Attention is vital to success in all aspects of life (Erickson, Thiessen, Godwin, Dickerson, & Fisher, 2015; Meck & Benson, 2002), hence it is important to identify biomarkers of later attentional problems early enough to intervene. Our objective was to determine if any of 11 genes (APOE, BDNF, HTR4, CHRNA4, COMT, DRD4, IGF2, MAOA, SLC5A7, SLC6A3, and SNAP25) predicted the trajectory of attentional development within the same group of children between infancy and childhood. We recruited followup participants from children who (...) participated as infants in visual attention studies and used a similar task at both time points. Using multilevel modeling, we associated changes in the participant’s position in the distribution of scores in infancy to his/her position in childhood with genetic markers on each of 11 genes. While all 11 genes predicted reaction time (RT) residual scores, only MAOA had a significant interaction including time point. We conclude that the MAOA SNP rs1137070 is useful in predicting which girls are likely to develop slower RTs on an attention task between infancy and childhood. This early identification is likely to be helpful in early intervention. (shrink)

In the philosophy of love, the possibility of loving a non-human animal is rarely acknowledged and often explicitly denied. And yet, loving a non-human animal is very common. Evidently, then, there is something wrong with both “human-focused” accounts (e.g. Niko Kolodny, Troy Jollimore), which assume we can only love human beings, and “person-focused” accounts (e.g. David Velleman, Bennett Helm), which understand the nature of love in terms of its being essentially directed toward those with a capacity for normative self-reflection (i.e. (...) “persons”). Even aside from the experiences of those who love a non-human animal, on which I draw, we already have reason to be worried about these latter, “person-focused,” views, insofar as they deny the possibility of loving the various human beings who do not meet their criteria for “personhood,” including at least some human beings with “severe” or “profound” cognitive disabilities. With this in mind, I argue that what we need is the (broader) notion of a “somebody” as a distinctive kind of love-object. This is the notion of a kind of presence of which we are acutely aware when, for example, we look into another’s eyes and see that there is “somebody home.” With this presence, there is a possibility of “togetherness,” and I suggest that it is precisely in the realm of togetherness that the possibility of love arises; the kind of love we speak of when we speak of loving our friends, family and romantic partners, and also, I argue, our animal companions. (shrink)

Health-care goods are goods with peculiar properties, and where they are scarce, societies face potentially explosive distributional conflicts. Animated public and academic debates on the necessity and possible justice of limit-setting in health care have taken place in the last decades and have recently taken a turn toward procedural rather than substantial criteria for justice. This article argues that the most influential account of procedural justice in health-care rationing, presented by Daniels and Sabin, is indeterminate where concrete properties of rationing (...) institutions are concerned. Such properties inscribe substantial norms into institutions. These norms can derive validity only from democratic majority decisions, which must be seen as an instance of pure procedural justice. We therefore have to move the discussion to a meta-level and ask how concrete properties of institutions are being chosen. I suggest four criteria for sufficiently democratic institutional design choice and conclude that as institutional properties are likely to have effects on the resulting distribution of health care, design choices should be empirically informed and taken both democratically and deliberately. (shrink)

A capoeira ou capoeiragem é uma expressão cultural brasileira que mistura jogo, esporte, arte marcial, cultura popular, tradição, dança e música. Desenvolvida no Brasil por descendentes de escravos africanos, a capoeira é caracterizada por golpes e movimentos ágeis e complexos, utilizando primariamente chutes e rasteiras, além de joelhadas e cabeçadas, cotoveladas, acrobacias aéreas ou em solo. Praticantes da capoeira aprendem não apenas a lutar e jogar, mas também a tocar os instrumentos típicos e cantar. Assim, os discentes do 6º ano (...) de uma escola estadual da cidade de Itabuna—BA, os quais apresentavam dificuldades para ler e escrever. Entretanto, nas aulas de capoeira, os alunos se mostravam mais motivados para ler. Então, surgiu o problema que norteou essa pesquisa, a saber: como o jogo de capoeira vem sendo trabalhado, para estimular a melhoria da aprendizagem em leitura dos alunos, do 6ºano, em um colégio estadual, na cidade de Itabuna – BA? Portanto, o objetivo geral desse artigo é analisar de que maneira o mestre usa o jogo da capoeira, como ferramenta motivacional, nas práticas pedagógicas, para a melhoria da aprendizagem da leitura, entre os alunos do 6º ano, do ensino fundamental II. Desse modo, a utilização de estratégias de leitura, partindo da diversidade dos gêneros textuais, de modo lúdico, através da capoeira, no processo de ensino-aprendizagem, é um assunto que é discutido nessa pesquisa, pois esta se justifica pela necessidade de contribuir para uma melhora do processo de ensino e aprendizagem, partindo de pressupostos presentes na BNCC. Palavras-chave: Capoeira, Fomento à Leitura, Gêneros Textuais, Lúdico. (shrink)

The paper considers Martha Nussbaum's motivation for departing from her earlier cosmopolitan position in favour of now promoting a globally sensitive patriotism. Her reasons for endorsing patriotism will be shown as exemplary for related argumentations by other authors, especially insofar as love of country as a motivating force for civic duty is understood as in tension or even as incompatible with cosmopolitan aspirations. The motivation for turning to patriotism as articulated by Nussbaum and others will be demonstrated to rely on (...) misleading understandings of love of country as a possessive emotion. Relying on Alice Crary's critique, it will be argued that sound moral judgement with regard to the patria as well as from a cosmopolitan stance is equally tied to our sensitivities and equally requires their education. Furthermore, I will discuss Axel Honneth's notion of solidarity, a form of love inflected by justice, as a possible alternative for conceptualising the social bonding patriotic attachment is supposed to provide. However, a critical patriotism ultimately needs to transgress this inward-directed focus and take into account how a country is seen by non-citizens, the historical relationships and the obligations that arise in terms of historical justice in relation to other countries. If we take patriotism in this outward-looking perspective seriously, we also come to understand why it would be a mistake to skip patriotism altogether. Rather than constructing cosmopolitanism and patriotism as mutually exclusive opposites, critical cosmopolitanism and critical patriotism can be shown to have different but complementary and mutually corrective functions. (shrink)

In this paper we want to examine how the mutual understanding of speakers is reached during a conversation through collaborative processes, and what role is played by abductive inference (in the Peircean sense) in these processes. We do this by bringing together contributions coming from a variety of disciplines, such as logic, philosophy of language and psychology. When speakers are engaged in a conversation, they refer to a supposed common ground: every participant ascribes to the others some knowledge, belief, opinion (...) etc. on which to rely in order to reach mutual understanding. As the conversation unfolds, this common ground is continually corrected and reshaped by the interchanges. An abductive reasoning takes place, in a collaborative setting, in order to build new possible theories about the common ground. In reconstructing this process through the use of a working example, we argue that the integration of a collaborative perspective within the Peircean theory of abduction can help to solve some of the drawbacks that the critics of the latter have outlined, for example its permissivity and non generativity. (shrink)

Resumen:La obra capital de Phillip Mainländer se compone de seis capítulos (Analítica de la facultad cognoscitiva, Física, Estética, Ética, Política, Metafísica) y un Anexo (Crítica de las doctrinas de Kant y Schopenhauer). Seis capítulos y un anexo que hacen gala de la intempestividad de su autor. De esa cualidad presente en pocos pensadores y que condiciona la valoración de su obra al paso del tiempo. De esa cualidad que permite pensar más allá de los límites que impone la época. Curiosamente (...) un pensador del siglo XIX ilumina los tiempos que corren. Unos tiempos signados por prácticas ecocidas y sus derivaciones ecosuicidas (Baquedano: 37-38), y cuyas primeras manifestaciones físicas sobre la naturaleza comenzaron, llamativamente, en dicho momento, a saber, en 1784 cuando James Watt patentó su máquina de vapor. (shrink)

In An Introduction to Probability Theory and its Applications, W. Feller established a way of ending the St. Petersburg paradox by the introduction of an entrance fee, and provided it for the case in which the game is played with a fair coin. A natural generalization of his method is to establish the entrance fee for the case in which the probability of heads is θ. The deduction of those fees is the main result of Section 2. We then propose (...) a Bayesian approach to the problem. When the probability of heads is θ the expected gain of the St. Petersburg game is finite, therefore there is no paradox. However, if one takes θ as a random variable assuming values in the paradox may hold, which is counter-intuitive. In Section 3 we determine necessary conditions for the absence of paradox in the Bayesian approach and in Section 4 we establish the entrance fee for the case in which θ is uniformly distributed in, for in this case there is a paradox. (shrink)

This thesis aims to study the origins of interiority from an externalist perspective. The process by which self-knowledge is formed is considered in relation to the development of the first-person perspective. From a first-person perspective, one is capable of self-referring and knowing one's own mental and physical states. Self-consciousness and self-knowledge are discussed in relation to Descartes' idea of first-person authority. The Cartesian idea contends that the first-person perspective has privileged and non-empirical access to one's own mental state. On the (...) contrary, externalism's central thesis contends that the content of one's own mental state originates from interactions with the environment, thus, there is no privileged access of one's own mental state. Thus, the externalist's thesis puts into question the Cartesian idea of privileged epistemic access of the first person. The perceptual externalism of Davidson, for example, proposes a triadic solution to the origins of self-knowledge. Davidson's thesis is presented as reconciling self-knowledge and the basic externalist ideas. Two externalist models on the origins of self-knowledge are further discussed: 1) ecological models proposing a development of a sense of self as a function of interactions with the environment; 2) the psychological model of Winnicott proposing that the developing sense of self arises from the triadic relation between self, others, and transitional object(s). We defend the thesis that Winnicott's model is the most apt at describing the Davidsonian externalist model of the origins of self-knowledge. (shrink)

This article re-examines Vilém Flusser's philosophy of photography and its relation to what I will name the philosophical question of 'image-thinking'. It places his work on photography in the context of the much discussed 'pictorial' and 'iconic' turns in the study of visual culture and, through this, aims to reveal the depth of Flusser's approach to understanding media culture and to argue for the significance and continuing relevance of his philosophy of photography.

As most engineering design proceeds by modifying past designs and reusing and adapting existing components and solution principles, a significant part of the knowledge engineers employ in design is encapsulated in the past designs they are familiar with. References to past designs, as well as encounters with them, serve to invoke the knowledge associated with them and constructed from them. This chapter argues that much of this knowledge is tacit consisting in and/or made available by the perceptual recognition of features (...) and situations, using a discussion of design margins to illustrate how engineers use tacit knowledge in reasoning about the properties of new designs. (shrink)

In this paper we investigate how the dynamic nature of words’ meanings plays a role in a philosophical theory of meaning. For ‘dynamic nature’ we intend the characteristic of being flexible, of changing according to many factors (speakers, contexts, and more). We consider meaning as something that gradually takes shape from the dynamic processes of communication. Accordingly, we present a draft of a theory of meaning that, on the one hand, describes how a private meaning is formed as a mental (...) state of individual agents during a lifetime of experiences, and, on the other hand, shows how a public meaning emerges from the interaction of agents. When communicating with each other, agents need to converge on a shared meaning of the words used, by means of a negotiation process. A public meaning is the abstract product of many of these processes while, at the same time, the private meanings are continually reshaped by each negotiation. Exploring this dynamics, we have been looking at the work done by computer scientists dealing with problems of heterogeneity of sources of information. We argue that a suitable solution for both disciplines lies in a systematic characterization of the processes of meaning negotiation. (shrink)

Religious communities often tend to distinguish themselves from otherreligious communities – especially from diverging communities rooting in their own tradition. Social stigmata are brought forward to describe these deviant socalledsects: They were immoral, their adherents sexually deviant and havingstrange, improper acquaintances. Calling themselves religion is said to be a trickto fool the simple ones out of their money. These topoi can be found in heresiographies,guidebooks on sects and in public discourse throughout the centuries.They are not even restricted to religious groups, (...) but are part on the polemicalliterature against secularist groups (as the German Monist League). By this continuity in terms and motives, debates on sects are a superb object toreconstruct borders of tolerance and constructions of “the other” historically.The paper restricts itself to sources from the German Early Modern Period andModernity to strengthen the arguments; but the thesis can be held in general.With this temporal and local focus, we encounter a sphere of cultural continuityas well as cultural change, seeing the structural continuities as well as assimilationsand thus internal developments. (shrink)

The paper is focused on the intedermination in compositive processes. In particular on John Cage. The art and the thought of Cage were a response to the growing complexity of the world through a practice and a reflection that focuses heavily on the concept of emptiness, understood as technical decentralization of: the author of the musical structure and the individual and of the same identification of sounds. This complexity results from a network of independent nodes, subjects, activities and institutions that (...) interact in no particular order. You can no longer assume the existence of an ultimate subject for whose wisdom assumes all sense. There is no longer any author. Events happen randomly. Relinquishing control is one of the main themes running through the compositional work of Cage. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy of Music Education Review 12.2 (2004) 181-186 [Access article in PDF] Response to June Boyce-Tillman, "Towards an Ecology of Music Education" Claudia Gluschankof Levinsky College of Education, Israel I begin with two confessions. First, music was not my favorite class at school. I cannot even recall what we did there. It did not at all connect with the powerful, meaningful place that music had in my private (...) life, where I loved to sing with my family, and play and sing in ensembles in classes at a private music school. The private piano lessons were fine, but I found no joy in practicing on my own. Music was for me-and still is-a communal experience, associated with personal choice. School did not, and probably could not, provide that.Second, during a recent marketing meeting at the college where I teach and work, I finally said aloud, "I am not sure that I can market a product in which I don't believe." Being a teacher in overcrowded, resource-poor schools where parents are less involved yet more interfering and being expected to conform to standards and to act more as a producer of school ceremonies and festivals and less as a music educator is not a profession I would recommend entering. Boyce-Tillman's paper offers a model for music education in which the corrective emotional experience, in my own case, becomes a remedial object lesson in the setting of the music classroom and a reason to recommend music school teaching as a rewarding profession.Boyce-Tillman calls us to conceive of music "as intimately related to human society and the environment rather than as a discrete and separated category of knowing." Her position is in tune with Christopher Small's coined term "musicking": The act of musicking establishes in the place where it is happening a set of relationships, and it is in those relationships that the meaning of the act lies. They are to be found not only between those organized sounds which are [End Page 181] conventionally thought of as being the stuff of musical meaning but also between the people who are taking part, in whatever capacity, in the performance; and they model, or stand as metaphor for, ideal relationships as the participants in the performance imagine them to be: relationships between person and person, between individual and society, between humanity and the natural world and perhaps the supernatural world.1The five interlocking areas proposed in Boyce-Tillman's model are present in Small's musicking: the relationships among the sounds parallel the area called Materials; the relationships between people and sounds may parallel the area called Expression, which refers to the personal meaning given to the organized sounds. "In the area of Construction, effectiveness often depends on the right management of repetition and contrast within a particular idiom." Such a particular idiom is part of the style ideal of a particular culture. It is defined in terms of form and content, and expresses some inner quality of the society that produced it. The style ideal can be characterized by different factors (for example, historical period, geographic location, school, manner of performance, individual composer, and so on) and can be examined in terms of musical components (form, texture, harmony, melody).2According to Boyce-Tillman, the area of Values "is related to the context of the music-making experience. All musical experiences are culturally related." Because values are shared by groups, I found this present in the relationships be-tween a subculture and the larger society, in its broader meaning. The fifth area is Spirituality, defined by Boyce-Tillman as "the ability to transport the audience to a different time/space dimension." That different time/space dimension may be understood as the supernatural world, referred to by Small.Small sees the greatest challenge to music educators today to be that of providing "that kind of social context for informal as well as formal musical interaction that leads to real development and to the musicalizing of the society as a whole,"3... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Ideas 66.4 (2005) 557-576 [Access article in PDF] The Writing in the Wittenberg Sky: Astrology in Sixteenth-Century Germany Claudia Brosseder University of Munich It probably was a delightful summer day when the celebrated humanist Willibald Pirckheimer, best known as a friend of Albrecht Dürer and Erasmus of Rotterdam, strolled, with an unknown friend, through the streets of Nuremberg. When they saw a girl (...) standing at the streetside, it occurred to the friend to predict the girl's future by reading her palm. So he did, foretelling a forthcoming marriage and a blissful life. After the girl had passed on, Pirckheimer's unknown friend admitted that, unfortunately, he had not seen the girl's blithe life but her impending death. In order not to scare her, however, he had not revealed this message to the girl; only his learned friend Pirckheimer could know the truth. Some years later, the Nuremberg philologist Joachim Camerarius, who narrated this rather trivial event with great excitement in 1576, does not display any sign of bewilderment that in this instance a chiromantic had told untruths to somebody.1 On the contrary, he praises this art and admires Italy's scholars, who practiced, besides chiromancy, other wonderful divinatory arts based on astrology. Camerarius was perceptibly impressed by Italian astrology and her divinatory stepsisters. Presumably he was thinking about De subtilitate (1554) by Girolamo Cardano who, at least in this work, counted astrology and chiromancy among the arts of natural divination.2 And so, as if inspired by Cardano's acute judgment years afterward, Camerarius [End Page 557] read in Cardano, in the same breath, the idea that there had been only twelve significant scholars in the history of civilization, who were capable of divination: such were, among others, Aristotle, Ptolemy, Alchindi, and Vitruvius. However, no contemporary of Cardano was among them.This anecdote provides but a glimpse of the sixteenth-century enthusiasm for the divinatory art of chiromancy and, relatedly, astrology. My contribution will show that academic Protestant Germany was actually in the grips of an astrology fever. Throughout the sixteenth century, many German scholars were under the spell of astrology. In this, Germany did not essentially differ from Italy and France, but in one specific place astrology presented itself in a peculiar shape.In the sixteenth century astrology flourished particularly in one German site of erudition: in Wittenberg, 51°52' latitude, 12°38' longitude. Particularly here at the University of Wittenberg, attracted by Philipp Melanchthon's pedagogic enterprise, a series of scholars came together who shaped the image of astrology in sixteenth-century Germany. They were humanists, physicians, astronomers, mathematicians, municipal surgeons, and scholars of Greek. There were at least forty-six of them. In one way or another, each of them was interested in astrology. Many of them composed astrological analyses for wealthy clients. "Pene innumberabiles" mathematicians came from the University of Wittenberg, as the Tübingen professor of rhetorics Nikodemus Frischlin grudgingly asserted. By this he meant astrologers, and he did not try to conceal his aversion to them.3 He was unequivocal: astrologers are swindlers.With this opinion, Frischlin joined the ranks of Giovanni Pico della Mirandola,4 Martin Luther,5 Erasmus of Rotterdam,6 and others. This is not a novelty, and yet Frischlin's caustic remark can still teach us something today: regarding the history of German astrology, one should resist the temptation to see Melanchthon as the one and only spiritus rector of German sixteenth-century astrology. Instead, it is reasonable to concede much more weight to the sway of Wittenberg and its numerous astronomers, mathematicians, and physicians, who did not only gravitate toward the personality of Melanchthon. The large number of scholars and the variety of ideas preempts any attempt [End Page 558] to reduce the number of astrologers to a so-called Melanchthon circle.7 This circle did not exist, not least because his pupils did not monistically adhere to Melanchthon's thoughts on astrology. In particular, a personality as industrious in publishing as Melanchthon's son-in... (shrink)