En este artículo se argumenta que, para comprender las relaciones unificadas que son comúnmente predicadas de la koinōnía en las esferas ética, política y cosmológica respectivamente, uno debe apreciar primero ciertos “principios” o “reglas” que son prerrequisitos necesarios para la formación de koinōnía. Un principio que ha sido durante mucho tiempo objeto de una discusión intensa entre los intérpretes de Platón es la proporcionalidad. No obstante, en lugar de detenernos en el vínculo directo e inmediato entre proporcionalidad –en el sentido (...) más amplio posible– y las totalidades bien-ordenadas, sugiero que podemos obtener una explicación mucho más rica del interés platónico en la proporcionalidad y la formación de koinōnía si exploramos los diferentes modelos proporcionales que utiliza en diferentes contextos. Se argumentará que, para Platón, la proporcionalidad geométrica en particular es el principio vinculante par excellence para la formación de koinōnía al ser el modelo de orden más justo y permitir las totalidades complejas más duraderas. Abordar el punto desde este ángulo puede proporcionar una forma más decisiva de entender las diferencias políticas innegablemente obvias entre la República y las Leyes en términos de koinōnía. (shrink)

This section provides information and background on the selection of Opera geometrica (Fig. 1). We have worked on transcription from Latin and Italian vernacular language, which is the original language of the Torricelli’s text. Further facsimile texts are added for readers and our critical comments can be found as footnotes to this chapter.

This section provides the first full edited transcription—from Latin and Italian vernacular language—of the Opera geometrica. Further, as above said, facsimile texts are added, including our critical comments as footnotes to this chapter.

There is, of course, one clear sense in which Spinoza’s axiomatic method is a method of presentation: this is the sense which contrasts a method of presentation with a method of discovery. In the Ethics, Spinoza is stating and explaining his views, not describing how he arrived at them or telling us how to make discoveries for ourselves. Nor does he elsewhere present the axiomatic method as a method of discovery. In the seventeenth century, the distinction between a method of (...) discovery and a method of presentation was often described as a distinction between "analytic" and "synthetic" method; Arnauld and Nicole write. (shrink)

Descriptions of musical or acoustic events in terms of Proportional Theory, are one of the most significant features in the Pythagorean mathematical tradition. This article emphasizes its fundamental aspects, its progress in the Euclidean conception and, with the Philological analysis of some of its more important definitions, allows appreciating its philosophical weight.

Un aspecto fundamental en la tradición matemática pitagórica, es la descripción de eventos musicales o acústicos, en términos de la Teoría de la Proporción. El artículo destaca sus aspectos fundamentales, su progreso en la concepción euclidiana y permite apreciar su peso filosófico, con el análisis filológico de algunas de sus más importantes definiciones.

Georg Agricola’s De Re Metallica (1556) is an impressive work about mining arts and sciences, still used as a reference work to understand the mining world of his time and to analyze the relationships between scholars and practitioners. This essay begins by studying how Agricola presents the underground surveying, also known as geometria subterranea. How does the author’s mathematics relate to contemporary geometry or to actual surveying practices? Second, the essay contrasts his scholarly approach with sixteenth-century administrative and technical documents, (...) as well as mining sermons. Comparing the practical geometry contained in the De Re Metallica with different kinds of sources helps to question the relationships between the arts and natural and exact sciences in the practical settings of early modern Europe. Finally, it argues for a distinction between the inquiry on the historical progress of mathematics in civil life and philosophical questions about the rise of new sciences. (shrink)

La afirmación “todos los triángulos son isósceles” es obviamente falsa; sin embargo, una supuesta “demostración” de tal aserto ha devenido muy popular. Al parecer, la autoría de dicha argumentación se debe a Rouse Ball (Rouse Ball, 1905, pp. 38-39). Diversos autores la han calificado como “falacia” o “sofisma”. Por ejemplo: Rouse Ball (1905, p. 38), E. A. Maxwell (1963, p. 13), Ya. S. Dubnov (2006, p. 2), Jesse Norman (2006, p. 2), Marvin J. Greenberg (2008, p. 25), K. Manders (2008, (...) p. 94). Hamblin enseña que un argumento falaz, desde el punto de vista de una larga tradición que se remonta a Aristóteles, es un argumento que no es válido, pero lo parece (Hamblin, 1970, p. 12). Así si se pretende afirmar que un argumento dado es una falacia, dos cuestiones resultan esenciales: ¿por qué el argumento es incorrecto?, ¿por qué luce como si fuera correcto? El objetivo aquí es, respondiendo ambas interrogantes, enriquecer la comprensión de este caso y, en general, algunos aspectos de la demostración geométrica heterogénea. (shrink)

El artículo examina una de las contribuciones más importantes a los fundamentos de la geometría euclídea elemental lograda por David Hilbert en su obra Fundamentos de la geometría, a saber: la reconstrucción de la teoría euclídea de las proporciones y de los triángulos semejantes. Se argumenta que dicha reconstrucción no sólo estuvo motivada por la identificación de Hilbert de suposiciones implícitas en la teoría de Euclides, sino que además estuvo esencialmente ligada a la preocupación por la 'pureza del método'. Más (...) aún, se afirma que, en este caso específico, el requerimiento de Hilbert por la pureza del método posee un carácter general o fundacional, esto es, no se refiere a la demostración de un teorema en particular, sino más bien es planteado respecto de la construcción axiomática de la teoría misma. (shrink)

Esse artigo é uma breve análise sobre o problema do mérito como critério para a reciprocidade proporcional segundo Aristóteles.

La proporción áurea es señalada por la tradición como un canon de belleza. Este artículo explica el concepto de proporción áurea, empleando como ejemplo la fachada de la capilla de Schönstatt. A continuación se pregunta si hay una base neurológica de la predilección por esta proporción y propone un experimento de magnetoencefalografía para dilucidarlo. Si respeta determinadas condiciones, este experimento puede proporcionar claves más relevantes para este asunto que la medida estética de Birkhoff. Incluso podría cuestionar la (...) opinión de Kant de que el juicio estético es completamente desinteresado. (shrink)

Two topics, Science and History, have been studied for centuries, if not millennia, often in disjointed ways. The realization that Science is nourished by its History is quite obvious nowadays and is a standpoint shared by all the contributors in this book. Given this fact, the following chapters were written by interdisciplinary scholars who are experts in this field. The admirably written contributions concern History of Science, Epistemology, Philosophy of Science, but are not restricted to these disciplines. They also discuss (...) theoretical perspectives and ingenious results achieved by beautiful and clever minds working together or inspired by one another. Torricelli’s history is a fascinating one, filled with struggles and insights that have been studied and examined in depth by internationally renowned specialists. The gripping stories reconstructed, as well as the epistemological and logical threads drawn from long and painstaking research, are presented in a clear and absorbing fashion, in each instance with a unique style and always with considerably talented analysis. The preceding celebratory historical and historiographical chapter on Opera geometrica (Torricelli in Opera geometrica. Florentiae. Masse & de Landis (1644); Torricelli in Opere di Evangelista Torricelli edite in occasione del III centenario della nascita col concorso del Comune di Faenza da Gino Loria e Giuseppe Vassura. Montanari (1919–1944)) is also a structured introductory essay to the contents of this extensive Springer research project. Below, the reader will find summaries of selected distinguished essays written in order to celebrate the magnificence of Torricelli’s Opera geometrica. The whole volume has to be considered as an homage both to Opera geometrica and to Evangelista, a genial scientist. (shrink)

The Erlanger Program of F. Klein ensures a ground for the ὲ́κθεσις procedure, which has not been much studied in the recent debates about geometrical analysis, but refers to a more general problem: the identity of a sign within a sign system, and the attempts of reduction of the mentioned system by another one. The exampIe considered is the reduction of the conics to characteristic rectangles realized by Apollonius. Starting from Klein and Apollonius, as weIl as from cartesian geometry, the (...) figures are considered as geometric signs, and the proposed analysis of sign identity are conceived as models to follow in the analysis of identity of mathematical signs in general. (shrink)

Previous discussions of Robb’s work on space and time have offered a philosophical focus on causal interpretations of relativity theory or a historical focus on his use of non-Euclidean geometry, or else ignored altogether in discussions of relativity at Cambridge. In this paper I focus on how Robb’s work made contact with those same foundational developments in mathematics and with their applications. This contact with applications of new mathematical logic at Göttingen and Cambridge explains the transition from his electron research (...) to his treatment of relativity in 1911 and finally to the axiomatic presentation in 1914 in terms of postulates. At the heart of Robb’s physical optics was the model of the light cone. The model underwent a transition from a working mechanical model in the Maxwellian Cambridge sense of a pedagogical and research tool to the semantic model, in the logical, model-theoretic sense. Robb tracked this transition from the 19th- to the 20th-century conception with the earliest use of the term ‘model’ in the new sense. I place his cone models in a genealogy of similar models and use their evolution to track how Robb’s physical researches were informed by his interest in geometry, logic and the foundations of mathematics. (shrink)

El artículo presenta una interpretación del abordaje axiomático temprano a la geometría de David Hilbert, i.e., el desarrollado entre 1891 y 1905. Se sostiene que diversos aspectos de este abordaje, a primera vista problemáticos, se pueden comprender mejor si se contrastan con una de sus influencias más importantes en este periodo: la teoría pictórica [Bildtheorie] de Heinrich Hertz. En particular se argumenta que un análisis de la concepción axiomática de Hilbert a la luz de la teoría de Hertz permite aliviar (...) ciertas tensiones en la concepción hilbertiana; más precisamente, las tensiones que surgen de mantener, al mismo tiempo, una posición axiomática abstracta o formal y una concepción empirista de la geometría, que la considera una ciencia natural. (shrink)

InCelebratingthisDIUMessayHistoriographywe describeIEMNTorricelli’s lifeLille Universityand worksUdine University in their scientific context, including the ArchimedeanArchimedean heritage in Torricelli’s works. We analyse the changes of Torricelli’s works and explain the novelties of the edition we are offering. Then, we provide a picture of the most significant results obtained by Torricelli (1608–1647), particularly in mechanicsMechanicsand geometryGeometry. Furthermore, we also focus on the Torricelli’s methodology, specifying how he provedProved two of his achievements, given their novelty and mathematical meaning: (a) the volumeVolume of the “solido acutissimo”; (...) (b) the geometryGeometryof theLogarithmic Spirallogarithmic spiralGeometric Spiral. AnContent ad hoc ad hocAd hocContentContent of the Opera geometricaOpera geometrica is proposed as well. It is based on the original chronological sequences of the contentsContent wrote by Torricelli. This is important to evaluate the birth of the scientific matters presented by Torricelli and the editorial process of the publicationPublication. (shrink)

Evangelista Torricelli exemplifies the use the moderns made of the ancients' mathematical methods. Celebrating Evangelista Torricelli's monumental Opera geometrica, this book marks 380 years since its publication (1644-2024). This homage to Torricelli introduces the magnificent major work in Mechanics and Mathematics of a brilliant Archimedean–and–Galilean scientist to modern readers. Opera geometrica deals with Motion & Mechanics and Geometry & Infinitesimals. In quibus Archimedis doctrina Torricelli also presents his mechanical principle of equilibrium – the foundation of the modern Principle of Virtual (...) Work/Static. This outstanding source and research book spotlights the relevance and originality of Torricelli’s Mechanics, and is the first and most profound analysis of the Opera geometrica to date. The historical study is achieved in extensive Introduction, 5 Essays and an accurate Transcription of Opera geometrica with parallel side–by–side text, including substantive explicative notes. The book is an accessible avenue to understanding this work by leading authorities who offer much-needed insights into the relationship Physics–Mathematics, Mechanics and Fundamentals. It appeals to historians, epistemologist and scientists. (shrink)

Cherchant à refonder l’édifice euclidien, Leibniz a formulé une Caractéristique géométrique qui annonce les concepts géneraux de la théorie des ensembles. Dans ce cadre, il a pu en particulier formaliser sa conception du continu. L’intérêt du Pacidius Philalethi (1676) est de montrer qu’en choisissant la conception intensionnelle du continu -position qu’il ne dementira jamais- il sélectionne parmi les images duales celle dont se déduit le changement qualitatif, base d’une philosophie naturelle qui soutiendra encore la dynamique ultérieure. Une tâche se dessine (...) maintenant, soit déduire la nécessité d’un mouvement universei et infiniment varié à partir de ses conditions topologiques.We know that Leibniz intended to bring new foundations to the euclidean geometry and he has according to this view formulate a Characteristica geometrica which announces few general concepts of set theory. Parlicularly he tried to formalise his conception of continuity. Before the main interest of the Pacidius Philalethi (1676) is here: showing us that Leibniz when he chooses an intensional conception of continuity he chooses in the same time the dual image from which be can deduce the qualitative variation. We reckon again these conception at the grounds of his later philosophy of nature. But now we have to follow Leibniz demostrating how universal and infinite variations flow from its topological conditions. (shrink)

Cherchant à refonder l’édifice euclidien, Leibniz a formulé une Caractéristique géométrique qui annonce les concepts géneraux de la théorie des ensembles. Dans ce cadre, il a pu en particulier formaliser sa conception du continu. L’intérêt du Pacidius Philalethi (1676) est de montrer qu’en choisissant la conception intensionnelle du continu -position qu’il ne dementira jamais- il sélectionne parmi les images duales celle dont se déduit le changement qualitatif, base d’une philosophie naturelle qui soutiendra encore la dynamique ultérieure. Une tâche se dessine (...) maintenant, soit déduire la nécessité d’un mouvement universei et infiniment varié à partir de ses conditions topologiques.We know that Leibniz intended to bring new foundations to the euclidean geometry and he has according to this view formulate a Characteristica geometrica which announces few general concepts of set theory. Parlicularly he tried to formalise his conception of continuity. Before the main interest of the Pacidius Philalethi (1676) is here: showing us that Leibniz when he chooses an intensional conception of continuity he chooses in the same time the dual image from which be can deduce the qualitative variation. We reckon again these conception at the grounds of his later philosophy of nature. But now we have to follow Leibniz demostrating how universal and infinite variations flow from its topological conditions. (shrink)

El primer objetivo de este artículo es mostrar que explicaciones genuinamente geométricas/matemáticas e intrínsecamente diagramáticas de fenómenos físicos no solo son posibles en la práctica científica, sino que además comportan un potencial epistémico que sus contrapartes simbólico-verbales carecen. Como ejemplo representativo utilizaremos la metodología geométrica de John Wheeler (1963) para calcular cantidades físicas en una reacción nuclear. Como segundo objetivo pretendemos analizar, desde un marco inferencial, la garantía epistémica de este tipo de explicaciones en términos de dependencia sintáctica y (...) semántica del contenido lo inferido en las premisas, lo cual denominaremos criterio de validez inferencial (CVI). (shrink)

Los objetos sensibles y el hombre, que constituyen el mundo sometido a alteración o cambios, poseen una estructura, organización y dinámicas propias por las cuales se intuye la presencia de causas o principios que dotan a ambos de tales atributos. De aquí que el límite y la medida representen condiciones de orden establecidas por el mundo ideal, un orden que actúa como causa de la armonía y la proporción que conforman todo el mundo visible. El orden ontológico y cósmico (...) que aquí se plantea proyecta también disposiciones éticas en el plano antropológico, disposiciones que obedecen a un intento explicativo de la realidad en su totalidad y que en el presente texto se intentan dilucidar. (shrink)