Divination forms an unexpectedly high proportion of our total information on Sparta’s politics, internal and external. It should be studied diachronically, as well as generically. To abstract it from secular and political context would conceal both causes and effects of religious credulity. We read that Sparta’s hereditary dyarchs, the state’s chief generals, were appointed, controlled and deposed according to the interpretation of omens and oracles. Grand omens in particular were respected, such as earthquake or a succession of military failures. This (...) was in keeping with the Spartan bias in favour of events that all could perceive. Sparta’s kings made famous and apparently extravagant claims to have privileged ancient links with the gods. But by studying the political vulnerability of the kingship, we see these religious pretentions as defensive, the most effective shield for an institution under threat. (shrink)

As he neared 80 Russell was more financially secure than he had been for decades. But to remain so he needed to maintain his prodigious output as a writer, broadcaster and lecturer (see Papers 26, forthcoming). Meanwhile, the breakdown of his third marriage threatened to undermine his much-improved financial position. The monetary concerns addressed in both the text prepared by Russell and the related commentary hint at a lifetime’s scrupulous regard for his personal finances.

The name recognition of Pierre-Joseph Proudhon in France during the early twentieth century was used to rally left-wing syndicalists and right-wing neo-monarchists to the 1911–14 Cercle Proudhon, a small political organization whose creation was once considered to represent the origins of European ‘fascism’. Oddly, no scholars have examined what Proudhon’s actual ideas about monarchy were and how they might have related to his criticisms of existing forms of political representation. This first part of a two-part series examines Proudhon’s evolving consideration (...) of royalty from the July Monarchy until his exile in Belgium in 1858. It explores how Proudhon’s ideas about monarchy were impacted by his hostility to French liberal and republican attempts at electoral reform from 1838 until 1848. It then looks at how his assessment of monarchy began to change after his experience of the Second Republic and the latter’s experiment in universal manhood suffrage. For Proudhon, the ill-fated 1848-52 regime showed how democratic voting could contribute to a dangerous Caesarist personalization of state power and facilitate a fluid transition from republic to empire. During the early years of the Second Empire, Proudhon sometimes expressed nostalgia for liberal ideas of constitutional monarchy fashionable during the earlier 1814–48 era. He did not advocate restricting suffrage again like during the pre-1848 period, however. (shrink)

This second half of a two-part essay examines how Proudhon’s ideas about monarchy changed during his 1858–62 Belgian exile and further evolved upon his return to France around the time of the 1863 legislative elections. If Proudhon justified monarchy’s role in state formation in the French pre-revolutionary past, he did not want the political liberalization of the Second Empire to lead to a return to a regime ressembling the July Monarchy. He attempted in the final years of his life to (...) develop a theory of constitutional evolution which could explain France’s internal political evolution since 1789 and Europe’s geopolitical evolution since the Vienna Settlement. This theory was designed to indicate why the teleological logic at work in both national and international developments since the French Revolution spelled the death knell for Napoleon III’s regime and pre-empted any regression to those political constitutions which came before the February 1848 Revolution in France. While developing these reflections, Proudhon continued to imagine alternative forms of political and social representation anticipating and influencing the way in which later theories of federalism and corporatism were discussed during the French Third Republic in a context of general dissatisfaction with parliamentary democracy. (shrink)

Finds solutions to the world's greatest challenge climate change in global ethicsNew for this editionIncludes recent climate diplomacy and international agreementsPresents current data and information on climate scienceUpdated statistics; e.g. in chapters and sections that look at poverty and wealthExpanded learning guide for students and lecturersGlobal Ethics and Climate Change combines the science of climate change with ethical critique to expose its impact, the increasing intensity of dangerous trends particularly growing global affluence, material consumption and pollution and the intensifying moral (...) dimensions of changes to the environment. It shows you that global justice is vital to mitigating climate change. All of the author's royalties are being paid directly to the charity Oxfam. (shrink)

_Yanomami_ raises questions central to the field of anthropology—questions concerning the practice of fieldwork, the production of knowledge, and anthropology's intellectual and ethical vision of itself. Using the Yanomami controversy—one of anthropology's most famous and explosive imbroglios—as its starting point, this book draws readers into not only reflecting on but refashioning the very heart and soul of the discipline. It is both the most up-to-date and thorough public discussion of the Yanomami controversy available and an innovative and searching assessment of (...) the current state of anthropology. The Yanomami controversy came to public attention through the publication of Patrick Tierney's best-selling book, _Darkness in El Dorado,_ in which he accuses James Neel, a prominent geneticist who belonged to the National Academy of Sciences, as well as Napoleon Chagnon, whose introductory text on the Yanomami is perhaps the best-selling anthropological monograph of all time, of serious human rights violations. This book identifies the ethical dilemmas of the controversy and raises deeper, structural questions about the discipline. A portion of the book is devoted to a unique roundtable in which important scholars on different sides of the issues debate back and forth with each other. This format draws readers into deciding, for themselves, where they stand on the controversy’s—and many of anthropology’s—central concerns. All of the royalties from this book will be donated to helping the Yanomami improve their healthcare. (shrink)

Now, back to the picture. On the illusionist reading the spectators have become identical with Philip IV and Maria Ana. Given its position across the room and our position at the front of the scene, we would have to see ourselves in the mirror, but we only see the royal couple. Now what exactly is the painter on the left painting? Well it is obvious that he is painting us, that is, Philip IV and his wife. He looks straight at (...) us, scrutinizing our features, before applying the brush to the canvas. We have plainly caught him in the very act of painting us. But in what sort of picture is he painting us? The standard interpretation is that he is painting a full length portrait of what we see in the mirror. But there is an objection to that interpretation which seems to me fairly convincing. The canvas he is painting on is much too large for any such portrait. The canvas on which he is painting is indeed about as big as the one we are looking at, about 10 feet high and 8 feet wide . I think that the painter is painting the picture we are seeing; that is, he is painting Las Meninas by Velazquez. Although this interpretation seems to me defensible on internal grounds alone, there are certain bits of external evidence: as far as we know, the only portrait Velazquez ever painted of the royal couple is the one we are looking at, Las Meninas. Velazquez is plainly painting us, the royal couple, but there is no other picture in which he did that; and indeed he seldom used such large canvases for interiors. The Spinners is a large-scale interior but most of his big canvases are equestrian portraits of Spanish royalty. John R. Searle, professor of philosophy at the University of California at Berkeley, is the author of Speech Acts, The Campus War, and Expression and Meaning. (shrink)

Should we stop spending money on things we do not really need and send the money instead to groups that aid victims of absolute poverty? Garrett Cullity and Peter Unger have given renewed vigor to the well known argument by Peter Singer that we should do this. Like Singer, Cullity and Unger compare our duties to the poor to our duties when we encounter a victim of calamity, such as a child in danger of drowning. Singer and Unger tell us (...) what to do and why we must do it; most starkly, Unger gives us the names, addresses, and toll-free phone numbers of four organizations to which we can donate, and the book cover tells us that the author's royalties are going equally to Oxfam America and the U.S. Committee for UNICEF. Unger dissolves the divide between theory and practice. (shrink)

Do ownership or markets influence news reporting about business issues? We used quantitative and discourse analyses to examine this question in reporting of eight Canadian newspapers about a controversial business issue, the proposal by an expert panel for the Alberta government to raise royalties paid by the oil and gas industry. We found some similarity among newspapers serving different markets but few commonalities within a large conglomerate and an equity alliance.

Considering the reward and punishment mechanism of the management committee and the complexity of innovation path selection of high-tech and general enterprises, this paper constructs an evolutionary game model of independent innovation incentive mechanism in the National Independent Innovation Demonstration Zone of China. Meanwhile, the equilibrium points of the strategy selection are solved for the three. In addition, this paper adopts numerical simulation to analyze the influence of each decision variable on different players’ strategic selections. The results show that the (...) initial willingness of the management committee, high-tech and general enterprises has different influences on each other, and these factors such as independent innovation cost, technology spillover coefficient, and patent royalty significantly affect the strategic selection of enterprises; the reward and punishment mechanism of the management committee can enhance the innovation willingness of high-tech and general enterprises, in which these punitive measures can promote further the independent innovation of the two; the greater the innovation subsidy provided by the management committee to high-tech enterprises, the heavier the punishment for general enterprises, and the better the effect of independent innovation incentives. The results can provide theoretical guidance and practical reference for the management committee to formulate the independent innovation incentive policies in the National Independent Innovation Demonstration Zone. (shrink)

Arguments analogous to those found in the late medieval theory of the king’s two bodies, popularized by Ernst Kantorowicz, were resurrected in early nineteenth-century constitutional theories of the moderating powers of monarchy. Post-revolutionary French liberal thought, echoed by its Portuguese counterpart, rediscovered the virtues of the institution of royalty, notably the immaterial and immortal body of the king. This rediscovery was prompted by the uncertainties of different national political contexts which made many contemporaries believe it desirable to integrate restored (...) monarchies within modern constitutional models for state stability. This first occurred with the Bourbons’ return to post-Napoleonic France and the restoration of the monarchy in 1814, and then with the Braganza royal family’s return to Portugal in 1821 after thirteen years of rule from Brazil. Using arguments similar to those previously made in late medieval European political and legal thought, French and Portuguese liberals developed a theory of the king’s two powers, according to which the monarch at once exercised a moderating power, defined by the abstract institutional nature of the king’s person, and an executive power, embodied within his physical person. This conceptualization of royal duality was intended to make it possible to delegate executive power to ministers, leaving the king only the attributes of a largely symbolic power. Liberals thereby hoped to confine the monarch to his purely institutional body in a de-politicized constitutional role. (shrink)

non, si Cambysae redeant et flumina Croesi,dicat ‘De nostro surge, poeta, toro’. In these two lines Propertius is proud to say that his puella would not dismiss him for the fabulous treasures of some dives amator. The problem is caused by the interpretation of Cambysae as given in all the manuscripts; it is difficult to understand both as a genitive singular and as a nominative plural. This form of the genitive is not, in fact, recorded before Apul. Fl. 15.12, and (...) the concurrent form Cambysis is even less common. Moreover, the Persian king Cambyses was not an example of opulence in Antiquity like the Lydian king Croesus, but of cruelty. The only passages where he is linked with the idea of richness are Apul. Mun. 26.13–15: Cambyses et Xerxes et Darius potentissimi reges fuerunt. Horum praepotentiam, quam ex opibus collegerant, lenocinium vitae effecerat celsiorem, and Juv. 14.328–31: Si nondum implevi gremium, si panditur ultra, | nec Croesi fortuna umquam nec Persica regna | sufficient animo nec divitiae Narcissi, | indulsit Caesar cui Claudius omnia, cuius | paruit imperiis uxorem occidere iussus, where we find apparently the same connection between Persian royalty and Croesus' richness that we read in Propertius' line. (shrink)

This paper focuses on analyzing the meaning of the appearance of the star at the birth of Christ from the ideological point of view of the ancient citizen. Romans understood this phenomenon as an omen of royalty or future power for the newborn; the Fathers of the Church interpreted it in different ways and attempted to explain it both to Christians as well as to Jews and Pagans.

The right of audience, in common law, is the right of a lawyer to represent a client in a court. Royalty, the Pope and some Presidents grant audiences. What does the power to grant an audience consist in? And what does it mean to demand an audience? Through a reading of the way in which the vocabulary of theatre, acting and audience is involved in the generation of a theory of state by Hobbes and Rousseau, this paper looks to (...) reopen these questions as a political resource for us to re-imagine and refigure our ways of being together. Through readings of Hobbes and Rousseau, it looks at the ways in which the performance of politics creates the public, the representative and the sovereign and the ways these figures interact. It proposes an alternative role for theatre as places of affective learning and a civic ethics of playfulness, in which the auto-institution of the state as an imagined collectivity is fully assumed. nema. (shrink)

In the United States, property rights are afforded protection, but moral rights are not. Up until 1989, the United States adamantly refused to join the Berne Copyright Convention, the first multilateral copyright treaty, now ratified by seventy-eight countries. The American government refused to comply because the Berne Convention grants moral rights to authors. This international policy was—and is—incompatible with United States copyright law, which recognizes only economic rights. Although ten states have enacted some form of moral rights legislation, federal copyright (...) laws tend to prevail, and those are still wholly economic in their motivation. Indeed, the recent pressure for the United States to agree, at least in part, to the terms of the Berne Convention came only as a result of a dramatic increase in the international piracy of American records and films.In September 1986, Senator Edward M. Kennedy of Massachusetts first introduced a bill called the Visual Artists Rights Act. This bill attempts to amend federal copyright laws to incorporate some aspects of international moral rights protection. The Kennedy bill would prohibit the intentional distortion, mutilation, or destruction of works of art after they have been sold. Moreover, the act would empower artists to claim authorship, to receive royalties on subsequent sales, and to disclaim their authorship if the work were distorted.4 This legislation would have prevented Clement Greenburg and the other executors of David Smith’s estate from authorizing the stripping of paint from Several of Smith’s later sculptures so that they would resemble his earlier—and more marketable—unpainted sculptures. Such moral rights legislations would have prevented a Japanese bank in New York from removing and destroying a sculpture by Isamu Noguchi simply because the bank president did not like it. And such legislation would have prevented the United States government from destroying Tilted Arc. 4. Although this section appeared in the original version of Kennedy’s bill, the current version provides for a study of resale royalties. Richard Serra is known for his large-scale site-specific works in landscapes, urban environments, and museums. (shrink)

Peer Review and Copyright each have a double role: Formal refereeing protects (R1) the author from publishing and (R2) the reader from reading papers that are not of sufficient quality. Copyright protects the author from (C1) theft of text and (C2) theft of authorship. It has been suggested that in the electronic medium we can dispense with peer review, "publish" everything, and let browsing and commentary do the quality control. It has also been suggested that special safeguards and laws may (...) be needed to enforce copyright on the Net. I will argue, based on 20 years of editing Behavioral and Brain Sciences, a refereed (paper) journal of peer commentary, 8 years of editing Psycoloquy, a refereed electronic journal of peer commentary, and 1 year of implementing CogPrints, an electronic archive of unrefereed preprints and refereed reprints in the cognitive sciences modeled on the Los Alamos Physics Eprint Archive, that (i) peer commentary is a supplement, not a substitute, for peer review, (ii) the authors of refereed papers, who get and seek no royalties from the sale of their texts, only want protection from theft of authorship on the Net, not from theft of text, which is a victimless crime, and hence (iii) the trade model (subscription, site license or pay- per-view) should be replaced by author page-charges to cover the much reduced cost of implementing peer review, editing and archiving on the Net, in exchange for making the learned serial corpus available for free for all forever. (shrink)

With closer interactions between academic and commercial entities the role of the university is expanding to also include knowledge transferIn the biomedical and health sciences , close interactions between academic and commercial entities are now common place. Funds from pharmaceutical and biotechnology companies have helped finance major bioscience projects and research centres, graduate students are receiving training in commercial laboratories, and university scientists are translating their ‘intellectual property’ by patenting their research and launching start-up companies. And this is happening with (...) the blessing of universities, who see the commercialisation of research – and the royalties brought in from ‘technology transfer’ – as part of their new mission.The result is that no longer are universities simply places of higher learning, where academics are dedicated to teaching and research, traditionally the ‘first’ and ‘second’ missions of universities; universities now have a ‘third’ mission, to engage in knowledge transfer. Governments and research-intensive industries , are keen to translate university research into marketable products. Facilitated by policies and laws to protect intellectual property rights and aid commercialisation, universities are transforming into ‘entrepreneurial’ institutions.1 University administrators seek to generate new funding streams, while governments see universities as drivers of technology development and economic growth. In such a climate, it should not be surprising that researchers in many disciplines are facing pressure to collaborate …. (shrink)

This study was conducted during 111 days of coronavirus disease 2019 lockdown and reviewed current media articles that revealed government bodies and institutions have come to view people not as priceless treasures, but in terms of the money they can generate and the economic value they may give to a nation. This view was contrasted with the historic Christian concept of inherent royalty and value that is intrinsic to all people, and embodied in monarchs and bishops. This study focuses (...) on a review of historical literature and biblical texts around monarchy and the episcopacy in light of current media articles related to COVID-19. It found that politics and policy need to be grounded into the more fundamental aspects of our human condition and that it is the compassion and care people have for those who are more fragile: be it financially, physically, mentally or spiritually, that bishops and monarchs should be embodying in a time of COVID-19.Contribution: This study drew its key insights from contested historical thoughts on the role of monarchs and bishops. The results of this line of thinking challenge us as we consider the future function and role of these positions, and what they mean in times of crises. The key insight gained is the reminder that the lives of all people in our communities are important as each person holds an intrinsic value that cannot be traded for the sake of a country’s economy and business desires to turn a profit during the COVID-19 pandemic. (shrink)

This book provides international perspectives on the law of copyright in relation to three core themes - copyright and developing countries; the government and copyright; and technology and the future of copyright. The third theme includes an examination of the extent to which technology will dictate the development of the law, and a re-examination of the role of copyright in fostering innovation and creativity. As a critique, one chapter discusses how certain rights can create or reinforce social inequality under copyright (...) royalty systems. Underlying these themes is the role the law of copyright has in encouraging or impeding human flourishing. (shrink)

Some original forms of state emerge from the clan structures in central Africa in the 16th and 17th centuries, beyond the reach of any European influence. The oral epic traditions which echo these events draw from the founts of Bantu mythic thought. The Luba national epic recounts the dramatic origin of its sacred royalty and describes the passage from a primitive culture to a refined civilization, from an uneventful history to one full of movement; but above all it abandons (...) itself to a singular meditation on the ritual usage of fire, on family and death, on time and space, on the rainbow and lightning. If we take the fantastic seriously, symbolic patterns appear which filter the historical tradition and transform it into metaphysics. The reeling King Woot seems to play in reverse the Luba role, on the royal scene of Kuba mythology, where almost Biblical figures could be recognized: the tower of Babel throws its shadow on the adventures of an African Noah who first abandons himself to drunkenness, then to incest, delivering society to the diversity of languages and plunging the universe into primordial chaos. A transition between the myth and the tale, the founding epic of the Lunda state is bathed three times in blood: the blood of the warriors, of the women, and of the beasts who fall prey to a marvelously seductive hunter. Looking closely, we see that this Prince-stranger, initiator of a line of anointed royalty, carries on his shoulders, as does his Luba counterpart, a part of the universe. The cosmogony is veiled in the myth but transparent in the ritual, in the actions and mysterious words of the initiates into mungonge religious society: men with eyes of light are the counterpart of animals with eyes of darkness, as the star of day is opposed to the sinister hyena-moon. The founding epic of the Bemba state tells, like the Kuba myth, of the fascination of the principle of pleasure among a migrating aristocracy, somewhat decadent in comparison with the rude warrior or hunter heroes in the Luba and Lunda epics. But all these narratives, in the final analysis, form one sole myth, which develops its autonomous structures under the turbulence of an historical adventure each time different. More than unfolding the particular story of each kingdom, these legendary chronicles of Zaïre, Zambia and Angola reveal that the powerful political organisations set up by the Bantu to the south of the great forest are not isolated from eacb other: they administrate in common an intellectual patrimony which breaks loose from the ideological role that the kings, whether drunk on palm wine or on military ambition, try to make them play for their own glory: myths and rites obey their own codes, recognize no master but one, which they give themselves in their own kingdom: the Imaginary. The text which follows here is concerned in particular with the epic of the Bemba people, whose dominating aristocracy imposed an anointed royalty on some 100,000 people formerly grouped in matrilinear clans. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Thou Art Translated! The Pull of Flesh and MeaningKarmen MacKendrickIn A Midsummer Night’s Dream, William Shakespeare offers us a particularly comic instance of translation. In the first scene of the third act, the mischievous fairy Puck has set into motion all manner of havoc, including the substitution of a donkey’s head for the ordinary head of poor Nick Bottom, a weaver who had been innocently engaged in rehearsing a (...) play that he and other “rustics” intended to perform for visiting royalty. Bottom is, understandably, a little cranky and confused about this buffoonish substitution—he had offered to play the far nobler part of a lion (Shakespeare 2004, Act 1, scene 2, 68–70)—and he does not react happily to the responses that it generates among other members of his company. The first to see him is the tinker Tom Snout, who declares, “O Bottom, thou art changed! what do I see on thee?” (Act 3, scene 1, 114). And Snout is followed by Peter Quince, a carpenter and the author of the ill-fated play that had been in rehearsals, who will give us our relevant line, as he exclaims in surprise, “Bless thee, Bottom! bless thee! thou art translated” (Act 3, scene 1, 118).Indeed he is. Bottom, when he declares the events a dream, proposes that Quince shall write a ballad of this transformation (Act 4, scene 1, 224–26).1 This ballad might be seen as a further translation, of the sort Umberto Eco calls “intersemiotic”—a translation across forms, rather like that of interpretive dance, which is sort of famous for translating badly. What is not quite clear, though, is how layered this translation may already be just in Nick Bottom’s appearance. The use of “ass” for buttocks—that is, for the bottom—is first attested only in 1860,2 more than two and a half centuries after A Midsummer [End Page 36] Night’s Dream was written (sometime in the 1590s). But there is some speculation that the pun may already have been current, even if cutting-edge, when Shakespeare translated Bottom to ass, and certainly such a pun would not have been out of character for the author—after all, we also find a snout among the would-be actors, and Shakespearean brilliance is hardly incompatible with crude punning. The translation of the flesh is in this instance also a translation of the word, not just in parallel but somehow of one another, and the visible head of the indignant ass betrays the indignity of the rustic weaver sporting the name of Bottom.We don’t so often think of bodies being translated, but before turning to more abstract considerations here, let me offer one further instance, one a little closer to the main current of my own research. The translation of relics (that is, of pieces or close possessions of saints) is their movement from one location—specifically, from one church congregation—to another. This sounds markedly unexciting, I grant, but that’s only if you don’t know that throughout the Middle Ages the relics were sometimes said to have translated themselves, moved of their own volition. This was held to demonstrate the desire of the relevant saints for the newly privileged location—which means their desire to patronize and to bless the new church or congregation. This happened especially often when those of us with less devotion would more likely say that the relics had been stolen by members of their new communities.In the translation of relics, an original—a whole, unified original in the form of an intact body—is the very source of meaning. The relic matters because it belonged to the body of a saint, and each fragment is held to contain, somehow, the wholeness of saintly power and sancitity (for more detail on this very complex subject, see MacKendrick 2008, 102–31). But as a rule, that original is impossible to find; the meaningful pieces are only ever fragments. (In fact, studies of older relics often show that they are not even fragments of humans.) Now the relic means what it is translated to mean: the saint’s blessing upon... (shrink)

Extravagantly rich and exotic come to mind when thinking of the bygone world of Indian royalty, yet almost all of the 565 princely states abruptly and peacefully came to an end in 1947. In fact, the dazzling princely dress had come to represent subordination to the Queen of Britain. Because Indian rulers were unable to perform the princely duties of defending their state under colonial rule, Indian royalty directed their excess resources to the consumption of luxury goods. These (...) goods, most notably represented in their dress, came to symbolize the ruling class’s increasing incompetence in the governing of their states. (shrink)

This paper discusses the idea of forming a patent pool in order to address some of the licensing problems in the biotechnology industry. The pool would be an independent, non-profit corporation that would manage patents and have the authority to grant licenses. The patent pool would not be a purely altruistic venture, since it would charge licensing fees. The pool would charge the market price for licensing services and reimburse patent holders for licensing activities. The pool would also provide patent (...) holders with a minimum income based on a percentage of royalties generated from the pool. The pool would include patents on a variety of materials and methods that play an important role in biotechnology. It would also be international in scope, with the power to grant licenses in different countries. (shrink)

Technology licensing as a vital part of business behavior in many industries has drawn a fair amount of attention in industrial organization literature. Most existing literature on licensing decisions assumes that all firms engage in Cournot or Bertrand competition, while the type of mixed competition may affect the choice of the licensor. In this context, what decision will the licensor make faced with different mixed competitions? This paper studies the optimal technology licensing contract of a licensor firm engaging in different (...) mixed competitions with a potential licensee in a differentiated duopoly market considering one upstream firm that provides key inputs. We find that if either the royalty or fixed-fee licensing is applied, the licensor favors royalty licensing under Bertrand-Cournot competition when the degree of substitution is small and prefers the fixed-fee licensing no matter under what kind of mixed competition as the degree of substitution increases. In the case of fixed-fee licensing, the result shows that the profits of licensors are the same under different types of mixed competition. Besides, fixed-fee licensing is not always the optimal choice for consumers, and they would prefer royalty licensing when the degree of substitution is very small. (shrink)

When literary texts are included in a course on moral philosophy they tend to be classical tragedies or existentialist novels: texts filled with major moral transgressions and agonized debates over rights, wrongs, and relativism. Recently, however, the focus of much discussion on literature and moral philosophy has been Henry James’s last novel, The Golden Bowl. This ought to seem surprising. For The Golden Bowl is a quintessential Jamesian novel. Almost nothing happens. In the course of more than five hundred pages (...) there are two marriages, one affair, and a single act of violence, the smashing of the golden bowl. The rest is reflection, nuance, detail: the creation and preservation of a “‘brilliant, perfect surface,’” one “scarcely more meant to be breathed upon, it would seem, than the cheek of royalty.”1 There are no extreme actions or high-flown speculations. The moral issues among the four central characters either go unspoken or are raised expressly to be suppressed, banished from articulation. And what counts as the expression of the moral maturity and insight of the heroine, Maggie Verver, is her extraordinary ability to keep the truth silen00to put it precisely, to lie. If even there was a novel in which the protagonists shied away from moral debate, it is The Golden Bowl.The challenge for the philosophical critic, it seems to me, is to argue that it is just this stress on surface and silence that makes this novel of interest to moral philosophers, that makes it exemplary for how literature can do something philosophically important that philosophy cannot. 1. Henry James, The Golden Bowl , pp. 445, 172; hereafter cited by page number. Daniel Brudney is an assistant professor of philosophy at the University of Chicago. (shrink)

The purpose of this paper is to explore the visual representation of dignity, through the particular example of the seventeenth century Spanish painter Diego Velázquez. Velázquez works at a point in Western history when modern conceptions of dignity are beginning to be formed. It is argued that Velázquez' portraits of royalty and aristocracy articulate a tension between a feudal conception of majesty and a modern conception of the dignity of merit. On this level, modern conceptions of dignity of merit (...) are understood in terms of a struggle to excel in particular activities, and thus to overcome the risk of failure. More radically, Velázquez' portraits of dwarfs and the mentally disabled are argued to be expressive of dignity, not by finding a positive representation of the sitter's dignity, or to find scales of activities by which they can be positively assessed, but rather by grounding their dignity, negatively, in a protest against indignity and humiliation. Drawing on Honneth's analysis of dignity in terms of a theory of recognition, it is argued that the indignity of the court dwarf lies in the fracturing of their communication with the rest of society. The task of repairing that fractured communication is achieved, not by representing a dignified ideal, but rather by drawing attention to the prejudices that serve to exclude the humiliated from full participation in society. In conclusion, it is suggested that the conceptualisation and representation of the elderly today finds effective exemplars in Velázquez' portraits of court dwarfs, rather than in his portraits of the elderly. (shrink)

How different were the claims of Assyrian royal inscriptions from actual Neo-Assyrian practice? This essay explores this question by examining two unusual claims made by Sargon II in relation to his rule of Samaria. The first claim, which appears both in the Khorsabad annals and in a Nimrud prism, should be translated “I again settled Samaria, more than previously.” Based on the historical reconstruction derived from archaeological data, I argue that this phrase refers to the movement of exiles into areas (...) in the western part of the province of Samaria. These areas in the western part of the province, around the sites of Aphek, Hadid, and Gezer, experienced significant population increases in the Assyrian period. The second passage, in Sargon’s Great Display Inscription from Khorsabad, refers to Sargon’s treatment of non-deported Samaritans. It should be translated “I trained the remnant in their crafts.” The historical reality behind this claim is the shift in agricultural techniques and activities in Samaria as a result of the Assyrian conquest. The Assyrian domination of Samaria required the production of grain surpluses, which needed to be made available in the Aphek-Gezer region in the western part of the province of Samaria. In each of the claims from the royal inscriptions examined in this essay, we see that the royal inscriptions credit the king with activities performed by the provincial governor. They change the description of the activity to make it “fit for royalty.”. (shrink)

What are the relationships between historians and the sounds produced in the spaces and times they study? This article stresses the absence of historiographical interest in noise, due to the silence of the archives regarding matters of sound. It reviews the attempts at devising sonograms of historical periods, such as the eighteenth century. It highlights daily sounds and noises and it seeks out their traces in the domains of work, economy, religion, politics and royalty. Churches and hospitals, in particular, (...) were home to harrowing sounds. Voices are also important data for historical enquiry, such as children's voices, peddlers’ tunes and street songs. (shrink)

The Sera Jey Monastery, reestablished near Mysore, India, houses 5,000 Buddhist monks living in exile -- including survivors of the destruction of the Tibetan monastery in 1959. Sheila Rock's moving portraits are a celebration of the everyday simplicity and subtle beauty of the ascetic life. More than a hundred duotone photographs document the compassionate expressions, emotional openness, and aura of serenity inspired by lives of renunciation and seclusion. A percentage of the royalties from this book go to the Sera Jhe (...) Health Care Committee in aid of various humanitarian projects. (shrink)

Aristotle considers that justice in general varies according to constitutions and that it also takes different forms according to times and cultures. But this assumed conventionalism does not prevent us from considering certain things just absolutely, precisely those that correspond to laws enacted in the three regimes themselves considered just absolutely (royalty, aristocracy, polity). But since the laws may still differ between these three regimes, should we postulate the existence of an even more fundamental just? Would it be the (...) just natural? Not sure, since Aristotle sometimes maintains that everything changes in the sensible world including what is natural. But perhaps there is a deeper just which is natural, and which frees itself from all change, imposing itself absolutely everywhere? It would then remain to determine what such a concept of just contains and whether it should be placed at the limit of the positive law, or even still beyond it. (shrink)

ABSTRACT This essay focuses on the history of one of the “atomic patents.” The patent, which described a process to slow down neutrons in nuclear reactions, was the result of experimental research conducted in the 1930s by Enrico Fermi and his group at the Institute of Physics, University of Rome. The value of the patented process became clear during World War II, as it was involved in most of the military and industrial applications of atomic energy. This ignited a controversy (...) between Fermi and U.S. government representatives over royalties to be paid for use of the process during and after the war. The controversy sheds new light on the role that the management of patents played in the context of the Manhattan Project and in the postwar U.S. nuclear program, encompassing issues of power and economic influence in the relationship between scientists, the military, and public administrators. The invention covered by Patent No. 2,206,634 covers the basic process used in the research and development leading up the production of atomic energy and the production of the atomic bomb. Such invention is of continuing importance in the production of fissionable materials and atomic weapons. The Chairman: So Jones might make the greatest invention in the field and be deprived of any award for it? Captain Lavender: If he did not want to accept the award that was offered to him. (shrink)

For centuries, the British royal family has been the subject of books, articles, broadcast media, and digital communication. The addition of social media platforms has further increased the attention of the royals. Each of the family’s official social media sites have large numbers of followers around the world. The present study uses Goffman’s Presentation of Self to qualitatively examine how the current British royal family portrays itself visually via its official Instagram account. An analysis of two years of posts on (...) the social platform provides a glimpse of how the family works to maintain its image through a highly popular social media platform. Results indicated the presence of three main themes: Queen as the Head of the Monarchy, Honoring the Past, and The Working Royalty. This study offers a means of understanding the importance of visuals in conveying the royal family. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:370 HISTORY OF PHILOSOPHY Leibniz. By Edmondo Clone. (Napoli : Libreria scientifica editrice. Pp. 540. L.4.000.) L'ouvrage d'E. Cione est une presentation d'ensemble de l'oeuvre de Leibniz. L'auteur situe d'abord Leibniz dans son milieu culturel et dans son ambiance historique. Puis il aborde les probl~mes relatifs ~ la monade et ~ l'univers. Une troisi~me partie traite du choix divin, du real et des possibles. La quatri~me s'attache au difficile (...) probl~me de la liberte~ en Dieu et dans l'homme. Enfin, Clone precise queles sont et doivent ~tre les activite~s de l'homme dans los domaines de la logique, de la morale, de l'esth~tique, de la religion. Par consequent, ne serait-que par l'ampleur des mati~res ~tudi~es, on dispose ici d'une vaste fresque qui met en place l'ensemble des preoccupations philosophiques de Leibniz, et qui d~ploie son ~ventail en un certain sens, disons celui de la Monadologie, toute entree dans la philosophie de Leibniz ~tant bonne, pourvu, si j'ose dire, qu'on en sorte. Or, on en sort, car l'au~eur appuie ses connaissanc~s sur une pratique quotidienne des ~extes de Leibniz, sur une documentation de premiere main qui lui fair honneur, sur une somme de lectures [eibniziennes qui l'aident s orienter son dessein. Cet ouvrage repose sur l'humus fertile d'un vaste savoir technique et livresque concernant la philosophic de Leibniz. I1 est donc, de ce point de vue, document~ avec pr4cision, et il atteint le fond des probl~mes abord4s. Enfin, rauteur ne perd pas ses propres droits dans cette ~tude, et pr4cise d'un oeil vigilant quelles sont es d4fectuositds de cette pens4e, qui n'a sa pleine signification que si on ne la coupe pas de sos racines th4ologiques. I1 semble que lh, le destin de Leibniz diff~re de celui de Clone, puisque, pour ce dernier, le philosophe d'Hanovre ne parvient pas ~ p4n~trer le sens profond de la r~alit(~ spirituelle, c'est-h-dire de la libert4 de l'homme. ANDRE ROBINET Orldans, France David Hume: Prophet o] the Counter-Revolution. By Laurence L. Bongie. (Oxford University Press, 1965. Pp. xvii + 182.35s.) This excellent work uncovers and analyzes the amazing influence of Hume's historical and political views on the world of late 18th-century France. First Professor Bongie admirably recounts the immense impact of Hume's History o] England in France when it originally appeared. The work was wildly praised by French royalty, by the philosophes, by Catholic intellectuals, by almost everyone except the Huguenot exiles. Hume's alleged impartiality and philosophical approach made him for France of the time, the finest historian of the age, the new Tacitus. Everyone found great profundity in the History, and each group managed to overlook those aspects of Hume's views that conflicted with their own outlook, and stressed those aspects that fitted in with their own predilections. it was Turgot who apparently first realized that Hume was not the zeal hero of those who were to transform France, and that Hume's political philosophy and his picture of human nature "glean'd" through the study of history were hardly in accord with the theories of the reformers and the future revolutionists. In their correspondence, Hume and Turgot revealed the enormous gulf that separated them, the latter believing in the endless perfectibility of mankind, the former, much more sceptical and much readier to accept man in his historical condition. For Hume, there was always a struggle between order and liberty, and dangers on both sides with no ideal solution in sight, while for the optimistic Turgot a new and better world was just around the corner. What Turgot saw as their differences became clearer a few years later to moderates like Mirabeau, Mably and Brissot. Hume, for them, did not really see the importance of liberty, the fundamental rights of man, the real lessons of History. The moderates began boosting, translating and commenting on an antidote to Hume's History, the liberal Whig version of English history by Catherine Macaulay-Graham, a work finally published in French under Mirabeau... (shrink)

New technologies coupled with high energy prices, a desire for energy independence, and cleaner energy, have led to many energy companies investing large amounts of capital into rural places. In the last decade, along with solar and wind, unconventional shale oil and gas production has risen steeply throughout the United States boosting economic growth and stimulating wealth creation in many communities. Because farmers own or operate over half of rural lands in the lower 48 states, the possibility is high for (...) shale development to contribute to the financial well-being of farmers with land in shale regions. However, by focusing on the large royalties of some landowners, environmental and social risks that farmers encounter may be overlooked. To address the gap of farmer impacts, I examine the experiences and perceptions of crop farm owners who reside in two established shale plays: the Bakken region in North Dakota and the Marcellus region in Pennsylvania and in one emerging shale play: the New Albany region in Southern Illinois. I survey farm owners of both large and small crop farms, who farm a variety of crops both by conventional and organic methods. By having such a diverse sample of farm owners in both established shale plays and emerging shale plays, I explore how farmers’ experiences differ with respect to their finances and investments, environmental degradation as well as how their perceptions of trust in oil and gas companies and community rifts differ. (shrink)

Alkman's Partheneion contains so many obscure details that even the elucidation of a single point seems worth while. It is proposed to show that the Kolaxaian horse, , hitherto identified as the typical Skythian horse,1 is an altogether different breed, specifically associated with Skythian royalty. Context. The Partheneion mentions four breeds: The winged dream horse, the Enetic courser, and, together, the Ibenian and Kolaxaian . Not one of these breeds has, as yet, been definitely identified. All of them are, (...) however, exotic breeds, and this regardless of whether the Enetic is a Venetic or a Paphlagonian steed, the Ibenian a horse of Keltic or of Ionian origin, and the Kolaxaian a Skythian steppe pony or some other Skythian breed. Other exotic elements are Lydian coifs and the Xanthos river. (shrink)

This chapter discusses LEGO set #21103, the DeLorean Time Machine. It also explains whether the original Cuusoo DeLorean is the same model as, or numerically identical to, set #21103, even if they are not qualitatively identical. If they are the same model, that would explain why Team BTTF deserves creative credit. The chapter considers the question of why a creator deserves credit, including public recognition and royalties. John Locke maintained that property rights are natural rights. Some have extended Locke's view (...) to include intellectual property, including industrial design. The creator of a new design mixes her labor with materials, therefore acquiring a right to what she is produced. By mixing their labor with 403 LEGO bricks, the original Cuusoo designers, Sakuretsu and Masashi Togami, would acquire property rights to what they produce. (shrink)

A fresh and original presentation that is easy and affordable for students, instructors, and general readers to use. This well-written, insightful history of philosophy is basic enough to be understood by those with no prior experience with philosophy but sophisticated enough to inform further those with some knowledge of philosophy. -/- Based on the author’s 20-plus years of teaching philosophy and learning what works for students, How We Are and How We Got Here is designed to connect with students to (...) help them understand philosophy and why it matters to them, regardless of their major. Its straightforward conversational presentation of philosophy includes readers in philosophy’s long conversation. Its chronological presentation places philosophers in their historical context, showing how philosophy is an ongoing interaction with society seeking practical knowledge useful to us in everyday life. -/- Key Features that fill multiple gaps in existing textbooks: -/- * Shows students how innovations in philosophy have interacted with and changed history, leading to how we are today. * Presents philosophy as a vital part of our lives, not as a set of isolated theoretical problems, avoiding the disconnected and fragmented silo approach of most textbooks. * Avoids the sink-or-swim approach of anthologies that plunges students into a hodgepodge of disjoint readings without adequate guidance. * Does not duplicate material covered in other introductory courses of ethics and logic but focuses on the rest of philosophy. * Focuses on explaining the ideas of the philosophers, allowing instructors to choose, at their option, primary texts from the plentifully available royalty-free sources. * Extensively covers vital areas of philosophy ignored by most textbooks, including pragmatism, phenomenology, social and political philosophy, postmodernism, feminist philosophy, and philosophy of race. * Always remains engaging and accessible to the reader. Neither dumbs down the material nor over complicates it. * Provides clear and direct text unencumbered by bells and whistles and other extraneous materials. -/- How We Are and How We Got Here provides students of all backgrounds with a clear and whole understanding of philosophy and its role in history and society, making the 2,400-year history of Western philosophy vital and relevant to today. It shows that philosophy is not a cold analytical academic procedure but exciting and alive, and reveals how we are all philosophers. (shrink)

The Quest for Understanding: A Historical Introduction to Philosophy is a fresh approach to teaching philosophy for a new millennium. It presents philosophy as a long conversation of people seeking to understand who we are, what the world is really like, and how we can build a better life. -/- Based on the author’s 20-plus years of teaching philosophy and seeing what works for students, the book is designed to connect with students to help them understand philosophy and why it (...) matters to them, regardless of their major. Its straightforward conversational presentation of philosophy is easy for students, instructors, and general readers to use. -/- Key unique benefits: -/- Never talks down to students but includes them in philosophy’s long conversation Gives a historical presentation that places philosophers in their historical context, showing how philosophers built on the ideas of their predecessors and responded to their times Avoids the disconnected and fragmented view offered by topically arranged textbooks by using a chronological, contextual approach Shows students how philosophy connects to their personal lives by explaining how innovations in philosophy have interacted with and changed history, leading to who we are today Focuses on explaining the ideas of the philosophers, allowing instructors to choose, at their option, primary texts from the plentifully available royalty-free sources Extensively covers vital areas of philosophy ignored by most textbooks, including phenomenology, social and political philosophy, postmodernism, feminist philosophy, philosophy of race, and 21st century trends in philosophy Provides clear text unencumbered by bells and whistles and extraneous materials -/- The Quest for Understanding provides students with a clear and whole understanding of philosophy and its role in history and society. It shows that philosophy is not dry or obscure, but exciting and alive, and reveals how we are all philosophers. Related ISBN's: 9781792457609, 9781792460692 . (shrink)

Hypertext publishing, the integration of a large body (perhaps billions) of public writings into a unified hypertext environment, will require the simultaneous solution of problems involving very wide database distribution, royalties, freedom of speech, and privacy. This paper describes these problems and presents, for criticism and discussion, an abstract design which seems to solve many of them. This design, called LinkText, is presented both as a specification and as design approaches grouped around various levels of electronic publishing.

Scholars and scientists do research to create new knowledge so that other scholars and scientists can use it to create still more new knowledge and to apply it to improving people's lives. They are paid to do research, but not to report their research: That they do for free, because it is not royalty revenue from their research papers but their "research impact" that pays their salaries, funds their further research, earns them prestige and prizes, etc.

An entertaining, enlightening, and humorous graphic narrative of the dangerous thinkers who laid the foundation of modern thought This entertaining and enlightening graphic narrative tells the exciting story of the seventeenth-century thinkers who challenged authority—sometimes risking excommunication, prison, and even death—to lay the foundations of modern philosophy and science and help usher in a new world. With masterful storytelling and color illustrations, Heretics! offers a unique introduction to the birth of modern thought in comics form—smart, charming, and often funny. These (...) contentious and controversial philosophers—from Galileo and Descartes to Spinoza, Locke, Leibniz, and Newton—fundamentally changed the way we look at the world, society, and ourselves, overturning everything from the idea that the Earth is the center of the cosmos to the notion that kings have a divine right to rule. More devoted to reason than to faith, these thinkers defended scandalous new views of nature, religion, politics, knowledge, and the human mind. Heretics! tells the story of their ideas, lives, and times in a vivid new way. Crisscrossing Europe as it follows them in their travels and exiles, the narrative describes their meetings and clashes with each other—as well as their confrontations with religious and royal authority. It recounts key moments in the history of modern philosophy, including the burning of Giordano Bruno for heresy, Galileo's house arrest for defending Copernicanism, Descartes's proclaiming cogito ergo sum, Hobbes's vision of the "nasty and brutish" state of nature, and Spinoza's shocking Theological-Political Treatise. A brilliant account of one of the most brilliant periods in philosophy, Heretics! is the story of how a group of brave thinkers used reason and evidence to triumph over the authority of religion, royalty, and antiquity. (shrink)

Extravagantly rich and exotic come to mind when thinking of the bygone world of Indian royalty, yet almost all of the 565 princely states abruptly and peacefully came to an end in 1947. In fact, the dazzling princely dress had come to represent subordination to the Queen of Britain. Because Indian rulers were unable to perform the princely duties of defending their state under colonial rule, Indian royalty directed their excess resources to the consumption of luxury goods. These (...) goods, most notably represented in their dress, came to symbolize the ruling class’s increasing incompetence in the governing of their states. (shrink)

In the early modern period, botany still remained a relatively new arrival at the top table of knowledge. Much botanical work was not done in universities, colleges, academies, laboratories, or botanic gardens, but behind the walls of different kinds of gardens – of the royalty as well as of common people, of monasteries as well as public gardens. By following the circula­tion of oranges, especially taking into consideration the role of Portugal as a turn­table, this paper sheds light on (...) several of the unexpected ways in which the history of botany and horticulture and the history of gardens encountered in the early modern world. The history of oranges has often made reference to the acclimatization of this citrus fruit in Europe and its transplantation to the New World. However, very few works have addressed the dissemination of oranges from the Iberian Peninsula. In this paper, I argue for a change in perspective by stressing the role played by the Portuguese on acclimatization and dissemination of oranges from Asia to Portugal, and from this country to the Old and New Worlds. I also stress the role Portugal played in building and popularizing horticultural expertise for orange growth and its corresponding botanical knowledge. (shrink)