Cet article présente une discussion sur la pensée de la mutation chez Jean-Luc Nancy, elle-même une mutation des idées philosophiques traditionnelles sur la transformation. Il entend montrer que devant le sens intransformé de transformation dans la tradition philosophique de Platon à la philosophie contemporaine, Jean-Luc Nancy ouvre une autre voie lorsqu’il comprend transformation plutôt comme touche de l’âme. Loin de soumettre la mutation à une arche-téléologie des significations, la pensée de la mutation, une pensée de la touche de l’âme, trouve (...) le sens de la mutation dans l’« en train de se faire », plutôt que dans la quête de forme et de figuration. C’est dans la mutation du sens de l’entre-deux compris comme « en train d’être », que le sens d’une mutation de sens se donne à voir dans son non-figuration. Par-là, on découvre dans la pensée de Nancy non plus un autre sens d’âme, mais comment l’âme du sens touche le monde. (shrink)

The article aims to reflect on the pandemic from the situatedness of being in the eye of the storm. It discusses the contagion between biological and digital viralization, and the politics and existential effects of the pandemic non-touching.

Abstract:Pedro Erber and Facundo Vega speak with Marcia Sá Cavalcante Schuback about Heidegger's influence on philosophy in Brazil and beyond.

Cet article est une réflexion sur ma traduction brésilienne de être et Temps et, plus spécifiquement, sur la traduction de Dasein par « présence ». Ce choix de traduction est basé sur une critique de la tendance, dominante dans les études heideggériennes, à hypostasier et à substantialiser un concept non métaphysique de Dasein. La traduction de Dasein par « présence » prend pour point de départ le fait que, pour la pensée de Heidegger, Dasein ne signifie pas un substantif mais (...) un verbe, dont le sens temporel ne se définit pas par une chronologie temporelle mais par la temporalité de l’action de l’être. À travers cette décision, on a cherché à répondre linguistiquement au défi de penser, dans la perplexité de la présence, le temps de l’être.The present article discusses my Portuguese-Brazilian translation of Being and Time and more specifically the translation of the key word Dasein as « presenca ». This choice is based on a criticism of the prevalent tendency of Heidegger studies to hypostatize and substantialize a non-metaphysical concept of Dasein. The translation of Dasein as « presenca » assumes as its starting point that for Heidegger Dasein does not mean a substantive but a verb whose verbal sense is not defined by chronological time but by the temporality of the internal action of Being. This translation tried to correspond in linguistic terms to the challenge of thinking the time of being in the perplexity of its presence. (shrink)

In this article I argue not only for the value of hermeneutics today but also, and especially, how the crucial gesture of hermeneutics is that of changing the subject for the sake of our today. Surveying briefly the main lines of hermeneutical positions along its history and critiques, and connecting these critiques to the discrepancy between theory and practice, between interpretation and the need to change the world, the article proposes that our reality today, reshaped through globalization and the virtual, (...) is performed as a hermeneutics of history. The challenge for today’s hermeneutics is to work out categories for understanding the present as on-going in a world that tends to capture and distort more and more the meaning of freedom of thought. In the final section, I propose a hermeneutics of the on-going, of gerundive time, partially under the inspiration of Paul Celan, as a response that develops the meaning of the freedom of thought. A defense of nearness and how to think in narrow nearness to the on-going is discussed. (shrink)

Omnipresent in popular culture, especially in film and literature, the theme of the 'end of the world' is often rejected from contemporary philosophy as hysterical apocalyptism. This volume attempts to show that it is vital that we address the motif of the 'end' in contemporary world – but that this cannot be done without thinking it anew.

This book is a philosophical reflection on the experience of time from within exile. Its focus on temporality is unique, as most literature on exile focuses on the experience of space, as exile involves dislocation, and moods of nostalgia and utopia. Marcia Sá Cavalcante Schuback proposes that in exile, time is experienced neither as longing back to the lost past nor as wanting a future to come but rather as a present without anchors or supports. She articulates this (...) present as a "gerundive" mode, in which the one who is in exile discovers herself simply being, exposed to the uncanny experience of having lost the past and not having a future. To explore this, she establishes a conversation among three authors whose work has exemplified this sense of gerundive time: the German philosopher Martin Heidegger, the French writer and essayist Maurice Blanchot, and the Brazilian writer Clarice Lispector. The book does not aim to discuss how these authors understand the relation between time and exile, but presents a conversation with them in relation to this question that reflects new aspects in their work. Attempting to think and express this difficult sense of time from within exile, Time in Exile engages with the relation between thought and language, and between philosophy and literature. Departing from concrete existential questions, Sá Cavalcante Schuback reveals new philosophical and theoretical modes to understand what it means to be present in times of exile. (shrink)

This book is a philosophical reflection on the experience of time from within exile. Its focus on temporality is unique, as most literature on exile focuses on the experience of space, as exile involves dislocation, and moods of nostalgia and utopia. Marcia Sá Cavalcante Schuback proposes that in exile, time is experienced neither as longing back to the lost past nor as wanting a future to come but rather as a present without anchors or supports. She articulates this (...) present as a "gerundive" mode, in which the one who is in exile discovers herself simply being, exposed to the uncanny experience of having lost the past and not having a future. To investigate this, the book establishes a conversation among three authors whose work has exemplified this sense of gerundive time: the German philosopher Martin Heidegger, the French writer and essayist Maurice Blanchot, and the Brazilian writer Clarice Lispector. The book does not aim to discuss how these authors understand the relation between time and exile but enters in conversation with them in relation to this question. Attempting to think and express this difficult sense of time from within exile, the book engages with the relation between thought and language, and between philosophy and literature. Departing from concrete existential questions, it opens new philosophical and theoretical modes through which to understand what it means to be present in times of exile. (shrink)

The present text discusses the problems concerning the translation and the non- translation of the thinking word Dasein in Sein und Zeit. Assuming that for Heidegger Dasein is transcendence and this as an in-finitive trans-lation from a substantive and substantial meaning of being to a verbal one, it becomes necessary to translate the word Dasein in Sein und Zeit above all within the German language itself. The task of translating the thinking word Dasein is therefore the one of making possible (...) the work of thought in which the destruction of the substantialistic meaning of being can take place always anew. Showing the verbal temporality of the thinking word Dasein as the internal and aspectual temporality of a Währenden, the article explains the translating choices made in my translation of Sein und Zeit into Portuguese. (shrink)

Teknikens skugga -- Ett sublimt mellan -- Tiden i formen -- Fenomenets blick -- Om bild -- Tolkningsfigurer -- Abstraktioner -- Anteckningar -- Det omåttligas måleri -- Att tänka i skisser.

This is an edited collection of original essays that combine philosophy, phenomenology, and literature to reflect on modern ideas about orientation and disorientation, grounds and groundlessness.

On lira ici un dialogue qui ne s’est donné ni règles préliminaires de progression ni aboutissement calculé d’avance, mais qui s’est inventé au fur et à mesure de son avancée. L’intention initiale était d’examiner ce que Heidegger nomme « la traduction occidentale » dans La parole d’Anaximandre : d’une part, que veut dire « traduction » là où l’on se guide sur des « traces » dont la nature même, comme traces, est problématique? D’autre part, comment comprendre le Brauch qui (...) porte la charge finale de cette « traduction »? En arrière-plan surgit la question : quelle est donc l’histoire dont Heidegger se réclame? (shrink)

The aim of the present article is to reflect upon comparative procedures at stake in the acknowledgment of differences, following some paths of Husserl's and Heidegger's views on “comparative examination” . Although using the same expression as Husserl, Heidegger presents in this concept, rather, a phenomenology of correspondence. The encounter with otherness is described as correspondence to the immensity of the event of the world in Dasein . From out of a “destruction” of comparative examinations, it becomes possible to seize (...) the a-subjective and ek-static structure of Dasein and claim a corresponding way of encountering otherness. In this corresponding way, the Other appears first as non-otherness, beyond a dialectics of selfhood and otherness. (shrink)

The present article discusses the relation between painting and music in the work by Paul Klee, bringing it into conversation with the music by Anton Webern. It assumes, as a starting point, that the main question is not about relating painting and music but rather about the relation between moving towards painting and moving towards music, hence the relation between forming forces and not between formed forms. Since for Klee the musical structure of the pictorial is understood as “active linear (...) polyphony,” the article develops this notion in conversation with Webern’s thoughts on the polyphonic structure of twelve-tone music. The general purpose of the article is to determine what kind of thoughts emerge from the in-between of painting and music. (shrink)

In this article, a discussion about memory in exile is presented that takes up the thesis that exile is a condition of post-existence and afterness. The main claim is that exile is not only existence after a cut and separation but is an existing as afterness, in a “present tension” of being with the without and without a with. It reveals a sense of the present and of presence as multi-directed movements, as clusters of echoes and delayings. In exile, memories (...) are not the continuous simultaneity of double images but are rather “photisms,” shimmering between images, the coming and going between languages, experiences, a longing back and forth. Exilic memory is the experience that bears witness to the present as the movement of presencing, of appearing while sliding away. (shrink)

Using abstract art as a paradigm, this paper attempts to think, in a provisional manner, the parameters of what the author calls `abstract hermeneutics'—a way of thinking capable of responding to the withdrawing, or abstracting , movement of Being. Such abstract thinking—which is an abstracting thinking of the abstract—aims to step beyond objectivity precisely in order to return to phenomenological concreteness. Through an engagement with Heidegger's understanding of the formal indicative role of the human being as sign ( Zeichen ), (...) the affinity between the abstracting gestures of abstract art, and the absenting characteristic of human existence, is explored. (shrink)

The present article proposes a reflection on the relation between music and language setting out from the experience of listening to words and listening to music. It relies to a certain extent upon an existential-phenomenological approach and develops the distinction between the sounding of sounds and the sound of sounding. From this distinction, a redefinition of rhythm is suggested based on the experience of listening and on the close listening to some pieces of music.

This article discusses Alejandro Vallega’s book, Latin American Philosophy: From Identity to Radical Exteriority, proposing a series of questions in which the problem of situating Latin American thought in the topos of Western philosophy is addressed. Further questions considered here include how to rethink identity and difference from the perspective of Latin American experience, and, last but not least, what do “situated thinking” and “engaged thought” mean?

This article discusses the relation between philosophy and heart from the viewpoint of a transplanted heart. It is a reflection on Jean-Luc Nancy’s thoughts on the heart as intruder in the thought of the world. Departing from the personal experience of a heart transplant, Nancy develops a deconstruction of the idea and experience of the self, showing that the need of another heart in the body of philosophy and in the body of the world has to do with the urgence (...) of experiencing the self as soi-autre, as selfother, which is perhaps nothing but rhythm. Reading passages of his last book Cruor, the article aims to think together the rhythm of a transplanted heart, and of the heart of selfother. (shrink)

This article presents Clarice Lispector’s view on writing, showing that for her literature is the writing of the act of writing itself. In question is the writing of the act while acting, the is-being of existence. In this sense, Lispector described her writing as the writing of a screaming object, as abstract writing, almost a painting. Following some central passages of different works, the article is an attempt to seize the main traits of what could be called the gerundive act (...) of literature of Clarice Lispector. (shrink)

A questão que vai guiar minha reflexão é da necessidade de se precisar o que seja uma vida filosófica e de que maneira a vida filosófica está relacionada à necessidade de se desenvolver uma filosofia da vida. A questão pode ser formulada do seguinte modo: são as expressões vida filosófica e filosofia da vida idênticas? De que modo uma filosofia da vida pode indicar o sentido de uma vida filosófica e viceversa? Trata-se na verdade de uma questão-guia do questionamento mais (...) específico desse artigo que é aquele de discutir a possibilidade de uma fenomenologia da vida, trazendo Barbaras e Heidegger para uma conversa filosófica. (shrink)

Ce volume rassemble pour l’essentiel les contributions d’un colloque organisé à l’université de Södertörn (Suède) en 2006. Dans leur introduction, les éditrices, J. Bornemark et M. Sà Cavalcante Schuback, rappellent l’importance et la diversité des travaux que des phénoménologues comme Max Scheler, Ortega y Gasset, Eugen Fink, Simone de Beauvoir, Ludwig Binswanger ainsi qu’Emmanuel Levinas et Jean-Luc Marion ont implicitement ou explicitement consacré au phénomène érotique. Comment la phénomé...

ABSTRACT Marcia Sá Cavalcante Schuback’s Time in Exile illuminates being in “gerundive time.” The gerundive tense (which is similar to the infinitive tense in English) captures how our being is always already “suspended” between worlds and meanings—how our being is a “non-final verb.” Schuback considers such existence in the work of Martin Heidegger, Maurice Blanchot, and Clarice Lispector. Of the three thinkers, Lispector’s writing best reveals how existence (especially existence in exile) is an “immense struggle for presence.” (...) Schuback’s hope is that we may find a home in our homelessness. (shrink)

O autor Darlei Dall’Agnol é formado em Filosofia pela Universidade de Caxias do sul e cursou mestrado em Filosofia na Universidade Federal do Rio Grande do Sul, com uma dissertação sobre ética e linguagem em Wittgestein; fez Doutorado em Filosofia na Universidade de Bristol, Inglaterra, defendendo tese sobre valor intrínseco na ética de Moore. Publicou vários livros na área de Ética e possui inúmeros artigos e capítulos de livros publicados no Brasil e no exterior. Algumas das obras desse autor são: (...) Ética e Linguagem: uma Introdução ao Tractatus de Wittgenstein, Valor Intrínseco – Metaética, ética normativa e ética prática em G. E. Moore, ambas com publicação em 2005. (shrink)

The theme of this paper is that people in Northeast Brazil refuse to let a good person who helped them during his (or her) lifetime die. They do this through several of the religious traditions practiced in the region. Beings, human and other, now in another plane of reality established in modern thinking, cross the conceptual divide and return through mediums or other intermediaries to heal the living. We examine two religious traditions, “folk” or “popular” Catholicism and Kardecist‐Spiritism, focusing on (...) the spirit of Argeu Hebster, a medical doctor who lived in the municipality of Marangaupe in the state of Ceará until his death in 1977. The return of the doctor is told in stories told to the authors while doing ethnography that provide the data used in analyzing the enchanted worlds of the two religions. (shrink)

Este trabajo propone analizar los avances en la jurisprudencia del Tribunal Constitucional de Brasil sobre el control de constitucionalidad de la norma que establece la prohibición de donación de sangre de hombres que hayan tenido relaciones sexuales con otros hombres. La necesidad de ampliación de donadores de sangre por causa de la pandemia de COVID-19 desencadenó un proceso de presión social por parte de instituciones democráticas y de organizaciones no gubernamentales, que culminó con la votación de la ADI 5543 y (...) con la aplicación interna de los principios de igualdad y no discriminación y de normas internacionales de derechos humanos. (shrink)

O objetivo deste artigo é resgatar na obra de Michel Foucault reflexões acerca da articulação entre o saber médico moderno e o poder do Estado em instalar políticas públicas de saúde como a que vemos em todo o mundo de isolamento social como medida preventiva contra o avanço da pandemia do Covid-19 no ano de 2020, demonstrando que esta estratégia não é uma novidade dos dias de hoje e como as reflexões de Foucault acerca do surgimento da medicina moderna e (...) do Estado pode nos auxiliar a compreender esta quarentena que muitos estejam experenciando como uma estratégia biopolítica derivada desta relação saber-poder. (shrink)

O ensaio Amiúdes Cambiantes é um compilado de fotografias que escrutinam este sintoma, oferecendo seu ângulo para salientar as condições que pairam sobre o sujeito contemporâneo. As fotografias foram tiradas entre os anos de 2018 a 2020, nos estados de Mato Grosso do Sul, Rio Grande do Sul e São Paulo.

In this paper, we illustrate some important concepts of philosophy of science through the exposure of two macroeconomic models fairly simple, classical and Keynesian, presented in introductory macroeconomic courses. Concepts worked in philosophy of science as the hypothetical-deductive model, the symmetry thesis, the idea of Kuhnian paradigm, Lakatosian scientific research program, as well as those proposed by Lawson in the field of critical realism, are sought and identified in these macroeconomic models as a way to show that the study of (...) methodology is fundamental to the understanding of the scientific theories — the raw material of social science. (shrink)

Analisa a influência do pensamento da “Escola de Frankfurt” na Ciência da Informação. Realiza estudo descritivo, de caráter epistemológico, subsidiado pela hermenêutica habermasiana. Apresenta interlocuções da “Teoria Crítica” de Frankfurt no campo das ciências sociais, notadamente, no contexto da Ciência da informação, por meio dos estudos e pesquisas publicados junto ao campo, na contemporaneidade. Dimensiona os pensadores frankfurtianos mais referenciados no campo da informação, com base no cenário contemporâneo do conhecimento no campo. Destaca as articulações dos constructos frankfurtianos às tendências (...) e tópicos teóricos, metodológicos e temáticos da Ciência da Informação, evidenciando aqueles mais expressivos, propulsores e representativos dessa articulação na contemporaneidade. Conclui destacando que os encaminhamentos frankfurtianos erguem-se sobremaneira fecundos como via para se conceber e perceber a informação e a Ciência da Informação em termos humanos, sociais e crítico-reflexivos, de modo a reafirmar seu pertencimento à condição de ciência social, muito além de projeções pragmatistas, tecnicistas e positivistas. (shrink)

Pretendemos neste artigo analisar a relação entre tragédia antiga e moderna tal qual se apresenta na obra _Ou-Ou_, de Kierkegaard. Assim, analisando o conceito de tragédia na antiguidade e sua mudança na modernidade, afigura-se como problema mostrar de que maneira a reflexão acerca do trágico aponta uma condição para que a arte moderna tenha significado. Levando em conta, então, que a tragédia antiga é caracterizada pela ação no seio do Estado, da família e da religião e que, por outro lado, (...) a tragédia moderna é determinada pela reflexão, procura-se mostrar que o pesar ligado à ação e suas consequências, torna-se angústia ligada à reflexão e à possibilidade de uma vida trágica. Para tal, primeiro analisa-se o conceito de tragédia antiga e moderna de acordo com o exposto por Hegel em seus _Cursos de Estética_, desse modo, pode-se melhor ver de que modo Kierkegaard se apropria do exposto por Hegel, mas também de que maneira diverge deste. Isto feito, será possível ver que enquanto Hegel vê na tragédia uma reconciliação das forças opostas, Kierkegaard acentua o caráter esteticamente ambíguo da mesma, afastando-se de qualquer reconciliação. E que, ao assim fazê-lo, indica que a arte moderna só ganha significado com o renascimento do trágico na modernidade. (shrink)