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  1.  7
    Foucault against himself.Leo Bersani, Arlette Farge, David Homel, Paul Rabinow, Georges Didi-Huberman, François Caillat & Geoffroy de Lagasnerie (eds.) - 2015 - Vancouver: Arsenal Pulp Press.
    In his private life, as well as in his work and political attitudes, Michel Foucault often stood in contradiction to himself, especially when his expansive ideas collided with the institutions in which he worked. In Francois Caillat's provocative collection of essays and interviews based on his French documentary of the same name, leading contemporary critics and philosophers reframe Foucault's legacy in an effort to build new ways of thinking about his struggle against society's mechanisms of domination, demonstrating how conflict within (...)
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  2.  33
    Entre doutes et engagements : un arrêt sur image à partir de l’histoire des femmes.Myriam Cottias, Cécile Dauphin, Arlette Farge, Nancy L. Green, Danielle Haase-Dubosc, Danièle Poublan & Yannick Ripa - 2004 - Clio 20:231-260.
    Militante et réflexive, l’histoire des femmes a aussi besoin d’exprimer ses doutes et ses inconforts. Rattrapée par l’actualité, la violence et nombre d’événements cruels et tragiques, par des incertitudes majeures vécues par l’ensemble du monde intellectuel, elle pose aujourd’hui en cet article collectif des interrogations et des inquiétudes. Ce travail à plusieurs (les participantes du Groupe d’histoire des femmes du CRH) cherche à mettre à plat ce qui actuellement se dérobe à notre connaissance, en partant de notions-clés souvent utilisées comme (...)
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  3. Percevoir l'intolérable.Arlette Farge - 2014 - In Leo Bersani (ed.), Foucault contre lui-même. Paris: Presses universitaires de France.
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  4.  11
    The Sounds of Enlightenment Paris.Arlette Farge - 2018 - Paragraph 41 (1):52-61.
    What are the relationships between historians and the sounds produced in the spaces and times they study? This article stresses the absence of historiographical interest in noise, due to the silence of the archives regarding matters of sound. It reviews the attempts at devising sonograms of historical periods, such as the eighteenth century. It highlights daily sounds and noises and it seeks out their traces in the domains of work, economy, religion, politics and royalty. Churches and hospitals, in particular, were (...)
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  5. L'œuvre de Norbert Elias, son contenu, sa réception.Michel Wieviorka, André Burguiere, Roger Chartier, Arlette Farge & Georges Vigarello - forthcoming - Cahiers Internationaux de Sociologie.
     
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  6.  43
    The Work of Norbert Elias: Its Content and its Reception.Michel Wieviorka, André Burguière, Roger Chartier, Arlette Farge & Georges Vigarello - 1998 - Thesis Eleven 54 (1):89-103.
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