Derrida: Philosophy of Language

Following one of Jacques Derrida’s early questions — namely, How is writing involved in speech? — this essay reconsiders the role of the tongue and the sense of taste in the oral phenomena of speaking and saying. The contact the tongue makes with the mouth or teeth is just as much a materialization of language as what is commonly called “writing.” The tongue acts as a pen and the mouth, as a blank page (or palimpsest). Mouthed writing is accompanied by (...) sense experiences. There are various selftastes to the tastes of speaking, the tastes of words, or, even, the tastes of thoughts. Freud’s notes on speaking in one’s sleep, telepathy, the mystic writing-pad, and memory are revisited and supplemented with the writings of Hélène Cixous on the taste of words, telephoning, saying-to-oneself, and forgetting. The auto-affection of tasting-oneself-speakwriting is offered as an alternative to the metaphysical presumptions Derrida implicates in Husserl’s understanding of speech based on the auto-affection of hearing-oneself-speak. As such, writing (haunted by the trace of death) and speech (invested with living presence) is now confronted with the selftastes of speakwriting with one’s stylangue in and on the mouth as the scene of writing (ever accompanied by tastes of life-death). (shrink)

A review essay on Simon Lumsden’s (UNSW) Self-Consciousness and the Critique of the Subject (Columbia University Press, 2014), assessing Lumsden’s Hegelian account of Self-Consciousness in comparison with Derrida’s in “The Pit and the Pyramid” (in Margins of Philosophy). Lumsden de-emphasises the teleology of presence in Hegel’s work, especially the Phenomenology of Spirit. Instead, he concentrates on how processes of intuition and concept for Hegel demonstrate the continued change of historical meaning. The result is an account that is very close to (...) Derrida’s work, fulfilling several of Derrida’s own comments of how close his work is to Hegel’s. (shrink)

This article offers a novel interpretation of Jacques Derrida’s deconstructive thought in terms of model theory. Taking its cue from Paul Livingston’s Politics of Logic, which interprets Derrida as a thinker of inconsistent totalities, the article argues that Livingston’s description of Derrida is unable to accommodate certain consistency-driven aspects of Derrida’s work. These aspects pertain to Derrida’s notion of ”iterability”. The article demonstrates that the context-bound nature of iteration – the altering repetition of any discrete unit of meaning – and (...) Derrida’s possibilist view of context – that a context need not be part of the actual world to merit consideration – lead to the possibility of articulating iteration with the model-theoretical notion of truth. In model theory, truth is a relation between a sentence and the class of models in which the sentence is true. Arguing that the same holds for Derrida’s iterations and contexts, the article, in presenting the first rigorous truth-definition internal to deconstructive thought, outlines a ”fifth orientation of thought” alongside the four orientations listed in Livingston’s book: if, according to Livingston, one can relate the whole of being to the whole of thought in one of four different ways, the aspects of Derrida’s work that do not fall within this schema call out for another possible orientation. (shrink)

What’s in a name after Derrida? What’s in a name after all? What is a name such that it always already remains, after all is said and done? And who or what is itthat one calls name, names, or by name? Is it possible not to have a name of one’s own? Or to have another? The same as another? Is it possible to call and recall, in the name of memory and remembrance, indifference or convention, one name for another, (...) one name for the other? Can the name be, as it were, avoided? Could anyone respond responsibly yet decline or resist, not so much that names wound, nor to protect oneself from being called names, but instead neither to call nor respond to the name, as it were, to the very same name one is called? To protest against the name, to refuse the name to the point of abandoning this and that name? To invent oneself beyond the name, beyond all names, in the name of the name? “For in order to live oneself truly,” Derrida writes, “it is necessary to elude the law of the name, the familial law made for survival and constantly recalling me to death.” What is called naming? One could say that the name is, to life, at once insult and injury. Or that calling names—mourning. (shrink)

This piece asks a simple question, one simply obvious after the New York Times obituary of Jacques Derrida: how is it, why is it, that his work has been attacked in act and in words? And why more violently than the other great contemporaries of that period, of whom only Kristeva is still alive: Deleuze, Foucault, Lyotard, Lacan? It tries out various possibilities: envy, power struggles among various intellectual groupings of the same generation, the location of philosophy in the present (...) tree of knowledge, to conclude that the particularizing feature of his work which sparked such aggressivity may be his use of language. (shrink)

This article examines the presuppositions underlying Derrida's criticisms of Husserl's theory of expression, and philosophy of language generally. I argue that Derrida's claim that indication (and so the sign-function) is present at the heart of phenomenological "expression" is based on an unwarranted substitution of a Hegelian structure of reflection for Husserl's own phenomenological concept of reflection and evidence. I then criticize a different sort of unclarity in Husserl's analysis of the noetic and noematic relations between "expressive" (linguistic) and "preexpressive" sense. (...) The positions of John Caputo, Claude Evans, and Robert Sokolowski on these issues are discussed and evaluated. (shrink)

Ralph Ellis discusses inspiration in important philosophical and psychological ways, and this response to his essay both appreciates and amplifies his discussion and its conclusions by framing them in terms of sublimation and speech, using insights from the work of Jacques Lacan, Jacques Derrida, and Gilles Deleuze. Inspiration is not derived from another plane of existence, but refers to tbe creation of human meaning and value. Inspiration as a form of sublimation conceives sublimation as a process of substitution that avoids (...) elevating a phenomenon from a lower material to a higher spiritual level, and speech can be seen as a complex form of inspiration that forms along what Deleuze calls a plateau. Speech as inspiration is both physiological breath and productive of cognitive and emotional significance. I conclude with abrief consideration of inspiration as speech in Cormac McCarthey’s novel The Road. (shrink)

This paper is concerned with the representation in academic journal articles and textbooks of an organisation theory. In the case of Burns’ and Stalker’s book The Management of Innovation, summaries of the text by other scholars have arguably differed from the original authors and among themselves in their emphases. Similar points have been made about representations of other theorists such as Kurt Lewin and, perhaps most famously, Adam Smith. They all raise issues about the meanings of texts and where such (...) meanings lie: with the author, the reader, the text itself or perhaps some combination of these. They also raise questions about whether texts can be shown to have definitive meanings; and if not, whether there are any criteria for adjudicating on the validity of varied interpretations.Representations by textbook writers are analysed and questions about the meaning of texts raised by ‘structuralist’ and ‘deconstructionist’ writers examined. Their writings beg certain questions about textual representations. Perhaps the most extreme of these views is Barthes’ concept of the ‘death of the author’. Like Barthes, Derrida argues, for the reasons mentioned above, that there is no underlying, final decipherable meaning in a text, but gives more credence to the role of the author, accepting the validity of the author’s consciousness and intentions as one of the sources of meaning in texts. There are also other sources: the situatedness and historical context of the text and the text itself.Derrida’s concept of ‘différance’ requires the reader to engage in an analysis of the text which offers limitless possibilities for interpretation and a renunciation of the certainty of truth, because the meaning of a text may extend beyond the limits of our knowledge at any one time. His notion of the ‘logic of supplementarity’ is a further means to analyse texts, as it also disprivileges obvious or overt meanings in texts by overturning hierarchy in oppositions and questioning univocal definitions of meaning.Questions inspired by these and other writers give rise to an exploration of who is speaking in the text; which subject matter is represented as central and which as marginal; binary oppositions within the text and intertextual connections. The paper then begins the more ambitious task of answering the broader question as to whether it can be shown that there are more and less ‘representative’ or ‘stronger’ interpretations of a text. (shrink)

Traditionally, the picture has been the archetype of all signs, even the word. Contemporary philosophy is beginning to doubt the traditional understanding of the sign as present existence which represents absent existence. The sign ceases to be limited to reference and retreats in favour of inference -that which surrounds the sign; that is to say, other signs. This trend is most apparent in the deconstruction of Jacques Derrida and is also implicit in Gombrich's Art and Illusion. The aim of the (...) present study is to present a comparison of the views of Derrida and Gombrich. (shrink)

This book traces the linguistic turns in the history of modern philosophy and the development of the philosophy of language from Locke to Wittgenstein. It examines the contributions of canonical figures such as Leibniz, Mill, Frege, Russell, Wittgenstein, Austin, Quine, and Davidson, as well as those of Condillac, Humboldt, Chomsky, and Derrida. Michael Losonsky argues that the philosophy of language begins with Locke's Essay Concerning Human Understanding. He shows how the history of the philosophy of language in the modern period (...) is marked by a dichotomy between formal and pragmatic perspectives on language and that modern philosophy has not been able to integrate these two aspects of human language. Language as a human activity and language as a syntactic and semantic system remain distinct and competing focal points, although the interplay between these points of view has driven the development of the philosophy of language. (shrink)

Over the last few decades there has been a phenomenal growth of interest in metaphor as a device which extends or revises our perception of the world. Clive Cazeaux examines the relationship between metaphor, art and science, against the backdrop of modern European philosophy and, in particular, the work of Kant, Heidegger and Merleau-Ponty. He contextualizes recent theories of the cognitive potential of metaphor within modern European philosophy and explores the impact which the notion of cognitive metaphor has on key (...) positions and concepts within aesthetics, epistemology and the philosophy of science. (shrink)

" This book intertwines theoretical reflection with historical and cultural particularity to enunciate, then analyze this conundrum in terms of the distinguished author's own relationship to the French language.

Modernism can be characterised by the acute attention it gives to language, to its potential and its limitations. Philosophers, artists and literary critics working in the first third of the twentieth century emphasized language’s creative potential, but also stressed its inability to express meaning completely and accurately. In particular, modernists shared the belief that the kind of truth sub specie aeterni that was sought by philosophers was either meaningless or was more appropriately expressed by the arts – especially by literature (...) and poetry. Modernism and the Language of Philosophy addresses the challenge this belief presented to philosophy, and argues that the modernist assumption rests upon a host of unacknowledged, repressed or denied dogmas or tacit images. Drawing in particular upon the work of Michale Dummett and Jacques Derrida, this book explores a new solution to this crisis in philosophical language, and it is these two philosophers who drive the narrative of the book and offer perspectives through which both past and present day philosophers are examined.  . (shrink)

On Being With Others is an outstanding exploration of this key philosophical question. Simon Glendinning shows how traditional positions in the philosophy of mind can do little to rebuff the accusation that in fact we have little claim to have knowledge of minds other than our own. On Being With Others sets out to refute this charge and disentangle many of the confusions in contemporary philosophy of mind and language that have led to such scepticism. Simon Glendinning explores why early (...) attempts by J.L. Austin and Martin Heidegger to refute scepticism about other minds failed and argues that we must turn to Wittgenstein in order to build a solid theory of other minds. Drawing on the celebrated debate between John Searle and Jacques Derrida, Simon Glendinning establishes fascinating and important links between controversies in the philosophy of mind, language and epistemology. (shrink)

A work of and about comparative philosophy that stresses the importance of language in intercultural endeavors.

Coward (religious studies, U. of Calgary) explores the similarities and differences between the language theories of modern French philosopher Jacques Derrida and several traditional Indian schools of thought.

Protagonists of the latter are Jacques Derrida and Jurgen Habermas. This book carefully conveys the contradiction between discourse theory and deconstruction.

In this path-breaking study Christopher Norris proposes a transformed understanding of the much-exaggerated differences between analytic and continental philosophy. While keeping the analytic tradition squarely in view, his book focuses on the work of Jacques Derrida and Alain Badiou, two of the most original and significant figures in the recent history of ideas. Norris argues that these thinkers have decisively reconfigured the terrain of contemporary philosophy and, between them, pointed a way beyond some of those seemingly intractable issues that have (...) polarised debate on both sides of the notional rift between the analytic and continental traditions. In particular his book sets out to show - against the received analytic wisdom - that continental philosophy has its own analytic resources and is capable of bringing some much-needed fresh insight to bear on problems in philosophy of language, logic and mathematics. Norris provides not only a unique comparative account of Derrida's and Badiou's work but also a remarkably wide-ranging assessment of their joint contribution to philosophy's current - if widely resisted - potential for self-transformation. (shrink)

This book brings together three main topics - deconstruction, philosophy of language, and literary theory - that have figured centrally in Christopher Norris's work over the past two decades. It offers a refreshingly clear and vigorous statement of his views as to how ‘theory' might profit from a greater awareness of current philosophical debates while philosophy might likewise gain by adopting a more open-minded attitude toward developments in literary theory. Most significant here is Norris's continuing exploration of the various points (...) of contact between Jacques Derrida's thought and the kinds of concern - especially with issues in philosophical semantics and speech-act theory - that have preoccupied thinkers in the ‘other', mainstream-analytic line of descent. However his focus is consistently on matters that should be of interest to philosophers and literary theorists alike. Thus Norris devotes some penetrating commentary to topics such as modal or ‘possible-worlds' logic as it bears upon issues in narrative theory; the ‘two cultures' controversy; the different ways in which literary theory has alternately embraced and rejected the appeal to ‘scientific' modes of analysis; and some possible reasons for Wittgenstein's well-known aversion to Shakespeare. He also suggests a novel approach to the free-will/determinism issue by way of debates about the nature of language and the scope it affords for expressive creativity despite - or owing to - the limits imposed by various structural constraints. Altogether this important new book provides a welcome overview of the author's current thinking and an equally welcome enlargement of horizons in contrast to the narrowly specialised character of much present-day academic discourse. (shrink)

The aim of the paper is to discuss and compare major aspects of Saussure’s linguistic theory — including his recently discovered manuscript, published as Écrits de linguistique générale — and Derrida’s philosophy, focusing on its structuralist (not Kantian or phenomenological, or supposed pragmatist) foundations, in order to show the radical debt of Derrida to Saussure. To see Derrida as a structuralist is crucial for the understanding of his work. A major Saussurean concept, adopted by Derrida as the foundation of his (...) deconstruction, is the concept of “value”; this concept leads to the impossibility of a positive and stable delimitation of signification, which thus is shown to be a phantasmatic entity emerging from the nodes of a network of differences. In this context, I focus on three issues concerning limits, the one leading to the other: the above limitlessness of the linguistic signified, the ensuing limitlessness of linguistic semiosis, in the sense that there is no clear limit between it and the referent, and thus the limit imposed by semiosis in preventing the possibility of knowledge of material reality. I examine Saussure’s ambiguous view on this issue and argue that Derrida’s approach is contradictory, since he occasionally reintroduces the referent in the form of empirical evidence with no theoretical justification. (shrink)

Breves consideraciones acerca del concepto de escritura en la propuesta post-estructuralista de Jaques Derrida: Aportes sobre algunos problemas del lenguaje.

The terms deconstruction and différence are central to both Jacques Derrida's work and to poststructuralism generally. These terms attempt to provide an alternative to metaphysical construals of linguistic meaning. I compare Derrida's discussion of linguistic meaning and reference with the contemporary pragmatist, Robert Brandom, arguing that Brandom has important similarities to Derrida. However, whereas Derrida remains committed to metaphysics even as he tries to contest it, Brandom, to his credit, more thoroughly rejects metaphysics.

The article examines the inter-implication between Foucault's and Derrida's representations of one another's work in the debate over Histoire de la folie and discovers a chiasmic structure between them, an inverted mirroring of each in the other, in which philosophy and historicity alternately encompass and exceed one another. At the heart of this is a problem of language (and the reason that accompanies it), which defines the limitations of the historian's work.

This paper explores the thought of Hegel, Saussure and Derrida regarding the nature of the linguistic sign. It argues that Derrida is right to maintain that Hegel is an influence on Saussure. However, Derrida misrepresents both Hegel and Saussure by interpreting them as falling within the Platonic rather than the Aristotelian philosophical tradition.

Recientemente ha muerto Jacques Derrida. Nos deja su obra y nos deja con un nombre que es más que su obra. Su nombre que, como todo nombre, es el nombre de alguien. Este texto trata de mostrar que el propio nombre de Derrida, ahora un alguien más allá de la vida, es también otra imposibilidad de la ontología y otra desconstrucción de la pretensión del juego metafísico de la presencia y su representación. Tratamos de mostrar aquí cómo este alguien ausente (...) cuestiona, en su imposibilidad, todas las posibilidades de su representación, incluyendo los epitafios del signo. (shrink)

This paper is a response to Val Plumwoods call for writers to engage in ‘the struggle to think differently’. Specifically, she calls writers to engage in the task of opening up an experience of nature as powerful and as possessing agency. I argue that a critical component of opening up who or what can be understood as possessing agency involves challenging the conception of time as linear, externalised and absolute, particularly in as much as it has guided Western conceptions of (...) process, change and invention. I explore this through anthropologist Carol Greenhouse's claim that social conceptions of time can be read as theories of agency. Thus, in seeking to respond to Plumwood’s call to think differently, the question becomes: what kind of writing would enable a fundamental re-thinking of agency without, however, ignoring the way Western notions of agency have been shaped by linear accounts of time? I look to Jacques Derrida's work as one example. I first locate the possibility of re-writing time and agency in the experiential aspects of his writing, which I argue interrupt both the reader’s sense of agency and linear models of reading. But further, I connect Derrida’s work directly with Plumwood’s by examining how his deconstruction of the Western concept of invention may enable another account of creative change that could reshape what counts as ‘agency’ within the Anthropocene. (shrink)

This paper provides evidence, Against an important husserlian thesis, Showing that the constitution of meaningful expression intrinsically involves both a plurality of temporal moments and other egos. Likewise against derrida, This evidence points away from the claim that all meaningful expression is constituted only in full empirical intersubjective dialogue. This evidence is developed by examining molly bloom's soliloquy. The tentative conclusions reached are: 1) all sayable meanings belong to a range of expressions whose scope is bound up with the distinctness (...) of the I with which they are associated; 2) this range is bound up with the degree of elaboration of a temporal scheme. (shrink)

SOME REMARKS ON JERZY KMITA’S CONCEPT OF SEMANTICS This article presents the evolution of the concept of semantics by Jerzy Kmita. Three stages could be distinguished in his conception; the first stage is present in his two works, Szkice z teorii poznania naukowego and Z problemów epistemologii historycznej. His book Kultura i poznanie represents the second stage, and the third stage was developed in Jak słowa łączą się ze światem. “Krytyczne stadium neopragmatyzmu,” which is an article on the concept already (...) present in Kultura i poznanie. I intend to compare Kmita’s views with elements of the philosophy of Jacques Derrida. Keywords: SEMANTICS, HUMANISTIC FACTOR, SEMANTIC ASSUMPTIONS, ESSENTIAL FORM, POSTMODERNISM. (shrink)

Review of Russell Daylight, What If Derrida Was Wrong About Saussure?

Cassirer's approach to symbolic mediation differs in some important ways from currently prevailing approaches to meaning and signification such as semiology and its more recent poststructuralist varieties. Cassirer's philosophy of symbolic forms offers a theory of symbols that does not amount to a sign theory or semiology. It sketches out, rather, a dynamic and nonrepresentational framework in which an alternative notion of difference takes centre stage. In order to make the original features of Cassirer's approach stand out, I will compare (...) it with the approach of the perhaps most influential differential thinker of our day, Jacques Derrida. The philosophy of symbolic forms explicitly prefigures a great many of the insights and concerns of poststructuralism. Yet, there are some critical differences. Rather than rejecting the concepts of objectivity, identity, and truth on the premises established by traditional metaphysics, Cassirer chooses to redefine these concepts through a radical conceptual reframing. The result is a doctrine that—in Derridean parlance—neither jumps beyond the oppositions of metaphysics, nor tries to resolve them in a Hegelian synthesis—a doctrine, that is, that even though it appeals to origins, cannot so easily be dismissed as yet another instantiation of the metaphysics of presence. (shrink)

Derrida's introduction to his French translation of Husserl's essay "The Origin of Geometry," arguing that although Husserl privileges speech over writing in an account of meaning and the development of scientific knowledge, this privilege is in fact unstable.

This essay originated as a reply to Richard Rorty's ”Habermas, Derrida, and the Functions of Philosophy“. In it, I contest Rorty's deployment of the categories of private selfcreation and the collective political enterprise of increasing freedom, first developed in Contingency, Irony and Solidarity, to demonstrate that the philosophical projects of Habermas and Derrida are complementary rather than antagonistic. The focus of my critique is two-fold: firstly, I contend that so-called critiques of metaphysics are always simutaneously engaging with some form of (...) social domination or disintegration (e.g. nihilism or societal rationalization); secondly, I argue that the fault-line in Rorty's thought that structures his categories is his, Davidson inspired, naturalized philosophy of language. This philosophy of language falls afoul of Heidegger's analysis of the present-to-hand. (shrink)

(First paragraph.) Different views on the relation between phenomenal reality, the world as we consciously experience it, and noumenal reality, the world as it is independent from an experiencing subject, have different implications for a collection of interrelated issues of meaning and reality including aspects of metaphysics, the philosophy of language, and philosophical methodology. Exploring some of these implications, this paper compares and brings together analytic, continental, and Buddhist approaches, focusing on relevant aspects of the philosophy of Donald Davidson, Jacques (...) Derrida, Dharmakīrti, and Dōgen. Prima facie, these philosophers have little in common, and indeed the differences are vast. Even in case of the two Western thinkers there is a fundamental difference between Davidson’s anti-dualist identification of phenomenal, experienced reality with the noumenal, real, external world on the one hand, and the bracketing or elimination of noumenal reality at the base of Derrida’s thought on the other, which lead to radically different ideas with regards to (the possibility and nature of) objectivity and our linguistic access to the real/external/noumenal world. Nevertheless, there are important similarities between Dharmakīrti’s theory of apoha and Davidson’s and Derrida’s theories of triangulation and différance respectively, and these similarities can be exploited to bridge some of the differences and attempt a constructive engagement. (shrink)