Hume and others on the paradox of tragedy

Journal of Aesthetics and Art Criticism 49 (1):75-76 (1991)
  Copy   BIBTEX

Abstract

Your use of the JSTOR archive indicates your acceptance of J STOR’s Terms and Conditions of Use, available at http://www.jstor.org/about/terms.html. J STOR’s Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non—commercial use.

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 86,554

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Analytics

Added to PP
2009-01-28

Downloads
158 (#101,714)

6 months
4 (#246,748)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

Horror Films and the Argument from Reactive Attitudes.Scott Woodcock - 2013 - Ethical Theory and Moral Practice 16 (2):309-324.
Hume’s Aesthetics.Timothy M. Costelloe - 2004 - Hume Studies 30 (1):87-126.
Hume, Sympathy, and the Theater.Brian Kirby - 2003 - Hume Studies 29 (2):305-325.
Affective Feelings and Aesthetics.Edmund T. Rolls - 2011 - In Elisabeth Schellekens & Peter Goldie (eds.), The Aesthetic Mind: Philosophy and Psychology. Oxford University Press. pp. 116.

View all 6 citations / Add more citations

References found in this work

No references found.

Add more references