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arratives, fictional and factual, commonly raise in their audience suspense. A narrative lays out over time a sequence of events; and because the events of the narrative are not completely told all at once, questions arise for the audience which will be answered only later in the narrative’s telling. Will the transfigured panther-woman pounce on her rival as she walks home alone at night, hearing strange noises around her? Will Sam and Annie ever make their date at the top of (...) the Empire State Building? And the most classic question of all, Who dunnit?, or as it appears in its post-modern form, Who will do it? ‘This is the story of a murder. It hasn’t happened yet. But it will,’ Martin Amis writes at the beginning of London Fields. ‘I know the murderer, I know the murderee,’ and we’re soon told that the murderee is to be Nicola Six.1 But who will kill her? And why? (shrink)

Readers of Kant’s Critique of Judgment (1790) have understandably been stumped trying to decipher Kant’s views on the relation between beauty and art.1 At §43 Kant ends his discussion of “free natural” beauties such as flowers and birds of paradise and begins to formulate a theory of fine art, according to which fine art has as its purpose the expression of “aesthetic ideas.” This theory of fine art, perhaps because it is saddled with examples of second-rate art (including a poem (...) by “the great king” Frederick) and is sketchier than the theory of beauty, has not been given the attention accorded the four “moments”. However, Kant’s theory of fine art is not as “unsophisticated” and “unenlightening” as one commentator thinks.2 It is rough and unfinished, but even so, it lays claim to being, along with Aristotle’s account of the “philosophical” implications of literature, one of the great pre-Hegelian statements on the capacity of art to express ideas. At least, the fact that the Critique of Judgment contains such a theory should stand as a warning to those who blame Kant for “neutering” the capacity of art to have any practical effect by reducing art to a contrivance for producing an enemic “disinterested” pleasure.3 On the contrary: Kant himself may in fact have thought his theory of fine art the capstone of his aesthetics. For at §51 he writes, “We may in general call beauty (whether natural or artistic) the expression of aesthetic ideas.” And here is where the puzzle begins, for it is not at all clear how or why beauty should even apply to the expression of aesthetic ideas — let alone apply in a way such that “we may in general call beauty … the expression of aesthetic ideas.”. (shrink)

he most worrisome skeptical doubt Descartes raises in the first of his Meditations is the hypothesis of an evil deceiver. While it might seem plainly certain and indubitable that he is “sitting by the fire, wearing a winter cloak, holding this paper” in his hands, and so on, it is possible that all these—fire, cloak, paper, even hands—are illusions. “I will suppose, then, not that there is a supremely good God, the source of truth; but that there is an evil (...) spirit, who is supremely powerful and intelligent, and does his utmost to deceive me. I will suppose that sky, air, earth, colors, shapes, sounds and all external objects are mere delusive dreams, by means of which he lays snares for my credulity.”. (shrink)

This first edition of this book was a broad study, drawing on a wide range of published research and historical evidence, of the enormous stock market boom that started around 1982 and picked up incredible speed after 1995. Although it took as its specific starting point this ongoing boom, it placed it in the context of stock market booms generally, and it also made concrete suggestions regarding policy changes that should be initiated in response to this and other such booms. (...) The book argued that the boom represents a speculative bubble, not grounded in sensible economic fundamentals. Part one of the book considered structural factors behind the boom. A list of twelve precipitating factors that appear to be its ultimate causes was given. Amplification mechanisms, naturally-occurring Ponzi processes, that enlarge the effects of these precipitating factors, were described. Part Two discussed cultural factors, the effects of the news media, and of "new era" economic thinking. Part Three discussed psychological factors, psychological anchors for the market and herd behavior. Part Four discussed attempts to rationalize exuberance: efficient markets theory and theories that investors are learning. Part Five presented policy options and actions that should be taken. The second edition, 2005, added an analysis of the real estate bubble as similar to the stock market bubble that preceded it, and warned that "Significant further rises in these markets could lead, eventually, to even more significant declines. The bad outcome could be that eventual declines would result in a substantial increase in the rate of personal bankruptcies, which could lead to a secondary string of bankruptcies of financial institutions as well. Another long-run consequence could be a decline in consumer and business confidence, and another, possibly worldwide, recession." Thus, the second edition of this book was among the first to warn of the global financial crisis that began with the subprime mortgage debacle in 2007. (shrink)

This work, written from a neo-Pyrrhonian perspective, is an examination of contemporary theories of knowledge and justification. It takes ideas primarily found in Sextus Empiricus's Outlines of Pyrrhonism, restates them in a modern idiom, and then asks whether any contemporary theory of knowledge meets the challenges they raise. The first part, entitled "Gettier and the Problem of Knowledge," attempts to rescue our ordinary concept of knowledge from those philosophers who have assigned burdens to it that it cannot bear. Properly understood, (...) Fogelin shows that the concept of knowledge is unproblematic. The second part of this study, called "Agrippa and the Problem of Justification," examines Agrippa's contribution to Pyrrhonism, a systematic reduction of its procedures which came to be known as the "Five Modes Leading to the Suspension of Belief." These modes present a completely general procedure for refuting any claim a dogmatist might make. Though largely unnoticed, there is, according to Fogelin, an uncanny resemblance between problems posed by Agrippa's "Five Modes" and those that contemporary epistemologists address under the heading of a theory of justification. Fogelin examines the strongest contemporary theories of justification--in both foundationalist and anti-foundationalist forms. The conclusion is that recent philosophical writings on justification have made no significant progress in responding to the Pyrrhonian problems these writings have addressed. (shrink)

Taking Wittgenstein at His Word is an experiment in reading organized around a central question: What kind of interpretation of Wittgenstein's later philosophy emerges if we adhere strictly to his claims that he is not in the business of presenting and defending philosophical theses and that his only aim is to expose persistent conceptual misunderstandings that lead to deep philosophical perplexities? Robert Fogelin draws out the therapeutic aspects of Wittgenstein's later work by closely examining his account of rule-following and (...) how he applies the idea in the philosophy of mathematics.The first of the book's two parts focuses on rule-following, Wittgenstein's "paradox of interpretation," and his naturalistic response to this paradox, all of which are persistent and crucial features of his later philosophy. Fogelin offers a corrective to the frequent misunderstanding that the paradox of interpretation is a paradox about meaning, and he emphasizes the importance of Wittgenstein's often undervalued appeals to natural responses. The second half of the book examines how Wittgenstein applies his reflections on rule-following to the status of mathematical propositions, proofs, and objects, leading to remarkable, demystifying results.Taking Wittgenstein at His Word shows that what Wittgenstein claims to be doing and what he actually does are much closer than is often recognized. In doing so, the book underscores fundamental--but frequently underappreciated--insights about Wittgenstein's later philosophy. (shrink)

It’s a familiar fact that there is something it is like to see red, eat chocolate or feel pain. More recently philosophers have insisted that in addition to this objectual phenomenology there is something it is like for me to eat chocolate, and this for-me-ness is no less there than the chocolatishness. Recognizing this subjective feature of consciousness helps shape certain theories of consciousness, introspection and the self. Though it does this heavy philosophical work, and it is supposed to be (...) relatively obvious to anyone who introspects, it is rather difficult to see just what this phenomenal me-ness is supposed to be; indeed, many philosophers deny it exists. In this paper we try to provide a clear sense of what phenomenal me-ness involves, and then then consider some arguments for the existence of phenomenal me-ness experience as well as some accounts of what gives rise to it. In the end, we argue that the plausible senses of me-ness are a good deal thinner than what often seems to be claimed. (shrink)

Philosophical theorizing about language now involves an increasing emphasis on empirical work and a renewed convergence with philosophy of mind, formal semantics and logic. This new text reflects this evolution. _Philosophical Perspectives on Language_ is distinguished in several important respects from other introductions to the topic. Rather than looking at philosophy of language as a collection of loosely related topics—speech acts, demonstratives, sense and reference, truth and meaning, etc.—this book is organized around a unifying theme: language as a system of (...) symbols that is known and used. (shrink)

Arguing that criticisms have--from the very start--rested on misreadings, Fogelin begins by providing a narrative of the way Hume’s argument actually unfolds. What Hume’s critics (and even some of his defenders) have failed to see is that Hume’s primary argument depends on fixing the appropriate standards of evaluating testimony presented on behalf of a miracle. Given the definition of a miracle, Hume quite reasonably argues that the standards for evaluating such testimony must be extremely high. Hume then argues that, as (...) a matter of fact, no testimony on behalf of a religious miracle has even come close to meeting the appropriate standards for acceptance. (publisher, edited). (shrink)

Speakers often use ordinary words and phrases, unembedded in any sentence, to perform speech acts—or so it appears. In some cases appearances are deceptive: The seemingly lexical/phrasal utterance may really be an utterance of a syntactically eplliptical sentence. I argue however that, at least sometimes, plain old words and phrases are used on their own. The use of both words/phrases and elliptical sentences leads to two consequences: 1. Context must contribute more to utterance meaning than is often supposed. Here's why: (...) The semantic type of normal words and phrases is non-proppositional, even after the usual contextual features are added . Yet an utterance of a word/phrase can be fully propositional. 2. Often, a hearer does not need to know the exact identity of the expression uttered, to understand an utterance. The reason: Typically, words/phrases in context will sound the same, and mean the same, as some elliptical sentence token. (shrink)

Michael Dummett has nicely expressed a rather widespread doctrine about the primacy of sentences. He writes: "you cannot DO anything with a word — cannot effect any conventional act by uttering it — save by uttering some sentence containing that word...". In this paper we argue that this doctrine is mistaken: it is not only sentences, but also ordinary words and phrases which can be used in isolation. The argument involves two steps. First: we show — using Sperber and Wilson's (...) relevance theory — that an utterance of "John's father" could COMMUNICATE a proposition. Second: we point out that, in this context, this proposition would be asserted rather than merely implicated. Because there is nothing importantly idiosyncratic about the phrase "John's father", we infer that words and phrases generally can be used in isolation to make assertions. (shrink)

In this brief note I clarify two points made in my 1996 book Philosophical Perspectives on Language. The clarifications are prompted by some criticisms in a recent Dialogue review of that book.

The paper discusses in detail John Perry's important article “Davidson's Sentences and Wittgenstein's Builders“. Perry argues, on the basis of Wittgenstein's famous block/slab language, that words make direct metasemantic contact with the world. The present paper urges that, while Perry's conclusions are correct and important, the arguments provided for them, in his 1994 article, ignore essential features of genuine words in natural language. A more empirically-oriented alternative tactic for supporting the same philosophical conclusions is then provided, and its advantages and (...) disadvantages are weighed. (shrink)

This paper defends the commonsense conception of linguistic competence according to which linguistic competence involves propositional knowledge of language. More specifically, the paper defends three propositions challenged by Devitt in his Ignorance af Language. First, Chomskian linguists were right to embrace this commonsense conception of linguistic cornpetence. Second, the grammars that these linguists propose make a substantive claim about the computational processes that are presumed to constitute a speaker’s linguistic competence. Third, Chomskian linguistics is indeed a subfield of psychology, in (...) the business of characterizing the linguistic competence of speakers. (shrink)

Several scholars and many religiously conservative thinkers have recently charged that Hitler’s ideas about race and racial struggle derived from the theories of Charles Darwin (1809-1882), either directly or through intermediate sources. So, for example, the historian Richard Weikart, in his book From Darwin to Hitler , maintains: “No matter how crooked the road was from Darwin to Hitler, clearly Darwinism and eugenics smoothed the path for Nazi ideology, especially for the Nazi stress on expansion, war, racial struggle, and racial (...) extermination.” In a subsequent book, Hitler’s Ethic: The Nazi Pursuit of Evolutionary Progress, Weikart argues that Darwin’s “evolutionary ethics drove him [Hitler] to engage in behavior that the rest of us consider abominable.” Other critics have also attempted to forge a strong link between Darwin’s theory and Hitler’s biological notions. In the 2008 film “Expelled,” a documentary defense of Intelligent Design, the Princeton trained philosopher David Berlinski, in conversation with Weikart, confidently asserts: “If you open Mein Kampf and read it, especially if you can read it in German, the correspondence between Darwinian ideas and Nazi ideas just leaps from the page.” John Gray, former professor at the London School of Economics, does allow that Hitler’s Darwinism was “vulgar.” Hannah Arendt also appears to have endorsed the connection when she declared: “Underlying the Nazis’ belief in race laws as the expression of the law of nature in man, is Darwin’s idea of man as the product of a natural development which does not necessarily stop with the present species of human being.” Put “Darwin” and “Hitler” in a search engine and several million hits will be returned, most from religiously and politically conservative websites, articles, and books. (shrink)

Human beings are both supremely rational and deeply superstitious, capable of believing just about anything and of questioning just about everything. Indeed, just as our reason demands that we know the truth, our skepticism leads to doubts we can ever really do so. In Walking the Tightrope of Reason, Robert J. Fogelin guides readers through a contradiction that lies at the very heart of philosophical inquiry. Fogelin argues that our rational faculties insist on a purely rational account of the (...) universe, yet at the same time, the inherent limitations of these faculties ensure that we will never fully satisfy that demand. As a result of being driven to this point of paradox, we either comfort ourselves with what Kant called "metaphysical illusions" or adopt a stance of radical skepticism. No middle ground seems possible and, as Fogelin shows, skepticism, even though a healthy dose of it is essential for living a rational life, "has an inherent tendency to become unlimited in its scope, with the result that the edifice of rationality is destroyed." In much Postmodernist thought, for example, skepticism takes the extreme form of absolute relativism, denying the basis for any value distinctions and treating all truth-claims as equally groundless. How reason avoids disgracing itself, walking a fine line between dogmatic belief and self-defeating doubt, is the question Fogelin seeks to answer. Reflecting upon the ancient Greek skeptics as well as such thinkers as Hume, Kant, Wittgenstein, Nietzsche, and Whitman, this book takes readers into--and through--some of philosophy's most troubling paradoxes. (shrink)

The eminent historian and philosopher of biology, Michael Ruse, has written several books that explore the relationship of evolutionary theory to its larger scientific and cultural setting. Among the questions he has investigated are: Is evolution progressive? What is its epistemological status? Most recently, in "Darwin and Design: Does Evolution have a Purpose?," Ruse has provided a history of the concept of teleology in biological thinking, especially in evolutionary theorizing. In his book, he moves quickly from Plato and Aristotle to (...) Kant and such British thinkers as Paley and Whewell. His main focus, though, is on Darwin's theory and its subsequent fate. Ruse rests his history on some shaky historical and philosophic assumptions, particularly the unexamined notion that evolutionary theory is an abstract entity that is unproblematically realized in different historical periods. He also assumes that Darwin conceived nature as if it were a Manchester spinning loom -- a clanking, dispassionate machine. A more subtle analysis, which Ruse eschews, might discover that Darwin's conception of nature owed a strong debt to German Romanticism and that he contrived to infuse nature with moral and aesthetic values, not to suck them from nature. Ruse proves he is a thinker to contend with, and this essay is quite contentious. (shrink)

Philosophical theorizing about language now involves an increasing emphasis on empirical work and a renewed convergence with philosophy of mind, formal semantics and logic. This new text reflects this evolution. -/- Philosophical Perspectives on Language is distinguished in several important respects from other introductions to the topic. Rather than looking at philosophy of language as a collection of (at best) loosely related topics—speech acts, demonstratives, sense and reference, truth and meaning, etc.—this book is organized around a unifying theme: language as (...) a system of symbols that is known and used. (shrink)

Hans-Georg Gadamer is widely recognized as the leading exponent of philosophical hermeneutics. The essays in this collection examine Gadamer's biography, the core of hermeneutical theory, and the significance of his work for ethics, aesthetics, the social sciences, and theology. There is full consideration of Gadamer's appropriation of Hegel, Heidegger and the Greeks, as well as his relation to modernity, critical theory and poststructuralism.