Interactive fiction: Artificial intelligence as a mode of sign production

AI and Society 4 (4):291-313 (1989)
  Copy   BIBTEX

Abstract

Interactive media need their own idioms that exploit the characteristics of the computer based sign. The fact that the reader can physically influence the course of events in the system changes the author's role, since he no longer creates a linear text but anarrative space that the reader can use to generate stories. Although stories are not simulations of the real world, they must still contain recognizable parts where everyday constraints of time and space hold. AI-techniques can be used to implement these constraints. In fact, we suggest that AI is probably best seen as an aesthetic phenomenon.

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 91,881

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Interactive kinds.Muhammad Ali Khalidi - 2010 - British Journal for the Philosophy of Science 61 (2):335-360.
Is the learner a computer peripheral?Julian Hilton - 1987 - AI and Society 1 (2):127-136.
Artificial Intelligence and Wittgenstein.Gerard Casey - 1988 - Philosophical Studies (Dublin) 32:156-175.
Consciousness, intentionality, and intelligence: Some foundational issues for artificial intelligence.Murat Aydede & Guven Guzeldere - 2000 - Journal of Experimental and Theoretical Artificial Intelligence 12 (3):263-277.
Some Ontology of Interactive Art.Dominic Preston - 2014 - Philosophy and Technology 27 (2):267-278.
On the artificiality of artificial intelligence.Hans F. M. Crombag - 1993 - Artificial Intelligence and Law 2 (1):39-49.

Analytics

Added to PP
2013-12-01

Downloads
61 (#263,901)

6 months
10 (#268,644)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations

References found in this work

A Theory of Semiotics.Umberto Eco - 1977 - Philosophy and Rhetoric 10 (3):214-216.
A Theory of Semiotics.Robert Scholes - 1977 - Journal of Aesthetics and Art Criticism 35 (4):476-478.
The case for case, dins.Charles J. Fillmore - 1968 - In Emmon Bach & R. Harms (eds.), Universals in Linguistic Theory. Holt, Rinehart, and Winston.

Add more references