd creature”. Wittgenstein was not, as opinion often has it, contemptuous of the classical metaphysicians or dismissive of such contemporaries as Husserl and Heidegger as purveyors of nonsense. In fact, he even came to an “explicit and positive use of the term ‘phenomenology’”. Professor Gier attempts to establish the nature and significance of this claim by examining a broad range of (...)
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