The first of 3 volumes of essays on Japanese philosophy, this work brings together essays that clarify its heritage and its practice, above all in the dynamic thought of Nishida Kitaro. Showing how philosophy takes shape through the translation of language and culture, the author examines the frameworks that have defined and confined Nishida’s thought and then charts new avenues of questioning Nishida and letting him question us. How should we envision the world at a time of environmental crisis, how (...) might we rethink our conceptions of history, religion and God; how is bodily awareness a way that the world knows itself, and just what can we make of Nishida'™s famous notion of nothingness—these are some of the questions that guide the meticulous explorations in this collection. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:On Japanese Things and Words:An Answer to Heidegger's QuestionMichael F. MarraIt has been over thirty years since my high school teacher of philosophy, Professor Dino Dezzani, recommended a book from which to begin my study of philosophy: Martin Heidegger's (1889-1976) Unterwegs zur Sprache (On the way to language [1959]). Evidently he was aware of my interest in literature and thought that Heidegger's discussion of words, things, and poetic language (...) would give some sort of direction to my naïve and youthful questions of what literature is about and what I should hope to find in it.The impact that Heidegger's book had on this young student was much greater than my professor could ever have imagined. I would hardly have committed myself to the study of Japan were it not for my reading of "A Dialogue on Language between a Japanese and an Inquirer," which appears in On the Way to Language. The dialogue is a fictional reconstruction of an actual meeting that Heidegger had with Tezuka Tomio (1903-1983), a Japanese scholar of German literature who visited the German philosopher in Freiburg at the end of March 1954.1 In the dialogue the Inquirer (Heidegger) formulates a central question that, in my opinion, should be of fundamental interest to anyone seriously concerned with the study of Japan. The question is deceptively simple, at least compared with the difficulty of coming up with the answer-an answer that, as a matter of fact, the reader will not find fully formulated in the dialogue. The question is: "What is the Japanese word for 'language' "? The Japanese visitor (Tezuka in Heidegger's recollection) appears to have been caught off guard, as we can see from Heidegger's parenthetical remark: "after further hesitation." Had Heidegger posed the same question to a Frenchman or an Italian, the answer would have been immediate: "langue" or "lingua." The challenge for Tezuka was definitely higher since he had a variety of words from which to choose. He could have used, for example, the expression gengo, a combination of two Chinese characters indicating "the speech of words." Instead, he used an ancient Japanese word derived from the native Yamato vocabulary: kotoba, which literally means "the foliage of speech."2There should be little doubt that Tezuka's choice was prompted by his desire to please Heidegger by playing the philosopher's own game-something that Tezuka totally succeeded in doing, as Heidegger's dialogue attests. Tezuka introduced a term that lent itself to etymological play-an enterprise very close to the heart of Heidegger, and one that was also very popular among Japanese thinkers.3 In fact, the expression kotoba incorporates the word koto, which means both "thing" and [End Page 555] "word" and which is found in the basic concepts of Japanese ontology: Mikoto (God, or "the honorable thing"), makoto (truth, or "the true word"), kotodama (soul, or "the spirit of words"), and kotowari(reason, or "the splitting of things"). The association of "words" and "things" in the Japanese word for "language" must have been of particular interest to Heidegger, who, four years before his meeting with Tezuka, had written "Das Ding" (The thing), a major lecture on the notion of things interpreted in light of the fourfold earth, sky, divinities, and mortals. In the dialogue Heidegger refers to this essay, in which "things" are presented in their objectified presence-the disparaged things that modernity and technology have dispossessed of their Being (Sein). Heidegger points out that never has the distance between things and Sein been as great as in modernity, when all distances in space and time have shrunk.4 Given the unflattering position that Heidegger had taken on the notion of "things," Tezuka was forced to come to the rescue of the Japanese word kotoba by endowing koto with the meaning of two Heideggerian keywords: "event" (kotogara) and "affair" (Sache). The thingly component of kotoba was not simply an objectifiable presence that can be counted, analyzed, and disposed of, but rather a poietic "act" that has the power to create a reality by transforming the named thing (koto) into a real thing (koto).In "A Dialogue... (shrink)

When we hear the term "Japanese philosophy" we think of Zen Buddhism or the Shinto scriptures. Yet one of the great 20th century interpreters of Western philosophy, Nishida Kitaro, lived and wrote in the Japanese islands all his life, laboring at an ultimate synthesis of oriental thought and Western hermeneutics. To be sure, Nishida's aim was to understand his own cultural influences in relation to the Western world. What distinguished him, however, was his passion for rendering oriental metaphysics understandable in (...) the language of Western philosophy, and his attempts to contrast the paradoxicality of Buddhist logic with the logical strategies of Aristotle, Kant, or Hegel. Featured in this book is an interpretation of Nishida's writings. Professor Carter focuses on the Japanese thinker's notion of "basho," a concept of nothingness as field, place or topos as borrowed from Plato's Tim'us. Expounding on the logical foundations and archaic elements in Nishida's work, and carefully explaining Nishida's critical approach to the questions of God, religion and morality, and pure existence, this discerning book offers students of Western philosophy and oriental thought alike a highly readable introduction to the teachings of a true world philosopher. (shrink)

The idea of nothingness has been viewed as neither a vital nor a positive element in Western philosophy or theology. With the exception of a handful of mystics, nothingness has been taken to refer to the negation of being, or to some theoretical void. By contrast, the Japanese philosopher Nishida Kitarō gave nothingness a central role in philosophy. The strategy of this essay is to use the German mystic Meister Eckhart as a more familiar thinker who did take nothingness seriously, (...) and then to look closely at Nishida’s philosophy, and at the work of his contemporary Ueda Shizuteru, in exploring the central importance of nothingness in Zen Buddhist thought. Eckhart writes of the nothingness of the godhead, whereas Nishida and Ueda speak of nothingness “pure and simple.” Eckhart remains within the being of the godhead and theology. Nishida moves directly to nothingness. Some have claimed that Nishida is not a mystic, and Nishida himself concurred, yet it is Ueda who explains why Nishida can rightly be read as a mystic and as not a mystic. He argues that Zen includes mysticism, but then goes beyond it to a “non-mysticism.” Mystic or non-mystic, the guidance that Nishida and Ueda offer leads to a compelling outlook on life. (shrink)

ABSTRACT This paper explores philosophically the experiences of laughter and irony, focusing on Japanese sources but with a cross-cultural outlook. I ask whether globally unfavorable attitudes towards the comic in the European canon might have left unexplored or misunderstood several insights offered by the bodily and spiritual dimension revealed by laughter, and examine them through Japanese sources. Following a short but poignant triad of examples in Kuki Shūzō’s work, the paper analyses three instances of Japanese laughter and irony: the orgiastic (...) laughter of the gods luring Amaterasu out of the Heavenly Cave in Kojiki; the anthropomorphic animal scrolls of Chōjūgiga, and the “Tiger Cubs Crossing” stone garden in Ryōanji, Kyoto, concluding how each one of them offers an important insight on the bodily and conceptual phenomenological cluster of laughter and irony. I conclude with a further exploration of laughter in Zen, a religious tradition with a unique stress on the spiritual potential of humor, following Nishitani’s reading of Mumonkan and his connection to the experience of “emptiness”. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:God and the World's Arrangement: Readings from Vedānta and Nyāya Philosophy of Religion by Nirmalya Guha, Matthew Dasti, and Stephen PhillipsSwami Narasimhananda (bio)God and the World's Arrangement: Readings from Vedānta and Nyāya Philosophy of Religion. Translated, with Introduction and Explanatory Notes, by Nirmalya Guha, Matthew Dasti, and Stephen Phillips. Indianapolis: Hackett, 2021. Pp. xx + 91. Paperback $19.00, isbn 978-1-62466-957-6.The scarcity of accessible English translations of Sanskrit texts (...) that retain the philosophical rigor of the original has been a great challenge in Indian philosophy. God and the World's Arrangement, a translation with introduction and explanatory notes by Nirmalya Guha, Matthew Dasti, and Stephen Phillips, is an example of how this scarcity could be addressed without straying away from present-day idioms and context. This book discusses the perspectives on God and the arrangement of the world according to Nyāya, Vedānta, Mīmāṃsā, and Buddhist philosophies. This book is divided into two parts, followed by two appendices, and a bibliography. Each part has study questions at the end and there is an impressive reading list. The first part is a translation and analysis of Śaṅkara's theistic argument in his commentary on the Brahma-sūtra 2.2.1–10. The translators also include the subcommentary by Vācaspati Miśra. The second part contains the translation and analysis of Vācaspati Miśra's theistic argument in his commentary on the Nyāya-sūtra 4.1.19–21. All translations are followed by explanations that elaborate the contexts of the arguments. The translations in this book are elegant and use modern English idioms.The seeds of this book were sown by a guest lecture by Nirmalya Guha to a philosophy course at the University of Texas at Austin. The other two authors joined hands with Guha and worked on texts from Sāṃkhya, Nyāya, Vedānta, and Buddhist schools of thought. Scholars around the world are now interested in having a pan-global view of philosophy. However, such an understanding requires an informed engagement with the various contexts and mores of thought. This deceptively slim volume addresses this problem by succinctly providing the required background context and clarifying many commonly held misconceptions about Indian philosophy, particularly Advaita Vedānta. For a long time, there have not been many serious readings of Advaita Vedānta texts. This book comes as a relief and explains the basic concepts of Advaita Vedānta with readings from relevant portions of texts like the Brahma-sūtra. This book is a step to fill the gap [End Page 1] of texts that properly voice the perspectives of scholars from within the traditions following Advaita Vedānta.It is heartening to read a contemporary text that acknowledges the unbiased masterly exegetical work of Vācaspati Miśra that earned him the epithet sarva-tantra-svatantra, "one who is equally proficient in all the disciplines of knowledge." The translators and editors of this book have a noble goal of "coupling Vācaspati's works on Vedānta and on Nyāya" to make "it possible for a wide swath of his work to be pondered, little of which is currently accessible despite Vācaspati's importance for the whole of classical Indian philosophical thought" (p. xi). The editors lose no time in clarifying the approach of the texts explained in the book from Vedānta and Nyāya philosophies. They explain in some detail one of the means of knowledge, pramāṇa s, used by the Indian philosophies that adhere to the Vedās, the means of anumāṇa or inference. An interesting aspect of this book is the contemporary examples that the translators give, like those of a politician and automobile manufacturers. For instance, the translators explain different ways in which arguments given through an example can fail. The translators explain the error of an example not having the property to be proved in this manner:Yet another type of failure occurs when the property to be proved is not actually present in the example. Should one argue that "People who purchase Japanese vehicles... (shrink)

This autobiographical, sociological, and musicological essay, written for a symposium on xenophilia, concerns how the love of a foreign culture can lead to a better understanding and renewed love of one’s own. The author, a Japanese musicologist, studied Hindustani music with North Indian masters, both Hindu and Muslim, and concluded that it is the shared concept of a “sound-god” that brings them together on stage in peaceful celebration with audiences from religious communities often at odds. The author’s training in ethnomusicology (...) began in India in 1992, immediately after the violent demolition of the Babri Masjid mosque in Ayodhya by militant Hindus, but even at that time she found no trace of such belligerence in the Hindustani musical world. Years later, while conducting research on the Shinto music rituals of her own culture, she discovered a little-known imperial and aristocratic cult of Myō’onten, a Japanese form of the Hindu goddess of music, Saraswati, who is presently an object of devotion for both Hindu and Muslim musicians in North India. This essay, based on nearly three decades of research in India and Japan, offers some answers to a question raised repeatedly in the Common Knowledge symposium on xenophilia: What is the source of the xenophilic impulse and the power that sustains it? (shrink)

When we read books or essays about the dialogue between “religion and science,” or when we attend conferences on the theme of “religion and science,” we cannot avoid the impression that they actually are dealing, almost without exception, not with a dialogue between “religion and science,” but with a dialogue between “Christianity and science.” This could easily be affirmed by looking at the major publications in this field. But how can the science–religion dialogue take place in a world where conventional (...) Christian concepts of God, religion, and science are foreign and unfamiliar? Is the critique that the scientist plays God still valid when there is no “God” at all? This article tries to answer the questions mentioned above, and seeks to sketch out some aspects of the science–religion dialogue in Japan which I believe could contribute a new paradigm for understanding and describing ultimate reality. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Living Zen, Loving GodRobert P. KennedyLiving Zen, Loving God. By Ruben L. F. Habito. Boston: Wisdom Publications, 2004. 136 + xxvi pp.In his treatise On Christian Doctrine, Augustine states that non-Christian "seekers of wisdom" may have "said things which are indeed true and are well accommodated to our faith," and even goes on to assert that "some truths concerning the one God are discovered among them." Augustine urges (...) that taking the "gold and silver" of genuine moral and spiritual wisdom from non-Christian sources "should not be feared... but rather [that these treasures ought to be] taken... and converted to our use" (II, xl, 60). As the title of his book implies, Habito believes that "living Zen," and particularly practicing the discipline of zazen, or contemplative sitting, is, for Christians at least, equivalent to the practice of loving God. He addresses himself to Christians—specifically, Roman Catholics—who are seeking to deepen their spirituality, and the book's over-arching purpose is to show that the practice of Zen meditation is both helpful in this quest and conformable with Christian faith. At various points throughout his book, Habito emphasizes that following the path of Zen, if done properly, will in fact strengthen Christians' commitment to their beliefs and, especially, the Gospel's call of loving one's neighbor.Living Zen, Loving God is divided into ten short chapters. In the first chapter, Habito gives a personal account of his experience with Zen. This opening allows him to demonstrate his authority to speak about Zen Buddhism, to introduce the fundamental experience that he is inviting his readers to share, and to illustrate how, in his own case, the practice of zazen shed new light on his Christian faith. As a former Jesuit priest and practicing Catholic, Habito may dispense with any discussion of his qualifications to speak as a Christian. His claim to speak for the Zen experience is less obvious, and so he relates the validation of his kensho (initial enlightenment) by two Japanese Buddhist masters. This, along with the testimonials in the forewords by John Keenan and Fr. Hugo Enomiya Lassalle, SJ, is an assurance that his presentation of Zen is reliable, despite the cultural gulf between his background and that of his Zen teachers.What Habito discovered in his initial enlightenment was nothing less than a transformative encounter with reality, an awareness that is irreducible to conceptual knowledge. Kensho is the experience of nothingness that cannot be expressed but only patiently awaited in silence (p. 5). This experience carried with it a new awareness of the Christian doctrine of creation and a renewed commitment to social involvement on behalf of those who suffer.The nature of Zen is explored more fully in the second chapter, "Emptiness and Fullness." The experience of nothingness involves a self-emptying, a "peeling off " of layers of the false self to find the "depths" in oneself (pp. 13–14). This work of self-realization proceeds by the use of a koan, an enigmatic statement [End Page 193] or story that brings the disciple to an intellectual impasse. The goal of zazen may be indicated inchoately by understanding that the purpose of the koan is precisely to stop thinking and thus to experience oneself as one is and not according to the labels or concepts one habitually uses. Self-realization, the kensho experience, then opens the capacity to relate to others and the world directly, without the falsification of translating experience into thought: "One who is fully emptied in Zen finds himself or herself in everything, literally, and is able to identify fully with everything, to be all things, and thus to act in total freedom, according to what the particular situation demands. Such a one is no longer separated by the illusory barrier between himself and the 'other.' One sees one's True Self in the 'other,' and the 'other' in one's True Self" (p. 22).The next three chapters develop the themes in this summary through readings of classic Buddhist texts. In chapter 3, on the Heart Sutra, Habito stresses that Buddhist meditation, when practiced genuinely, is not solipsistic, an escape into oneself from concern for... (shrink)

I compare the Japanese philosopher Nishida Kitaro with the Egyptian philosopher and reformer Muhammad ‘Abduh. Both philosophies emerged within similar cultural contexts. Bot...

In complete distinction to the world or universal religions like Christianity and Buddhism, Shinto is an ethnic religion that has grown out of the history and culture of the Japanese people. Shinto is a way of prayer and festivals that arose from a feeling of awe and reverence towards those entities the Japanese feared and respected as "KAMA (gods, divinities)", whereas Buddhism is a system of belief and practice leading to realization and the attainment of Buddhahood. We can highlight the (...) fundamental differences between Shinto and Buddhism by looking at the following three contrasting features. First, the KAMI simply are, but a Buddha is something that one has tobecome. In other words the KAMI represent the power of existence itself, whereas the Buddha was a human being who became a Buddha only after his enlightenment. Second, the KAMI come towards us but the Buddha goes away from us. Responding to human prayers and festivals, the KAMI make their appearance in that very place, whereas the Buddha departs from this secular world with its delusion and suffering, and makes for the other shore - the world of enlightenment. The third difference is that the KAMI stand whereas the Buddha sits. While the gods are thought to appear standing erect like columns, the Buddhas are envisaged in the meditation posture, doing Zazen to become enlightened. Despite the fact that the KAMA and the Buddhas, Shinto and Buddhism, have these fundamental differences, Shinto and Buddhism in Japan have had a complex relationship characterized by religious fusion. We have to conside how could this have been possible. (shrink)

. The problem of evil is widely considered a problem only for traditional Western monotheists who believe that there is an omnipotent and morally perfect God. I argue, however, that the problem of evil, more specifically a variant of the problem of evil which I call the ‘problem of impermanence’, arises even for those adhering to the philosophical and religious traditions of the East. I analyse and assess various responses to the problem of impermanence found in medieval Japanese literature. I (...) argue that the only response that is potentially satisfactory requires supernaturalism. I conclude, therefore, that the problem of impermanence is a unique problem posing a greater challenge to naturalists than to supernaturalists. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Mystical Consciousness: Western Perspectives and Dialogue with Japanese ThinkersPamela D. WinfieldMystical Consciousness: Western Perspectives and Dialogue with Japanese Thinkers. By Louis Roy, O.P.Albany: State University of New York Press, 2003. Pp. 229. Hardcover $62.50. Paper $20.95.Mystical Consciousness: Western Perspectives and Dialogue with Japanese Thinkers by Louis Roy presents a stimulating array of thinkers on the subject of consciousness, self-reflective consciousness, and mystical consciousness. Louis Roy's primary sources focus (...) on the somewhat standard canon of via negativa and Zeninfluenced thinkers and practitioners (Plotinus, Eckhardt, Schleiermacher, Nishitani, Hisamatsu, and Suzuki), but he also includes Bergson, Brentano, Heidegger, Hume, Husserl, Nietzsche, Nishida, Sartre, Schelling, and Tillich in his discussion. His secondary sources range widely, so the competing terminologies and conceptual schemes of Crosby, Forman, Granfield, Heiler, Helminiak, James, Johnston, Moore, Morelli, Price, Searle, and Tart can at times be confusing without an outline or chart. He aptly organizes his material into three sections, however: part 1 summarizes major Western philosophies of consciousness, part 2 presents three classic mystical writings from the Western canon, and part 3 compares Western views of the self and nothingness with those of Zen Buddhism. Roy's careful research and terse writing style, moreover, serve as an excellent introduction and basic starting point for further research into each one of these individual thinkers.Of all these sources however, it is evident that Roy favors the fourfold scheme of the Jesuit theologian Bernard Lonergan. As he states in his preface, Roy sets out "to develop an understanding of consciousness, mostly rooted in Bernard Lonergan's works and applied to the mystical life" (p. x). Lonergan traces the trajectory of human intentionality across four levels: (1) averting to an object, (2) knowing it, (3) [End Page 493] judging it to be true, and (4) appreciating its value. Following Lonergan's cue, Morelli has consequently claimed that "Being in love with God is the basic fulfillment of our conscious intentionality" (p. 32), and Michael Sharkey has characterized Lonergan's philosophy as a nondualistic "cognition by communion, and not encounter."1 Roy now articulates a threefold scheme to explicate the transition from everyday objectifying consciousness to this mystical, unitive consciousness.In order to accomplish this transition, Roy establishes a middle baseline B-consciousness that mediates between everyday and mystical consciousness. This analytic scheme can be outlined as follows.2(1) Consciousness C: "consciousness of" things. This everyday positional awareness engenders subject-object dualism.(2) Consciousness B: ordinary "consciousness in" that permeates all mental acts (noesis). This is a baseline non-positional consciousness that pervades and underlies all subject-object distinctions. In moments of self-reflection, this kind of "consciousness-in" can itself become C's object of awareness (what Plotinus calls antilepsis).(3) Consciousness A: mystical (as opposed to ordinary) "consciousness in." This is the same as consciousness B but is present in objectless states. Roy indicates that this highest or deepest consciousness refers to union with God, the divine, the sacred, or emptiness or nothingness in the Zen Buddhist sense. He argues that since consciousness C can become aware of B, then it can avert to, know, accurately judge, and appreciate A as well. Roy writes:Thanks to his [i.e. Lonergan's] efforts, we have come to realize that our conscious intentionality [what Roy calls consciousness-of, also called consciousness C] is able to develop an account of ordinary consciousness [consciousness B] and to employ this account analogically so as to make true judgments about mystical consciousness [consciousness A], without presuming that the latter can be fully comprehended.(p. 188)Throughout the volume, Roy provides ample evidence that we can become aware of our own noetic activity and noematic content (i.e., the act of thinking as well as our thoughts). He also surveys a wide range of apophatic mystics and philosophers who seem to indicate that this intentional process extends to becoming aware of consciousness A's "no-thinking" and "no-thought" as well (what Zen Buddhism terms munen-musō). But can our everyday objectifying awareness truly grasp the subjectless-objectless state of no-thingness so often described by mystics the world over? Can union with the Godhead or... (shrink)

In this dissertation, I argue that Kierkegaard's relationship to the mystical tradition is misconstrued in the secondary literature, and that a fuller account of his attitude toward mysticism reveals a more appreciative stance toward it, which in turn reveals a more mystical religious dialectic. To that end, in the first chapter, I give an account of what is taken to be Kierkegaard's anti-mysticism, and then show that the resources in other signed sources, like Kierkegaard's Journals and Papers, allow us to (...) see that Kierkegaard dislikes what he calls mysticism, but what he calls mysticism is not what contemporary scholarship believes it to be. Accordingly, Kierkegaard himself could be a mystic on some definitions of that term. ;The three chapters that immediately follow are devoted to explicating Kierkegaard's religious dialectic in such a way as to show that mystical themes pervade the work. In the second chapter, I argue that the nothingness of the self is a necessary condition, according to Kierkegaard, for any wholeness that the self might acquire. Further, in the third chapter, I argue that Kierkegaard's conception of God permits a rich notion of union with God . In the fourth chapter, I explain that Works of Love picks up where the pseudonyms left off, and articulates the union with God where such union is at once loving action, for God is love. ;In the final chapter, I conclude by showing that Kierkegaard has marked structural similarities to mystics such as Eckhart, who is warmly received by the Japanese philosophical tradition, particularly in the writings of its Zen and Pure Land Buddhist representatives. I then go on to show that Kierkegaard's writings are a fruitful source for comparative philosophy of religion, for while Kierkegaardians can also learn from the writings of these Japanese thinkers, Kierkegaard's writings can provide responses to many objections that are commonly leveled against both Kierkegaard's thought in particular and Christian philosophy in general. (shrink)

Buddhist philosophy and doctrines; an analytical study.

In the late 1940s and early 1950s, there emerged a radically new kind of music based on recorded environmental sounds instead of sounds of traditional Western musical instruments. Centered in Paris around the composer, music theorist, engineer, and writer Pierre Schaeffer, this became known as musique concrète because of its use of concrete recorded sound fragments, manifesting a departure from the abstract concepts and representations of Western music notation. Furthermore, the term sound object was used to denote our perceptual images (...) of such fragments. Sound objects and their features became the focus of an extensive research effort on the perception and cognition of music in general, remarkably anticipating topics of more recent music psychology research. This sound object theory makes extensive use of metaphors, often related to motion shapes, something that can provide holistic representations of perceptually salient, but temporally distributed, features in different kinds of music. (shrink)

The paper reconstructs the trip to Rome of the first Bollandist Fathers, providing numerous historical, documentary and cultural details, while offering a generous cross-section of the academic life of the period.