Attempting art: an essay on intention-dependenceIt is a truism among philosophers that art is intention-dependent—that is to say, art-making is an activity that depends in some way on the maker's intentions. Not much thought has been given to just what this entails, however. For instance, most philosophers of art assume that intention-dependence entails concept-dependence—i.e. possessing a concept of art is necessary for art-making, so that what prospective artists must intend is to make art. And yet, (...) a mounting body of anthropological and art-historical evidence and philosophical argument suggests that not only is such a criterion unsatisfied by most of the art-historical canon, but it also rests on a false premise: concepts of 'art' are not shared between cultures, nor even in the same culture across time. My dissertation aims to rectify this error by first exploring what our commitment to art's intention-dependence actually entails, and then showing that, properly understood, intention-dependence sets a number of important constraints on theories of art with respect to explanatory desiderata such as the success- and failure-conditions of art-attempts, the cross-cultural identification of art, and the reference of 'art' and art-kind terms. I begin by situating art's intention-dependence in the philosophical literature on intentional action, arguing that, properly conceived, intention-dependence is a weak criterion which can be satisfied either directly or indirectly. It therefore does not necessarily entail concept-dependence. I then use this distinction to motivate a new treatment of the success- and failure-conditions for art-attempts, arguing that the extant model's emphasis on compliance with 'the manner intended' is far too restrictive to capture actual artistic practices. I go on to show that Ruth Millikan's model of linguistic conventions supplies an independently plausible explanation of art's concept-independent origins in terms of the development of a system of indirectly intention-dependent conventions called an 'artworld'. I argue that this account of artworld development supplies us with the tools we need to distinguish art-kinds from other artifactual kinds. Finally, I turn my attention to methodological issues, arguing that even though 'art' is a social kind with its roots in arbitrary and historically-contingent networks of conventions, the philosophy of art is not merely an exercise in bare conceptual analysis. In fact, there is now a great deal of evidence to show that the ways we think about 'art' are inconsistent, incomplete, imperialistic, and largely unprincipled. Yet I argue that this does not mean that the artworld data have no bearing on theories of art. Instead, I argue that our best reflective understanding of our artworld practices sets the constraints on the reference of 'art' and art-kind terms. I argue that we have no privileged epistemic access to the ontology of social kinds; our only privilege lies in our ability to determine the proper subject of our inquiries. (shrink)

Wright’s judgement-dependent account of intention is an attempt to show that truths about a subject’s intentions can be viewed as constituted by the subject’s own best judgements about those intentions. The judgements are considered to be best if they are formed under certain cognitively optimal conditions, which mainly include the subject’s conceptual competence, attentiveness to the questions about what the intentions are, and lack of any material self-deception. Offering a substantive, non-trivial specification of the no-self-deception condition is one of (...) the main problems for Wright. His solution is to view it as a positive presumption, which is violated only if there is strong evidence to the effect that the subject is self-deceived. In this paper, I will argue that the concern about self-deception in Wright’s account is misplaced and generally unmotivated. (shrink)

ABSTRACT A Third-Person-Based or Third-Personal Judgment-Dependent account of mental content implies that, as an a priori matter, facts about a subject’s mental content are precisely captured by the judgments of a second-person or an interpreter. Alex Byrne, Bill Child, and others have discussed attributing such a view to Donald Davidson. This account significantly departs from a First-Person-Based or First-Personal Judgment-Dependent account, such as Crispin Wright’s, according to which, as an a priori matter, facts about intentional content are constituted by the (...) judgments of the subject herself, formed under certain optimal or cognitively ideal conditions. I will argue for two claims: (1) Attributing a Third-Personal Judgment-Dependent account to Davidson is unjustified; Davidson’s view is much closer to a non-reductionist First-Personal Judgment-Dependent account. (2) Third-Personal accounts rest on a misconstrual of the role of an interpreter in the First-Personal accounts; the notion of an interpreter still plays an essential role in the latter ones. (shrink)

You are, I suspect, exceedingly good at knowing what you intend to do. In saying this I pay you no special compliment. Knowing what one intends is the normal state to be in. And this cries out for some explanation. How is it that we are so authoritative about our own intentions? There are two different approaches that one can take in answering this question. The first credits us with special perceptual powers which we use when we examine our own (...) minds. On this view we detect our own mental states in much the same way that we detect the state of the world around us; but the powers we direct inward are much less prone t o error than those we direct outwards. The alternative approach denies that there is such a thing as inward perception. On this view the whole idea the we detect our own mental states using some kind of internal perceptual apparatus is misguided; a wholly different account is needed. (shrink)

I defend the intention-dependence of artifacts, which says that something is an artifact of kind K only if it is the successful product of an intention to make an artifact of kind K. I consider objections from two directions. First, that artifacts are often mind- and intention-dependent, but that this isn’t necessary, as shown by swamp cases. I offer various error theories for why someone would have artifact intuitions in such cases. Second, that while artifacts are (...) necessarily mind-dependent, they aren’t necessarily intention-dependent. I consider and reject three kinds of cases which purport to show this: accidental creation, automated production, and mass production. I argue that intentions are present in all of these cases, but not where we would normally expect. (shrink)

Intentional action involves both a series of neural events in the motor areas of the brain, and also a distinctive conscious experience that ''I'' am the author of the action. This paper investigates some possible ways in which these neural and phenomenal events may be related. Recent models of motor prediction are relevant to the conscious experience of action as well as to its neural control. Such models depend critically on matching the actual consequences of a movement against its internally (...) predicted effects. However, it remains unclear whether our conscious experience of action depends on a precise matching process, or a retrospective inference that ''I'' must have been responsible for a particular event. We report an experiment in which normal subjects judged the perceived time of either intentional actions, involuntary movements, or subsequent effects (auditory tones) of these. We found that the subject's intention to produce the auditory tone produced an intentional binding between the perceived times of the subject's action and the tone. However, if the intention was interrupted by an imposed involuntary movement, followed by the identical tone, no such binding occurred. The phenomenology of intentional action requires an appropriate predictive link between intentions and effects, rather than a retrospective inference that ''I'' caused the effect. (shrink)

The concept of acting intentionally is an important nexus where ‘theory of mind’ and moral judgment meet. Preschool children’s judgments of intentional action show a valence-driven asymmetry. Children say that a foreseen but disavowed side-effect is brought about 'on purpose' when the side-effect itself is morally bad but not when it is morally good. This is the first demonstration in preschoolers that moral judgment influences judgments of ‘on-purpose’ (as opposed to purpose influencing moral judgment). Judgments of intentional action are usually (...) assumed to be purely factual. That these judgments are sometimes partly normative — even in preschoolers — challenges current understanding. Young children’s judgments regarding foreseen side-effects depend upon whether the children process the idea that the character does not care about the side-effect. As soon as preschoolers effectively process the ‘theory of mind’ concept, NOT CARE THAT P, children show the side-effect effect.idea.. (shrink)

The ‘Knobe effect’ is the name given to the empirical finding that judgments about whether an action is intentional or not seems to depend on the moral valence of this action. To account for this phenomenon, Scaife and Webber have recently advanced the ‘Consideration Hypothesis’, according to which people’s ascriptions of intentionality are driven by whether they think the agent took the outcome in consideration when taking his decision. In this paper, I examine Scaife and Webber’s hypothesis and conclude that (...) it is supported neither by the existing literature nor by their own experiments, whose results I did not replicate, and that the ‘Consideration Hypothesis’ is not the best available account of the ‘Knobe Effect’. (shrink)

This paper examines an hypothesis put forward by Pettit and Knobe 2009 to account for the Knobe effect. According to Pettit and Knobe, one should look at the semantics of the adjective “intentional” on a par with that of other gradable adjectives such as “warm”, “rich” or “expensive”. What Pettit and Knobe’s analogy suggests is that the Knobe effect might be an instance of a much broader phenomenon which concerns the context-dependence of normative standards relevant for the application of (...) gradable expressions. I adduce further evidence in favor of this view and go on to examine the predictions one obtains when assuming that “intentional” involves a two-dimensional scale, which implies evaluating how much an action or outcome is desired on the one hand, and how much it can be foreseen as a consequence of one’s actions on the other. (shrink)

According to William Alston, we lack voluntary control over our propositional attitudes because we cannot believe intentionally, and we cannot believe intentionally because our will is not causally connected to belief formation. Against Alston, I argue that we can believe intentionally because our will is causally connected to belief formation. My defense of this claim is based on examples in which agents have reasons for and against believing p, deliberate on what attitude to take towards p, and subsequently acquire an (...) attitude A towards p because they have decided to take attitude A. From the possibility of intentional belief, two conclusions follow. First, the kind of control we have over our propositional attitudes is direct; it is possible for us to believe at will. Second, the question of whether what we believe is under our control ultimately depends on whether our will itself is under our control. It is, therefore, a question of the metaphysics of free will. (shrink)

This paper explores what happens when artists fail to execute their goals. I argue that taxonomies of failure in general, and of failed-art in particular, should focus on the attempts which generate the failed-entity, and that to do this they must be sensitive to an attempt’s orientation. This account of failed-attempts delivers three important new insights into artistic practice: there can be no accidental art, only deliberate and incidental art; art’s intention-dependence entails the possibility of performative failure, but (...) not of failed-art; and art’s intention-dependence is perfectly compatible with the role that luck plays in artistic creation. (shrink)

Our study contributes by providing new insights into the relationship between the individual levels of the antecedents and how the intention of whistleblowing is moderated by perceived organizational support, team norms, and perceived moral intensity. In this paper, we argue that the intention of both internal and external whistleblowing depends on the individual-level antecedents [attitudes toward whistleblowing, perceived behavioral control, independence commitment, personal responsibility for reporting, and personal cost of reporting ] and is moderated by POS, TNs, and (...) PMI. The findings confirm our predictions. Data were collected using an online survey on 256 Indonesian public accountants who worked in the audit firm affiliated with the Big 4 and non-Big 4. The results support the argument that all the antecedents of individual levels can improve the auditors’ intention to blow the whistle. The nature of the relationship is more complex than analysis by adding moderating variables using the Partial Least Squares-Structural Equation Modeling approach. We found that POS, TNs, and PMI can partially improve the relationship between the individual-level antecedents and whistleblowing intentions. These findings indicate that the POS, TNs, and PMI are a mechanism or that attribute is important in controlling behavior. (shrink)

Written against the background of her controversial opposition to the University of Oxford's awarding of an honorary degree to Harry S. Truman, Elizabeth Anscombe's /Intention/ laid the groundwork she thought necessary for a proper ethical evaluation of actions like the bombing of Hiroshima and Nagasaki. The devoutly Catholic Anscombe thought that these actions made Truman a murderer, and thus unworthy of the university's honor — but that this verdict depended on an understanding of intentional action that had been widely (...) rejected in contemporary moral philosophy. /Intention/ was her attempt to work out that understanding and argue for its superiority over a conception of intention as an inner mental state. -/- Though recognized universally as one of the definitive works in analytic philosophy of action, Anscombe's book is often dismissed as unsystematic or obscure, and usually read through the lens of philosophical concerns very far from her own. Schwenkler's Guide offers a careful and critical presentation of Anscombe's main lines of argument at a level appropriate to advanced undergraduates but also capable of benefiting specialists in action theory, moral philosophy, and the history of analytic philosophy. Further, it situates /Intention/ in a context that emphasizes Anscombe's debts to Aristotle, Aquinas, and Wittgenstein, and her engagement with the work of contemporaries like Gilbert Ryle and R. M. Hare, inviting new avenues of engagement with the ideas of historically important philosophers. (shrink)

I defend the doctrine of double effect and a so-called ‘strict’ definition of intention: A intends an effect if and only if A has it as an end or believes that it is a state of affairs in the causal sequence that will result in A's end. Following Kamm's proposed ‘doctrine of triple effect’, I distinguish an intended effect from an effect that motivates an action, and show that this distinction is morally significant. I use several contrived cases as (...) illustrations, but my position does not depend on intuitive judgements about them. Instead, it follows from the view that the moral permissibility of an action depends at least partly on how it forms the agent's character. I also respond to some objections presented by Harris, Bennett, McIntyre, Thomson and Scanlon to the doctrine of double effect. (shrink)

Intention, intentional action, and the connections between them are central topics of the philosophy of action, a branch of the philosophy of mind. One who regards the subject matter of the philosophy of mind as having at its core some aspect of what lies between environmental input to beings with minds and behavioural output may be inclined to see the philosophy of action as concerned only with the output end of things. That would be a mistake. Many intentional actions (...) depend for their development on the processing of input — both from the environment and from the body. (shrink)

Ordinary usage supports both a relatively strong belief requirement on intention and a tight conceptual connection between intention and intentional action. More specifically, it speaks in favor both of the view that "S intends to A" entails "S believes that he (probably) will A" and of the thesis that "S intentionally A-ed" entails "S intended to A." So, at least, proponents of these ideas often claim or assume, and with appreciable justification. The conjunction of these two ideas, however, (...) has some highly counterintuitive implications. This suggests that a certain skepticism about the coherence of ordinary usage of "intention" may be salutary. Fortunately, the skeptic need not abandon the quest for understanding. Much can be gleaned from a careful investigation of the functions attributed to intention in the literature. In this paper, I argue that the capacity of intention to do the work that the literature assigns it does not depend upon intentional A-ing's entailing intending to A, nor upon there being a strong belief constraint on intention, nor even a certain relatively weak belief constraint. I also develop an account of the features of intention in virtue of which it is capable of doing this work. This account provides the core of an adequate conception of intention. Toward the end of the paper, I briefly motivate acceptance of a modest belief requirement on non-functional grounds. (shrink)

Recently, it has been shown that the perceived times of voluntary movements and their effects are perceived as shifted towards each other. This temporal binding phenomenon was explained by an integrated representation of movement and effect, facilitating operant learning and the experience of intentionality. Here, we investigated whether temporal binding depends on explicit intentional attributions. In Experiment 1, participants intended to either produce or avoid producing an effect by the timing of their movements, with the ratio of success being fixed (...) at 2:1. In Experiments 2 and 3, the influence of the action–effect contingency ratio on temporal binding was controlled for by removing the intentional attribution of the effect. The results indicate that temporal binding is a general associative mechanism that facilitates the learning of movement–effect contingencies. Beyond that, temporal binding is sensitive to explicit intentional attributions, which selectively enhance the link between an intentional movement and the effect a moving agent intends to produce. (shrink)

Recent empirical research by Joshua Knobe has uncovered two asymmetries in judgements about intentional action and moral responsibility. First, people are more inclined to say that a side effect was brought about intentionally when they regard that side effect as bad than when they regard it as good. Secondly, people are more inclined to ascribe blame to someone for bad effects than they are inclined to ascribe praise for good effects. These findings suggest that the notion of intentional action has (...) a normative component. I propose a theory of intentional action on which one acts intentionally if one fails to be motivated to avoid a bad effect. This explains the asymmetry concerning intentional action. The praise–blame asymmetry is explained in terms of the claim that praise depends on being appropriately motivated, whereas blame does not. (shrink)

A number of authors have argued that the fact that certain indexicals depend for their reference-determination on the speaker’s referential intentions demonstrates the inadequacy of associating such expressions with functions from contexts to referents (characters). By distinguishing between different uses to which the notion of context is put in these argument, I show that this line of argument fails. In the course of doing so, I develop a way of incorporating the role played by intentions into a character-based semantics for (...) indexicals and I argue that the framework I prefer is superior to an alternative which has been proposed by others. (shrink)

Nietzsche sometimes writes as if we are not in control—at least not in conscious control—of our actions. He seems to suggest that what we actually do is independent of our intentions. It turns out, though, that his understanding of both intention and action differs radically from most contemporary treatments of the issue. In particular, he denies that our actions are caused by their intentions, whose role is hermeneutical in a sense that this essay develops. How then is responsibility to (...) be assigned, since its moral variety, at least, depends, on several views, on the intention with which an action is performed? Nietzsche, of course, is not interested in making attributions of moral responsibility. Still, his views on the relationship between an individual action, its intention, other actions by its agent, and the agent's character, as this essay presents them, provide a reasonable account of action generally and a different, broader account of responsibility for oneself. (shrink)

The principle of double effect has a long history, from scholastic disputations about self-defense and scandal to current debates about terrorism, torture, euthanasia, and abortion. Despite being widely debated, the principle remains poorly understood. In Intention, Character, and Double Effect, Lawrence Masek combines theoretical and applied questions into a systematic defense of the principle that does not depend on appeals to authority or intuitions about cases. Masek argues that actions can be wrong because they corrupt the agent's character and (...) that one must consider the agent's perspective to determine which effects the agent intends. This defense of the principle clears up common confusions and overcomes critics' objections, including confusions about trolley and transplant cases and objections from neuroscience and moral psychology. This book will interest scholars and students in different fields of study, including moral philosophy, action theory, moral theology, and moral psychology. Its discussion of contemporary ethical issues and sparse use of technical jargon make it suitable for undergraduate and graduate courses in applied ethics. The appendix summarizes the main cases that have been used to illustrate or to criticize the principle of double effect. (shrink)

It has been argued that philosophers that base their theories of meaning on communicative intentions and language conventions cannot accommodate the fact that natural languages are compositional. In this paper I show that if we pay careful attention to Grice's notion of “resultant procedures” we see that this is not the case. The argument, if we leave out all the technicalities, is fairly simple. Resultant procedures tell you how to combine utterance parts, like words, into larger units, like sentences. You (...) cannot have that unless you have R-correlations (reference) and D-correlations (denotation). These in turn, the argument goes, depend on communicative intentions, since without communicative intentions any attempt to R-correlate or D-correlate a word with an object or sets of objects would inevitably result in correlation-relations between that word and everything that exists. In other words, without communicative intentions in the equation it would turn out that every time we speak, we inevitably speak about everything, but clearly we do not. So communicative intentions, instead of being nebulous things that are in possible conflict with the Principle of Compositionality, are in fact a prerequisite for that very principle. (shrink)

Intentionality is customarily characterised as the mind’s direction upon its objects. This characterisation allows for a number of different conceptions of intentionality, depending on what we believe about the nature of the objects or the nature of the direction. Different conceptions of intentionality may result in classifying sensory experience as intentional and nonintentional in different ways. In the first part of this paper, I present a certain view or variety of intentionality which is based on the idea that the intentional (...) object of a sensory experience must be Independent; that is, an intentional object must be such that its existence doesn’t depend on being experienced (except in some very special cases). This means, for example, that sense-data understood as mind-dependent objects are not intentional objects, because their existence depends on the occurrence of an experience. In the second part of the paper, I will sketch a view of how sensory experiences can acquire an Independent object. (shrink)

Korta and Perry (2011) argue that the object a speaker refers to with a demonstrative expression combined with a pointing gesture is determined by her directing intention rather than by her demonstration. They acknowledge that our use of the ordinary concept of “what is said” is affected by our judgements about the speaker’s responsibility for the results of her careless pointing; however, they claim that the effects are perlocutionary and have no bearing on determining the referential content of the (...) speaker’s act. I argue that the consequences of careless pointing are illocutionary and play a role in determining demonstrative reference. I also distinguish between two types of referential content which are attributable to the speaker’s utterance and shape its discursive behaviour: what is intended, which is determined by the speaker’s directing intention, and what is public, which depends on what she can legitimately be held responsible for. (shrink)

According to Wright’s Judgement-Dependent account of intention, facts about a subject’s intentions can be taken to be constituted by facts about the subject’s best opinions about them formed under certain optimal conditions. This paper aims to defend this account against three main objections which have been made to it by Boghossian, Miller and implicitly by Wright himself. It will be argued that Miller’s objection is implausible because it fails to take into account the partial-determination claim in this account. Boghossian’s (...) objection also fails because it is based on an unjustified reductionist reading of Wright’s account. However, Wright’s own attempt to resist Boghossian’s objection seems to display a shift from his Judgement-Dependent account to an Interpretationist account of self-knowledge, in which case Wright’s new account would face the same problem which he himself has previously put forward in the case of Davidson’s Interpretationist account of self-knowledge. Nonetheless, I will argue that Wright does not need to make such a move because Boghossian’s objection is not applicable to his account. (shrink)

I discuss a criterion for successful communication between a speaker and a hearer put forward by Buchanan according to which there is communicative success only if the hearer entertains, as a result of interpreting the speaker's utterance, a thought that has the same truth conditions as the thought asserted by the speaker and, furthermore, does so in virtue of recognizing the speaker's communicative intentions. I argue, against Buchanan, that the data on which it is based are compatible with a view (...) involving Fregean modes of presentation. In the second part of the article I critically discuss Unnsteinsson's claim that communicative success depends on the absence of contextually salient false distinctness beliefs about the subject matter of the conversation. I argue that this thesis leads to clearly counterintuitive consequences and that no fundamental role must be given to the presence or absence of false distinctness beliefs in one's account of successful communication. The upshot is that we should stick with Buchanan's criterion. I conclude by employing Strawson and Recanati's concepts of linking and merging to show how the criterion I favour is compatible with the fact that, when subjects hold no relevant false distinctness beliefs, communicative success does not seem to be disrupted by the hearer seemingly failing to recognize the speaker's intentions. (shrink)

This paper argues for a distinction between fictional characters, as parts of intentionally created abstract artifacts, and intentional objects, as nonexistent objects generated by referential acts that fail to refer. It argues that intentional objects as the nonexistent objects of imagination and other objectual attitudes are well-reflected in natural language, though in a highly restricted way, reflecting their ontological dependence on referential acts. The paper elaborates how that ontological dependence can be understood.

Artists' intentions are among the primary data retrieved by art appreciators. However, artistic creation is not always deliberate; artists sometimes fail in their intentions; artists' achievements depend on artworld roles, not only intentions; factors external to the artist contribute to artwork meaning; artworks stand apart from their creators; and interpretation need not be exclusively concerned with recovering intended meaning.

It has been argued that philosophers that base their theories of meaning on communicative intentions and language conventions cannot accommodate the fact that natural languages are compositional. In this paper I show that if we pay careful attention to Grice’s notion of “resultant procedures” we see that this is not the case. The argument, if we leave out all the technicalities, is fairly simple. Resultant procedures tell you how to combine utterance parts, like words, into larger units, like sentences. You (...) cannot have that unless you have R-correlations (reference) and Dcorrelations (denotation). These in turn, the argument goes, depend on communicative intentions, since without communicative intentions any attempt to R-correlate or D-correlate a word with an object or sets of objects would inevitably result in correlation-relations between that word and everything that exists. In other words, without communicative intentions in the equation it would turn out that every time we speak, we inevitably speak about everything, but clearly we do not. So communicative intentions, instead of being nebulous things that are in possible conflict with the Principle of Compositionality, are in fact a prerequisite for that very principle. (shrink)

The issues of authorial intentions and interpretations are discussed. The philosophical dispute between metaphysical realists and metaphysical antirealists on authorial intentions and how these are characterized is examined. While realists maintain that a mind-independent reality exists, antirealists claim that reality is completely mind-dependent and that all things are mere mental constructions.

An agent's intentional doings are often taken to be those for which a certain sort of teleological explanation is available: they are the ones that can be fitted into sequences of the form 'agent A-s in order to B, B-s in order to C, and so on'. It is natural to think that such teleological orderings are produced entirely by the agent's own (perhaps idealized) practical reasoning, and that they thus reveal the intentions with which the agent acts: he A-s (...) with the intention of thereby B-ing, B-s with the intention of thereby C-ing, and so on. This in turn suggests that if an agent X-s 'non-basically', he X-s intentionally if and only if he does something else with the intention of thereby X-ing. But what an agent intentionally does can also depend upon how his doings fit into 'autonomous teleologies' - teleologies having their origins outside of his will. If an agent intentionally A-s as part of his job, he might thereby intentionally A-s, where A-ing consists in operating a machine, he might thereby intentionally B not because his intention in A-ing is to B, but because A-ing is for the sake of B-ing in the machine's teleology. (shrink)

The question whether natural language permits quantification over intentional objects as the ‘nonexistent’ objects of thought is the topic of a major philosophical controversy, as is the status of intentional objects as such. This paper will argue that natural language does reflect a particular notion of intentional object and in particular that certain types of natural language constructions (generally disregarded in the philosophical literature) cannot be analysed without positing intentional objects. At the same time, those intentional objects do not come (...) for free; rather they are strictly dependent on intentional acts that generally need to have a presence, in one way or another, in the semantic structure of the sentence. (shrink)

The doctrine of transferred intent (or transferred “malice” in England) generally provides that if A attempts to harm B but, because of bad aim, misses and accidentally causes the same harm to befall C, A’s harmful intent vis-à-vis B is transferred to C, thus rendering A guilty of intentionally harming C. Commentators acknowledge the doctrine to be a legal fiction, but they differ regarding whether the fiction produces just results, some believing it does, others believing that A is guilty at (...) most of attempting to harm B rather than intentionally harming C. Commentators who agree that the fiction produces just results nevertheless differ regarding whether the fiction should be retained or whether A’s intent to harm “a” person, in this case, B, is the only intent that signifies for crimes of intentional harm, regardless of whom A eventually harms. Doug Husak sought to achieve reflective equilibrium between intuition and theory regarding bad-aim cases by proposing in 1996 that A be punished for attempting to harm B (rather than for harming C) but sentenced as if he had harmed B. I once believed that Husak was correct. But I now have doubts, in part because Husak, along with others, cannot explain why the strength of people’s intuitions regarding A’s responsibility in bad-aim cases depends upon (1) C’s being a reasonably foreseeable victim, and (2) C’s being harmed by the same threat of force that A initially unleashed against B. I argue that one cannot achieve reflective equilibrium in bad-aim cases without inquiring into why resulting harm matters in criminal law, and that when one does, one discovers that just as people’s intuitions regarding whether intentional harms are proximate depend upon how resulting harms occur, so, too, people’s intuitions regarding whether an actor is guilty of intentional harm depend upon how resulting harm comes about. (shrink)

According to the traditional view of weakness of will, a weak-willed agent acts in a way inconsistent with what she judges to be best.1 Richard Holton has argued against this view, claiming that ‘the central cases of weakness of will are best characterized not as cases in which people act against their better judgment, but as cases in which they fail to act on their intentions’ (1999: 241). But Holton doesn’t think all failures to act on one’s prior intentions, or (...) all revisings of intentions, are cases of weakness of will (WW). Rather, he thinks an intention-revision is a case of WW only when it occurs ‘in circumstances in which [one] should not have revised [the intention]’. Holton points out that according to the traditional view of WW, to call an agent ‘weak-willed’ is to make descriptive claim about the agent (about whether an action in fact is inconsistent with what (s)he judges to be best). But according to Holton’s account, the question of whether the agent was weak-willed ‘will depend on which intentions [the agent] should have stuck with as a rational intender. That is a normative question’ (my emphasis) (241-3, 247-8. (shrink)

Bernard Lonergan has argued for a theory of cognition that is transcendentally secure, that is, one such that any plausible attempt to refute it must presuppose its correctness, and one that also grounds a correct metaphysics and ontology. His proposal combines an identity theory of knowledge with an intentional relation between knower and known. It depends in a crucial way upon an appropriation of one’s own cognitional motives and acts, that is, upon “knowing one’s own knowing.” I argue that because (...) of conflicts between the identity and intentionality components of the theory, rational self-appropriation cannot, as Lonergan claims, be an iteration of just the same acts by which we acquire other sorts of knowledge. I propose an amended theory in which the relation between intending-subject and intended-object of first-level cognition becomes, in RSA, a numerical identity of knower and known and of the epistemic and the ontological. (shrink)

While much has been written about the functional profile of intentions, and about their normative or rational status, comparatively little has been said about the subjective authority of intention. What is it about intending that explains the ‘hold’ that an intention has on an agent—a hold that is palpable from her first-person perspective? I argue that several prima facie appealing explanations are not promising. Instead, I maintain that the subjective authority of intention can be explained in terms (...) of the inner structure of intention. In adopting an intention the agent comes to see herself as criticizable depending on whether she executes the intention. This allows us to explain in first-personal terms why the agent becomes disposed to act and deliberate in ways that are characteristic of intention. As intention-formation involves profound changes to reflexive evaluative attitudes, this is the ‘Self-Evaluation’ view of the subjective authority of intention. (shrink)

The importance of intention reading for communication has already been emphasized many<br>years ago by Paul Grice. More recently, the rich debate on “theory of mind” has convinced many<br>that intention reading may in fact play a key role also in current, cognitively oriented theories of<br>pragmatics: Relevance Th eory is a case in point. On a close analysis, however, it is far from clear<br>that RT may really accommodate the idea that intention reading drives comprehension. Here<br>I examine RT’s diffi culties (...) with that idea, and propose a framework where intention reading is<br>actually assigned a signifi cant role. Th is framework is compatible with RT’s account of a unifi ed,<br>automatic mechanism of interpretation in lexical pragmatics, to the extent that the account<br>shares many features of associative and constraint-based explanations of other linguistic phenomena.<br>In fact, my suggestion is that our sensitivity to others’ intentions depends crucially on the<br>availability of specifi c patterns of intentional behaviour grounded in social regularities. In other<br>words, intention reading would be just a case, though a very special one, of pattern recognition. (shrink)

This paper deals with the semantics and meta-semantics for ordinary names in fiction. It has recently been argued by some philosophers that when ordinary names are used in fictional contexts, they change their semantic contents and work as fictional names in general. In this paper, I argue that there is no compelling reason to believe that such reference changes occur and defend the view that whether those names refer to real or fictional objects depends on which semantic intentions speakers have.

1. Introduction: Naturalism and Psychological Explanations To a large extent, contemporary philosophical debate takes place within a framework of naturalistic assumptions. From the perspective of the history of philosophy, naturalism is the legacy of positivism without its empiricist epistemology and empiricist conception of meaning and cognitive significance. Systematically, it is best to characterize naturalism as the philosophical articulation of the underlying presuppositions of a reductive scientific research program that was rather successful in the last few centuries and, equally important, promises (...) to be so in the future particularly in the biological sciences and the neurosciences. It seems as if the secrets of human life and behavior and the mysteries of the mind will be cracked on the molecular level of the genes or the brain, or at least so we are told. Viewed in this manner it is understandable why philosophical naturalism tends to be committed to monism, both as a metaphysical or ontological claim and as a methodological position in the philosophy of social science. Naturalists are inclined to adopt a physicalist ontology that rejects free floating Cartesian substances and they view higher order macroscopic facts and properties as being dependent or supervenient on basic micro-physical facts. Naturalists, furthermore, expect that any scientific explanation of higher order properties has to provide an account of why and how these lower order facts give rise to higher order ones. These ontological and epistemic commitments also underpin a position of methodological monism in regard to the social sciences and the explanation of human agency. If the above ontological picture is correct then there is no reason to expect that the structure of the sciences dealing with higher order properties on the social level should fundamentally differ in their methodology from the natural sciences. In both domains of investigation, scientists will develop and make explanatory use of comprehensive and empirically well supported theories with adequate predictive powers that describe.... (shrink)

We all make mistakes in pronunciation and spelling, but a common view is that there are limits beyond which a mistaken pronunciation or spelling becomes too dramatic to be recognized as of a particular word at all. These considerations have bolstered a family of accounts that invoke speaker intentions and standards for tolerance as determinants of which word, if any, an utterance tokens. I argue this is a mistake. Neither intentions nor standards of tolerance are necessary or sufficient (individually or (...) jointly) for determining which word an utterance tokens. Instead, drawing in part on empirical research on word production, I offer an alternative account, Originalism-plus-Transfer (OPT), according to which word tokening depends entirely on lexical selection during word production, and on how the selected lexical item is situated within the network of causal/historical connections leading back to its neologizing. Once the elements of my account are in place, as a bonus, we will have resources for a promising answer to the question of word individuation as well. (shrink)

In aesthetics, the topic of intentions comes up most often in the perennial debate between intentionalists and anti-intentionalists over standards of interpretation. The underlying assumptions about the nature and functions of intentions are, however, rarely explicitly developed, even though divergent and at times tendentious premises are often relied upon in this controversy. Livingston provides a survey of contentions about the nature and status of intentions and intentionalist psychology more generally, arguing for an account that recognizes the multiple functions fulfilled by (...) intentions in the lives of temporally situated agents who deliberate over what to do, settle on ends and means, and try to realize some of their plans. Artists’ intentions are the same sorts of attitudes that we attribute to ourselves and to others as we attempt to describe, explain, and predict our actions. As such, intentions are relevant not only to debates over the interpretation of works of art but also to a range of other basic topics in the philosophy of art, including artistic creation and authorship, the ontology of art, the nature of texts, works, versions, and life-works, and the status and nature of fiction and fictional truth. With regard to the controversy over the interpretation of art, Livingston advocates a ‘partial’ intentionalism. Intentions are never infallible, so there is a conceptual gap between the completed work and the intentions that initiated and guided its making. Yet in spite of the fallibility of intentions and of our beliefs and claims about them, intentions regularly contribute to the determination of a work’s features, including implicit meanings, the recognition of which requires the uptake of the artist’s intentional design. Partial intentionalism also finds support in the idea that at least one sort of artistic value depends on the artist’s skilful accomplishment of intentions. (shrink)

After identifying similarities in the paradigmatic problems of biorobotics and ecological psychology, we suggest a way to compare the performance of robots with that of their biological targets. The crucial comparison is between the intentional dynamics of the robot and those of the targeted animal, a measure that depends critically on recognizing and describing the underlying affordance-effectivity match of the target system.

In aesthetics, the topic of intentions comes up most often in the perennial debate between intentionalists and anti-intentionalists over standards of interpretation. The underlying assumptions about the nature and functions of intentions are, however, rarely explicitly developed, even though divergent and at times tendentious premises are often relied upon in this controversy. Livingston provides a survey of contentions about the nature and status of intentions and intentionalist psychology more generally, arguing for an account that recognizes the multiple functions fulfilled by (...) intentions in the lives of temporally situated agents who deliberate over what to do, settle on ends and means, and try to realize some of their plans. Artists’ intentions are the same sorts of attitudes that we attribute to ourselves and to others as we attempt to describe, explain, and predict our actions. As such, intentions are relevant not only to debates over the interpretation of works of art but also to a range of other basic topics in the philosophy of art, including artistic creation and authorship, the ontology of art, the nature of texts, works, versions, and life-works, and the status and nature of fiction and fictional truth. With regard to the controversy over the interpretation of art, Livingston advocates a ‘partial’ intentionalism. Intentions are never infallible, so there is a conceptual gap between the completed work and the intentions that initiated and guided its making. Yet in spite of the fallibility of intentions and of our beliefs and claims about them, intentions regularly contribute to the determination of a work’s features, including implicit meanings, the recognition of which requires the uptake of the artist’s intentional design. Partial intentionalism also finds support in the idea that at least one sort of artistic value depends on the artist’s skilful accomplishment of intentions. (shrink)

Some recent theories of emotion propose that emotions are perceptions of value laden situations and thus provide us with epistemic access to values. In this paper I take up Mark Wynn’s application of this theory to religious experience and try to argue that his McDowell-inspired account of intentional emotions leads to limitations for the justificatory force of religious experiences and to difficult questions about the metaphysical status of the object of religious experiences: if emotions and religious experiences are largely similar, (...) then, just as emotions, religious experiences cannot justify beliefs about the existence of objects, but merely beliefs about certain qualities they might have. Also, if emotions and religious experiences are largely similar, then, just as the objects of emotions, the object of religious experience turns out to be essentially mind-dependent. (shrink)