Written by leading scholars in the field, this collection analyses the notion of travel writing as a genre, while tracing significant examples of Mediterranean travel writing that return us to Ancient Greece, to Medieval pilgrimages, to Venetians diplomatic missions, to an Egyptian's account of Paris in the nineteenth century, to French artistic journeys in North Africa and to contemporary narratives of privileged resettlement, death and dislocation.

Focusing on A Sketch of Sites and Objects in the Imperial Capital, this article examines how the primary author, Liu Tong, created and preserved the cultural memory of Beijing through writing the city’s scenic sites in the waning years of the Ming dynasty. Liu Tong, who sojourned in the capital then situated on the state’s frontier, observed Beijing during a period of comprehensive decay. This temporal and spatial framework affected the way he observed Beijing’s northern landscape features and inspired him (...) to both preserve the city’s literary and historical heritage and report on its current dilapidation. This study addresses Liu Tong’s literary strategies to preserve Beijing’s literary legacy and surviving landscapes, with particular attention to his adaptation of earlier travel writings about Beijing, his development of a new lyrical style of prose, and the portrayal of the immediate reality of his lived experience. (shrink)

Ethics of Description: The Anthropological Dispositif and French Modern Travel Writing follows the development of a minor tradition in French literature where metropolitan authors traveling abroad demonstrate their awareness of the ethical conundrums of representing world peoples. During the colonial-modern era, currents of anthropological thought and representational practice are identifiable throughout society, and across literature, the arts, and the sciences. Collectively, they can be theorized as belonging to a dispositif, the anthropological dispositif. The modernization of anthropology serves as an (...) ambivalent interlocutor for the realizations of the writers studied in this book about the difficulties of describing cultural realities that lie largely outside their ken. Anthropology motivates new literary representational strategies that are, alternatively, in keeping with scientific mandates or operate against them. Forty images are analyzed alongside literary works. A postcolonial chapter shows how the ethical awareness of the colonial-modern authors studied have impacted minority self-representation in contemporary France. (shrink)

Travel writing is characterized by a narrative discourse that describes landscapes, transforms adventure into a mythical journey and reveals the fears of humankind. The sea gathers momentum when the protagonists overcome the fear of death. However, the significance of the tune of sea songs has not been adequately highlighted, being relegated as side special effects that embellish the narration. The aim of this paper is to analyze the symbolical element of the songs to foreground its function in sea (...) class='Hi'>travel writing in the English and American fiction from the 18th to the 21st century accounts, and their symbolic implication. (shrink)

The first book of its kind to study the Romantic obsession with the 'antique lands' of Ethiopia, Egypt, India, and Mexico, Curiosity and the Aesthetics of Travel Writing is an important contribution to the recent wave of interest in exotic travel writing. Drawing generously on both original texts and modern scholarship in literature, history, geography, and anthropology, it focuses on the unstable discourse of 'curiosity' to offer an important reformulation of the relations between literature, aesthetics, and colonialism in (...) the period. (shrink)

SUMMARYAs the Enlightenment drew to a close, translation had gradually acquired an increasingly important role in the international circulation and transmission of scientific knowledge. Yet comparatively little attention has been paid to the translators responsible for making such accounts accessible in other languages, some of whom were women. In this article I explore how European women cast themselves as intellectually enquiring, knowledgeable and authoritative figures in their translations. Focusing specifically on the genre of scientific travel writing, I investigate the (...) narrative strategies deployed by women translators to mark their involvement in the process of scientific knowledge-making. These strategies ranged from rhetorical near-invisibility, driven by women's modest marginalization of their own public engagement in science, to the active advertisement of themselves as intellectually curious consumers of scientific knowledge. A detailed study of Elizabeth Helme's translation of the French ornithologist François le Vaillant's Voyage dans l'intérieur de l'Afrique [Voyage into the Interior of Africa] allows me to explore how her reworking of the original text for an Anglophone reading public enabled her to engage cautiously – or sometimes more openly – with questions regarding how scientific knowledge was constructed, for whom and with which aims in mind. (shrink)

The decades between 1770 and 1840 are rich in exotic accounts of the ruin-strewn landscapes of Ethiopia, Egypt, India, and Mexico. Yet it is a field which has been neglected by scholars and which - unjustifiably - remains outside the literary canon. In this pioneering book, Nigel Leask studies the Romantic obsession with these 'antique lands', drawing generously on a wide range of eighteenth- and nineteenth-century travel books, as well as on recent scholarship in literature, history, geography, and anthropology. (...) Viewing the texts primarily as literary works rather than 'transparent' adventure stories or documentary sources, he sets out to challenge the tendency in modern academic work to overemphasize the authoritative character of colonial discourse. Instead, he addresses the relationship between narrative, aesthetics, and colonialism through the unstable discourse of antiquarianism, exploring the effects of problems of creditworthiness, and the nebulous epistemologicial claims of 'curiosity', on the contemporary status of travel writing.Attentive to the often divergent idioms of elite and popular exoticism, Curiosity and the Aesthetics of Travel Writing plots the transformation of the travelogue through the period, as the baroque particularism of curiosity was challenged by picturesque aesthetics, systematic 'geographical narrative', and the emergence of a 'transcendental self' axiomatic to Romantic culture. In so doing it offers an important reformulation of the relations between literature, aesthetics, and empire in the late Enlightenment and Romantic periods. (shrink)

This article considers the ways in which eighteenth-century womens travel narratives function as autobiographical texts, examining the process by which a travellers dislocation from home can enable exploration of the self through the observation and description of place. It also, however, highlights the complexity of the relationship between two forms of writing which a contemporary readership viewed as in many ways distinctly different. The travel accounts considered, composed in manuscript form, in many ways contest the assumption that manuscript (...) travelogues will somehow be more self-revelatory than printed accounts. Focusing upon the travel writing of Lady Mary Wortley Montagu, Katherine Plymley, Caroline Lybbe Powys and Dorothy Richardson, the article argues for a more historically nuanced approach to the reading of womens travel writing and demonstrates that the narration of travel does not always equate to a desired or successful narration of the self. (shrink)

Classic Edward Said´s term Orientalism was widely applied to those narratives and story-telling oriented to deride, subordinate and domesticate the “Non-Western Other”. Over centuries, Europe has developed an imperial matrix that is finely enrooted in an uncanny long-dormant paternalism where “the Other” was treated as a child to educate. The European expansion was ultimately feasible according to two combined factors. The knowledge productions by the hands of scientists occupied a great position in the entertainment of global readerships, and of course, (...) the literary fiction embodied in the figure of travel writing. This literary genre was mainly marked by the presence of a European adventurer who launched to colonize an unknown world. Travel writings spoke us of the native language of travelers who interrogated furtherly the natives. The present paperwork centers on what Derrida dubbed as “the axiom of hospitality” which means the power of language to control and domesticate the “Other”. The lingua franca not only represents the language of empire but also from the lords. In this way, world Language plays a leading role in giving a great cosmology of the surrounding world as well as legitimating the imperial expansion. (shrink)

Ce livre est, comme le titre l’indique, un objet hybride, à la fois dictionnaire et anthologie. L’auteur n’est pas une historienne professionnelle mais une écrivaine, déjà auteur d’une biographie d’une de ses aventurières, l’Anglaise Adela Breton, qui fut une pionnière des séjours et des relevés archéologiques à travers le Mexique précolombien à la fin du xixe siècle (Albuquerque, University of New Mexico Press, 2005). Chaque notice individuelle est suivie d’une indication de sources (parfois...

This article addresses the critically neglected relation between Baedekers and nationalism, in order to articulate the reasons for the decline of the Baedeker empire in the early twentieth century. Conditions in the First World War undermined the Baedekers' foundational concepts of landscape description. Additionally, the guidebooks emblematized a lost pre-war style of international journey. However, evidence in unexplored archival and fictional sources qualifies our understanding of these changes. This article revisits and reconciles such assessments, by explaining how the war also (...) recast the Baedekers' mediation of international access as a form of nationalist expansionism, and hence a suspect project. (shrink)

Counterpath is a collaborative work by Catherine Malabou and Jacques Derrida that answers to the gamble inherent in the idea of “travelling with” the philosopher of deconstruction. Malabou's readerly text of quotations and commentary demonstrates how Derrida's work, while appearing to be anything but a travelogue, is nevertheless replete with references to geographical and topographical locations, and functions as a kind of counter-Odyssey through meaning, theorizing, and thematizing notions of arrival, drifting, derivation, and catastrophe. In fact, by going straight to (...) the heart of the Derridean idea of “spacing,” she finally makes it seem as though Derrida has never written about anything but travel. Malabou's text is punctuated by a series of postcards received by Derrida from destinations such as Istanbul and Porto, Laguna Beach and Athens, which are inspired by his reading of her evolving discussion. Writing in a familiar and unguarded manner, as if he were “on vacation” from his own writing, Derrida still remains totally faithful to that work and invites the reader to reflect on much of what haunts his texts as well as his daily life, questions of distance and death, the relation to the other, and exile. (shrink)

Among race theorists, the view that race is a social construction is widespread. While the term ‘ social construction’ is sometimes intended to mean merely that race does not constitute a robust, biological natural kind, it often labels the stronger position that race is real, but not a biological kind. For example, Charles Mills writes that, ‘‘the task of those working on race is to put race in quotes, ‘race’, while still insisting that nevertheless, it exists ’’. It is to (...) ‘‘make a plausible social ontology neither essentialist, innate, nor transhistorical, but real enough for all that’’. Racial constructionism, thus conceived, is a metaphysical position that contrasts both with the view that race is an important biological kind and with the more recent claim that race does not exist. The desire for a constructionist metaphysics of race emerges against the background of a cluster of normative disputes, including. (shrink)

Originally published in 1984, this volume documents Bertrand Russell’s travels in America covering the period 1945-1970. It is presented in two halves with the first a biographical account of Russell’s involvement with the United States, with special reference to the seven visits he made there during this time period. Throughout this section the most representative of Russell’s journalistic writings are highlighted and these are presented as full texts in the second half of the book. This collection is assembled to (...) provide an understanding of Russell’s deep and many-sided involvement with the United States during his life. A documented account, it is supplemented with important letters, photographs and newspaper articles. (shrink)

Originally published in 1973, this volume documents Bertrand Russell’s travels in America covering the period 1896-1945. It is presented in two halves with the first a biographical account of Russell’s involvement with the United States, with special reference to the seven visits he made there during this time period. Throughout this section the most representative of Russell’s journalistic writings are highlighted and these are presented as full texts in the second half of the book. This collection is assembled to (...) provide an understanding of Russell’s deep and many-sided involvement with the United States during his life. A documented account, it is supplemented with important letters, photographs and newspaper articles. (shrink)

This book explores the way in which, working within the investigative tradition associated with the Royal Society, the philosopher John Locke (1632-1704) used ...

_Counterpath_ is a collaborative work by Catherine Malabou and Jacques Derrida that answers to the gamble inherent in the idea of "travelling with" the philosopher of deconstruction. Malabou's readerly text of quotations and commentary demonstrates how Derrida's work, while appearing to be anything but a travelogue, is nevertheless replete with references to geographical and topographical locations, and functions as a kind of counter-Odyssey through meaning, theorizing, and thematizing notions of arrival, drifting, derivation, and catastrophe. In fact, by going straight to (...) the heart of the Derridean idea of "spacing," she finally makes it seem as though Derrida has never written about anything but travel. Malabou's text is punctuated by a series of postcards received by Derrida from destinations such as Istanbul and Porto, Laguna Beach and Athens, which are inspired by his reading of her evolving discussion. Writing in a familiar and unguarded manner, as if he were "on vacation" from his own writing, Derrida still remains totally faithful to that work and invites the reader to reflect on much of what haunts his texts as well as his daily life, questions of distance and death, the relation to the other, and exile. (shrink)

SummaryThe relationship between travel, travel narrative, and the enterprise of natural history is explored, focusing on activities associated with the early Royal Society. In an era of expanding travel, for colonial, diplomatic, trade, and missionary purposes, reports of nature's effects proliferated, both in oral and written forms. Naturalists intent on compiling a comprehensive history of such phenomena, and making them useful in the process, readily incorporated these reports into their work. They went further by trying to direct (...) the course of travel to suit their ends, but the complex story of how travel influenced the direction of study cannot be told without acknowledging the influence of objects acquired in a random fashion, arriving in a miscellany off returning ships. Travel writing complemented the activity of documenting nature's history, supplementing the range of available testimony. Such accounts of travel became an accepted source for information, cross-references, and queries, ostensibly eliminating error and advancing knowledge. The difficulty of identifying and classifying objects added to the importance of these reports; furthermore, the scope for attending to prodigies created the grounds for accepting tales of marvels and monsters. The fluid exchange between travel, narrative, and natural history often masked rather than exposed problems of belief, testimony, and evidence, perpetuating an economy of error in which knowledge was both advanced and retarded. (shrink)

In the winter of 1859, the Boston poet Julia Ward Howe sailed for Cuba; and in the winter of 1860, Ticknor and Fields published an account of her travel. A Trip to Cuba appeared only months after the same firm had published Richard Henry Dana's story of his ???vacation voyage,??? To Cuba and Back . These two narratives responded to a burgeoning American interest in the Caribbean island that promised recuperation to American invalids and adventure for military ???filibusters.??? Howe's (...) narrative demonstrated a self-conscious familiarity with antebellum travel writing more broadly, however, as she playfully resisted yet ultimately upheld various conventions of a genre that had become a staple of the American literary marketplace. ???I do not know why all celebrated people who write books of travel begin by describing their days of seasickness,??? she noted, before discussing her own shipboard illness. She followed similar cues as she blended elements of autobiography, the social sketch, nature writing, and political and social commentary. Across 250 ???sprightly??? pages, readers were offered a familiar melange of humorous portraits, detailed descriptions of ???foreign??? institutions, and extensive commentary on local customs and social mores. (shrink)

Introduction -- The muse of paralysis -- Horizon of conquest: Eugene Fromentin's Algerian narratives -- Slow progress: Jean Paulhan and Madagascar -- Frustration: Michel Leiris -- Atopia: Roland Barthes -- The wake of Ulysses.

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Rhetoric 34.3 (2001) 225-244 [Access article in PDF] Sophistic Travel: Inheriting the Simulacrum Through Plato's "The Sophist" John Muckelbauer Was it not Plato himself who pointed out the direction for the reversal of Platonism? ------Gilles Deleuze, The Logic of Sense 1. Developing an itinerary: guides and lineages A single question marks our departure, a question that, while apparently straightforward, has assumed so many shapes and disguises (...) that it would not be unjust to claim it has infected all of Western history. In its current manifestation, however, we will take our cue from Plato in phrasing it thus: What is a Sophist? When Plato first formulated the question in these terms, he well understood that its self-evident simplicity could be deceptive and that its effects might proliferate uncontrollably. As Jacques Derrida comments, "The question of what the Sophists really were is an enormous question" (Olson 17). In Plato's case, attempting to "hunt down" the Sophist led from a disturbing journey through the world of images to an unsettling encounter with the existence of nonbeing.Of course, the issue of Plato's distaste for sophistry is well-covered ground, so well-covered, in fact, that nearly all contemporary rhetorical scholarship that attempts to assert the value of sophistic rhetoric does so by reproducing an antagonism between sophistry and Platonism (see, e.g., Poulokos, Jarratt, Vickers). 1 A particularly interesting example, simply because it is so persistently skeptical of most conventional assumptions about sophistry, is G. B. Kerford's The Sophistic Movement. It is an excellent and careful treatment of sophistry in which he insists on the importance of approaching the Sophists without prior assumptions as to their relationship to the history of thought or politics--something that he shows has been far too prevalent in previous appropriations. Nevertheless, in his treatment of Plato's dialogue the Sophist, he writes, "It is clear that [Plato's] characterizations [End Page 225] in the Sophist constitute an outright condemnation" (5). Given the wealth of readings of different dialogues that express sentiments similar to Kerford's, the antagonistic structure of Platonic-Sophistic relations is apparently quite certain; it is something we know.It is also true that as a result of the many forays across the terrain of this antagonism, we know a great many other things about the relationship between Plato and sophistry. We know, for instance, that Plato was an idealist who abhorred the Sophist's interest in practical discursive wisdom. We know, as well, that Plato was a reactionary aristocrat who resented the Sophists for selling speeches and encouraging democracy. Without question, the many trips across this oppositional territory have been important expeditions for both Philosophy and Rhetoric, providing each discourse with a sense of its own distinct identity. 2 At very least, the mutual suspicion that often characterizes contemporary relations between these two disciplines is symptomatic of our inheritance of this Platonic mantra.It is, of course, quite difficult to avoid repeating this mantra of opposition between Philosophy and Rhetoric. Any attempt to champion one of the terms--even the supposedly underprivileged one, Rhetoric--overtly reproduces this opposition. But so too do most efforts to reduce one term to the other (i.e., claims stating that Philosophy is inevitably rhetorical) insofar as they must begin with the assumption that they know what rhetoric is; in other words, they must begin with what may schematically be characterized as a philosophical relation to rhetoric and to philosophy. Said differently, the two common disciplinary strategies that generate the opposition between rhetoric and philosophy, (1) championing the Sophists over Plato and (2) claiming that Plato is rhetorical, both effectively privilege the very notion of philosophy that they are attempting to discredit, i.e., one that is based on the notion of a preexistent, recognizable, and knowable identity, a fundamental truth.Given the renewed scholarly interest in the Sophists as early rhetoricians, it is curious that very few and very brief rhetorical engagements exist with the Platonic dialogue the Sophist--largely, one suspects, either because everyone already "knows" that it contains yet another... (shrink)

As one of the most widely read genres of literature, travel writing plays a crucial role in forming popular images and understandings of foreign places and foreign peoples. This essay examines the dominant images of rainforests and rainforest peoples portrayed in accounts of travels in tropical America published in National Geographic. Special attention is paid to the issues of how particular representations are privileged in this magazine's travel accounts and how these representations relate to questions of authority and (...) power. The analysis shows that the prevailing representations of the tropical forests and tropical forest-dwellers in the travel accounts of National Geographic rely on historically changing, but equally categorical distinctions between 'good' and 'bad', and 'natural' and 'unnatural'. (shrink)

The writings of Bruno Latour have invigorated empirical inquiry in the social sciences and in the process helped to redefine their character. In recent years the philosophy of social science that made this inquiry possible has been deployed to a different end, namely that of rethinking the character of politics. Here I suggest that in the pursuit of this goal, inflated claims are made about that philosophy, and some basic theoretical tools are asked to do a job for which (...) they may not be best equipped. (shrink)

This article is devoted to presenting the intermedia journalistic project called Out of Eden Walk and launched by American reporter Paul Salopek. Based on values such as journalistic reliability and the in-depth view of the reality, the project can be situated within the framework of the popular strands of slow journalism and slow travel. Salopek’s intention was to present Out of Eden Walk as an alternative to the rapidity of mass media communication and popular travel writing. The purpose (...) of this paper is to demonstrate the way in which Salopek uses media convergence mechanisms for creating an intermediary journalistic message, which is then distributed via various communication platforms based on both new media and traditional media. (shrink)

Our journeys are never only to the exterior: the interior journey of the traveller has a long tradition, witnessed in travel writings of authors like Montaigne and Unamuno, and in the history of literature as a whole understood as a hodoeporics. We ceaselessly pursue things which give us pleasure and fulfil our needs, including the specific kind of enjoyment that travel and tourism afford. The desire to travel is closely tied to an original kind of nostalgia, (...) the desire for self-discovery. Hailing from Heraclitus, Socrates, and the sayings of the Seven Wise Men of Delphi, this desire manifests itself as a fundamental motivating force of travel and tourism. Although we humans tend to “grow our desires big,” like the tyrant in Plato’s Republic, the pursuit of tourism is not to be equated with mere self-indulgence. The tension between a life of physical enjoyment and the life of the mind, a life of action and a life of contemplation, is decisive for proper understanding of the phenomenon of tourism, and in the history of Western philosophy is perhaps most pronounced in Plato and the philosophy of Platonism. Plato and Plotinus recommend an integrative view of their relationship – while gently steering us away from the tyranny of unbounded pursuit of our every drive and lust. To achieve proper balance in tourism, it is necessary to take account of humans’ natural drives. Properly fostered and cultivated, these can provide the basis upon which our second, higher nature can begin to unfold. (shrink)

For the past three decades, notebooks and note?taking practices have elicited growing interest in various fields of research: anthropology, media and literature studies, history of the book, history of science. In this renewal, however, scientific travelers? notes have not received all the attention they deserve. To be sure, historians of discovery and exploration are used to considering travel diaries and field notes as a principal resource, on the basis of which they can assess a traveler?s accomplishment or document his (...) itinerary. From a different perspective, field journals offer rich material to literary scholars, critics, and specialists of travel writing. Notebooks of well?known travelers like Bougainville or Humboldt are thus scrutinized in their poetic and aesthetic dimensions, from the perspective of the genesis of travel writing. Still, few studies have taken up the task, a rather mundane and down?to?earth endeavor, to look at travel notebooks for their own sake, as material objects, made of paper and cardboard, and meant to store observational data and to insure their availability through time and space. The paper sets out to do just that: to take a set of manuscript notebooks written by eighteenth? and early nineteenth?century French, German, and Swiss naturalist travelers and scientists on the move together with the techniques at work in their writing, as the focus of a historical investigation. (shrink)