Theory as History, which was awarded the Deutscher Memorial Prize in 2011, collects together several of Jairus Banaji’s essays published over the course of 30 years. This symposium comprises four essays engaging with different aspects of the powerful and provocative contributions in Theory as History, as well as an essay in response by Banaji. The Editorial Introduction sketches elements of Banaji’s work and highlights some of the main arguments advanced in the symposium.

Since its presumed origin by the big bang, about 14 pasts billion years, the Universe is composed of entities, or objects, that produce movements that produce new objects that produce new movements, in an endless sequence.The human mind is one of these entities, whose movements are capable to produce many objects, materialized or as ideas. Those objects in their turn will interact with the mind and new movements will be produced. This process had composed the history of mankind.The Nature presents (...) a world of movements, originated from its first movement—the explosion of the Singularity. The Universe continues in its expansion, while the Earth rotates and the animals move on its surface. So are the humans, who continue to reproduce by natural movements, biologically, but are capable to fly to the Moon. The entire Universe is composed by the same particles, forming a multitude of objects, inserted in the primary objects, participating in the primary movements, and introducing new ones. It is a World of an infinite number of movements derived from the first one, disposed in levels. The upper levels are constituted by the social movements.Thus, history is a development of the producing of material and ideal objects and of their related movements. To produce it mankind have been using the natural environment, offered by the earth’s surface, and the social products already produced during their times of history.Among the last, the social products, one recognizes: a) the knowledge, or information; b) the social relations between men and their social structures, and c) the spatial shaping of their social life, or geography.Thus, in this paper one tries to develop the idea of relating the terms Civilization, Mode of Production and Ages of History to the above three-legged composition.An example is given here: the invention of the caravel, that had conduced to the large discoveries (technology, information, knowledge). It intensified commercial activities, geographical interactions, accelerating the replacing of the feudal society in Europe by the mercantile society (social relations, social structure). The geography also changed with the higher development of the commercial sea port urban centers (spatial shaping geography).The current age of globalization is being an age of a new geography and of new forms in the urbanization process. (shrink)

The ArgumentStarting from the thesis that a science constructs the knowledge of the part of the world allotted to it, the present paper aims at bringing together all the various aspects of physics under a unified conceptual framework — that provided by the Marxian concept “mode of production.” After an introduction providing the initial plausibility grounds for the undertaking, the concept is analyzed into its conceptual elements in Part I of the paper. The analysis presents the reconstruction initiated (...) by Louis Althusser and developed by his followers. Part II starts from a characterization of physical problems. This offers a basis for “reading” physics in the terms introduced in Part I. The rest of Part II is devoted to the identification of all the aspects of physics with the conceptual elements in question. The paper aims at three things: to uncover the connections holding among seemingly disparate aspects of physics, usually discussed in almost total independence from each other; to take full account of the social dimensions of physics without vindicating social constructivism; to show that the boundaries separating the disciplines of philosophy, history and sociology of science are more arbitrary than usually considered. (shrink)

This paper briefly examines the concept of the ancient mode of production as expressed in Karl Marx’s Formations. It looks at how twentieth-century Marxist historiography picks up this concept in its characterisation of the Greco-Roman city-state. It explores the feasibility of the use of the concept in relation to the advancement of knowledge of the city-state, especially through the development of archaeology. It examines how social classes are structured and relations of exploitation are presented. And it analyses the (...) need for politics in the organisation of this socio-economic form in terms of how it is joined up with the social relations of production. (shrink)

The twelve essays in this book demonstrate the importance of bringing history back into historical materialism.

By exploring the strengths and weaknesses of a Marxist approach to economic development, this book presents a balanced treatment of development issues within the area of 'rational choice Marxism'.

This article returns to the debate about the relative importance of the productive forces and the relations of production in the feudal mode of production. It argues, using western medieval evidence, that this relation is an empirical one and varies between modes, maybe also inside modes; and that, in the specific case of feudalism, not only were the relations of production the driving force, but developments in the productive forces actually depended upon them.

The aim of this article is to show in what sense the institutions of the welfare state are key to the struggles that are developing around the debt crisis and against the austerity policies carried out in its name. The first part is dedicated to isolating some elements which contribute to explaining the nature of the current crisis of capitalism and the strategic issues at stake in the policies of expropriation of welfare institutions. The second part emphasizes how, around the (...) question of welfare institutions, the crisis articulates two alternative models of society and regulation of a knowledge-based economy. Within this framework, we will put forward a few lines of analysis in order to think of a different model of development, one which is founded on the ‘Welfare of the Common’ as a new mode of production. (shrink)

Marx's concept of production is not only in the sense of understanding of historical materialism, but should be placed in the entire history of Western philosophy to dialysis. The theory of commodity fetishism by the specific analysis, we believe that the duality of Marx's labor theory of sublimation of Kant's thing-in theory, the relations of production areas to expose the history of Western philosophy is the pursuit of the illusion of certainty of abstract identity, revealing the dialectic essence (...) of the historical circumstances and human relations. Relations of production within the context of a critical attitude towards both the change in the basic formulation of the question of philosophy, but also reshape the basic position of philosophy, history of philosophy to achieve great change. Marx's category of mode of production should not only be interpreted in sense of historical materialism but also be melted into the integration of western philosophy history. By the concrete analyzing on Marx's theory of commodity fetishism, we come to the conclusion that not only was the theory of duality of labor as sublimation on Kant's theory of object in itself, but also Marx's category of relationship of production uncovered the abstract identity vision in which western philosophy have been in pursuit of the certitude from Enlightenment on, furthermore revealed the relation between core spirit of dialectic and human being 'historical circumstances. The critical attitude rooted into the theory of mode of production has changed the question mode as remolded the basic standpoint of philosophy and achieved the great transformation in philosophy history. (shrink)

The application of a `Foucaultism' to contemporary critical analysis is by no means an easy task and Poster's book contains many valuable insights into the functioning of Foucault's work — particularly as it relates to modern Marxisms — within critical theory. Yet there remain a number of important themes which Poster appears merely to gloss over providing no solution to the dilemmas thrown up by grounded theory attempting to work within the field of a discursive analysis. The aim of this (...) paper is to shed some light on the particular nature of `history' as it appears in Marx and in Foucault and to indicate some of the main characteristics of Foucault's analytical tools. The logic of the paper follows the logic of Poster's book, dealing with Marx first, Foucault second, and closes with an examination of some analytical implications of adopting a discursive/genealogical approach to the study of contemporary social phenomena. (shrink)

Marx’s conceptualization of history emphasizes the succession of modes of production. However the dynamics of productive forces and relations of production are continuous. Central to this analysis is the “socialization of production” and the rise of the managerial class. These trends require the adjustment of institutions, notably those in which the ownership of the means of production is expressed, an adjustment that is often implemented under the pressure of structural crises. The article illustrates these dynamics in (...) the United States since the late 19th century, in particular in relation to the tripolar class patterns, capitalists, popular classes and managerial class. What is involved is the gradual emergence of a new mode of production whose dominant class is intended to be the managerial class. A “social order” is a shorter period marked by the configuration of class dominations and alliances: the hegemony of capitalist classes during the first third of the 20th century, the alliance between managers and popular classes after the Great Depression and World War II, and neoliberalism as a new hegemony of capitalists in alliance with managers. The approach in terms of social orders allows for the interpretation of the state as the institutional “locus” in which social orders are formed, rather than as the exclusive domination of a ruling class. (shrink)

The new mode of knowledge production is seen as a distinct form of economic organisation used for exchanging and creating knowledge. The emphasis is laid on the role of business services in innovative networks as carriers of knowledge and intermediates between science (knowledge creator) and their customers (knowledge user). The empirical analysis shows that knowledge-intensive business services are able to make existing knowledge useful for, their customers, improving the customer's performance and productivity and contributing to technological and structural (...) change. (shrink)

ArgumentThis paper examines the field network – linking together lay observers in geographically distributed locations with a central figure who aggregated their locally produced observations into more general, regional knowledge – as a historically emergent mode of knowledge production. After discussing the significance of weather knowledge as a vital domain in which field networks have operated, it describes and analyzes how a more robust and systematized weather observing field network became established and maintained on the ground in the (...) early twentieth century. This case study, which examines two Kansas City-based local observer networks supervised by the same U.S. Weather Bureau office, demonstrates some of the key issues involved in maintaining field networks, such as the role of communications infrastructure, especially the telegraph, the procedures designed to make local observation more systematic and uniform, and the centralized, hierarchical power relations that underpinned even a low-status example of knowledge production on the periphery. (shrink)

When one side is illuminated, the other side remains in darkness.My reason for addressing the topic for this article is to attempt a philosophical reconstruction of the "logic of not" in such a way as to guide us into entertaining a holistic mode of thinking. In preparation for this investigation, for comparative purposes I will engage a conceptual paradigm that is dominant in the Western philosophical tradition, namely the paradigm that is framed in terms of an either-or, ego-logical dualistic (...) stance and that undergirds our daily life in knowing and understanding thing-events. I will use the phrase "thing-event" throughout this article as a way of attempting to capture a sense of the whole rather than thematizing... (shrink)

Interactive media need their own idioms that exploit the characteristics of the computer based sign. The fact that the reader can physically influence the course of events in the system changes the author's role, since he no longer creates a linear text but anarrative space that the reader can use to generate stories. Although stories are not simulations of the real world, they must still contain recognizable parts where everyday constraints of time and space hold. AI-techniques can be used to (...) implement these constraints. In fact, we suggest that AI is probably best seen as an aesthetic phenomenon. (shrink)

In his analysis of the concept of causality, Hume finds that all events accounted causes and effects are contiguous and successive. No object can act efficaciously upon another so long as the objects are at a distance from each other. It may sometimes appear that “distant objects are productive of one another,” but on examination it is discovered that they are linked together by a series of intermediate causes which are contiguous among themselves; and even where examination does not directly (...) disclose the intermediate causal chain, it is still presumed that it exists. Also the cause is temporally prior to the effect. If I throw a stone through a window, the smashing of the glass follows the act of throwing the stone. It is only after the realization of the cause that the effect appears. Thus a cause is an object that is precedent to and contiguous with another object that is called the effect. (shrink)