This is Warrior Yoga, New York Times bestselling author and retired Navy SEAL Commander Mark Divine's latest contribution to mental and physical achievement exercises started with 8 Weeks to SEALFIT and Unbeatable Mind. This is not your average yoga book. Using Coach Divine's signature integrated training curriculum, Warrior Yoga is an intense physical workout designed for both the nation's elite special ops soldiers, and the regular athlete with the heart and mind of a warrior. His tried and true (...) warrior sequences are designed to be simple and flexible. These short, powerful drills can be done from home or on the road to enhance existing workout regimens and cultivate new ones. The sequences are targeted and focused to adapt to any athlete's physical and mental capabilities including those rehabilitating from injuries and suffering from PTSD. Mark's decades of experience with amateur and professional athletes, active and aspiring Navy SEALS, and wounded warriors uniquely qualify him as an expert motivator and teacher. To be a SEALFITTM Yoga Warrior requires a harmonious balance between mental and physical toughness, strength, and agility. Mark's short digestible exercises will help any athlete hone their fitness routine to reach their fullest potential, combining the physical, emotional and spiritual aspects of an unbeatable mind and body program. (shrink)

Proclus considère Platon comme divinement inspiré. Cette assertion ne fait pas pour autant office de simple expédient pour expliquer la véracité de la pensée de son illustre prédécesseur. En effet, Proclus a fait de l’inspiration divine une partie essentielle de ce que l’on pourrait appeler sa « théorie de la connaissance ». Tous les modes de connaissance supra-rationnels de l’âme humaine sont, pour Proclus, le fruit d’une participation indirecte aux ordres supérieurs de la réalité, ce qu’il assimile à (...) la notion traditionnelle de l’inspiration divine. Suivant un examen détaillé des inspirations de l’âme humaine selon Proclus, nous allons examiner deux questions relatives à l’inspiration de Platon lui-même. (shrink)

In Plato’s Ion, inspiration functions in contradistinction to technē. Yet, paradoxically, in both cases, there is an appeal to divination. I interrogate this in order to show how these two disparate accounts can be accommodated. Specifically, I argue that Socrates’ appeal to Theoclymenus at Ion 539a-b demonstrates that Plato recognizes the existence of intuitive seers who defy his own distinction between possession and technical divination. Such seers provide an epistemic model for Ion; that he does not notice this confirms (...) he is not an exemplary rhapsode. (shrink)

In this remarkable treatise, Professor Schafer shares his conclusions from a lifelong search for evidence - from quantum science - of the existence of a transcendent part of physical reality, combining disciplinary thought from science, philosophy, and religion, including ethics, to address the educated generalist and layman with a profound look at existence.

Hermias of Alexandria wrote down the lectures given on the Phaedrus by his teacher Syrianus, Head of the Neoplatonic School of Athens. In the preserved text the Platonic distinction of madness is presented in a Neoplatonic way. In the first section of the article we discuss Hermias’ treatment of possession. The philosopher examines four topics in his effort to present a Neoplatonic doctrine concerning possession. As he holds that divine possession is evident in all parts of the soul, he (...) first argues that it is primarily applied to the one-in-the-soul. Secondly, he explains that possession is also applied to reason, opinion, imagination, thymos and desire, all the above being distinctive parts of the human soul, but not as important as the one-in-the-soul. The third issue he discusses is whether all causes of possession are identical to the divine. Then, Hermias examines the fact that possession is to be traced not only in the human soul but also in the statues. In the second section of the article Hermias’ analysis of the four kinds of Platonic madness is presented. The philosopher first analyzes the interdependence between all four divine kinds of madness and then describes their function on two levels, inside and outside the soul. The function within the soul is richer and is realized in four fields: the restoration of the soul after its fall, the restoration of the human being as a whole, the Pythagorean mathematical system and the logic processes. The function outside the soul deals with the manifestations of the soul in human society. Under this perspective, Hermias clearly proposes an original classification of the kinds of madness, on the basis of which we encounter poetic madness. After that follow the madness of the seer, the telestic madness, and the madness of love. The whole analysis incorporates Platonic, Aristotelian, Pythagorean and theurgic elements that cover the fields of psychology, logic and metaphysics. (shrink)

Oracles and philosophy -- Oracles, allegory and mystery cults -- Debating oracles: pagan and Christian perspectives -- Debating oracles: Porphyry's letter to Anebo and Iamblichus' De mysteriis -- Divination, rationality and ritual in neoplatonism -- Divination inspiration, possession and contact with the gods in Iamblichus' De mysteriis -- Divination and theurgy in Iamblichus' De mysteriis -- Manifesting the gods: oracles as symbola.

This essay presents a version of divine command metaethics inspired by recent work of Donnellan, Kripke, and Putnam on the relation between necessity and conceptual analysis. What we can discover a priori, by conceptual analysis, about the nature of ethical wrongness is that wrongness is the property of actions that best fills a certain role. What property that is cannot be discovered by conceptual analysis. But I suggest that theists should claim it is the property of being contrary to (...) the commands of a loving God. This claim, if true, is a necessary but not an a priori truth. It also is a claim, not about the way in which some believers use the word 'wrong,' but about the wrongness that virtually everyone talks about. This position is distinguished from the author's previous views, and from a holistic development of the latter proposed by Jeffrey Stout. (shrink)

Divine command theory is experiencing something of a renaissance, inspired in large part by Robert Adams’s 1999 masterpiece Finite and Infinite Goods. I argue here that divine commands are not always necessary for actions to be morally obligatory. I make the case that the DCT-ist’s own commitments put pressure on her to concede the existence of some moral obligations that in no way depend on divine commands. Focusing on Robert Adams’s theistic framework for ethics, I argue that (...) Adams’s views about good, evil, reasons, and the nature of moral obligation suggest that there can be moral obligations that exist independently of any divine commands. My argument proceeds through the development of an example in which there is a moral obligation that is not even partially grounded in a divine command. I focus primarily on Adams’s view because, many contemporary divine command theorists work in a broadly Adams-ian framework, so the argument that I advance here poses a challenge for many contemporary versions of DCT. (shrink)

Critics often suggest that Socrates’ portrait of the philosopher’s inspired madness in his second speech in Plato’s Phaedrus is incompatible with the other types of divine madness outlined in the same speech, namely poetic, prophetic, and purificatory madness. This incompatibility is frequently taken to show that Socrates’ characterisation of philosophers as mad is disingenuous or misleading in some way. While philosophical madness and the other types of divine madness are distinguished by the non-philosophical crowd’s different interpretations of them, (...) I aim to show that they are not, in fact, presented as incompatible. Socrates’ pair of speeches demonstrates that madness can be divided into harmful and beneficial kinds, and in Socrates’ key discussion of philosophical madness (249c4-e4), I argue that the crowd correctly recognises that the philosopher is mad on the basis of his eccentricity, but wrongly assumes that the philosopher’s madness is of the harmful type because it fails to realise that the philosopher is enthused. Socrates’ second speech provides information about human souls and gods which shows that philosophical madness belongs to the beneficial type and so falls under the heading of divine enthusiasm after all. Importantly, human souls and gods are shown in the speech to be roughly isomorphic. Both philosophical and other kinds of divine madness involve having something divine inside a human body (entheos): in the former a human soul has become godlike; in the latter a human soul has been displaced by a god. Because of this, I propose that philosophy is presented as a genuine form of divine madness alongside the other more conventional examples. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Inspiration and Institution in John of Rupescissa's Liber Ostensor XI1Graziana S. CiolaIntroductionThe present study proposes a philosophical analysis of John of Rupescissa's Liber Ostensor [=LO], Treatise XI. John of Rupescissa (OFM, 1310 ca. – 1366)2 is a particularly interesting, eclectic and somewhat extraordinary [End Page 7] author writing around the second third of the 14th century in the wake of the Spiritual Franciscan movement in the South of (...) France.3 In LO XI, Rupescissa theorizes and systematically articulates a complex relationship between inspired knowledge and the normative portrait of what he believes the Franciscan Order should ideally be; he does so against the background of his eschatological concerns. Per Rupescissa's style of exposition and argumentation, these different elements — i.e., inspired epistemology, eschatology, and ecclesiology — are tightly intertwined on a theoretical and foundational level that goes beyond that of mere rhetorics.These themes are both recurrent and pivotal throughout Rupescissa's extremely prolific intellectual output, which counts numerous theological, ecclesiological, eschatological and alchemical treatises.4 LO, composed in [End Page 8] 1356 during Rupescissa's own "Avignon Captivity," is in many ways a sum of Rupescissa's prophetical and eschatological thought within the framing of the author's self-apologetic aims and of his ecclesiological views, in particular concerning the future of the Franciscan Order.5 [End Page 9]Treatise XI is undoubtedly the most theoretical book in LO; with its 489 paragraphs, it is also the longest. While this extremely dense text broaches on a great variety of topics, it is first and foremost about and for Spiritual Franciscans. Overall, LO XI is both a great portrayal of the Franciscan order as it is and as it should be, as well as a handbook addressed to the elect among the Spirituals, in order to help them face the eschaton and the tribulations to come. Per Rupescissa's eschatological views, such trials would affect the Franciscan Order the hardest and for the longest — hence the need for a detailed guide. At its core, then, LO XI is a deeply ecclesiological treatise and as such it is complementary to the larger systematization established in the Sexdequiloquium.6 It is in this framework that LO XI offers a complex theory of prophecy and illuminative knowledge as they should be embodied in the practices of a true Franciscan.7Given its highly abstract nature and cardinal function within one the most complex works of Rupescissa's maturity, LO XI, combining relevant insights on Rupescissa's ecclesiological, epistemological and prophetical positions, constitutes the ideal case study in order to assess Rupescissa's most refined and articulated account on inspired knowledge, particularly insofar as true and actual prophecy is concerned. This inspired knowledge, according to Rupescissa, is an indispensable tool for the elect to be able to victoriously face the imminent end of times. In the account presented in LO XI, such knowledge is possible exclusively through a form of institutional embedding: divine inspiration, culminating in true prophecy, is in service of the Franciscan Order's soteriological role within the Church as a whole, and can only be achieved by those who are faithful to the spirit of Francis's Rule.8 [End Page 10]Here, I analyze Rupescissa's theory of evangelical poverty and its role as a necessary condition for inspired knowledge, following the internal articulation of LO XI.Overall, in Rupescissa's view, Franciscan poverty and inspiration are two inseparable sides of the same coin. On the one hand, inspired knowledge is only achievable through a rigorous practice and thorough understanding of Franciscan poverty. On the other hand, the true institutional role of the Franciscan Order and its soteriological aims can be fulfilled exclusively by the true Spiritual Franciscans, whose moral, spiritual and epistemic perfection is divinely inspired. For Rupescissa, not only is poverty the source of all virtues both for the Franciscan Order and for the rest of the Church, but it also constitutes the ideal moral and social model, tout court. But most importantly, evangelical poverty has a genuinely epistemic role; this role is essential for Rupescissa's illuminative epistemology and for his account of prophetical exegesis — or exegetical prophecy. In turn, the... (shrink)

One of the divine attributes is omniscience. The standard concept of omniscience is the concept of having complete knowledge: God knows every truth. But there are also other concepts of omniscience that are consistent with having incomplete knowledge. I will propose a new concept of omniscience, namely the concept of having supreme knowledge. It is inspired by how Anselm talks about God's knowledge and it makes good sense of a key premise in an Anselmian argument for omniscience. Moreover, it (...) can be used to escape some of the set-theoretical and logical arguments against divine omniscience. (shrink)

This study examines the way in which the Neoplatonic philosopher Proclus treats an episode of the dialectic communication between Socrates and Alcibiades in the Platonic dialogue Alcibiades I. More specifically, it refers to how the characteristics and the choices of two different types of lovers – the divinely inspired one and the vulgar one – are displayed in the aforementioned text. The characterization ‘divinely inspired lover’ befits a person who communicates in a pure way with his beloved one and attempts (...) to teach the latter the objective values of the intellect. By contrast, the characterization of the ‘vulgar lover’ befits that individual that approaches another individual exclusively on the basis of his external beauty. The first type of lover is presented within the realms of the permanently qualitative, while the second as someone who satisfies solemnly his subjectivity and his instincts. Furthermore, it is interesting to note that Proclus argues that Socrates, whom he considers to represent the very definition of a divinely inspired lover, is inspired by divine powers and attempts to act towards to his fellows – in this instance to Alcibiades – in the way through which the divine providence is revealed. (shrink)

In the Qur’an, human distinctiveness was first questioned by angels. These established denizens of the cosmos could not understand why God would create a seemingly pernicious human when immaculate devotees of God such as themselves existed. In other words, the angels asked the age-old question: what makes humans so special and different? Fast forward to our present age and this question is made relevant again in light of the encroaching arrival of an artificial superintelligence (ASI). Up to this point in (...) history, humans have exceeded other creatures in various respects; now a possibility has arisen that another entity, namely ASI, will exceed humans at least on the level of intelligence and power. In relation to the age of angels, pre-modern Sunni exegesis construed human distinctiveness along the axes of reproductive knowledge and stewardship. Both brittle, distinguishing markers will disappear in the age of the ASI. Conversely, a more resilient and creative Islamic response can be derived from Ibn al-ʿArabī’s (d. 1240) views on God and the imago Dei. Inspired by the Akbarian perspective, this paper construes human distinctiveness in relation to a capacity to expansively respond to God’s love to be recognized, a response that relies on (a) imitating divine virtues that operate in counterintuitive and illogical ways, and (b) exhibiting fragility and lack rather than exceptionalism. ASI, while responding already in part to God’s love, needs to make strides towards these traits before it can answer divine love as commensurately as humans can. (shrink)

Jakob Boehme (1575-1624) is the most important German mystic and theosophist of modern times. His influence in Germany and the world is manifold. The article briefly examines the sources (visions and inspirations) of Boehme’s mysticism and theosophy. Subsequently, it offers an outline of the principles of his sophiology: God as the will of wisdom and wisdom as his revelation; the role of divine wisdom or the eternal wisdom on the noble Virgin Sophia in the creation of the world and (...) man; and finally their participation in the salvation and rebirth of humankind. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Divine Illumination: The History and Future of Augustine’s Theory of KnowledgeSteven P. MarroneLydia Schumacher. Divine Illumination: The History and Future of Augustine’s Theory of Knowledge. Challenges in Contemporary Theology. Chichester: Wiley-Blackwell, 2011. Pp. xiii + 250. Cloth, $119.95.Lydia Schumacher has written an ambitious book. Among the many things she tries to accomplish in the volume, three stand out to this reviewer. First of all, she proposes (...) to reexamine Augustine’s theory of knowledge. She argues that Augustine’s philosophy is grounded in theology. For his theory of knowledge this means, by Schumacher’s reading, that the aim of cognition is to enable the human being to regain its original status as “image of God,” which latter state is manifested in knowing God and making God known. It is the mental, and by extension ethical, process of becoming God’s image that Schumacher says we should, in the Augustinian context, take the phrase ‘divine illumination’ to signify. For Augustine, Schumacher insists, this process is an entirely internal phenomenon constituted by a self-correcting series of intellectual reflections on the part of the mind. In holding to this view, Schumacher emphatically rejects the understanding, common in scholarship, that “divine illumination” for Augustine had to do with mental reference to what she labels an “extrinsic” standard such as the eternal ideas in God’s mind. [End Page 293]Second, Schumacher argues that the Augustinian project, epitomized in his theory of knowledge, was carried out by most of the thinkers of the Latin Middle Ages, particularly by Anselm and Thomas Aquinas. These latter two individuals are therefore divine illumi-nationists of the first order. What historians often designate as an Augustinian current, evident in the high Middle Ages among scholastics from the Franciscan Order, represented instead a deviation, a turn to an entirely novel theological-philosophical project. Here, mind’s work was conceived of as “the immediate and totalized knowledge of an individual essence.” And for this, recourse to an extrinsic standard filled the bill. Consequently, high-medieval Franciscans were the actual propounders of the theory of knowledge Schumacher tells us has wrongly been associated with divine illumination. Moreover, this Franciscan current of thought, once severed from its original theological underpinnings, provided the historical inspiration for modern philosophy, thereby acting as a kind of catalyst for the modernist philosophical problems—as Schumacher receives them—of rationalism and fideism, skepticism as well.Third, Schumacher sounds the call for a contemporary return to the authentic Augustinian project. By starting philosophy, as she claims Augustine did, with theological assumptions, she wants to fashion a “faith-based concept of knowledge” and with it, most importantly, to escape the modernist dilemma of the incompatibility of faith and reason. Grounding philosophy in theology—Christian theology, she maintains—will restore a lost integrity to our procedures of thinking, ultimately redeeming philosophy itself.How much of this program has Schumacher managed to achieve? Since this reviewer is marked out as the key spokesperson for the interpretation of both divine illumination and the history of medieval thought against which Schumacher inveighs, perhaps he should not be the one to answer the question. Still, the reader forewarned, I lay out my opinion. With regard to her first goal, Schumacher makes good on her promise to render Augustine as a theologian bent on working from his assumptions to designate a process whereby philosophy and mankind can be simultaneously restored. She is not so convincing in her attempt to equate this program with divine illumination. For Schumacher, the process of divine illumination is correlative to the idea of God as source of the mind’s power to act. Yet Augustine often plainly associates what he describes as illumination with turning to God and conceding his ideas an important role in the mental processes of judgment and concept formation. It is hard to see how one can honestly exclude this extrinsic element of what Augustine intended.Regarding her second goal, Schumacher does an excellent job of reminding us how Augustinian were almost all medieval scholastics, Thomas included, and warning us not to take the high-scholastic recourse to Aristotle as a sign of opposition to Augustinian modes of thought... (shrink)

In this text the author takes up Luce Irigaray’s call upon women to image their ‘God’: a quality or attribute that makes them divine women when they realize it in their lives. She presents ‘human dignity’ as such a ‘divine’ quality and as a value that is understood by many to be the ultimate of our human being. Inspired by Ina Praetorius’ expression that seven billion dignitaries walk the earth, the author connects the different aspects of the concept (...) of human dignity with the image of the dignitary, arguing that this image evokes the idea that the subject is free to move and is meant to flourish according to their capabilities. The author also discusses the difficulties of the idea of human flourishing as an ideal for humanity, especially in the context of disability and illness. She offers the notion of ‘becoming, infinitely’ as an alternative for flourishing. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Divine Action and Emergence: An Alternative to Panentheism by Mariuscz Tabaczek, O.P.Edmund LazzariDivine Action and Emergence: An Alternative to Panentheism by Mariuscz Tabaczek O.P., (Notre Dame, IN: University of Notre Dame Press, 2021), xviii + 346 pp.One of the most challenging scientific phenomena for metaphysical explanation is the emergence of higher-order properties out of lower-level constituents of a system. This relatively recent scientific observation raises serious questions (...) for metaphysically reductionist materialism and has inspired a great deal of recent philosophical and theological activity, [End Page 1430] varying greatly in their level of understanding of the scientific phenomenon itself.At the same time, contemporary theological discourse about divine action and the sciences has turned more and more toward panentheism as a way to involve God in the scientific workings of the world without disrupting its operations.Fr. Tabaczek addresses both of these major developments in this volume. For those who do not have the stamina or the interest to dive into his exhaustive analytic treatment of emergence in his previous 2019 volume, Emergence: Towards a New Metaphysics and Philosophy of Science, Fr. Tabaczek provides a detailed summary of his findings in the first two chapters of this volume. Rather than repeat the first volume's detailed consideration of different emergent phenomena, Fr. Tabaczek simply identifies different levels of emergent phenomena in inorganic chemistry, molecular biology, fluid systems, macro-organisms, and evolutionary systems before providing a substantial overview of contemporary philosophical perspectives on emergence.Even in this short overview, however, the reader will find mention and references to the fundamental historical figures in late-nineteenth- and early-twentieth-century Anglophone thought on emergence, often omitted by contemporary literature, such as George Henry Lewis, Samuel Alexander, and C. D. Broad. The rest of the chapter consists in a concise classification and description of contemporary views of emergence, explaining and illuminating issues with downward causation-based accounts, whole-part constraints-based accounts, and supervenience-based accounts before moving on to spend a significant amount of time on Terrence Deacon's dynamical depth account of emergence. While full-length treatments of each account are provided in Emergence, the reader will find herself with more than enough philosophical engagement to understand the different models of emergence and Fr. Tabaczek's explanations of their shortcomings. While also much shorter than in Emergence, Fr. Tabaczek's overview of Deacon's account provides the necessary foundations for his Aristotelian synthesis of hylomorphism and emergence in the second chapter.The second chapter once more provides a review of Emergence, providing a comparison between classical Aristotelian metaphysics and "neo-Aristotelian" metaphysics of disposition. In both the classical- and neo-Aristotelian sections, Fr. Tabaczek shows his competence in chemistry by consistently applying Aristotelian notions of hylomorphic constitution, efficient causality, and final causality to chemical and cellular phenomena. While he criticizes neo-Aristotelianism for its lack of commitment to substantial form, he finds that its dispositionalism grounding act and potency [End Page 1431] provides it with a significant advantage over other models when accounting for emergent phenomena. While not fully endorsing it, Fr. Tabaczek's Aristotelian synthesis answers many of the philosophical questions Deacon addresses in his model.The third and fourth chapters of Divine Action and Emergence introduce a much-needed account of the panentheistic turn in recent theology and science literature. Fr. Tabaczek is especially astute to introduce the history of these accounts after the rigorous and sustained questions of the analytic-philosophical analysis of emergent phenomena. After giving a historical overview of the major figures in panentheism—from German idealism through Alfred North Whitehead and Charles Hartshorne to contemporary theology–science dialogue, Fr. Tabaczek turns his analytic rigor towards dispelling ambiguities in panentheistic claims about God–world relations. Building on the work of Michael Brierley, Fr. Tabaczek argues that the meaning of "en" in panentheism is not a univocal term in the different writings of panentheistic writers, but rather share a Wittgensteinian family resemblance. This disambiguation of the claims of different panentheistic writers throughout history and in theology–science dialogue precedes an overview of the main avenues taken by those writers using emergence in theology–science dialogue before the critical evaluation... (shrink)

This essay originated as a reply to Richard Rorty's ”Habermas, Derrida, and the Functions of Philosophy“. In it, I contest Rorty's deployment of the categories of private selfcreation and the collective political enterprise of increasing freedom, first developed in Contingency, Irony and Solidarity, to demonstrate that the philosophical projects of Habermas and Derrida are complementary rather than antagonistic. The focus of my critique is two-fold: firstly, I contend that so-called critiques of metaphysics are always simutaneously engaging with some form of (...) social domination or disintegration (e.g. nihilism or societal rationalization); secondly, I argue that the fault-line in Rorty's thought that structures his categories is his, Davidson inspired, naturalized philosophy of language. This philosophy of language falls afoul of Heidegger's analysis of the present-to-hand. (shrink)

This paper will examine the implications of an extended “field theory of information,” suggested by Wolfhart Pannenberg, specifically in the Christian understanding of creation. The paper argues that the Holy Spirit created the world as field, a concept from physics, and the creation is directed by the logos utilizing information. Taking into account more recent developments of information theory, the essay further suggests that present creation has a causal impact upon the information utilized in creation. In order to adequately address (...) Pannenberg's hypothesis that the logos utilizes information at creation the essay will also include an introductory examination of Pannenberg's Christology which shifts from a strict “from below” Christology, to a more open “third way” of doing Christology beyond “above” and “below.” The essay concludes with a brief section relating the implications of an extended “field theory of information” to creative inspiration, as well as parallels with human inspiration. (shrink)

Plato's famous dialogue, the Phaedrus, was variously subtitled in antiquity: "On Beauty", "On Love", "On the Psyche". It is also concerned with the art of rhetoric, of thought and communication. Pieper, noted for the grace and clarity of his style, gives an illuminating and stimulating interpretation of the dialogue. Leaving the more recondite scholarly preoccupations aside, he concentrates on the content, bringing the actual situation in the dialogue -- Athens and its intellectuals engaged in spirited debate -- alive. Equally alive (...) is the discussion of ideas, which are brought to bear on contemporary experience and made to prove the perennial validity of Socratic wisdom, and its power to excite the mind. The main thesis -- that in poetry and in love man is "beside himself", that is, divinely inspired -- is discussed with reference to modern poets, novelists, and modern psychology. (shrink)

Liturgy has been the forum for the enactment of a diverse range of theologies, at times stressing the human, at times the divine. Following Emmanuel Levinas, this article understands the meaning of liturgy as ‘a movement of the Same towards the Other which never returns to the Same.’ Whether directed towards God, or expressive of human longing, the structure of liturgy is essentially ‘for‐the‐Other.’ This movement out of self is seen when one considers liturgy as the ‘work of the (...) people,’ where ‘work’ is understood as Œuvre rather than travail. To say that liturgy is œuvre is to situate its significance not in the activity of the subject who has a concern to achieve or realise something through his own effort, but in the Other who inspires the work. The activism of travail finds its counter in the essential passivity of œuvre. By recognising this the horizontal and vertical elements within divine liturgy can be brought together in a mutually indispensable way. As essentially ‘for‐the‐Other,’ responsible service, which is at one and the same time divine service and human service, is at the heart of the liturgy. In liturgy we are drawn out of ourselves in a ‘movement of the Same towards the Other which never returns to the Same’ and which is positively experienced as responsibility. It is not that we first worship and then are called unto service in a movement out of self towards the Otherness of God and thereafter towards the Otherness of the other person. The movement out of self – liturgy – is at one and the same time worship and ethics, an ethical worship, in which justice is rendered both to God and to the other person. (shrink)

It begins as a gentle whisper, and culminates in an earth-shattering insight! The stories in this book will take your breath away and their lessons will touch the divine vibrations of your heart and soul. These are more than just stories--they are intense, life experiences, filtered through the lens of enlightenment and insight.In these spectacular stories you will see how Divine guidance leads each of us down a certain path--with often miraculous results. What did the author's father tell (...) the priest that made the two weep with joy? How did an apple and a Reader's Digest giveproof of G-d's existence? How do we get inspiration and spirituality from every aspect of our lives? Read this book and feel the divine whispers resonate within your own self. (shrink)

I call the Particular Problem of Hell the problem of explaining why God allows a certain set of created persons to populate hell, as opposed to allowing some other set of created persons to do so. This paper proposes a solution to PPH on behalf of proponents of Divine Universal Causality — the view, roughly, that God causes everything distinct from himself to exist at any time it exists. Despite initial appearances, I argue, proponents of DUC can adopt a (...) version of the popular approach to the Problem of Hell sometimes called the Choice Model. My proposal is based upon Eleonore Stump's Thomistically-inspired notion that our wills can enter a state of "quiescence" with respect to a given option. While proponents of DUC will, I argue, most likely find Stump's own quiescence-based solution to PPH unacceptable, there is a way of modifying her approach that renders it compatible with God's causing everything distinct from himself, including the free choices of his creatures. (shrink)

Like all people, atheists contemplate issues of love, death, and morality, and in times of stress we long for solace and inspiration. A collection of uplifting quotations from some of mankind’s most important philosophers, scientists, writers, and even comedians, THE INSPIRATIONAL ATHEIST will be a treasured daily companion for the growing demographic of humanists who believe that life has meaning when we live it meaningfully, independent of the existence of a higher power. With words from Carl Sagan, D. H. (...) Lawrence, Julia Child, Douglas Adams, Charlotte Bronte, Bertrand Russell, Ralph Waldo Emerson, George Carlin, Joan Didion, Alfred Lord Tennyson, Thomas Jefferson and dozens of others on topics ranging from Love and Nature to Wisdom and Beauty, this book is a celebration of the sublime without the divine. (shrink)

As a middle path between classical theism and pantheism, the panentheistic turn in the twentieth century has been described as a "quiet revolution." Today, in fact, many theologians hold that the world is "in" God (who, at the same time, is more than the world). Panentheism has been especially influential in the dialogue between theology and the natural sciences. Many have seen panentheism as compatible with emergentism, and thus have brought the two together in developing models of divine action (...) that do not abrogate the regularities of processes of the natural world. In Divine Action and Emergence, Mariusz Tabaczek argues that, as inspiring and intriguing as emergentist panentheism is, it requires deeper examination. He begins by looking at the wonder of emergence (which calls into question the overly reductionist attitude in natural science) and by reflecting philosophically on emergence theory in light of classical and new Aristotelianism. Moving in a theological direction, Tabaczek then offers a critical evaluation of emergentist panentheism and a constructive proposal for how to reinterpret the idea of divine action as inspired by the theory of emergence with reference to the classical Aristotelian-Thomistic understanding of God's action in the universe. Through a unique interdisciplinary approach that puts theology and the natural sciences into a dialogue through philosophy, Divine Action and Emergence offers a comprehensive evaluation of panentheism. It then puts forward an original reinterpretation of emergence theory, thus setting forth a constructive proposal for reinterpreting the concept of divine action that is currently espoused by emergence theory. It will appeal to scholars of theology and philosophy, those who work in the area of theology and science, those interested in emergence theory or panentheism, and finally those who are interested in the dialogue between the classical Aristotelian-Thomistic tradition and contemporary philosophy and theology. (shrink)

Marcus Aurelius’s Meditations constitutes an important source and subject for Michel Foucault’s 1981 lectures at the Collège de France, translated into English as Hermeneutics of the Subject. One recurring theme in these lectures is the deployment by Hellenistic/Roman philosophers such as Aurelius of the practice and figure of dance. Inspired by this discussion, the present essay offers a close reading of dance in the Meditations, followed by a survey of the secondary literature on this subject. Overall, I will attempt to (...) show that, despite Aurelius’s self-consciously critical comportment toward dance, dance nevertheless performs a critical function in the construction of what I will term his “political ethics.” This political ethics, I will argue, is composed of an ethics of patient tolerance funded by the generosity that flows from the micro-political power generated by cultivating the god that Aurelius identifies within each of us. (shrink)

Throughout history, messianic ideas of impending redemption have inspired people to turn against unjust and oppressive orders. Yet the very same ideas have been accused of paving the way for the utopian and sometimes violent ideologies of modernity. This book explores the double-edged legacy of Jewish and Christian theologies of history. What is the impact of this legacy on modern philosophies of history and the political ideologies they have engendered? Tracing a line from ancient Jewish prophetism to Joachim of Fiore, (...) German Romanticism and contemporary radical thinkers such as Giorgio Agamben, Alain Badiou and Slavoj Žižek, the author engages in a politico-philosophical debate that attempts to strike a balance between utopian arrogance and resigned loss of vision. (shrink)

In this article, I first interpret and evaluate the main argument of E. V. R. Kojonen's book, The Compatibility of Evolution and Design. I then address a challenge against this argument (as well as against design arguments in general), namely, the problem of seemingly malevolent and bad designs in nature. Evolutionary theodicists commonly deal with this problem by assuming that the evolutionary process is not fully under God's control. This solution, however, is deeply problematic from the perspective of classical theism. (...) I therefore suggest another approach to the problem, inspired by the thought of Thomas Aquinas. (shrink)

Abstract:This article enquires into a transcultural aesthetic: bi-xing (inspired metaphor) in China and symbolic representation in the West, which share the common logic of correlative thinking. By examining its earliest provenance in the Zhouyi (Book of Changes) and Shijing(Book of Songs) in China's high antiquity in relation to divination, symbolization, and poetic creation in the West, it argues that this aesthetic arose from omen readings in divination, went through symbolism in linguistic representation, and became a poetic principle in aesthetic thought. (...) It concludes that correlative thinking was an approach to knowledge production and conception in traditional thought across cultures. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Divine and Artistic Ideal:Ideas and Insights for Cross-Cultural Aesthetic EducationMing Dong Gu (bio)IntroductionPeople in different cultural traditions would praise an excellent work of art as a masterpiece that has attained the status of the divine. This is a practice inherited from the ancient past. In high antiquity, when people did not have sufficient knowledge of artistic creation, they attributed creative inspirations and superb art to gods. (...) In ancient Greece people believed that all the arts were created by the Muses, daughters of the supreme god Zeus.1 Accordingly, they viewed divine creation as the highest order of representation and used the divine as the yardstick to measure artistic excellence. In early Greek thought Plato, through the mouth of Socrates, praised Homer as "the best and most divine of all."2 Citing the exquisite lyric poetry by Tynnnichs of Chalcis as evidence, he declared, "the god would show us, lest we doubt, that these lovely poems are not of man or human workmanship, but are divine and from the gods, and that the poets are nothing but interpreters of the gods, each one possessed by the divinity to whom he is in bondage."3In the Chinese tradition similar ideas existed from high antiquity. In early Chinese thought there is a parable in Zhuangzi's (369–286 BC) philosophical writing. It narrates how a skillful carpenter was commissioned by a king to make an ornate music stand. When the stand was finished, people, struck by the life likeness of the carved birds and animals on the stand, believed that he was able to make such superb art work because he was endowed with the divine power of gods.4 In literary criticism Yan Yu (fl. 1180-1235), a literary theorist whose views have exerted a lasting impact on Chinese poetry and poetics, proclaimed the divine to be the ultimate standard for [End Page 88] the poetic art: "There is only one ultimate achievement in poetry: it is called 'entering the divine.' When poetry enters the domain of the divine, it has reached its perfection and limit. Nothing can be added to it!"5 In other traditions, if people want to pass the highest praise for an excellent work of art, a simple exclamation, "That is divine!" would be sufficient.Thus, across cultures art has been related to the divine. Without reference to it, aesthetic conceptions of art and artistic creation would not be what they are today. This is because in many traditions the divine used to be viewed as the ultimate aesthetic ideal, and aesthetics is full of notions, ideas, and concepts related to it, without which artistic criticism and aesthetic education would be in a much impoverished state. The divine in art, however, is a slippery category in aesthetics that has been intuitively explored since high antiquity. In this article I will examine some critical and theoretical data on the divine, divine creation, and divine spirit in artistic representation from the Chinese and Western traditions and explore how the Chinese and Western traditions employ ideas of the divine for artistic conceptions and aesthetic education. On the basis of comparison and contrast, I will try to obtain some rational insights into the relationship between artistic creation and the divine in terms of logical analysis. Finally, I will make some efforts to reconceptualize the insights drawn from both traditions and explore to what extent the divine is still relevant to present-day aesthetics, how an aesthetic ideal may be conceived according to ideas of the divine in artistic representation, and in what ways an artwork may be considered to have entered the divine realm of the artistic ideal.God, Nature, and the Artistic IdealDespite vast differences in aesthetic conceptions, we can observe a discernable movement in the Chinese and Western notions of the divine in art from theistic and intuitive characterization to rational and logical conceptualization. This movement is characterized by a shift in emphasis from a personal god to impersonal nature, and from divine creator to human creator. Chinese and Western traditions started with a similar concern: What is the aesthetic ideal in artistic representation? Both traditions believe that the artistic ideal is... (shrink)

Divine revelation (waḥy), as a Qur'anic and religious concept in exegetical sources, isusually mentioned together with the institution of Prophethood (nubuwwa). Revelation came to itsend with the end of Prophethood. Therefore, although some have evaluated inspiration (ilhām) andtrue dream (ruʾyā sādiqa) within the this context of revelation, according to most of Islamic scholars,it is not permissible to refer to the recevings of the divinely saints as revelation. Revelation, for whichthe holy Qur'an designates three pattern of descension, is discussed (...) also in three categoriesthroughout the history of Islamic intellectual thought. Scholars of tafsir and theologians,philosophers, and mystics, all hold and bolster different views on the nature of revelation. Claims inSufi literature that inspiration can descend to divinely saints -beyond immediate delivery to theheart- through direct or indirect divine communication from behind a veil and through angles can beevaluated as an effort to create a conception of revelation that corresponds to the three modes ofrevelation, adressed in Qur’an, peculiar to prophets. With regard to the issue of continuity of divine revelation, a thorough examination of the Sufiliterature leads to the conclusion that revelation continues to decsend in its verbal form asinspiration but also, according to some Sufi authorities, in its noun forms unaniously considered aspeculiar to the prophets. Therefore, especially since the period of Sufism’s intermingling withphilosophy, the issues of accommdating sainthood (walāya) within the framework of generalprophethood (nubuwwa ʿāmme), the distinction between revelation and inspiration and itscontinuity appear as a very complex, unframed and unlimited field. This can be observed in theinstances addressed in this study. (shrink)

In the ancient world, the Greeks believed that all great insights came from one of nine muses, divine sisters who brought inspiration to mere mortals. In the modern world, few people still believe in the muses, but we all still love to hear stories of sudden inspiration. Like Newton and the apple, or Archimedes and the bathtub (both another type of myth), we’re eager to hear and to share stories about flashes of insight. But what does it (...) take to be actually creative? How to have such a flash insight? Turns out, there is real science behind "aha moments." We prefer to call it “intuilytics.”. (shrink)

Mathematics and the Divine seem to correspond to diametrically opposed tendencies of the human mind. Does the mathematician not seek what is precisely defined, and do the objects intended by the mystic and the theologian not lie beyond definition? Is mathematics not Man's search for a measure, and isn’t the Divine that which is immeasurable? The present book shows that the domains of mathematics and the Divine, which may seem so radically separated, have throughout history and across (...) cultures, proved to be intimately related. Religious activities such as the building of temples, the telling of ritual stories or the drawing of enigmatic figures all display distinct mathematical features. Major philosophical systems dealing with the Absolute and theological speculations focussing on our knowledge of the Ultimate have been based on or inspired by mathematics. A series of chapters by an international team of experts highlighting key figures, schools and trains of thought is presented here. Chinese number mysticism, the views of Pythagoras and Plato and their followers, Nicholas of Cusa's theological geometry, Spinozism and intuitionism as a philosophy of mathematics are treated side by side among many other themes in an attempt at creating a global view on the relation of mathematics and Man’s quest for the Absolute in the course of history. (Elsevier). (shrink)

Mathematics and the Divine seem to correspond to diametrically opposed tendencies of the human mind. Does the mathematician not seek what is precisely defined, and do the objects intended by the mystic and the theologian not lie beyond definition? Is mathematics not Man's search for a measure, and isn’t the Divine that which is immeasurable? The present book shows that the domains of mathematics and the Divine, which may seem so radically separated, have throughout history and across (...) cultures, proved to be intimately related. Religious activities such as the building of temples, the telling of ritual stories or the drawing of enigmatic figures all display distinct mathematical features. Major philosophical systems dealing with the Absolute and theological speculations focussing on our knowledge of the Ultimate have been based on or inspired by mathematics. A series of chapters by an international team of experts highlighting key figures, schools and trains of thought is presented here. Chinese number mysticism, the views of Pythagoras and Plato and their followers, Nicholas of Cusa's theological geometry, Spinozism and intuitionism as a philosophy of mathematics are treated side by side among many other themes in an attempt at creating a global view on the relation of mathematics and Man’s quest for the Absolute in the course of history. (Elsevier). (shrink)

This chapter contains sections titled: The Concept of Divine Goodness as a Tool of Criticism The Divine Command Theory – or, How to Strip God's Goodness of Significance The Fundamentalist Attack on Divine Goodness The Problem with Young Earth Creationism Concluding Remarks.

"This personification of wisdom with golden hair and a radiant aura echoes both the eternal feminine and the world soul. Rooted in Christian and Jewish mysticism, Eastern Orthodox iconography, Greek philosophy, and European romanticism, the Sophiology that suffuses Solovyov's philosophical and artistic works is both intellectually sophisticated and profoundly inspiring. Judith Deutsch Kornblatt brings together key texts from Solovyov's writings about Sophia: poetry, fiction, drama, and philosophy, all extensively annotated and some available in English for the first time (with assistance (...) from the translators Boris Jakim and Laury Magnus)."--Amazon website. (shrink)

This article considers how the new finds have affected one's view of Empedocles, and suggests how interpretation of that material might help solve some longstanding problems about the structure and content of Empedocles' writings. A basic account of the teachings of Empedocles would distinguish between two main components. On the one hand, there is a “Presocratic” physics, including a theory of principles, a cosmology, and a biology. On the other hand, there is a mythical law, clearly inspired by Orphic or (...) Pythagorean legends, which imposes on guilty gods a punishment consisting in their transmigration through a series of mortal beings. The purpose of this article is to show that Empedocles has the habit of referring to divine entities of his physical system both in a physical and in a mythological way and that his uses of the word daimon form part of this twofold language. (shrink)

Dean Zimmerman argues for the existence of souls as they enable us to avoid certain vagueness-inspired, metaphysical puzzles that plague materialist accounts of the person. There are far too many overlapping material thinking candidates for being the referent of “I”. Zimmerman suggests that an emergent soul whose creation is overdetermined by overlapping material entities will avoid the unwelcome overpopulation of physical thinkers. I will argue that parallel problems plague Zimmerman’s emergent dualism, there are too many souls produced where we want (...) just one. (shrink)