Not everyone faces “modern” death equally, whether in Oran or today’s world. In this chapter, I argue that the “difficulty” in Oran of “modern death” as described by Camus is still with us today in that Americans neither faced death together in any form of solidarity under the Trump administration nor faced death individually in any traditional “decent” manner (as proposed by the character Tarrou), that is, comforted by family or friends. One reason is (...) overwhelming fear of death—what neuroscientists call “existential anxiety”—that can motivate human behavior toward either selfishness or an ethics of care. As a result of lived experiences of the pandemic, a sense of “heroic solidarity” has perhaps been finally achieved that moves us from despair to hope, confirming Camus’s faith in humanity. (shrink)

For almost a decade, I have taught an undergraduate course on death and dying and have served as an ethics consultant in an academic medical center where I support patients and families navigating difficult end-of-life decisions. Chapters from Elisabeth Kübler-Ross's On Death and Dying, Sherwin Nuland's How We Die, and Atul Gawande's Being Mortal are required reading in my course because these physician-writers offer detailed, firsthand stories that help readers imagine the places and faces of dying patients and (...) their families. Respectively, these authors teach us about patients' changing perceptions about their own deaths, the physio-cultural shapes of the dying process, and the fraught... (shrink)

Almost all people want their existence to continue all the time. In the past, this desire was getting satisfied with the faith of religions regarding the immortality of the spirit. In the modern era, the interest and faith in religion have diminished and consequently, the soul immortality has been looked upon with suspicion. Previously, death meant the transition to the other world; now death is interpreted as the end of a person's existence. Modern humans, who have (...) doubts, fears, and anxieties about the continuation of their existence after death, have difficulty in accepting the fact of death; they try to deny and fight it. However, the effort to remove death from life puts the fear and worry of death in the center of life, which leads to the confrontation with very different results than originally intended. The theme of this study is how modern individuals look at death, what ways they apply to get it out of their lives, by what tools they struggle against it and what the consequences of these efforts are. (shrink)

In Matters of Life and Death Elliot Dorff thoroughly addresses this unavoidable confluence of medical technology and Jewish law and ethics.

This text responds to the review forum on The Life and Death of States featuring Clara Maier, Kathryn Ciancia, Charles Maier, and Nathaniel Berman. It considers the place of Central Europe and the Habsburg Empire in our geographies of the modern world. Rather than hopelessly hamstrung by backwardness, the empire and its subjects were, in Clara Maier’s words, “simply struggling more insistently than complacent Westerners with the perplexities of the modern condition.” The text also considers questions of (...) the post-colonial and the post-imperial, literary genre, and the relationship between conceptual clarity and political legitimacy. (shrink)

In his philosophical project of a “deconstruction of monotheism,” Jean-Luc Nancy explores the hypothesis that the historical roots of secularization should be traced back to the beginnings of the monotheistic traditions. The secular is not exclusively a feature of modern culture. The complex connections and tensions between secularity and religion in recent decades can only be analyzed effectively if one rethinks the notion of the secular along these historical lines. The author offers a brief introduction into Nancy’s project, before (...) focusing on a theme that is central to one of the monotheistic traditions, Christianity: that of the resurrection. He reads and comments on parts of Nancy’s essay Noli me tangere, an innovative interpretation of John 20.11–18. In dialogue with Nancy he then develops a new view on the resurrection, in which paradoxically death is given a central meaning. This also involves a new insight in the immanence of transcendence. In the resurrection, it is death itself that resurrects. The idea is criticized that death would be vanquished into a life after death – as dominant approach in Christian doctrine has it, thereby expanding the modest little epilogue that the tale of the “empty tomb” actually is in the gospels, to a massive foundation of Christian redemption. Resurrection is affirmed as a life in death as well as a death in life. The resurrection of the mortal, earthly and vulnerable God that Christ is, invites an affirmation of the here and now, of humanity and of the human body: a “yes” to the world, not to an afterworld. Parallel to this analysis, the author takes up Nancy’s suggestion that the resurrection, and in fact the entire gospel, is a parable, and that its “truth” is a parabolic truth: playing with the impossible and the miraculous, in which truth and falsehood become entangled with each other. (shrink)

The Modern Dance of Death by Peyton Rous was originally delivered as the Linacre lecture for the year 1929 at the University of Cambridge. The purpose of the lecture was to discuss the manner in which humankind's relationship to physical ailments and the attendant risks of death had altered in the four hundred years since Thomas Linacre's time. As Rous saw it, 'From the moment that the body becomes a going concern it must fight for its integrity. (...) Its Dance with Death begins long before birth and never ceases throughout the lengthening period of what we call health. Everything coming in contact with it shapes its destiny.'. (shrink)

Modern scripts for dying in hospice or by euthanasia are inapplicable to the dwindling of long old age, often experienced as social ‘death before death’. The article critiques the rhetoric of ‘death before death’ used of Alzheimer’s patients, and draws attention to an alternative valuation of death of self in the Christian tradition.

A collection of essays by an international team of scholars, _Archival Afterlives_ explores the posthumous fortunes of scientific and medical archives in early modern Britain. It demonstrates the sustaining importance of archival institutions in the growth of the “New Sciences.”.

ABSTRACT If a doctor kills a severely handicapped infant, he commits an act of murder; if he deliberately allows such an infant to die, he is said to engage in the proper practice of medicine. This is the view that emerged at the recent trial of Dr Leonard Arthur over the death of the infant John Pearson. However, the distinction between murder on the one hand and what are regarded as permissible lettings die on the other rests on the (...) Moral Difference Myth, according to which deliberate lettings die in the practice of medicine are not instances of the intentional causation of death. I argue that a doctor who refrains from preventing a handicapped infant's death, causes that infant's death and does so intentionally. He commits an act of murder. But, I suggest, not all instances of the intentional causation of death are morally wrong. To the extent that they are not, killing rather than letting die will often be the preferable option because more economical of suffering. Hence what is required is the abolition of the Moral Difference Myth and legislation to the effect that those doctors who justifiably cause a patient's death—whether by an action or by an omission—commit no offence. (shrink)

Like all deaths, Raymond Williams’ must touch most profoundly those who were closest to him; it belongs first to his private circle. But it also belongs to his fame: to those who have read his books, heard him speak in public, were taught by him, and, then, to those who have been taught by those he taught, and so on. Because Williams was so committed and important politically—writing not just as an academic but as a leftist—his death also enters (...) public history. One can ask: does it mark the end of an era? Or, on the contrary, is it the sign of a beginning set in motion by the programs, the shifts of emphasis, he urged? Such questions are all the most insistent because the left, as a political force and as an idea, is so fragile today. Indeed, no other theme seems as urgent in thinking about Williams’ life and work now; for, to put it rather glibly, it is no longer easy to tell left from right. If we regard “being on the left” as requiring the belief that state control of the economy and the ideological apparatus and the empowerment of the proletariat are steps demanded by the journey towards real, rather than illusory or formal, freedom, then who is still on the left? And if “being on the left” does not require such beliefs, if there is a left that is not statist, how does it differ from liberalism, from a Deleuzian or Foucauldian micro-politics or a mere insistence on “social justice”?2 2. This is not to approach the question of what it means to be a “Marxist” in cultural/literary studies. Historically, one of the clearest demarcations of Marxism within and from the left in general was its willingness to theorize and imagine revolution. The difficulties faced by Williams’ work and career are very much those posed by a nonrevolutionary Marxism. Simon During is a lecturer in English at the University of Melbourne. His Foucault and Literature will appear in 1990, and he is currently working on a book entitled Literature without Culture. (shrink)

"Living in Death: the Evolution of Modern Vampirism" traces the evolution of folkloric and fictional vampirism in three parts: the history of the vampire; the concept of undead; and the transition of the modern vampire during the nineteenth century to present. The thesis provides an explanation of why a culture that views life and death as a binary opposition would create a being that exists between these two finite realms of consciousness ultimately on the assumption that (...) the body continues to function after death. This "third" state of consciousness places the vampire in a liminal state of being; neither alive nor dead, but living in death. (shrink)

Here, I explore a modernist aesthetics of death metal. First, I briefly describe a few themes that characterize some modern art, without any claim that they are necessary, sufficient, or exhaustive. The goal is to obtain a set of themes that might be set against similar themes characteristic of death metal. This is the task in the second half of the paper. In particular, I argue that (some) modernist art and death metal share themes centered on (...) transgressively breaking with the past, pursue their conception of the truth, eliminate elements in their art form to purity them, and attack the art/non-art or music/non-music distinction. I contend that centering on death metal vocals reflects these themes. Death metal growls, like some modernist art, transgresses on past vocal traditions, tells us important truths, eliminates traditional concepts/techniques of signing, and undermines the singing/noise distinction. (shrink)

Sacred Rituals and Humane Death critically analyzes the civilizing nature of the underlying fundamental concept of "humaneness" in contemporary discourses around modern meat and animal ethics. As religious methods of animal slaughter, such as the halal method in Islam, as well as the practice of religious animal sacrifice, are sometimes categorized as barbaric in recent debates, the civilizing narrative of progress leads supposedly to more humane adaptation of methods and practices of animal curation and slaughter. This volume argues (...) that the shift toward modern meat does not constitute a shift toward less pain and suffering as purported by supporters of contemporary methods, particularly mass agriculture. Rather, it is a shift in what is considered as acceptable versus unacceptable pain and suffering. In this work, the author analyzes the concealment and distancing that characterize modern meat production, uncovering the "acceptable" pain and suffering involved in these procedures heralded as "progress" and advocating for a retrieval of earlier, tradition-bound practices rooted in religious, cultural, and ethical respect of animals and their important and sacred roles in sacrifice. (shrink)

Over the centuries, the idea of the self has both fascinated and confounded philosophers. From the ancient Greeks, who problematized issues of identity and self-awareness, to Locke and Hume, who popularized minimalist views of the self, to the efforts of postmodernists in our time to decenter the human subject altogether, the idea that there is something called a self has always been in steady decline. But for Richard Sorabji, one of our most celebrated living intellectuals, this negation of the self (...) is dispiriting. In Self , he sets out to recover the rich variety of positive accounts of the self from Antiquity right up to the present, while offering his own inspiring view of what precisely the self might be. Drawing on Eastern religion, classical antiquity, and Western philosophy, Sorabji proceeds to tackle a number of thematic debates that have preoccupied philosophers over the ages, including the concept of the self, its sameness and mutability, the idea of the resurrection of the body and spirit, and the fear of death. According to Sorabji, the self is not an undetectable soul or ego, but an embodied individual whose existence is plain to see. It is also neither a linguistic creation nor a psychological fiction, but something that owns both a consciousness and a body. Ultimately, Sorabji argues, the demise of a positive idea of the self stems from much older and more pervasive problems of identity than we realize. Through an astute reading of this tradition, he helps us come to terms with our uneasiness about the subject in an account that will be at the forefront of philosophical debates for years to come. (shrink)

Fear, which has always been one of the most powerful of human passions, has grown in importance during modernity. First with Machiavelli and later especially with Hobbes, fear has become one of the foundational ideas of modern political philosophy. If fear, especially fear of death, does indeed occupy a central place in the foundation of modern politics, then it is necessary to study carefully the implications and consequences of the transhumanist attempt to overcome death. Among the (...) main aspirations of transhumanism is the search for almost infinite longevity and, eventually, the total abolition of aging. Therefore, it is necessary to understand the specific role that fear of death has played in modern political philosophy to understand the possible effects that an eventual overcoming of death would have, albeit partial, as wanted by transhumanists. While the possibility of achieving immortality seems unlikely, this doesn’t mean that we shouldn’t study what’s behind this transhumanist aspiration. In this way, transhumanism seems the final consequence of modern development, since it’s in continuity with the modern attempt to respond to the fear of death, but it does so by trying an ultimate solution to it through the elimination of death, at least by sickness and old age. In this paper, we will review the role of fear of death in the founding of modern political philosophy by Machiavelli and Hobbes, and then we will analyse the transhumanist attempt to overcome death as a consequence of this fear and its possible political effects. (shrink)

Det är stort, Europa, tycker urmakarn. Han har just inte tänkt på det förut. Tyskland, Frankrike, England, ett stycke Skandinavien, ett stycke Ryssland. Och gränserna förändras då och då; ljudlöst, nästan omärkligt på kartan, med buller och bråk där ute. Där ute—?... Långt uppe en liten prick, en liten stad. Hammar upptäcker att den verkligen hör till Europa, är en punkt i världen, ett litet centra, kring vilket en landsbygd sluter sig—en kärna.... Det är litet. Han måste erkänna, att det (...) är försvinnande. Stockholm är en helt annan sak, men detta är för litet.1[It is big, Europe, thinks the watchmaker. He hasn't happened to think about it before. Germany, France, England, a bit of Scandinavia, a bit of... (shrink)

To understand the role of science in modern politics, we need to understand the moral and metaphysical limits of science on questions of value. The modern mastery of nature cannot guide us in knowing what to do with our new powersCwhether in war or in medicine, at the beginning of life or the end of life. This essay explores the relationship between science, ethics, and politics by looking at various controversies in health policy, especially end-of-life care and embryo (...) research. It explores how scientists sometimes defend science in the most unscientific ways, looks for common ground on the most controversial areas of science policy, and invites us to reflect more deeply and philosophically on man's relationship to and place within the natural world. (shrink)

Richard Sorabji presents a brilliant exploration of the history of our understanding of the self, which has remained elusive and mysterious throughout the spectacular development of human knowledge of the outside world. He ranges from ancient to contemporary thought, Western and Eastern, to reveal and assess the insights of a remarkable variety of thinkers. On this basis he rejects the common idea that the self is an illusion, and develops his own original conception of the self as essential to our (...) ownership of our experience and our apprehension of the world. (shrink)

This book explores the breadth of philosophical interest in life and death during the early modern period. It connects debates in philosophy with the life sciences, linking the study of organisms to the practical aspect of philosophy, and reminding us that that philosophers were concerned with learning how to live and how to die.

The death of God and the death of eternity stand at the portals of modernity. Hegel’s Phenomenology of Spirit, which Kojève called the modern counterpart to the Bible, concludes with the death of G...

Biographical sketches show how six writers and public figures prepared for their deaths.

Jewish Faith and Modern Science address fundamental questions facing many contemporary Jews, including the relevance of traditional beliefs for Jews who are increasingly secular and liberal, and how recent advances in science affect conventional Jewish philosophy. Samuelson assesses the current state of Jewish thought and suggests how it should change to remain relevant in the future.

In spite of the fact that there is a common reality, people know very little about death. However, the person who sees the limited life as an obstacle in the way of encountering in life has always been in search of immortality. As a result of this quest, death has occupied different positions in human life. These positions can be grouped under three headings as tamed death, foreign death, and unspoken death. In this context, according (...) to the last approach which is effective in the modern world, the death which is completely removed from the life of the individual has been turned into a phenomenon which should be avoided/ postponed, not something to be dealt with. Thus, death, becoming a lonely phenomenon rather than a social phenomenon, has become a business problem rather than an occupation that people are interested in. Death, on the other hand, must be a criterion that determines life rather than being an object determined by life. The purpose of studying in this context is to question the position occupied in the life of the modern individual by moving from the understanding of deaths developed in the historical process. (shrink)

Demonstrates the significance of the concepts of madness and death for the history of philosophy.

The life sciences have been very much in vogue these days in the history of early modern philosophy. In the 1960s, 1970s, and beyond, historians of philosophy c.

Gravestones and inscription stones, which are among the oldest indicators of the phenomenon of death engraved in the public memory with images and rituals, are the ancient interpreters of the consciousness of death, which is the redemption of human beings as conscious beings. The phenomenon of death or dying, which was domesticated through a natural spirituality in antiquity, and a monotheistic religiosity in the Middle Ages, loses its spirituality by becoming profaned in the hands of consumer culture (...) and is brutalized today in terms of lifestyle by being cut off from existence in positivist paradigm in epistemological terms. The study deals with the secular perception of death and the individual and social crises caused by this perception in the context of tradition and modernity. The purpose of the study is to draw attention to the spread of natural and materialist assumptions in the perception of death and the strengthening of the profane elements in mourning ceremonies and to make sense of the traces left by this process in the individual and society. It is seen in the study that the efforts to cover up and intimidate the deceased and the subject of loss bring existential crises, alienation, and violence against oneself or others. On the other hand, it is also understood that it is not a coincidence that the traces of the culture of reconciliation built between death and life by the traditional perception of death in the countryside as an alternative perception faced. The study has been conducted with the document analysis design method, which is a qualitative research type. The approaches to the phenomenon of death have been subjected to a chronological literature reading in the study, and the diagnoses of the 21st century attitudes of the death perception, which were reached by going back to early days, were tested in historical and semiotics terms with the films Making Ships from Watermelon Shell (2004) and Shattered (2021), which were chosen to represent two different paradigms as documentary data. The study is important in that it examined the changing perception of death and the culture of mourning in detail and created a current topography and contributes to the studies of the sociology of death, which is still a fresh field. (shrink)

"Towards the Death of Humanity" is the endless demonstration of the disastrous side effects left on our environment, on life on this planet, on health and most of all on human dehumanization by a century of tremendous scientific and technological realizations and their material values. It illustrates how these unhealthy side effects are highly linked to the hasty and thoughtless decisions of scientists, intellectuals and governments to replace the humanities and the traditional methods of teaching with their own methods (...) of science, technology and their essentially material values. Unfortunately totally deprived of the smallest bit of humanity, this method of education has killed the rudiments of humanity acquired during the course of history, has dehumanized the people, their institutions and their societies. These side effects originate in the age-old desire of intellectuals and scientists to take hold of the power of religion over man and to satisfy their morbid need to build a new world, re-designed following Hegel' belief that the matter is eternal and God. Although these ideologies have lost all their legitimacy today because science has recently demonstrated that the matter is not eternal, scientists and intellectuals keep on teaching the falseness of their materialistic social system as if the logic of their reasoning were the only truth. This work promotes certain guidelines that individuals must follow to make the lucid and effective compromises needed to try and solve these destructive problems affecting man and society before the end of History. (shrink)

Focusing specifically on Hegels analysis of Dutch genre painting in the Lectures on Aesthetics, Jason Miller argues that Hegel regards modern art not as a failure to convey the deepest interests of a culture or society, but as a welcome liberation of art in which it comes to reflect the diversity and complexity of human experience.

Richard Sorabji presents a brilliant exploration of the history of our understanding of the self, which has remained elusive and mysterious throughout the spectacular development of human knowledge of the outside world. He ranges from ancient to contemporary thought, Western and Eastern, to reveal and assess the insights of a remarkable variety of thinkers. He discusses a set of topics which are at the heart of our understanding of ourselves: personal identity; memory; the importance of seeing one's life as a (...) whole; the relation between self, intellect, will, and agency; self-awareness; the stream of consciousness; embodiment; death and survival. He rejects the view, found in various philosophical and religious writings, that the self is an illusion, and develops his own original conception of the self as essential to our ownership of our experience and our apprehension of the world. (shrink)

There are two Habsburg empires in our minds: One – that of Stefan Zweig and Joseph Roth – evokes melancholy and a sense of loss, a yearning not for simpler but perhaps more colourful, less exacting...

In his posthumously published Living Up to Death Paul Ricoeur left an impressive testimony on what it means to live at a high old age with death approaching. In this article I present him as a teacher who reminds us of valuable lessons taught by patients in palliative care and their caretakers who accompany them on their way to death, and also as a guide in our search for a modern ars moriendi, after—what many at least (...) experience as—the breakdown of traditional religious belief in a personal afterlife. These lessons can be summarized in the following theses. ‘Living up to death, one cannot experience one’s own death. Therefore, never consider someone dying as moribund’. ‘Though everybody is alone in dying, nobody should die alone.’ ‘The preparation for death is an affirmation of life’. ‘Life experienced as a gift can be given up’. The plausibility of the last thesis, however, may go beyond the confines of austere philosophical thinking. (shrink)