ABSTRACT The work of Chester Himes, as exemplified by Real Cool Killers, is examined for its attention to social issues. It is concluded, as Polito has contended, that Himes is gifted at portraying an inner-city world and its problems. In a sense, Himes’s work also speaks to the post-World War II existential issues that drive some of the writing of Richard Wright.

Novel Medicine: Healing, Literature, and Popular Knowledge in Early Modern China. By Andrew Schonebaum. Seattle: University of Washington Press, 2016. Pp. viii + 283. $50.

Resumen: Entre 1842 y 1870, la narrativa chilena presenta un paulatino proceso de desarrollo que oscila entre la novela -cuando no el cuento- y el folletín. Lastarria califica su cuento “El mendigo” como “novela histórica”. A su vez, Alberto Blest Gana luego de publicar folletines en diversos periódicos de la época toma nítida distancia de ese tipo de “novela popular cuando en 1862 reflexiona acerca de la novela propiamente tal y al declarar -en 1864- que solo pretende ser un (...) novelista al estilo de Balzac. No obstante, el folletín de filiación europea presentará -hacia 1870- una precisa fórmula como es la denominada “novela indiana” que critica Zorobabel Rodríguez. Por lo mismo, proponemos que en las instancias fundacionales de la narrativa nacional se anticipa la tendencia de recurrir al folletín poniendo de relieve el motivo del amor imposible que no puede superar obstáculos de diversa índole, sean ellos sentimentales, estamentales, políticos o historiográficos. Nuestra hipótesis es que en el curso de la novela chilena liberal, de sello romántico sentimental, esta estructura modélica no es ajena a la narrativa nacional, hecho que permite dar curso a la narración -entre otros- de acontecimientos propios de la conquista, la independencia y la República.: Between 1842 and 1870, the Chilean narrative presents a gradual development process that oscillates between the novel -if not the short story- and the folletin. Lastarria describes his story “El mendigo” as an “historical novel”. At the same time, Alberto Blest Gana wins after publishing brochures in various newspapers of the time, he takes a clear distance from that type of "popular novel” when in 1862 he reflects on the novel itself and in declaring -in 1864- that it only pretends to be a Balzac-style novelist. However, the European affiliation booklet will present -by 1870- a precise formula such as the so-called “Indian novel” criticized by Zorobabel Rodríguez. For the same reason, we propose that in the foundational instances of the national narrative the tendency to resort to the newsletter is anticipated, highlighting the reason for impossible love that cannot overcome obstacles of various kinds, whether they are sentimental, social class, political or historiographic. Our hypothesis is that in the course of the liberal Chilean novel, with a sentimental romantic stamp, this model structure is no stranger to the national narrative, a fact that allows the narration -among others- of events of the conquest, independence and the Republic. (shrink)

This article examines popular discourses of women's sexuality in 1920s England and argues that sex manuals like Marie Stopes's Married Life and sex novels like E.M. Hull's The Sheik, despite their adherence to status quo values, were liberating for women through their affirmation of women's sexual subjectivity. Stopes's enormously popular book contributed strongly to a new understanding of women's sexual drives as natural and autonomous. The changing attitudes were reflected in the numbers of postwar women who actively participated (...) in the creation and consumption of popular sex-novels and films, exercising both economic and sexual freedoms at once. This article focusses on the film version of The Sheik, which experienced great success as part of this growing leisure market catering specifically to women's desire, and in particular on the figure of Rudolph Valentino as a “woman-made” man. The film's “crossed” representations of sexuality (the emancipated “flapper” and the effeminate yet virile “sheik”) challenged traditional notions of femininity and masculinity, and in doing so, were liberating for women consumers at the same time that they threatened the sexual identities of men. (shrink)

In this study, we aimed to address three comments proposed by Ogihara on a recent study where we found that unique names in China have become increasingly popular from 1950 to 2009. Using a large representative sample of Chinese names, we replicated the increase in uniqueness of Chinese names from 1920 to 2005, especially since the 1970s, with multiple uniqueness indices based on name-character frequency and name-length deviation. Over the years, Chinese characters that are rare in daily life or (...) naming practice were more often used in given names, and the length of given names became more deviant from typical practice. Taken together, these findings not only reconfirmed the increasing prevalence of unique names but also demonstrated the validity of various indices in assessing name uniqueness in China. (shrink)

The eight essays contained in Philosophical Feminism and Popular Culture explore the portrayal of women and various philosophical responses to that portrayal in contemporary post-civil rights society. The essays examine visual, print, and performance media — stand-up comedy, movies, television, and a blockbuster trilogy of novel. These philosophical feminist analyses of popular culture consider the possibilities, both positive and negative, that popular culture presents for articulating the structure of the social and cultural practices in which gender (...) matters, and for changing these practices if and when they follow from, lead to, or perpetuate discrimination on the basis of gender. The essays bring feminist voices to the conversation about gender where is it taking place and attest to the importance of feminist critique in what is sometimes claimed to be a post-feminist era. (shrink)

Republicans hold that people are dominated merely in virtue of others' having unconstrained abilities to frustrate their choices. They argue further that public officials may dominate citizens unless subject to popular control. Critics identify a dilemma. To maintain the possibility of popular control, republicans must attribute to the people an ability to control public officials merely in virtue of the possibility that they might coordinate their actions. But if the possibility of coordination suffices for attributing abilities to groups, (...) then, even in the best case, countless groups will be dominating because it will be possible for their members to coordinate their actions with the aim of frustrating others' choices. We argue the dilemma is apparent only. To make our argument, we present a novel interpretation of the republican concept of domination with the help of a game-theoretic model that clarifies the significance of collective action problems for republican theory. (shrink)

A new edge detection technique based on the texture feature coding method is proposed. The TFCM is a texture analysis scheme that is generally used in texture-based image segmentation and classification applications. The TFCM transforms an input image into a texture feature image whose pixel values represent the texture information of the pixel in the original image. Then, on the basis of the transformed image, several features are calculated as texture descriptors. In this article, the TFCM is employed differently to (...) construct an edge detector. In particular, the texture feature number of the TFCM is considered. In other words, the TFN image is used for subsequent processes. After obtaining the TFN image, a simple thresholding scheme is employed for obtaining the coarse edge image. Finally, an edge-thinning procedure is used to obtain the tuned edges. We conducted several experiments on a variety of images and compared the results with the popular existing methods such as the Sobel, Prewitt, Canny, and Canny–Deriche edge detectors. The obtained results were evaluated quantitatively with the Figure of Merit criterion. The experimental results demonstrated that our proposed method improved the edge detection performance greatly. We further implemented the proposed edge detector with a hardware system. To this end, a field programmable gate array chip was used. The related simulations were carried out with the MATLAB Simulink tool. Both software and hardware implementations demonstrated the efficiency of the proposed edge detector. (shrink)

As the medium of human-computer interaction, it is crucial to correctly and quickly interpret the motion information of surface electromyography. Deep learning can recognize a variety of sEMG actions by end-to-end training. However, most of the existing deep learning approaches have complex structures and numerous parameters, which make the network optimization problem difficult to realize. In this paper, a novel PSO-based optimized lightweight convolution neural network is designed to improve the accuracy and optimize the model with applications in sEMG (...) signal movement recognition. With the purpose of reducing the structural complexity of the deep neural network, the designed convolution neural network model is mainly composed of three convolution layers and two full connection layers. Meanwhile, the particle swarm optimization is used to optimize hyperparameters and improve the autoadaptive ability of the designed sEMG pattern recognition model. To further indicate the potential application, three experiments are designed according to the progressive process of body movements with respect to the Ninapro standard data set. Experiment results demonstrate that the proposed PLCNN recognition method is superior to the four other popular classification methods. (shrink)

The popular culture and philosophy (PCP) book publishing movement has always been about serving the public. The idea for Seinfeld and Philosophy was to explain a broad range of philosophy and philosophers in a way that anyone could understand because the examples came from a popular television show. Plenty of professors were referencing Seinfeld in the classroom to help students connect with big ideas. Seinfeld and Philosophy would spur some readers to pick up Plato or enroll in a (...) philosophy course. By applying philosophy to pop culture, authors deliver a truly novel philosophical insight into the artwork. There has never been complete uniformity in the genre of PCP, but for the most part motivations have been pedagogical. The Blackwell Philosophy and Pop Culture Series have a website with a blog that is open to submissions. The value of public philosophy in general, and PCP in particular, remains an open question at many institutions. (shrink)

Whereas the philosophy and novels of Iris Murdoch are discussed widely and thoroughly in academic and popular studies, the poetry in her novels is as yet an underresearched area. This essay offers a first attempt at classifying and interpreting Murdoch's use of poetry in her novels. My analysis shows that this poetry discloses the force of her moral thought. I argue that Murdoch's ambivalent appreciation of T. S. Eliot is a case in point.

Much philosophical work on pop culture apologises for its use; using popular culture is a necessary evil, something merely useful for reaching the masses with important philosophical arguments. But works of pop culture are important in their own right--they shape worldviews, inspire ideas, change minds. We wouldn't baulk at a book dedicated to examining the philosophy of The Great Gatsby or 1984--why aren't Star Trek and Superman fair game as well? After all, when produced, the former were considered pop (...) culture just as much as the latter. This will be the first major reference work to right that wrong, gathering together entries on film, television, games, graphic novels and comedy, and officially recognizing the importance of the field. It will be the go-to resource for students and researchers in philosophy, culture, media and communications, English and history and will act as a springboard to introduce the reader to the other key literature in the field. (shrink)

This article takes the recent rash of unwanted pregnancy films, such as 2007's Juno and Knocked Up, as an opportunity to revisit Margaret Atwood's influential 1985 novel, The Handmaid's Tale. It argues that the novel deals with the same themes the films evoke during a pivotal time for reproductive politics, generally, and abortion politics, specifically. It argues that the novel offers several lessons and warnings on the nature of reproductive politics that are still relevant today. These lessons (...) are connected to how and why these films are able to `make sense' in naturalizing their heroines' choice to keep an unwanted pregnancy. (shrink)

A study of twenty-five popular women’s novels and six famous romantic stories has led to the conclusion that such novels and stories are tales of mate selection and mating commitment. Pérusse’s (1994) predictions with respect to mate choice are confirmed by the activities of male and female protagonists in the novels (binomial test,p<.01 in all cases). Males choose mates on the basis of sexual exclusivity and fertility. Females choose mates on the basis of economic factors and parenting potential. As (...) well, male and female characters differ in terms of their display of functional emotions. (shrink)

ABSTRACT "Why can’t I decide to be happy?" This is the question that encapsulates the meaning behind Gabriele’s story, the main character of the novel Il film delle emozioni (The Movie of Emotions; Calabretta 2007a, in Italian). Gabriele is a victim of his negative emotions, and is completely in the power of his self-blame and self-devaluative thinking, which he learns to change only at the end of the novel, thanks to creativity and to the artistic expression of his (...) own traumatic experiences (see Sparrow and Wegner 2006). The novel tells of Gabriele’s several attempts at writing, first, the script of an autobiographical "educational" movie on emotion regulation; and then at transforming it into a novel. In reality, it reveals itself as a book popularizing the most recent scientific knowledge on psychology of emotions; as a dramatization of a scientist’s life—of his interior, interpersonal, and social conflicts (as well as political ones); and as a dramatization of the creative process of writing. As we will see in this article, The Movie of Emotions is a very particular novel that has much to do with creativity viewed in three different aspects—creativity in the novel’s structure, creativity in the process of the novel’s creation, and proposed techniques to increase creativity. (shrink)

The success of popular women's fiction requires a mode of analysis that is able to reveal the patterns across this category in order to better understand the appeal of these books. Popular fiction, like chick-lit, can be contradictorily framed as simultaneously constituting one, as well as many genres, if a genre is the codification of discursive properties. It may consist of romances, thrillers, romantic suspense and so forth in terms of its discursive properties, but popular women's fiction (...) will also have a pattern of similarity that cuts across these forms – that similarity, I will suggest, lies in the idea of pleasure as a genre of affect that ties various popular fictions together, thereby acting as a type of imperial genre. Pleasure is so ubiquitous and so diverse across the multiple forms that constitute popular women's fiction that I argue it has become a genre in itself. This is, however, not a genre that limits itself to one particular stylistic form, but rather, as a dynamic social construct, it has become a genre of affect that invokes feelings of pleasure. Nthikeng Mohlele's most recent novel, Pleasure, exemplifies the applicability and plasticity of the concept of pleasure, allowing me to examine this work as a type of fictionalised theory which I then apply to South African chick-lit texts: the Trinity series by Fiona Snyckers and Happiness Is a Four-Letter Word by Cynthia Jele. Mohiele's expansive theorisation of pleasure is inherently local in that it is depicted at the level of experience and imagination; yet it is simultaneously macro and global in the connections made to deeply political circuits of identity-based oppressions and structural inequalities. Mohlele reveals the mobility of pleasure as a genre that offers an opportunity to think through the circuits that connect popular fiction through the lens of African literature. (shrink)

To explore how cultural beliefs are reflected in different popular views of pre-implantation genetic diagnosis for human leukocyte antigen match (popularly known as “savior siblings”), we compare the reception and interpretations, in Germany and Israel, of the novel/film My Sister’s Keeper. Qualitative analysis of reviews, commentaries and posts is used to classify and compare normative assessments of PGD for HLA and how they reproduce, negotiate or oppose the national policy and its underlying cultural and ethical premises. Four major (...) themes emanated from the comparison: loss of self-determination and autonomy; loss of dignity through instrumentalization; eugenics and euthanasia; and saving life. In both countries, most commentaries represented a dominant position, with a few negotiated positions. We also highlight the decoding of a relatively less explored bioethical aspect of My Sister’s Keeper’s narrative, namely the meaning of euthanasia. We conclude by discussing how the findings relate to attempts of providing cultural explanations for the regulation of HLA-PGD. (shrink)

Ayn Rand's 1943 masterpiece, The Fountainhead is the story of Howard Roark, an architect of enormous talent who turns down one lucrative commission after another because they would force him to modify his designs and compromise his integrity, but in spite of his refusals, or perhaps because of them, he goes on to triumph over many obstacles and establish himself as a master. Douglas Den Uyl's new study, The Fountainhead: An American Novel, is the first volume to exclusively explore (...) Rand's most famous novel and also delve into her theory of individualism, called "objectivism." This theory eschews all government intervention into both the lives of individuals and the workings of a capitalist economy and has inspired a popular philosophical following for Rand over the years. (shrink)

This paper gives an overview of the placebo effect in popular culture, especially as it pertains to the work of authors Patrick O’Brian and Sinclair Lewis. The beloved physician as placebo, and the clinician scientist as villain are themes that respectively inform the novels, The Hundred Days and Arrowsmith. Excerpts from the novels, and from film show how the placebo effect, and the randomized clinical trial, have emerged into popular culture, and evolved over time.

Focusing on narratives with supernatural components, Karen J. Renner argues that the recent proliferation of stories about evil children demonstrates not a declining faith in the innocence of childhood but a desire to preserve its purity. From novels to music videos, photography to video games, the evil child haunts a range of texts and comes in a variety of forms, including changelings, ferals, and monstrous newborns. In this book, Renner illustrates how each subtype offers a different explanation for the problem (...) of the “evil” child and adapts to changing historical circumstances and ideologies. (shrink)

This article examines the role of Harlequin and Mills and Boon romance novels in the lives of young, single, middle-class women readers in urban India. The article focuses on the readers' interpretations of the novels given the differences in the sites of production of the romance novels and the sociocultural context of reception. Three themes are explored in this study: the influence of romance novels on the readers' expectations of marital sexuality and gender role patterns, the limitations of novels in (...) dealing with the social uncertainties that face the readers as young women in Indian culture, and the generation of readers' social anxieties due to the difference between the content of the novels and the sociocultural context in which they are read. The article concludes with a discussion of its implications for understanding global forms of culture, contested meanings of culturally transposed texts, and the shaping of popular cultural practices in a transnational arena around vectors of gender and socioeconomic class. (shrink)

In a democracy, citizens should have some control over how they are governed. If they do not participate directly in making policy, they ought to maintain control over the public officials who design policy on their behalf. Rule by Multiple Majorities develops a novel theory of popular control: an account of what it is, why democracy's promise of popular control is compatible with what we know about actual democracies, and why it matters. While social choice theory suggests (...) there is no such thing as a 'popular will' in societies with at least minimal diversity of opinion, the author argues that multiple, overlapping majorities can nonetheless have control, at the same time. After resolving this conceptual puzzle, the author explains why popular control is a realistic and compelling ideal for democracies, notwithstanding voters' low levels of information and other shortcomings. (shrink)

Dispositionalism, perhaps the most popular variant of non-Humean metaphysics, submits that dispositions, powers, or capacities, are part of the furniture of the world. In this book I advance an original approach to dispositionalism revolving around the notion of Dispositional Reality; the novelty lies in the fact that the account, unlike most alternatives on the market, does not require the reification of objects, facts, properties, nor their dispositional essences – and is in fact compatible with a far more deflationary approach (...) to dispositions, while still being true to the non-Humean spirit of the proposal. This power metaphysics without powers allows one to dispel several puzzles in recent literature, or recast them under a new light. Albeit with its own peculiarities, this proposal constitutes a variant of explanatory dispositionalism, according to which realism about dispositions ought not to be understood as an ontological inflation, but as an explanatory inversion within the nomic and modal family. Some of these explanations are hereby attempted, and a study of various types of non-causal explanation will be provided. (shrink)

Licensing Entertainment: The Elevation of Novel Reading in Britain, 1684?1750. By William B. Warner (Berkeley, Los Angeles, London: University of California Press, 1998) xvi + 325 pp. $48.00, £37.50 cloth, $22.50, £16.95 paper. Popular Culture and Performance in the Victorian City. By Peter Bailey (Cambridge: Cambridge University Press, 1998) x + 258 pp.

Nausea by Jean-Paul Sartre is often interpreted as an ideal textbook summarising the main points of Sartre’s quite technical argumentation in his academic writings; it illustrates his theoretical views on the nature of time, while it presents a philosophical justification of art through the adventures of the novel’s hero, who is none other than the author in disguise. I show that, despite its popularity, this interpretation is incorrect. I provide an alternative reading of the novel that would identify (...) its core themes, in a way that illuminates the reflective distance between the fictional agent and the philosophical narrator. (shrink)

Cult Criminals is a set of early Victorian novels 'sensationally' popular with readers and of immense influence in the development of the novel form. All six novels, commonly labelled 'Newgate' novels, scandalized the Victorians by glamorizing criminals and led to a bitter literary controversy between Dickens and Thackeray, who damned the former's Oliver Twist as a 'Newgate' novel. At the heart of the 'Newgate' debate lay questions concerning the moral and social function of the novel, the (...) relationship between romance and realism in fiction, and whether crime should be portrayed in fiction at all. The Newgate novels function as a bridge between the eighteenth- century tradition of crime fiction and the detective and crime novels of the nineteenth and twentieth centuries, as well as encapsulating many of the social and cultural shifts that took place in the early Victorian period. (shrink)

The current popularity of the mapping trope, particularly in discussions of postmodernism, might give rise to the impression that the AAA has expanded its sphere of marketability: all those readers lost in the wilderness of Western civilization need a good map to find their way to meaning and, with any luck, to history. Berman dons the cap of cartographer-chauffeur and steers us with great skill on a breathtaking tour through the landscape of the German novel from 1848 to 1947. (...) We are undoubtedly in better hands with Berman than with Allstate. While his impressive study begins, modestly enough, with the assertion that “literature has its geography,”. (shrink)

Images and concepts of the 'posthuman' go back at least as far as the famous 'madman parable' in F. Nietzsche's The Gay Science, and their 'roots' go back much further still. In turn, the image or theme of the posthuman has played an increasingly important role in recent literature, film, and television, where the notion of humanity as a 'larval being' (G. Deleuze) that transforms itself or is being transformed into something else, for better or worse, has become increasingly common. (...) This book explores these concepts in relation to biblical texts, particularly texts from the gospel of Mark but also from the books of Daniel, Jonah and Qoheleth (Ecclesiastes), and the Acts of the Apostles. At the same time, texts from recent popular culture are examined, including novels by J. Morrow, C. Miéville and G. Ryman, the movies Local Hero and Lars and the Real Girl, and the Heroes TV series among others. Through a kind of inverted causality, recent texts in various media such as these transform earlier and otherwise unrelated ones, including biblical texts, into precursors, giving them new, postmodern meanings, just as the older texts once signified in still other ways before the advent of the familiar modern world. As a result, biblical texts signify in remarkably different ways in relation to the posthuman. Posthuman beings appear in both biblical and non-biblical texts, and the biblical phrase 'sons of men' (in both plural and singular versions) plays a crucial role, where it too takes on meanings that range far beyond the conventional or traditional ones. (shrink)

El carácter de Alberto Blest Gana como fundador de la novela chilena mal podría ligarlo a la práctica del folletín, aunque registra numerosos títulos publicados en revistas y periódicos. Por lo demás, su filiación como aventajado discípulo de Balzac menos podría propiciar un vínculo con la literatura popular o de masas, como se desarrolló en Francia a mediados del siglo XIX. Y es que el canon literario nacional se construye a partir de una élite intelectual -ilustrada y liberal- que (...) participa de la construcción social de la Nación como la que propiciaba José Victorino Lastarria y el propio Blest Gana -en sus respectivos manifiestos literarios-, en cuya conformación la cultura popular no participa más allá de un “costumbrismo” folklórico, o como un “sabor” local, o como un “pintoresquismo” para solaz de los lectores cultos. En este artículo se indaga en los formantes folletinescos en la narrativa de Blest Gana, recurriendo a las tesis acerca de la literatura popular que han sido postuladas, entre otros, por Eco ; Martín-Barbero, Herlinghaus, Sarlo. Alberto Blest Gana, the founder of the Chilean novel, could not be linked to the practice of writing feuilleton, although a number of his works published in magazines and newspapers exist. Moreover, being an outstanding disciple of Balzac would unlikely link him to the popular or mass literature, as the one developed in France in the middle of the nineteenth century. In fact, the national literary canon is built upon an intellectual elite -enlightened and liberal- that participates in the social construction of the nation as the one fostered by José Victorino Lastarria and Blest Gana -in their respective literary manifests. In their view, the popular culture does not participate beyond a folkloric “costumbrism” or as a local “taste”, or as a “picturesque trait” for the delight of the educated readers. For this reason, this article explores the melodramatic formants in Blest Gana’s narrative, by analyzing them in light of the popular literature perspectives advocated by Eco, Martín-Barbero, Herlinghaus, and Sarlo, among others. (shrink)

This ambitious literary history traces the American novel from its emergence in the late eighteenth century to its diverse incarnations in the multi-ethnic, multi-media culture of the present day. In a set of original essays by renowned scholars from all over the world, the volume extends important critical debates and frames new ones. Offering new views of American classics, it also breaks new ground to show the role of popular genres - such as science fiction and mystery novels (...) - in the creation of the literary tradition. One of the original features of this book is the dialogue between the essays, highlighting cross-currents between authors and their works as well as across historical periods. While offering a narrative of the development of the genre, the History reflects the multiple methodologies that have informed readings of the American novel and will change the way scholars and readers think about American literary history. (shrink)

The subject of the study is color symbolism in F. Fitzgerald’s novel «The Great Gatsby» in the aspect of an ambivalent understanding of the conceptual solution in the use of a certain color in creating images of characters, in describing the setting and semantic content of the ideological content of the work and its screen interpretations. The object of study is color as a meaning-forming concept in literature and cinema, the symbolism of color. The work of Francis S. Fitzgerald (...) «The Great Gatsby» is of interest in the study of the influence of color palette. The main research methods are analytical and comparative historical. The color concepts of F. S. Fitzgerald's book “The Great Gatsby” and film adaptations are comprehended. This work by F. S. Fitzgerald is of interest to the modern Russian reader and viewer due to the fact that the problems raised in the novel are still relevant today. The writer touches on the popular theme of the American dream in literature and cinema. The story of the main characters is a vivid example of the illusory nature of this dream, and the lifestyle of the characters and their worldview demonstrate spiritual emptiness and cold indifference to everything except money and wealth. The scientific novelty of the article lies in the study of the ambivalence of perception of the coloristic solution of the images of characters in the book in comparison with its screen interpretations. The author comes to the conclusion that F. S. Fitzgerald in the novel «The Great Gatsby» uses a color palette in creating images of characters and describing the scene in such a way that the ambiguity in the perception of color most unexpectedly and sharply emphasizes the problems raised and becomes the basis for rethinking the ideological content of the work. (shrink)

In this essay, I make the interpretive claim that we cannot properly understand the Federalist without appreciating the extent to which the papers mount a sustained rejection of extra-constitutional democracy—practices in which people aim to assert authority over the terms of common life in ways that are not sanctioned by existing laws. I survey such practices, which were common in America before and after the Revolution. I argue that there is continuity between Publius’s justification for rejecting extra-constitutional democracy and his (...) justification for his preferred system against constitutional alternatives. Adequate analysis and evaluation of the Federalist’s arguments about faction, representation, and institutional design require attention to the double duty the arguments play against constitutional and extra-constitutional opposition. This interpretive argument supports several analytic and evaluative conclusions. First, we must distinguish a new form of “non-hierarchical dualist” constitutionalism, according to which irregular democratic activity need not be limited to extraordinary “constitutional moments” or revolutions. Second, the politically egalitarian character of procedures depends not on the procedures alone, but how the maintenance of such procedures limits other forms of democratic practice. Third, the argument suggests a novel defense of “uncivil” disobedient politics: one grounded not in contributions to democratic deliberation, but in the entitlements of citizens to direct assertions of authority over common life. (shrink)

These essays showcase the value of the narrative arts in investigating complex conflicts of value in moral and political life, and explore the philosophical problem of moral dilemmas as expressed in ancient drama, classic and contemporary novels, television, film, and popular fiction. From Aeschylus to Deadwood, from Harriet Beecher Stowe to Harry Potter, the authors show how the narrative arts provide some of our most valuable instruments for complex and sensitive moral inquiry.

Within academic circles, the “deficit” model of public understanding of science has been subject to increasing critical scrutiny by those who favor more constructivist approaches. These suggest that “the public” can articulate sophisticated ideas about the social and ethical implications of science regardless of their level of technical knowledge. The seminal studies following constructivist approaches have generally involved small-scale qualitative investigations, which have minimized the pre-framing of issues to a greater or lesser extent. This article describes the Gene Week Project, (...) sponsored by the Wellcome Trust, which attempted to extend this work to a large-scale consultation on genetics and health through the medium of a local daily newspaper. Readers were invited to respond to a set of open-ended questions that accompanied stimulus material published each day for five consecutive weekdays. The articles were written with the intention of extending the limited range of discourses around genetics and biotechnology that are usually presented by the popular media. Responses raised overarching issues about the place of emerging health technologies in society reminiscent of previous open-ended consultations in this field. The paper ends with a critical discussion about the potential of this method to contribute to the further development of open-ended public consultations. (shrink)

The women's sensation novel of the 1860s and the New Woman fiction of the 1890s were two major examples of a perceived feminine invasion of fiction which caused a critical furore in their day. Both genres, with their shocking, `fast' heroines, fired the popular imagination by putting female sexuality on the literary agenda and undermining the `proper feminine' ideal to which nineteenth-century women and fictional heroines were supposed to aspire. By exploring in impressive depth and breadth the material (...) and discursive conditions in which these novels were produced, The `Improper' Feminine draws attention to key gendered interrelationships within the literary and wider cultures of the mid-Victorian and fin-de-diècle periods. (shrink)

Even among critics not particularly concerned with detective fiction, Dashiell Hammett’s fourth novel, The Glass Key , is famous for carrying the so-called objective method to almost obsessive lengths: we are never told what the characters are thinking, only what they do and look like. Anyone’s decisions about anyone else’s intentions are interpretive decisions, dependent on correct presuppositions—on having the right interpretive key. The novel’s title, in part, refers to this kind of key. Ned Beaumont, the protagonist, has (...) to decide how to govern his relationship with Janet Henry; one of his major clues to her mind is a dream that she tells him, a dream that climaxes in an attempt to lock a door against an onslaught of snakes. Dream interpretation is difficult enough to begin with, and Janet Henry compounds that difficulty by telling the dream twice. In the first version, the attempt to lock the door succeeds; in the second, the key turns out to be made of glass and it shatters. Ned Beaumont, in deciding which dream to us as his key, chooses the second —but it is a choice based on an intuitive mix of experience and faith, knowledge and hunch.A reader often faces the same difficulties that Ned Beaumont does. Reading a book, too, requires us to make a choice about what key to use to unlock it, and that choice must often be based on an intuitive mix of experience and faith, knowledge and hunch. For example, as I shall show, the experience of reading certain texts—not all, but a significant number of them—is problematic because it depends in part on whether the reader has chosen, before picking them up, to approach them as popular or serious. My argument hinges on two prior claims. First, I contend that one way of defining genres is to consider them as bundles of operations which readers perform in order to recover the meanings of texts rather than as sets of features found in the texts themselves. To put this crudely but more modishly, genres can be viewed as strategies that readers use to process texts. Second, I argue that popular literature and serious literature can be viewed as broad genre categories. Peter J. Rabinowitz is associate professor of comparative literature at Hamilton College. He is currently working on a book about literary conventions and is also active as a music critic for such publications as Fanfare and Ovation. His previous contributions to Critical Inquiry are “Truth in Fiction: A Reexamination of Audiences” and “Who Was That Lady? Pluralism and Critical Method”. (shrink)

Children’s understanding of status and group norms influence their expectations about social encounters. However, status is multidimensional and children may perceive status stratification differently across multiple status dimensions. The current study investigated the effect of status level and norms on children’s expectations about intergroup affiliation in wealth and popularity contexts. Participants were randomly assigned to hear two scenarios where a high- or low-status target affiliated with opposite-status groups based on either wealth or popularity. In one scenario, the group expressed an (...) inclusive norm. In the other scenario, the group expressed an exclusive norm. For each scenario, children made predictions about children’s expectations for a target to acquire social resources. Novel findings indicated that children associated wealth status to some extent, but they drew stronger inferences from the wealth dimension than from the popularity dimension. In contrast to previous evidence that children distinguish between high- and low-status groups, we did not find evidence to support this in the context of the current study. In addition, norms of exclusion diminished children’s expectations for acquiring social resources from wealth and popularity groups but this effect was more pronounced between wealth groups. We found age differences in children’s expectations in regards to norms, but not in regards to status. The implications of how these effects, in addition to lack of effects, bear on children’s expectations about acquiring resources are discussed. (shrink)

This study centers on a valuable specimen of the early vernacular Chinese novel, San Sui pingyao zhuan, to explore dynamic possibilities at the formative stage of the Chinese novel. Close inspection of the physical aspects of the extant edition of the work suggests it is a reprint bearing traces of multiple earlier editions. The analysis of the obscure chuanqi play Si xi ji shows that the story tradition of “Three Sui quelling the rebels” already existed in the mid-sixteenth (...) century. San Sui pingyao zhuan shares much common ground with early zaju drama, fifteenth-century cihua (chantefables), and pinghua (historical novels). Linking this novel with other early examples of popular literature that preceded or were contemporaneous with it, my study deepens our understanding of the formation of the early vernacular novel as well as the world of popular literature in which the novel was situated. (shrink)

This article examines the declining prestige and utility of one of the mainstays of pre-Enlightenment peacemaking: treaties uniting once belligerent dynasties through marriage. By the late Middle Ages, interdynastic marriages had become such a common feature of the diplomatic landscape that the practice seemed almost transhistorical, something that was done always and everywhere. By the reign of Louis XIII, however, statesmen began stressing the limits of interdynastic marriage as a diplomatic strategy. This transformation of French affairs of state coincided with (...) the appearance of prose romances that scholars identify retrospectively as the first French novels. This essay focuses on two of the most popular and influential of these novels, César Vichard de Saint-Réal's Dom Carlos and the Countess of La Fayette's La Princesse de Clèves, as responses to the devaluation of the marriage diplomacy that had established dynastic networks between France and the Mediterranean world for centuries. Both works center on the 1559 Peace of Cateau-Cambrésis between France and Spain, which married Henri II's daughter Elisabeth de Valois to King Philip II. While Saint-Réal does not condemn such arrangements wholesale, he suggests that their success is highly subject to fortune. La Princesse de Clèves owes much to Saint-Réal's portrayal of the personal costs of marriages of state, as well as to Madame de La Fayette's own observations of the French and Savoyard courts. Although her focus on the interior life of her heroine limits explicit political commentary, her allusions to miserably unhappy queens-consort cast marriage diplomacy in an overwhelmingly negative light. (shrink)

This article focuses on the notion of affectivity, which over the last few decades has become an increasingly popular lens through which to study various themes in the humanities and social sciences, notably with respect to labour. The notion of “affective labour” has been deemed to encompass both work that requires emotional investment and work that is intended to produce emotional responses yet explorations of such work, though varied in schope, have generally not widened their breadth to include the (...) field of education, inviting the question: Can educators and their pedagogical outputs be analyzed through the same affective lens used to study other professions? The Philosophy for Children program created by Matthew Lipman and Ann Sharp represents an interesting case study of education as affective labour since it involves not only live educative encounters with groups of children but also virtual ones portrayed through its curriculum of philosophical novels. This article positions the Lipmanian philosophical novel as a form of affective labour both in process and in delivery . Drawing on the ideas of Michael Hardt and Antonio Negri, it seeks to demonstrate how the philosophical novel captures the liberating potential of affective labour—relational autonomy within a strong community—while avoiding its negative outcomes of exploitation and alienation. In doing so, it strives to articulate what the philosophical novel has already enabled and what it should aim to make possible in its future renditions. The article begins with a brief account of affective labour as an opportunity amidst risk then proceeds to examine the philosophical novel as a writing endeavour that “authors” affect and subsequently “facilitates” affect among children engaged in collaborative dialogue. (shrink)

Biomimicry is a rising popular ecology movement and method that urges the derivation of innovative and environmentally sound design from organic systems. This essay explores the notion of nature in biomimicry as articulated by the movement’s founder, Janine Benyus, and the nature of biomimicry as practiced by the Massachusetts Institute of Technology media ecologist Neri Oxman. Benyus’s approach, I show, promotes biomimicry as a science of nature in which nature is treated as a source for innovative design that can (...) be emulated in technological apparatus. Such an approach is problematic, I argue, for its valorization of organic form, which results in both a rigid system of ethics demanding absolute separation of nature and technology. By contrast, Oxman’s work, I show, pursues biomimicry as a technology of nature. In so doing, I argue, it mobilizes a neomaterialist style of interaction with organic materials that ultimately enjoins a radically different way of thinking nature, technology, and technoethics. (shrink)

This essay deals with the manner in which Salman Rushdie’s works engage with the heterogeneous logics of ethics and aesthetics. Drawing upon the work of Jacques Rancière it is argued that Rushdie neutralizes the two by introducing what Rancière calls a dissensus in the ethical-aesthetic hierarchy. The dissensus works on a principle of ‘excess’ so that within the domain of aesthetics the ethical is pushed to its limits. The order of desire (aesthetics) and the order of knowledge (ethics) are no (...) longer seen as hierarchical and mutually exclusive categories. By examining two versions of an unpublished novel by Rushdie (‘Madame Rama’) it is suggested that Bollywood cinema functions as a mode in which the two orders come together. In this early and mercifully unpublished novel, one finds the beginnings of Rushdie’s belief that works of art are sites of ideological and ethical contestations. (shrink)