Between rocks and hard places: the interstitial mode of production in exilic cinema

In Home, exile, homeland: film, media, and the politics of place. New York: Routledge. pp. 125--147 (1999)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 91,853

External links

  • This entry has no external links. Add one.
Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

'Wild above rule or art' : creation and critique.Alistair Welchman - 1996 - Dissertation, University of Warwick
The Problems of Comparison.Chris Wickham - 2011 - Historical Materialism 19 (1):221-231.
Art-house cinema, avant-garde film, and dramatic modernism.Bert Cardullo - 2011 - Journal of Aesthetic Education 45 (2):1-16.
Women and the Semiotics of Veiling and Vision in Cinema.Hamid Naficy - 1991 - American Journal of Semiotics 8 (1-2):47-64.
Interstitial and pseudo gaps in models of Peano Arithmetic.Ermek S. Nurkhaidarov - 2010 - Mathematical Logic Quarterly 56 (2):198-204.

Analytics

Added to PP
2014-01-28

Downloads
1 (#1,901,393)

6 months
1 (#1,471,470)

Historical graph of downloads

Sorry, there are not enough data points to plot this chart.
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references