ABSTRACT Kant regarded ecosphere as having the highest degree of beauty, as opposed to other aesthetical objects such as painting, sculpture, buildings, and we could infer, the built environment. His arguments hinges heavily on his transcendental philosophy, where he stressed that pure beauty could only be achieved through disinterested judgement, without concept, and others. Though his proposition for ecosphere is valid, it could not be used to justify other cases, such as determining the degree of (...) beauty of the built environment. Thus, a modified version of Kant's aesthetics needs to be adopted, as it opens space for the built environment. This research uses Kant's overarching aesthetical arguments to justify the degree of beauty of the built environment. It is found that the built environment could have similar, if not same to, the degree of beauty of ecosphere by way of bioregionalism and ecomimicry, where the totality of the built environment encompases the natural law of local environment, making its degree of beauty as high as ecosphere. Keywords: bioregionalism, ecomimicry, the built environment, ecosphere, degree of beauty ABSTRAK Kant memandang tinggi atas lingkungan alam dan menobatkannya sebagai derajat keindahan tertinggi bila dibandingkan dengan objek estetis lainnya seperti lukisan, patung, gedung, dan kita dapat inferensikan, lingkungan buatan manusia. Argumen dia terjangkar kepada pemikiran transendentalnya, di mana keindahan murni hanya dapat didapatkan melalui penilaian tanpa ketertarikan, tanpa konsep, dan lain-lain. Walaupun proposisinya terhadap lingkungan alam valid, kita tidak dapat menggunakannya untuk menjustifikasi derajat keindahan lingkungan buatan manusia. Dengan itu, sebuah modifikasi dari pemikiran Kant diperlukan untuk dapat menilai lingkungan buatan manusia. Penelitian ini menggunakan teori estetika Kant untuk menjustifikasi derajat keindahan lingkungan buatan alam. Dipertahankan bahwa lingkungan buatan manusia memiliki derajat keindahan yang sangat mendekati, bahkan sama, dengan lingkungan buatan alam jika, dan hanya jika, lingkungan buatan tersebut mengadopsi konsep bioregionalisme dan ecomimicry, di mana totalitas dari lingkungan buatan manusia mencakupi hukum alam yang terdapat di daerah lokal, meningkatkan derajat keindahan lingkungan buatan tersebut. Keywords: bioregionalisme, ecomimicry, lingkungan buatan manusia, lingkungan alam, derajat keindahan. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Role of Glass in Interior Architecture:Aesthetics, Community, and PrivacyMatthew Ziff (bio)Design education seeks to infuse students with knowledge, skills, and attitudes, regarding the design of the built environment. In the areas of knowledge and attitude, sophistication and competence are developed through both practice (largely carried out in the design studio environment), and engagement with critical analysis (largely carried out in seminar classes and traditional lecture format class (...) environments). For design students the world of design is both to be known and understood, and to be created, at their own studio desk. In order to both know and create design, students often behave like nocturnal predators, seeking what is necessary in a mode that is often unobserved, and then returning to digest their catch, to produce responsive and synthetic work. One arena in which design students find rich fields of information is that of material characteristics. Materials used in the design and construction of the built environment form a significant portion of the skeleton of a designer's body of knowledge, skills, and attitudes toward design. A current hotbed of material character and application is that of the world of glass. This essay is an exploration of some of the issues that the architectural uses of glass raise from the point of view of design student exploration.Materials evoke physical and psychological responses. Human beings are complex creatures and an individual's response to specific material applications can be unpredictable. Even so, it is reasonable to expect that there are shared attitudes that form the basis for responses to the physical character of the built environment. From delight, to confusion, materials used in the architecture of things large and small, from buildings to fountain pens, contain literal meaning, or expression of method, as well as possible symbolic and cultural meaning. The contemporary use of glass, particularly in interior architecture, presents a vivid arena for emotional and intellectual stimulation and response. [End Page 10]Glass planes that are sheer, opaque, translucent, colorful, brittle, imposing in mass, irregular in surface texture, flawlessly smooth, deformed through casting or by application of pressure and heat, are being used to create spaces that convey ambiguous relationships between private experience and public display. What is an ambiguous relationship? It is one to which a reasonable response is a high degree of uncertainty regarding the course of action one might take, or in the degree of understanding of the context one can develop. To know that the stair in the train station leads to track 4 is a condition that can be created by the use of unambiguous design; a visual connection from where one has to make a choice of paths to follow to the destination, track 4, creates a clear understanding of where track 4 is to be found. If track 4 can be seen from the position at which a choice is required, then certainty, clarity, is possible, if not probable. Visual connection is exactly what clear glass allows, and provides, yet ambiguity results because of the physical, hard barrier, transparency aside. "I can see track 4, but I cannot get there". The clarity provided by being able to see through glass, or even by being able to see light coming through translucent glass, is not sufficient to offset the uncertainty, or the mixed message, of not being able to get there, to touch what we can see.Glass in interiors offers a tactile and sensory titillation; the excitement of knowing that with a single swing of a hammer, or an umbrella handle, the beautiful sheet of curved frosted lemon ice colored tempered glass can be shattered into fragments.Windows have long been the predominant interior and exterior architectural element in which glass has played a major role. The glass used in Windows on the World, the famous restaurant atop the World Trade Center, destroyed during its collapse, and the glass used in a simple double hung window in a one story ranch house each share architectural duties of providing view from inside to outside, light transmission from outside to inside, heat gain, and acoustical isolation. Human eyes are sometimes described as "windows to the soul," which suggests the ability to... (shrink)

Across these essays Arnold Berleant demonstrates how aesthetic values and theory can be used to reappraise our social practices. He tackles issues within the built environment, everyday life and politics, breaking down the dichotomy between the natural and the human. His work represents a fresh approach to traditional philosophical questions in not only ethics, but in metaphysics, truth, meaning, psychology, phenomenology and social and moral philosophy. Topics covered include the cultural aesthetics of environment, ecological aesthetics, the aesthetics of terrorism (...) and the subversion of beauty. The corruption of taste by the forces of commercial interests as well as how aesthetics can advance our understanding of violence is also considered. Berleant's exploration is supported by his analysis of 19th-century art to the present day, starting with impressionism through to postmodernism and contemporary artistic interventions. By critically examining the field in this way and casting new light on social understanding and practice, this collection makes a substantive contribution in identifying and clarifying central human issues, guided by an understanding of aesthetic experience and appreciation as a powerful tool for social critique. (shrink)

This chapter contains sections titled: Environmental Impact Built Environment versus Environment?

​This book proposes and defends the practice of urban gardening as an ecologically and socially beneficial, culturally innovative, morally appropriate, ethically uplifting, and politically incisive way for individuals and variously networked collectives to contribute to a successful management of some defining challenges of the Anthropocene – this new epoch in which no earthly place, form, entity, process, or system escapes the reach of human activity – including urban resilience and climate change.

Functional beauty in the aesthetic tradition -- Functional beauty in contemporary aesthetic theory -- Indeterminacy and the concept of function -- Function and form -- Nature and environment -- Architecture and the built environment -- Artefacts and everyday aesthetics -- The functions of art.

The paper presents a biosemiotic approach to the study of the built environment, its representations and practices in social media. First, it outlines the main developments that make semiotics hold a significant position in the study of urban space and the built environment. It then goes on to overcome the limitations of the binary opposition paradigm: in particular, nature/culture is reconsidered as a category in which the two terms are in a relation of mutual participation rather than being (...) exclusive to each other. Following this, the paper explores three participatory categories that can be useful for the study of the built environment and its social media representations and practices: life/semiosis, natural environment/built environment, text/practice. Finally, it identifies five main topics representing the interplay between the natural and built environment: the interaction of nature and architecture, urban parks, urban agriculture, digital environmentalism and ecotourism. (shrink)

Much has been written in recent years on environmental ethics relating to the more general 'natural' environment but little specifically written about ethics of the built environment. Ethics and the Built Environment responds to this need and offers a debate on the ethical dimension of building in all its forms from a variety of disciplinary perspectives and approaches. This book should be of interest to architects, students of building and building design, environmentalists, politicians and general readers with an (...) interest in ethics. (shrink)

With A Theory of General Ethics Warwick Fox both defines the field of General Ethics and offers the first example of a truly general ethics. Specifically, he develops a single, integrated approach to ethics that encompasses the realms of interhuman ethics, the ethics of the natural environment, and the ethics of the built environment. Thus Fox offers what is in effect the first example of an ethical "Theory of Everything."Fox refers to his own approach to General Ethics as the (...) "theory of responsive cohesion." He argues that the best examples in any domain of interest--from psychology to politics, from conversations to theories--exemplify the quality of responsive cohesion, that is, they hold together by virtue of the mutual responsiveness of the elements that constitute them. Fox argues that the relational quality of responsive cohesion represents the most fundamental value there is. He then develops the theory of responsive cohesion, central features of which include the elaboration of a "theory of contexts" as well as a differentiated model of our obligations in respect of all beings. In doing this, he draws on cutting-edge work in cognitive science in order to develop a powerful distinction between beings who use language and beings that do not.Fox tests his theory against eighteen central problems in General Ethics--including challenges raised by abortion, euthanasia, personal obligations, politics, animal welfare, invasive species, ecological management, architecture, and planning--and shows that it offers sensible and defensible answers to the widest possible range of ethical problems. (shrink)

Based on earlier studies of J. C. R. Licklider, this article translocates the context of symbiosis between man and the machine into the built environment, and more specifically into contemporary methods for the design of domestic/residential spaces. According to this, a discussion is made concerning the implementation of media and sensor technologies within the architectural DNA that initiate the emergence of psychotropic spaces of Ballardian Architecture; structures that are capable of becoming extensions of the inhabitant’s mood, emotion and psyche. (...) Furthermore, this article presents Plinthos Pavilion, a collaborative artwork that confronts issues of transparency, ubiquity and invisibility; an example of synergy between the primary notions of architectural and media design, which blend with the use of electronic and digital technology, transforming a physical structure to an organism that breathes, reacts and communicates. (shrink)

On the way to a phenomenology of the moral space within which people make decisions about the built environments they inhabit, I take up Bryan Norton’s proposal for a non-linear, multi-scalar approach to environmental ethics. Inspired by a recent development in ecology, hierarchy theory, Norton’s key insight is that ethical concerns play themselves out across distinct spatio-temporal scales. I adapt this insight to the context of the built environment by way of a phenomenology of constraint as a scaling (...) criterion, then go on to specify how ethical concerns might be mapped onto the complex scalar relationships thus revealed. (shrink)

At any age, the pursuit of a good life is easier in a physical environment that promotes health, supports activities important to self‐fulfillment, and facilitates connections to the larger community. In old age, the home and neighborhood environments are particularly important: they are the locations where older people spend most their time, and they can have a great impact on independence, social connection, feelings of self‐worth, and physical and emotional well‐being.Within the urban planning field, home and neighborhood characteristics are important (...) dimensions of debates about the measurement of human progress and quality of life, particularly as an alternative to purely economic measures. They are also key issues in public health, particularly as they relate to physical, social, and mental well‐being. Here, we focus on how to improve the fit of environments for people as they age. (shrink)

This article focuses on how an often-overlooked portion of PPACA, “Community Transformation Grants,” might close the evidence gap in the relationship between obesity and the built environment and provide a pathway to effectively address this medically and economically costly epidemic.

The aesthetic experience may be defined as people's interactions with, and reactions to, objects, places, but also to the environment. Most psychological perspectives on the aesthetic experience argue that it results from the coordination of different mental processes such as perception, attention, memory, imagination, thought, and emotion. Physiological and neurological responses are also involved. Aesthetic experiences can take place while we observe works of art in museums and galleries as well as in other contexts such as natural and built (...) environments. Looking at a landscape, walking in a park, meeting people in a square, and walking into a building that is architecturally appealing are examples of natural and built environments where we can experience beauty, pleasure, attraction, and interest, among other aesthetic reactions.Research on aesthetic experiences has a long history, and in recent decades, the field has experienced tremendous growth in the number of empirical studies conducted. One of the areas that researchers have yet to fully address is the influence of the context (natural and built environments) on aesthetic experiences. We refer to context according to three broad categories: Context as natural environments, context as built environments, and environments for aesthetic experiences.Context as natural environments: People show a basic tendency to associate the natural environment with positive evaluations. According to an evolutionary explanation know... (shrink)

I defend the view that the design of the built environment should be a proper part of environmental ethics. An environmentally responsible culture should be one in which citizens take responsibility for the domesticated environments in which they live, as well as for their effects on wild nature. How we build our world reveals both the possibilities in nature and our own stance toward the world. Our constructions and contrivances also objectively constrain the possibilities for the development of a (...) human way of life integrated with wild nature. An environmentally responsible culture should require a built world that reflects and projects care and respect toward nature. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Porch: Meditations on the Edge of Nature by Charlie HaileyBruce B. JanzThe Porch: Meditations on the Edge of Natureby charlie hailey Chicago: The University of Chicago Press, 2021Charlie Hailey’s The Porch is a difficult book to review. This is not because I have to be measured in my praise—it is an excellent book, well written, with a mix of close observations and rigorous research. It is also (...) not difficult to review because it is challenging to read—it is an absolute joy to read. Hailey is a writer with a sense of rhythm and scene; this work could easily be taught in a course on creative nonfiction as it has that sense of writing craft along with its phenomenological acuity.No, The Porch is difficult to review because I get the sense that Hailey is asking us to do something other than evaluate it for the adequacy of its arguments or the originality of its points, or even the beauty of its writing. He is asking us to enter a world with him, to see things we haven’t seen and see those we have seen in a new way. The chapters are titled “Porch,” “Tilt,” “Air,” “Screen,” “Blue,” and “Acclimate,” and these give an idea of the space he is opening up. It is a space somewhere between a material world and the sense we make of it. The author is entirely committed to both, but not fooled by the illusions or uplifting promises of either.The primary porch of the book is on his cabin on the Homosassa River in Florida. It is a porch that is under threat of rising waters due [End Page 142] to climate change and catastrophe due to hurricanes. It is a porch on an estuary fed by a spring, which means that the water quality and clarity varies greatly over the nine miles of the river’s flow. Animal life abounds. It is, in other words, a porch where one is not going to be easily lulled to sleep, at least if paying the slightest bit of attention.It is perhaps unavoidable that talking about this book means talking about the environment. Indeed, on a first reading, this reminded me more of nature writing than architecture writing. The book is, to be sure, a reflection on architecture at its best, which is to say, the lived aspect of built space, the almost imperceptible but nonetheless real ways in which the liminal space of the porch affords the experience of the membrane between nature and culture, the outside and the inside, the public and the private. But it is also nature writing, inasmuch as a common thread in nature writing is to place us in the middle of nature, as part of it. We are not the designers, nor are we the inhabitants; we are those in the milieu, the middle of cause and effect, actor and acted upon, subject and object. It is a rare book on architecture, even vernacular architecture, that achieves this. The tendency is to always look for the optimization of the built environment, the tweak that will succeed in drawing us out into our best selves or the cute or trendy new feature. That is not Hailey’s goal here.If the porch is one of the best places in the built environment to understand the milieu, it must present itself in those terms beyond the author’s own circumstance. Otherwise, this would just be a paeon to a much-loved place. But the book is full of examples of porches, both literary and real, not just as objects or as liminal spaces between nature and culture, but as sites that show us their inhabitants and guests in unguarded and exploratory moments. If the trope of human vs. nature in American letters is of the human coming to terms with his or her own individuality, striving to tame, dominate, or at least fit into nature, and the trope of human in the built environment often ends up as the externalization of our internal, as-yet unrealized natures, this porch does something entirely different. We neither have the self/other... (shrink)

If “environment” means “that which environs us,” it isn’t clear why environmentalist thinkers so often identify it with nature and not with the built environment that a quick glance around would reveal is what we’re actually environed by. It’s a familiar claim that we’re “alienated from nature,” but I argue that what we’re really alienated from is the built environment itself. Typically talk of alienation from nature involves the claim that we fail to acknowledge nature’s otherness, but the (...) built environment is just as other from us as the natural one. And just as we are said to fail to recognize the role of nature as the origin of everything with which we have to do in the world, so too we fail to recognize the role of socially organized human labor in the objects that surround us. Overcoming alienation would require acknowledging the builtness and the sociality of the world we inhabit. (shrink)

Efforts to attain sustainability vis-à-vis the built environment are hindered because they are often focused away from the real roots of the various problems. This article analyzes the usefulness of embodied energy as an indicator of environmental performance and suggests that it may not be as useful as its proponents make it out to be. Other indicators and levels of analysis are suggested as being more accurate.

From 1942 to 1952, a programme took place at Johns Hopkins to devise new methods of controlling Baltimore’s rat population. This article focuses on three individuals closely connected to this project at various stages of its development: psycho-biologist Curt Richter, animal ecologist David E. Davis, and ecologist and psychologist John B. Calhoun. For all three, the challenges of controlling rat numbers highlighted the significance of stress – a homeostatic mechanism critical to the survival of the animal. This was a process (...) that was analyzed and manipulated by (re)introducing the wild rat into the laboratory. Here the rat not only contributed to new methods of rodent control, but offered new possibilities for the control and improvement of humankind. Yet it was not just the animal, but the physical structure of the laboratory that came to model the world outside. Through examining the experimental systems of the three scientists, this article will trace a series of transgressions between laboratory and field, urban and wild, animal and human. The result was that while animals were used to model the behaviour and pathologies of human city dwellers, the laboratory spaces in which they existed came to model the urban environment. We shall also see how differing perspectives on the value and uses of animal models and environments encouraged and reinforced alternative visions as to the role of science in the service of the city. (shrink)

abstract: Religion for many of Canada's earliest Chinese community was not about faith or belief in God, the Buddha, or the Goddess of Compassion (Guanyin). While the majority of Chinese migrants did not convert to Christianity or Buddhism before 1947, a very large number of them joined and became converted to Chinese nationalism (Zhongguo guomindang, aka KMT). This paper reflects on the findings of sixteen years of ethnographic and archival research to understand how sixty-two years of institutionalized racism in Canada, (...) along with bioregionalism and the built environment, determined Chinese migrant religious identities and behaviors in Canada up to 1947. Different Canadian provinces not only had different race-based laws that restricted individual rights and freedoms, they also had varying bioregional characteristics that influenced experiences and interactions with the built environments of churches, temples, and clubhouses. Chinese migrants adapted to legislation that limited their personal rights and freedoms by being efficacious or ling by professing Christian identities in public settings. They might have made offerings to Buddhist deities and frequented Buddhist temples in their home village before migration. But in Canada, being Buddhist was associated with being Japanese, and it was efficacious to be a practicing Buddhist in private. For Canada's Chinese migrants, it was conversion to Chinese nationalism and the veneration of Sun Yat-sen that was the epitome of ling. Being a devoted member met important practical as well as spiritual needs. (shrink)

In 2000, the Center for Disease Control and Prevention’s National Center for Environmental Health issued a report that explored some of the ways in which “sprawl” impacts public health. The report has generated great interest, and state health officials are beginning to discuss the relationship between land use and public health. The CDC report has also produced a backlash. For example, the Southern California Building Industry Association labeled the report “a ludicrous sham” and argued that the CDC should stick to (...) “fighting physical diseases, not defending political ones.”In retrospect, it is probably unfortunate that this report was funded by an organization called “Sprawl Watch.” “Spraw” is a word that has no clear meaning but is applied to a huge range of issues involving suburban development. (shrink)

In 2000, the Center for Disease Control and Prevention’s National Center for Environmental Health issued a report that explored some of the ways in which “sprawl” impacts public health. The report has generated great interest, and state health officials are beginning to discuss the relationship between land use and public health. The CDC report has also produced a backlash. For example, the Southern California Building Industry Association labeled the report “a ludicrous sham” and argued that the CDC should stick to (...) “fighting physical diseases, not defending political ones.”In retrospect, it is probably unfortunate that this report was funded by an organization called “Sprawl Watch.” “Spraw” is a word that has no clear meaning but is applied to a huge range of issues involving suburban development. (shrink)

It is no secret that one of the biggest public health challenges facing this nation is the obesity epidemic. Two-thirds of adults and one-third of children and teens are either obese or overweight. For adults, the number of obese has doubled since 1980, and for children age 6-11 the number of obese has quadrupled. The epidemic has changed what we thought we knew about medicine. For example, until fairly recently, type 2 diabetes was known as “adult-onset” diabetes. But doctors have (...) dropped this moniker as youth account for almost half of new type 2 diabetes in certain communities. Further, there has always been an assumption that life spans and health would improve with advancements in medicine and technology. However, obesity is related to over 20 major chronic diseases, and therefore obese children are more than twice as likely to die before the age of 55 compared to healthy-weight children. In other words, if trends are not reversed, America’s current generation of children are likely to have shorter life spans than their parents. (shrink)

This edited collection provides insight into understanding architecture and urban design as technology. In order to understand how and why we live in built environments, we are in need of a conceptual framework that takes into account what role architecture as technology plays in our being and becoming in the world.

Many discussions of Merleau-Ponty’s treatment of the bodily experience of space turn to his opus Phenomenology of Perception, where he most explicitly takes up the theme. Yet in Merleau-Ponty’s own view this treatment, while providing rich and valuable insights into spatial experience, remains unsatisfying: ultimately Phenomenology of Perception does not escape a dualism that, despite the work’s inestimable contributions to the philosophy of embodied experience, situates it within a flawed tradition running back through Husserl, Kant, and Descartes. As Merleau-Ponty himself (...) puts it, “The problems posed in Ph.P. are insoluble because I start there from the ‘consciousness’-‘object’ distinction.” 1 Only in his later philosophy, particularly with his development of the ontology of the flesh, did he approach the fulfillment of his goal to leave this distinction and all its Cartesian corollaries behind once and for all. (shrink)

Interdisciplinary in approach, this book combines philosophy, hybrid theory, and architectural theory with case studies, explicitly linking the traditions together to investigate the eco-aesthetics of the urban environment.

The prevalence of chronic diseases has increased in recent decades. Some forms of the built environment adopted during the 20th century—e.g., urban sprawl, car dependency, and dysfunctional streetscapes—have contributed to this. In this article, I summarise ways in which the built environment influences health and how it can be constructed differently to promote health. I argue that urban planning is inevitably a social and political activity with many ethical dimensions, and I illustrate this with two examples: the construction (...) of a hypothetical new suburb and a current review of planning legislation in Australia. I conclude that (1) constructing the built environment in ways that promote health can be ethically justified, (2) urban planners and public health workers should become more skilled in the application of ethical considerations to practical problems, and (3) the public health workforce needs to become more competent at influencing the activities of other sectors. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Common Good and the Global Emergency: God and the Built Environment by T. J. GorringeLibby GibsonThe Common Good and the Global Emergency: God and the Built Environment T. J. Gorringe New York: Cambridge University Press, 2011. 309 pp. $90.00Building on arguments set forth in A Theology of the Built Environment: Justice, Empowerment, and Redemption (2002), theologian Timothy Gorringe begins The Common Good and the (...) Global Emergency by exploring whether an idea of the common good is relevant in a multicultural society and, if so, how an account of the common good can give rise to an alternative economic paradigm grounded in grace. While respect for cultural differences and the rise of individualism may argue against a robust understanding of the common good, Gorringe looks to the concept of oikonomia, or household management, to express the concept of managing “our affairs in such a way as to further what we perceive to be good ends” (35). Since our understanding of the economy shapes every aspect of the built environment, Gorringe traces local, regional, and national economies to what Wendell Berry calls “the great economy” or God’s creation, redemption, and sustenance of all things.Gorringe grounds his arguments about the common good in his Trinitarian theology of the built environment, expressed as God the Creator, God the Reconciler, and God the Redeemer. The triune perichoretic nature of God is inherently relational; therefore, as humans made in God’s image, we cannot ignore our interdependence. While God the Creator offers a sense of the common good springs from creation, God the Reconciler gives Gorringe traction to discuss the many barriers—race, gender, class, and space—that divide human beings and how our built environments structure these separations. God the Redeemer is concerned with empowering human beings to challenge all things that destroy life; thus Gorringe sees his project as contributing a theology of liberation committed to justice and fullness of life for all humans.Gorringe argues that our best chance to identify a common good rests on constructively addressing the common bad that he calls the global emergency. This emergency can be seen in the doubling of the world’s population in the past forty years, the problem of climate change, and global resource depletion. Seeing climate change and food, water, and energy issues as among the most pressing ethical issues of the coming decades, Gorringe challenges the reader to examine how our current common values have degraded the environment [End Page 202] and the lives of people worldwide. Since he specifically addresses the built environment, Gorringe’s purview is necessarily anthropocentric and justified by the doctrine of incarnation. Yet the Creator God expresses great wisdom in the laws of nature, and much could be learned from the “built” environments in the animal kingdom. While this line of thought would clearly depart from the rigorous academic method of Gorringe’s analysis, the book arose from a feeling that the Lord instructed him to continue working in this area, and attending to other nonrational sources of wisdom could greatly enhance our understanding of God’s grace in all the world.Gorringe acknowledges that the chapters do not unfold linearly, and that he seeks to point out points of confluence. The fluidity with which he addresses theological, political, economic, architectural, sociological, and ethical issues leads the reader to an overall picture of the common good and its powers to liberate us from injustice while an exact map of this process may be difficult to draw. Gorringe clearly and directly addresses both critics and supporters of his previous work on the built environment and solidifies his case for attending to the ways that our built environments could express a common good, grounded in grace, that allows for the fullness of life for all beings.Libby GibsonVirginia Theological SeminaryCopyright © 2013 Society of Christian Ethics... (shrink)

The need for the comingling of theory and practice in food justice is particularly striking in the context of the built environment, where reactive policies without a theoretical framework and theories which do not take into account the surprises found in application have both failed many times in the past. Shane Epting calls for transdisciplinary collaboration to find paths toward food justice.

In recent years a range of formal methods of spatial analysis have been developed for the study of human engagement, experience and socialisation within the built environment. This volume brings together contributions from a number of specialists in archaeology, social theory, architecture, and urban planning, who explore the theoretical and methodological frameworks associated with the application of established and novel spatial analysis methods in prehistoric and historic built environments. The authors discuss the relationship between space and social life (...) from different perspectives and provide many illuminating examples of computer-based spatial analysis methods in archaeology. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Book Reviews 133 Beyond the Outer Shores: The Untold Odyssey of Ed Ricketts, the Pioneering Ecologist Who Inspired John Steinbeck and Joseph Campbell BY ERIC ENNO TAMM New York: Thunder’s Mouth Press, 2004 REVIEWED BY GEORGE MEADOWS How do you write a biography of someone who is best known as a fictional character? This is the challenge Erik Tamm has taken on in his recent biography of Edward Ricketts, (...) Beyond the Outer Shores. While some may know Ricketts as a pioneering ecologist and the author of the classic marine biology text, Between Pacific Tides, most know him as the model for “Doc” in the popular John Steinbeck novel Cannery Row, and the eponymous film adaptation. Much of the challenge arises from the fact that the fictional Doc as portrayed in Cannery Row is one of the most endearing characters in Steinbeck’s works. And according to all sources, Ed Ricketts shared many of Doc’s best qualities, and many of the incidents, people, and places in the novel are based on things Ed did and the people he knew. I would guess that many would be satisfied with knowing Ed Ricketts as Doc. It’s very tempting to do just that. The Monterey Peninsula, the location for the novel, is a beautiful place and it’s hard not to sense the presence of both Doc and Ed there. You might see them in Rickett’s restored laboratory/home, just a few feet from the entrance to the Monterey Bay Aquarium, or in the bronze statue of Ricketts placed near the site of his untimely death at the age of fifty-­ one. There’s also a Steinbeck monument in Steinbeck Plaza depicting the writer, Ed Ricketts, and several figures who play important roles in Cannery Row. The tide pools, which play such an important role in both Ed and Doc’s work are nearby and easily accessible. As a reader (and re-­reader) of Cannery Row and a frequent visitor to the Monterey Peninsula, I find it tempting to let Ed be Doc. To do so though would largely ignore the role he played in the development of ecology. Tamm’s book does focus on these achievements, and it does so in a way that would make sense to an ecologist: examining place and the ENVIRONMENT, SPACE, PLACE / VOLUME 13 / ISSUE 2 / 2021 134 relationships among individuals as they are influenced by that place. Thus, we have chapters titled “The Lab,” “The Great Tide Pool,” and “Clayoquot, Stubbs Island.” Other chapters deal with collecting trips to the Gulf of California and Juneau, Alaska. Each of these chapters provides a great deal of information about Ricketts’s ecological work in the area but also discuss his personal relationships as they developed in that space. This makes for interesting reading when we consider that these relationships involved such people as John Steinbeck, Henry Miller, and Joseph Campbell. The best example of this comes during the description of Ricketts’s 1932 collecting trip to Juneau with a young Campbell. The pair spent three months observing and collecting samples of marine life from the coastal areas. They also engaged in a number of discussions integrating ecology, biology, mythology, and religion. The discussion would continue for some time after, largely by mail, and their relationship takes up again in the final chapters of the book. While this approach does provide much of value, it can also make for a challenging read. The linear sequence that we might expect in a biography is somewhat absent in this book, to the degree that other reviewers describe the book as “nonlinear and disorganized,” or “confusing in sequence.” The focus on place and relationships, central to ecology, is difficult to mesh with the focus on an individual that we expect in biography, and this can be a difficult conflict to resolve. Individual organisms might be interesting, but that interest arises from the organism’s physical and social place. Ed Ricketts as an individual is not all that important. Our understanding of Ed should derive from his presence in certain locations and the relationships he had in those places. Or, as Michael Lannoo notes in Leopold’s Shack and Ricketts... (shrink)

Most of the biological and earth sciences are concerned with finding the differences between things and the magnitude of those differences, while science is occupied exploring these spaces and changes, religion is looking for a way to establish a unity of the parts. An interesting and valid question can be formulated by synthesizing the dedication to detail of the one with the great encompassing cohesiveness of the other. What is there to be seen if the form, material, structure, function and (...) size of objects and organisms were to be investigated with the overview sought by religion? ;Our world is comprised of a diversity of form; trees, clouds, bicycles, washsinks. These forms have a programmed series of causes and events that lead them to assume their shapes. The separation between the man-made and the natural becomes unimportant in this scheme, but because of complex inter-relations, correlations begin to emerge that relate seemingly diverse elements, dragonfly wings - veins, and sidewalk cracks, seed pods and machines. ;In words and photographs I have examined the primary physical causes of form diversity and similarity. Sometimes totally different objects and organisms appear very similar to one another and take on definite and like patterns as they respond to a spectrum of influences such as structure, the laws governing the subdivisions of space or the legacy of inheritance. In other circumstances the shape of both the living and non-living are made very different by such effects as size and material composition. ;It should be noted that this study is by no means a catalog of all that is possible in the determination of form; the information gathered here is a sampling of some of the simpler aspects of the physical world. Even with this necessary limiting of scope, it can be possible to give insight to that intricate, incredibly complex and beautiful series of interrelationships that exists about us. Those among us who affect the environment to a greater degree---builders, architects, artists and designers---might, with this understanding, approach their work with more compassion and sensitivity. This study is intended to be the outline for a book to be used as a text, but not in the sense that the reader can absorb, memorize and apply a quotient of facts to a given problem. But instead, it is thought that through a few examples the reader will gain the insight for an intuitive and knowing approach to the change of his physical environment. (shrink)

The dualism of nature/culture widely present within Western society at large is out of step with an increasingly urbanising world. Building on previous discussions of nature/culture duality, an integrative framework is presented that argues for the embracing of the 'mundane nature' found within human landscapes. As over half of the human population interacts with nature primarily within urban landscapes, increasing our awareness of such spaces is critical to understanding our ecological consciousness. The examples of a recent rooftop greening bylaw in (...) the city of Toronto and the social impacts of urban gardening are examined in this context. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Buddhist-Christian Studies 20 (2000) 23-42 [Access article in PDF] Overcoming the Grip of Consumerism Stephanie KazaUniversity of VermontFor fifteen years the Worldwatch Institute of Washington, D. C. has been publishing a review of the declining condition of the global environment (Brown et al. 1998). For the most part, the picture is not good. Much of the deterioration can be traced directly to human activities--urban expansion equates to species loss, (...) industrial manufacturing to air pollution, factory farming to water pollution, chemical agriculture to poisoned soil. Accelerating these environmental impacts are rapidly rising population numbers, increasingly efficient technologies, and consumption rates beyond the planet's capacity. These three have been linked by the equation I=PAT, or environmental impact=population size multiplied by affluence (or degree of consumption) multiplied by technology. Reduce any one of these and the impact drops; increase one or all three, and the impact rises, in some cases dramatically.Much of the conversation among scientists and technologists has focused on the P (population) and T (technology) parts of the equation, with grave concerns that rising population numbers are swamping earth systems, yet often with buoyant optimism that technological breakthroughs will solve everything. These two perspectives dominated political discussion for much of the 1960s and 1970s (Ehrlich et al. 1977 and Lovins 1977, among others). But by the 1980s the facts were incontrovertible: high rates of consumption were driving environmental destruction just as fast if not faster than rising population. At the 1992 Rio Summit in Brazil, representatives of southern countries demanded that high-consuming northern countries examine their own contribution to the environmental crisis rather than placing blame elsewhere. It is our obligation in the North to respond to these serious requests.How much do people in northern industrialized countries consume? Here are some indicator figures: Americans consume their average body weight (120 pounds) every day in materials extracted and processed from farms, mines, range lands, and forests (Ryan and Durning 1997, 5). In the United States, the number of shopping malls (close to 35,000) eclipsed the number of high schools in 1987 (Dunning 1992, 130). Since 1950 the per capita consumption of energy, meat, and lumber has doubled, use of plastic has increased five times, use of aluminum seven times, and average airplane miles per person has soared 33-fold (Durning 1992, 29). As products have proliferated, we see the swelling ecological footprint behind each new thing: clear-cut forests replacing paper plantations in Thailand, toxic oil polluting native lands of Ecuador, women earning poverty wages assembling computer chips in [End Page 23] Malaysia--the stories are not as pretty as the products. Materials extraction, production, distribution, use, and waste disposal--all of these have ecological costs, many of which are life threatening.Why should Buddhists and Christians address consumption? For starters, it is a nonsectarian issue; responsibility cuts across denominations and religious belief systems. Collaboration of all kinds is needed to take apart this juggernaut of complex causes and conditions. I believe the Buddhist tradition has powerful analytical tools and spiritual practices which may be helpful in this undertaking. These may aid or inspire similar efforts explored through the Christian heritage. A survey of the landscape and the literature shows it is shockingly clear: the challenge here is enormous. It will require all the spiritual insight, dedication, and sheer stamina we can bring to it. This work cannot be done alone; we need each other's help to keep going through the many obstacles.To date, Buddhist initiatives in this conversation have been modest. Several popular books have brought Buddhist perspectives to bear on consumption issues, most notably E. F. Schumacher's Small is Beautiful (1975) and Gary Snyder's The Practice of the Wild (1990). Both works popularize practices of simplicity and restraint, flavored by the exotic Western fascination with Eastern thought. Several Buddhist teachers in the U.S. have taken up particular sub-themes addressing over-consumption. Philip Kapleau has sounded an ethical call for vegetarianism based on the first precept, "no killing" (1982). Robert Aitken has taken a stand for reducing wants and needs to simplify... (shrink)

Buildings are meaningful parts of the environment; and when they are architecture, they aspire to greater meaning. Several accounts of architectural semiosis have been offered based on analogies to biology and language. These are critiqued. Critiqued, too, are accounts of semiosis generally that use systems-theoretical concepts and language. The essay goes on to outline what could be a contribution to biosemiotics from the work of perception psychologist, J. J. Gibson, as brought through architecture in the form of isovist field theory. (...) This theory is not treated as an example of systems thinking as it usually is, but, with the help of philosopher Martin Buber as well as Jesper Hoffmeyer, as a way out of it—able to describe the meaning of objects and space phenomenologically and ecologically at once. (shrink)

This article discusses the textual sources used for understanding the built environment and interactions between Greek eastern colonies and other societies in the Bactro-Gandharan region.

In lieu of an abstract, here is a brief excerpt of the content:The Demise of the Aesthetic in Literary StudyEugene GoodheartAnumber of years ago at an MLA convention I was on a search committee interviewing candidates for a position in Victorian literature in our department. One of the candidates had done a dissertation on Christina Rossetti in which “Goblin Market” played a prominent role. As I recall, the candidate was putting forth a New Historicist or feminist argument about the poem, (...) when one of my colleagues on the committee interrupted her with the question: “But is it a good poem?” The question took me by surprise, for I didn’t remember such a question having been asked of students in years. It dumbfounded the candidate. She had apparently never considered the question. The poem was there as an occasion for... I was about to write interpretation or analysis, but it would be more accurate to say: a placement in a particular discourse—historicist, feminist, deconstructionist, ideological. The candidate’s fluency about the poem came to a halt. She spluttered a few phrases about the power of the poem. She was unprepared to answer the question, having never been asked or taught to ask it by her teachers of any poem or novel or play that she had read.We may not have been fair in our judgment of her. If we had been consistent and asked the same question of all the candidates, I don’t think we would have met with greater success. Our candidate’s disability was, indeed still is, built into the profession of literary studies at the present time. That aesthetic judgment is not one of the current professional practices is clear not only from its absence in the content of literary study but from the styles of the discoursers. No longer written [End Page 139] in a vernacular style, criticism has become a species of sociological prose once held in contempt by literary scholars: ponderous, abstract, obscure, ungainly, jargonish. There are practitioners of New Historicism, ideology critique, and deconstruction who write well, but who seem to regard their own gifts of expression as incidental, and are not in the least discomfited by the bad writing of others.Style is not an incidental matter. Orwell made a compelling case for its political and moral significance. In his classic essay “Politics and the English Language,” he preaches the virtues of plain speech, the transparent and elegant style as a mark of self-honesty. (Transparency makes it difficult to conceal your ideas from yourself.) In Writing Degree Zero and subsequent writings, Barthes deconstructed, so to speak, the Enlightenment myth of transparency as a guarantor of honesty and truth. Reality was not as perspicuous to “natural” plain writing as the Enlightenment believed. Barthes’s own style (rich, inventive, personal, alternately perspicuous, and obscure) is that of an imaginative writer. I don’t want to adjudicate the differences between Orwell and Barthes, but I should note what may not be obvious: they have a shared aesthetic concern with style, a concern that has virtually disappeared from academic discourse.It has become almost an embarrassment to speak in behalf of aesthetic value in the academy. One of the few unembarrassed exceptions is the voice of Harold Bloom whose jeremiad The Western Canon begins defiantly with an affirmation of the aesthetic against its demystifiers. “‘Aesthetic value’ is sometimes regarded as a suggestion of Immanuel Kant’s rather than an actuality, but that has not been my experience during a lifetime of reading.” 1 I take it that Bloom is saying that aesthetic value is an experience and not a theory. Indeed, if we insist on a theoretical justification of the aesthetic, we will end up speaking as does Barbara Herrnstein Smith of its contingent and subjective status (it is in the eye of the beholder and every beholder sees things differently) or we may find that the aesthetic is inescapably contaminated by political, moral, and philosophical interests. “Contaminated” perhaps, but as Bloom says, not reducible to these interests. It is useful to remember that aesthetics has been traditionally associated with the idea of disinterestedness. As Jerome Stolnitz remarks, we perceive beauty when it is the object of a “disinterested and sympathetic attention... (shrink)

This book draws on the authors' wide range of experience, to provide a greater understanding of the different dimensions of environmental engagement. It is essential reading for students, researchers, and practitioners of architecture, landscape architecture, urban planning, design and health sciences.

The majority of the world’s population now lives an urban existence, spending as much as 95% of their lives indoors. The olfactory atmosphere in the built environment has been shown to exert a profound, if often unrecognized, influence over our mood and well-being. While the traditionally malodorous stench to be found indoors (i.e., prior to the invention of modern sanitation) has largely been eliminated in recent centuries, many of the outbreaks of sick-building syndrome that have been reported over the (...) last half century have been linked to the presence of a strange smell in the environment. At the same time, however, there is also growing evidence that consumer behavior can be manipulated by the presence of pleasant ambient odors, while various aromatherapy scents are said to improve our mood and well-being. This Anglophone review focuses primarily on indoor western urban developed spaces. Importantly, the olfactory ambience constitutes but one component of the multisensory atmosphere and ambient odors interact with the visual, auditory, and haptic aspects of the built environment. Surprisingly, the majority of published studies that have deliberately chosen to combine ambient scent with other sensory interventions, such as, for example, music, have failed to increase store sales, or to enhance people’s mood and/or well-being, as might have been expected. Such negative findings therefore stress the importance of considering multisensory congruency while, at the same time, also highlighting the potential dangers that may be associated with sensory overload when thinking about the effect of ambient smell on our well-being. (shrink)