Steven Crowell has been for many years a leading voice in debates on twentieth-century European philosophy. This volume presents thirteen recent essays that together provide a systematic account of the relation between meaningful experience and responsiveness to norms. They argue for a new understanding of the philosophical importance of phenomenology, taking the work of Husserl and Heidegger as exemplary, and introducing a conception of phenomenology broad enough to encompass the practices of both philosophers. Crowell discusses Husserl's analyses of first-person authority, (...) the semantics of conscious experience, the structure of perceptual content, and the embodied subject, and shows how Heidegger's interpretation of the self addresses problems in Husserl's approach to the normative structure of meaning. His volume will be valuable for upper-level students and scholars interested in phenomenological approaches to philosophical questions in both the European and the analytic traditions. (shrink)

Qu'est-ce qu'un phenomene? La pensee moderne emploie ce terme avec une forme d'evidence. On se dispute sur ce que sont les phenomenes, mais on ne doute pas qu'il y en ait ni qu'ils constituent un point de depart sur lequel on puisse construire. Ce livre, a travers une mise en perspective historique et conceptuelle globale, remet en question cette evidence. Non pas qu'il rejette la notion de phenomene, mais il essaie de comprendre d'abord de quel type de decision philosophique elle (...) est le produit et quel type de montage elle suppose. Sur cette base, il met en lumiere sous quelles conditions on peut effectivement parler de phenomenes et dissipe la mythologie liee a un emploi inconditionne de ce terme, frequent dans la philosophie contemporaine. Contre tout phenomenalisme, il fait valoir le lien metaphysique dans lequel le langage nous met immediatement avec les choses. (shrink)

Challenging and rewarding in equal measure, _Phenomenology of Perception_ is Merleau-Ponty's most famous work. Impressive in both scope and imagination, it uses the example of perception to return the body to the forefront of philosophy for the first time since Plato. Drawing on case studies such as brain-damaged patients from the First World War, Merleau-Ponty brilliantly shows how the body plays a crucial role not only in perception but in speech, sexuality and our relation to others.

Challenging and rewarding in equal measure, _Phenomenology of Perception_ is Merleau-Ponty's most famous work. Impressive in both scope and imagination, it uses the example of perception to return the _body_ to the forefront of philosophy for the first time since Plato. Drawing on case studies such as brain-damaged patients from the First World War, Merleau-Ponty brilliantly shows how the body plays a crucial role not only in perception but in speech, sexuality and our relation to others. Perhaps above all, Merleau-Ponty's (...) insights about the embodied mind are a bold and refreshing challenge to the new era of virtual reality and artificial intelligence, as scientists and psychologists discover the centrality of the body to mind and intelligence. (shrink)

Mit den "Ideen zu einer reinen Phänomenologie und phänomenologischen Philosophie" von 1913, von ihm selbst nur als eine "Allgemeine Einführung in die reine Phänomenologie" angezeigt, zog Edmund Husserl die Konsequenz aus seinen Logischen Untersuchungen (PhB 601), die ihn 1900/01 berühmt gemacht hatten: Ausgehend von der dort entwickelten Phänomenologie der intentionalen Erlebnisse sieht er jetzt in der Aufdeckung der Leistungen des "reinen Bewußtseins", dem die uns bekannte natürliche Welt nur als "Bewußtseinskorrelat" gegeben ist, den eigentlichen Gegenstand philosophischer Erkenntnis und in den (...) von ihm eingeführten methodologischen Begriffen der "Reduk tion" und der "Epoché" den Weg, sich über die Beschaffenheit dieses "reinen Bewußtseins", aus dem alle Erkenntnis entspringt, Klarheit zu verschaffen. Die Ausgabe bietet Husserls Schrift text- und seitengleich nach Band III/1 der Husserliana, herausgegeben von Karl Schuhmann; beigegeben sind Husserls Nachwort zu den Ideen von 1930 aus Band V der Husserliana, herausgegeben von Marly Biemel, sowie ein umfangreiches Namen- und Sachregister von Elisabeth Ströker. (shrink)

What makes this work so important is that it returned the body to the forefront of philosophy for the first time since Plato.

Challenging and rewarding in equal measure, _Phenomenology of Perception_ is Merleau-Ponty's most famous work. Impressive in both scope and imagination, it uses the example of perception to return the body to the forefront of philosophy for the first time since Plato. Drawing on case studies such as brain-damaged patients from the First World War, Merleau-Ponty brilliantly shows how the body plays a crucial role not only in perception but in speech, sexuality and our relation to others.

Phenomenologically speaking, one can consider the experiencing body as normative insofar as it generates norms through repeated actions and interactions, crystallizing into habits. On the other hand according to Foucauldian approaches, the subjective body does not generate norms but is itself produced by norms: Dominant social norms are incorporated via repeated practices of discipline. How is the individual level of habit formation in phenomenology related to this embodiment of supra-individual norms? In what sense can we differentiate between a habit formation (...) that results in a skill and one that disciplines a body? To address these questions the paper will analyze examples of the embodiment of norms in Foucault and feminist philosophy and show how they rely on the phenomenological concept of the actual and habitual body. (shrink)

From a historico-cultural point of view the notion of normativity is closely tied to the apparently descriptive category of normality. This relation seems even tighter on the level of experience. As Husserl shows that normality, in the form of concordance and optimality, is a constitutive feature of experience itself. But in what sense can we speak of normativity in the realm of experience? Husserl himself saw no need to pose this question. But to explain the possibility of normal and coherent (...) perception one needs more than merely formal criteria (like concordance and its adjustment to an optimum): one must also take into account the attentional nature of perception. In this regard, the present paper will consider Husserl’s early treatment of attention and integrate it with its genetic implications on the level of affection. Doing so shows that subjective experience is characterized by a preference- structure, motivated by the embodied subject’s individual and cultural horizons of interest. It is this that allows one to speak of a precursor to normativity in the realm of experience. Moreover it can be argued that interest not only influences perception from the lowest level, but can be seen as a precondition for any current attention. Thus to speak of normativity in experience in this stronger sense, means not only that perception already contains traces of intersubjective norms; it also means that such norms determine what you can see at all. --------------------------------------------------------------------------Aus kulturgeschichtlicher Perspektive steht der Begriff Normativität in einer engen Verbindung mit der vermeintlich deskriptiven Kategorie der Normalität. Erweist sich diese Relation aber bereits auf der Ebene der sinnlichen Erfahrung als grundlegend, hat dies weitreichende Konsequenzen. Wie Husserl zeigt, ist Normalität im Sinne der formalen Kriterien von Einstimmigkeit und Optimalität selbst konstitutiv für jede Erfahrung. Um darüber hinaus die Normativität innerhalb der Erfahrung in den Blick zu bekommen, soll in diesem Beitrag die phänomenologische Beschreibung um einen wichtigen Aspekt ergänzt werden: die Aufmerksamkeit. Zu den formalen Normalitätskriterien muss eine konkrete subjektive Präferenz hinzu treten, die eine Differenzierung der Wahrnehmungsinhalte leistet. Anders lässt sich eine normale und kohärente Erfahrung nicht hinreichend erklären. Husserls frühe Arbeiten zur Aufmerksamkeit und Intentionalität sollen daher mit späteren genetischen Analysen zu einer umfassenderen Konzeption von Aufmerksamkeit verbunden werden. Hierbei wird deutlich, dass jede subjektive Erfahrung durch ihre präferenzielle Struktur charakterisiert ist, die sowohl von individuellen als auch kulturellen Interessenshorizonten des leiblichen Subjekts motiviert ist. Dies erlaubt es, von einer rudimentären Form der Normativität innerhalb der Erfahrung zu sprechen. Diese immer schon intersubjektiven Interessensdimensionen beeinflussen weiterhin jedes Aufmerksamkeitsverhalten von den untersten Stufen der Wahrnehmung bis hin zu höheren Geistesakten. Normativität in einem starken Sinne meint damit nicht nur, dass sich die Spuren intersubjektiver Normen bereits innerhalb der Wahrnehmung finden lassen. Vielmehr bestimmen diese Normen, was wir im Einzelfall überhaupt sehen können. (shrink)

Husserl seldom refers to feelings, and when he does, he mainly focuses on their axiological character, which corresponds to a specific kind of value apprehension. This paper aims to discuss the role of feelings in Husserl from a different angle. For this purpose it makes a detour through Husserl’s early account of attention. In a text from 1898 on attention the aspect of interest, which is said to have a basis in feeling, plays an essential role. Although Husserl argues here (...) that every specific interest is dependent on an objectifying act of perception, he at the same time states that every act of perception necessarily has to be accompanied by an interest of some sort. In the latter sense, the genuine motivational force and necessity of this feeling aspect, namely interest, is emphasized. This ambiguity – or even contradiction – shall be the point of departure for the following considerations. The paper argues that it is possible to interpret the role of feelings in intentionality in a different way, namely not as an effect of current perception but as a cause of further perceptions. This tendency is first indicated in the text from 1898 and elaborated further in Husserl’s genetic approach in Experience and Judgment. In Experience and Judgment Husserl develops a broader notion of interest, defining it as a general perceptual drive. This general drive – so the paper will argue – expresses itself in concrete perception as a specific preference: it discloses or makes manifest what is relevant for an individual subject at a given time. (shrink)

Husserl (1859-1938) hatte sich in seinem Werk "Formale und transzendentale Logik" das Ziel gesetzt, den inneren Sinn, die Gliederung und Zusammengehörigkeit all dessen nachzuweisen, was bislang an logischen Problemen behandelt worden war, und die Notwendigkeit einer phänomenologischen Durchleuchtung der gesamten logischen Problematik darzutun. Ein Hauptstück der analytisch-deskriptiven Untersuchungen, die einer solchen phänomenologischen Begründung der Logik dienen, ist "Erfahrung und Urteil". Das Buch entstand in Zusammenarbeit mit Schülern und Mitarbeitern.

At the dawn of the modern era, philosophers reinterpreted their subject as the study of consciousness, pushing the body to the margins of philosophy. With the arrival of Husserlian thought in the late nineteenth century, the body was once again understood to be part of the transcendental field. And yet, despite the enormous influence of Husserl’s phenomenology, the role of "embodiment" in the broader philosophical landscape remains largely unresolved. In his ambitious debut book, _Phenomenology and Embodiment,_ Joona Taipale tackles the (...) Husserlian concept—also engaging the thought of Maurice Merleau-Ponty, Jean-Paul Sartre, and Michel Henry—with a comprehensive and systematic phenomenological investigation into the role of embodiment in the constitution of self-awareness, intersubjectivity, and objective reality. In doing so, he contributes a detailed clarification of the fundamental constitutive role of embodiment in the basic relations of subjectivity. (shrink)

The passage above comes from the opening pages of Merleau-Ponty’s essay on Edmund Husserl. It proposes a risky interpretive principle. The main feature of this principle is that the seminal aspects of a thinker’s work are so close to him that he is incapable of articulating them himself. Nevertheless, these aspects pervade the work, give it its style, its sense and its direction, and therefore belong to it essentially. As Martin Heidegger writes, in a passage quoted by Merleau-Ponty: " The (...) greater the work of a thinker – which in no way coincides with the breadth and number of writings – the richer is what is un-thought in this work, which means, that which emerges in and through this work as having not yet been thought. 2 " The goal of Merleau-Ponty’s essay, he says, is “to evoke this un-thought-of element in Husserl’s thought”. 3. (shrink)