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Jason Miller [14]Jason S. Miller [4]Jason M. Miller [1]
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  1.  52
    Frankfurt and the Folk: An Experimental Investigation of Frankfurt-Style Cases.Jason S. Miller & Adam Feltz - 2011 - Consciousness and Cognition 20 (2):401-414.
    An important disagreement in contemporary debates about free will hinges on whether an agent must have alternative possibilities to be morally responsible. Many assume that notions of alternative possibilities are ubiquitous and reflected in everyday intuitions about moral responsibility: if one lacks alternatives, then one cannot be morally responsible. We explore this issue empirically. In two studies, we find evidence that folk judgments about moral responsibility call into question two popular principles that require some form of alternative possibilities for moral (...)
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  2.  13
    U.S. History State Assessments, Discourse Demands, and English Learners’ Achievement: Evidence for the Importance of Reading and Writing Instruction in U.S. History for English Learners. [REVIEW]Jason M. Miller - 2018 - Journal of Social Studies Research 42 (4):375-392.
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  3.  23
    The Role of Aesthetics in Hegelian Theories of Recognition.Jason Miller - 2016 - Constellations 23 (1):96-109.
  4. Collision: The Death of Art and the Sunday of Life: Hegel on the Fate of Modern Art.Jason Miller - 2012 - Evental Aesthetics 1 (1):39-47.
    Focusing specifically on Hegels analysis of Dutch genre painting in the Lectures on Aesthetics, Jason Miller argues that Hegel regards modern art not as a failure to convey the deepest interests of a culture or society, but as a welcome liberation of art in which it comes to reflect the diversity and complexity of human experience.
     
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  5. Free Will in Context: A Defense of Descriptive Variantism.Jason S. Miller - unknown
    Are free will and determinism compatible? Philosophical focus on this deceptively simple `compatibility question' has historically been so pervasive that the entire free will debate is now standardly framed in its terms - that is, as a dispute between compatibilists, who answer the question affirmatively, and incompatibilists, who respond in the negative. This dissertation, in contrast, adopts a position that I call `descriptive variantism,' according to which prevailing notions of free will exhibit significant aspects of both compatibilism and incompatibilism. My (...)
     
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  6. Activism Vs Antagonism: Socially Engaged Art From Bourriaud to Bishop and Beyond.Jason Miller - 2016 - Field A Journal of Socially Engaged Art Criticism 1 (3):165-183.
     
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  7. Idealism.Jason Miller - forthcoming - In Jeffrey Di Leo (ed.), Bloomsbury Handbook to Literary and Cultural Theory. Bloomsbury Academic.
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  8. John Martin Fischer, Robert Kane, Derk Pereboom, and Manuel Vargas, Four Views on Free Will. [REVIEW]Jason S. Miller - 2009 - Philosophical Review 118 (3):409-413.
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  9. Posthumanist Public Art: An Interview with Mel Chin.Jason Miller - 2016 - Text and Performance Quarterly 36 (4):212-228.
     
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  10. Review of Ayon Maharaj, The Dialectics of Aesthetic Agency. [REVIEW]Jason Miller - 2014 - Notre Dame Philosophical Review.
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  11. Review of Douglas Moggach, Politics, Religion, and Art: Hegelian Debates (Northwestern, 2011). [REVIEW]Jason Miller - 2011 - Notre Dame Philosophical Review.
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  12.  7
    The Politics of Perception and the Aesthetics of Social Change.Jason Miller - 2021 - New York, NY, USA: Columbia University Press.
    In both politics and art in recent decades, there has been a dramatic shift in emphasis on representation of identity. Liberal ideals of universality and individuality have given way to a concern with the visibility and recognition of underrepresented groups. Modernist and postmodernist celebrations of disruption and subversion have been challenged by the view that representation is integral to social change. Despite this convergence, neither political nor aesthetic theory has given much attention to the increasingly central role of art in (...)
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  13. What Makes Heavy Metal 'Heavy'?Jason Miller - forthcoming - Journal of Aesthetics and Art Criticism.
    In this essay, I raise a simple but surprisingly vexing question: What makes heavy metal heavy? We commonly describe music as “heavy,” whether as criticism or praise. But what does “heavy” mean? How is it applied as an aesthetic term? Drawing on sociological and musicological studies of heavy metal, as well as recent work on the aesthetics of rock music, I discuss the relevant musical properties of heaviness. The modest aim of this essay, however, is to show the difficulty, if (...)
     
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  14.  41
    Our Stories: Essays on Life, Death, and Free Will by John Martin Fischer.Jason S. Miller - 2010 - Analysis 70 (1):196-198.
    (No abstract is available for this citation).
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  15.  12
    Beyond the Middle Finger: Plato, Schiller and the Political Aesthetics of Ai Weiwei.Jason Miller - 2016 - Critical Horizons 17 (3-4):304-323.
    The photograph of Ai Weiwei’s middle finger set against the backdrop of Tiananmen Square has become an icon of politically subversive art. But can we see beyond the middle finger? Here I argue that current theories of political aesthetics operate on an oversimplified dichotomy between two competing paradigms of political art, and that this threatens a more nuanced engagement with contemporary artistic practices. In the first part, I re-examine both the antagonistic relation between art and politics exemplified in Plato's verdict (...)
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  16.  14
    Dredging and Projecting the Depths of Personality: The Thematic Apperception Test and the Narratives of the Unconscious.Jason Miller - 2015 - Science in Context 28 (1):9-30.
  17.  6
    The Arts and the Liberal Arts at Black Mountain College.Jason Miller - 2016 - Journal of Aesthetic Education 52 (4):49.
    Shortly after John Andrew Rice, the eccentric classics professor and fire-brand advocate of progressive education, was dismissed from Rollins College for, among other things, teaching his students to “do as they please,”1 he drafted a sort of pedagogical manifesto announcing a new, and fundamentally new kind of, liberal arts school. The “Preliminary Announcement of Black Mountain College” describes this radical educational paradigm in largely contrarian terms, as the antithesis to traditional higher learning. This new college would be one without exams, (...)
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  18.  2
    GEORG W BERTRAM. Art as Human Practice: An Aesthetics. London: Bloomsbury Academic, 2019, 256 Pp., £19.99 Paper. [REVIEW]Jason Miller - 2020 - Journal of Aesthetics and Art Criticism 78 (2):248-251.
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  19.  6
    Kelly, Michael. A Hunger for Aesthetics: Enacting the Demands of Art. Columbia University Press, 2012, Xxii + 242 Pp., 15 B&W Illus., $50.00 Cloth. [REVIEW]Jason Miller - 2013 - Journal of Aesthetics and Art Criticism 71 (4):385-387.
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