What do we mean when we talk of an 'assemblage' in contemporary theory? Any and every thing, or more precisely, any and every kind of collection of things, could now be called an assemblage. The constant and seemingly limitless expansion of the term's range of applications begs the question, if any and every kind of collection of things is an assemblage, then what advantage is there is in using this term and not some other term, or (...) indeed no term at all? What makes an assemblage an assemblage, and not some other kind of collection of things? This book advances beyond this impasse and offers practical help in thinking about and using assemblage theory for contemporary cultural and social research, in order to: - Answer the question: what is assemblage theory? - Explain why assemblage theory is necessary - Provide clear instructions on how to use assemblage theory The first book of it's kind, Ian Buchanan's guide maps the beginnings of a brand new field within the humanities. (shrink)

This paper introduces Deleuze and Guattari's assemblage theory into the contemporary biological context. I begin by laying out at some length what I take to be the defining features of Deleuze and Guattari's theory of assemblage. I consider this to be a worthwhile endeavour in its own right, and so dedicate a large portion of this paper to producing a clear account of what it is that characterises an assemblage. Then I provide a reading of (...) Deleuze and Guattari's critical conception of the organism as a kind of assemblage typified by an especially restrictive, self-regulating form of functional integration. This restrictiveness comprises what I take to be the first pole of organic life. Then I reconsider Deleuze and Guattari's positive comments about ‘non-organic life’ in this context, as a feature internal to the organisation of organic life instead of something to be set against it. I theorise this mostly in terms of symbiosis. I take the significance of symbiosis, consisting in what Deleuze and Guattari call ‘shared deterritorialisation’, to comprise the second pole of organic life. I conclude the paper with a brief discussion of how Deleuze and Guattari's assemblage-based conception of organism might be thought to anticipate and accommodate some of the contemporary research on biological individuality. (shrink)

Contemporary changes in the domain of knowledge production are usually seen as posing significant challenges to ‘the University’. This paper argues against the framing of the university as an ideal-type, and considers epistemic gains from treating universities as assemblages of different functions, actors and relations. It contrasts this with the concept of ‘unbundling’, using two recent cases of controversies around academics’ engagement on social media to show how, rather than having clearly delineated limits, social entities become ‘territorialised’ through boundary disputes. (...) The conclusion extends this discussion to the production of knowledge about social objects in general. (shrink)

This paper engages with Manuel DeLanda’s Deleuze-inspired ‘assemblage theory’ from a perspective sympathetic to Pierre Bourdieu’s field theory. It first outlines DeLanda’s proposed new ‘philosophy of society’, focusing on his major works in this vein, and registers some scepticism as to its originality for sociology. It then introduces and responds to DeLanda’s critique of Bourdieu. Rather than simply reject assemblage theory outright, however, I draw on selected insights from DeLanda to push field theory in (...) new directions. More specifically, I conceptualise the interplay of fields and assemblages and use notions of ‘exteriority’ and ‘possibility space’ to help conceive individual plurality of social positioning and its effects for subjectivity and practice. (shrink)

"Manuel DeLanda is a distinguished writer, artist and philosopher. In his new book, he offers a fascinating look at how the contemporary world is characterized by an extraordinary social complexity. Since most social entities, from small communities to large nation-states, would disappear altogether if human minds ceased to exist, Delanda proposes a novel approach to social ontology that asserts the autonomy of social entities from the conceptions we have of them." Editorial.

In lieu of an abstract, here is a brief excerpt of the content:“I would rather be a cyborg than a goddess”Becoming-Intersectional in Assemblage TheoryJasbir K. Puar“Grids happen” writes Brian Massumi, at a moment in Parables for the Virtual where one is tempted to be swept away by the endless affirmative becomings of movement, flux, and potential, as opposed to being pinned down by the retroactive positioning of identity (2002, 8). For the most part, Massumi has been less interested in (...) how grids happen than in asking how they can un-happen, or not happen. What the tension between the two purportedly opposing forces signals, at this junction of scholarly criticism, might be thought of as a dialogue between theories that deploy the subject as a primary analytic frame, and those that highlight the forces that make subject formation tenuous, if not impossible or even undesirable. I have seen this tension manifest acutely in my own work on intersectionality and assemblage theory. On the one hand I have been a staunch advocate of what is now commonly known as an intersectional approach: analyses that foreground the mutually co-constitutive forces of race, class, sex, gender, and nation. Numerous feminist thinkers consider intersectionality the dominant paradigm through which feminist theory has analyzed difference; Leslie McCall argues that intersectionality might be considered “the most important theoretical contribution that women’s studies, in conjunction with other fields, has made so far” (McCall 2005, 1771). Intersectional analysis is now a prevalent approach in queer theory.1 At the same time, encountering a poststructuralist fatigue with the now-predictable yet still [End Page 49] necessary demands for subject recognition, I also argued in my book, Terrorist Assemblages: Homonationalism in Queer Times, that intersectionality as an intellectual rubric and a tool for political intervention must be supplemented—if not complicated and reconceptualized—by a notion of assemblage. Following Massumi on the “retrospective ordering” of identities such as “gender, race, and sexual orientation” which “back-form their reality,” in Terrorist Assemblages I write, “[I]ntersectional identities and assemblages must remain as interlocutors in tension... intersectional identities are the byproducts of attempts to still and quell the perpetual motion of assemblages, to capture and reduce them, to harness their threatening mobility” (Puar 2007, 213). Subject positioning on a grid is never self-coinciding; positioning does not precede movement but rather it is induced by it; epistemological correctives cannot apprehend ontological becomings; the complexity of process is continually mistaken for a resultant product.2Since the publication of Terrorist Assemblages, in response to anxieties about my apparent prescription to leave intersectionality behind (as if one could), I have often been asked to elaborate on the political usages of assemblages and assemblage theory. A prominent concept in the work of Gilles Deleuze and Felix Guattari, assemblage seems to inspire doubt about its political “ applicability,” while intersectionality seems to hold fast as a successful tool for political and scholarly transformation. Part of the assumption at work in these queries is that representation, and its recognized subjects, is the dominant, primary, or most efficacious platform of political intervention, while a Deleuzian nonrepresentational, non-subject-oriented politics is deemed impossible. Perhaps these queries also reveal concerns about how they might be somehow incompatible or even oppositional, despite the fact that intersectionality and assemblage are not analogous in terms of content, utility, or deployment. As analytics, they may not be reconcilable. Yet they need not be oppositional but rather, I argue, frictional.In what follows, I offer some preliminary thoughts on the limits and possibilities of intersectionality and assemblage and what might be gained by thinking them through and with each other. What are the strengths of each in the realms of theory, political organizing, legal structures, and method? Through highlighting the convivial crossings of these two differentiated but not oppositional genealogies, I offer some thoughts on epistemological correctives in feminist knowledge production—which has been driven, sometimes single-mindedly, by the mandate of intersectional analysis—to see what kinds of futures are possible for feminist theorizing. I reread the formative concept that fueled the metaphoric invocation of intersectionality, specifically Kimberlé Crenshaw’s use of the traffic intersection, to show where intersectionality, as that which retroactively forms the grid and... (shrink)

This paper examines folk theories of algorithmic recommendations on Spotify in order to make visible the cultural specificities of data assemblages in the global South. The study was conducted in Costa Rica and draws on triangulated data from 30 interviews, 4 focus groups with 22 users, and the study of “rich pictures” made by individuals to graphically represent their understanding of algorithmic recommendations. We found two main folk theories: one that personifies Spotify and another one that envisions it as a (...) system full of resources. Whereas the first theory emphasizes local conceptions of social relations to make sense of algorithms, the second one stresses the role of algorithms in providing a global experience of music and technology. We analyze why people espouse either one of these theories and how these theories provide users with resources to enact different modalities of power and resistance in relation to recommendation algorithms. We argue that folk theories thus offer a productive way to broaden understanding of what agency means in relation to algorithms. (shrink)

This article proposes complementing actor-network theory (ANT) with Niklas Luhmann’s communication theory, in order to overcome one of ANT’s major shortcomings, namely, the lack of a conceptual repertoire to describe virtual processes such as sense-making. A highly problematic consequence of ANT’s actualism is that it cannot explain the differentiation of economic, legal, scientific, touristic, religious, medical, artistic, political and other qualities of actual entities, assemblages and relationships. By recasting Luhmann’s theory of functionally differentiated communication forms and sense-making (...) as dealing with different types of virtual attractors calling for actualizations in concrete assemblages, I propose a symmetrical understanding of societal differentiation processes as based on the co-production of virtual attractors and actual assemblages. (shrink)

Zusammenfassung: Städte zeichnen sich durch das Zusammenspiel von gebauter und sozialer Welt aus. In der Stadtforschung wird durch die Rezeption der Actor-Network- Theorie seit einigen Jahren versucht, diese Erkenntnis zur Erweiterung der Handlungsperspektiven für die Stadtplanung zu nutzen. Dabei soll mit dem Rückgriff auf den Begriff der Assemblage der offensichtliche Gegensatz zwischen Materialität und Gesellschaft überwunden werden. In diesem Beitrag soll anhand von vier internationalen Studien aus der angewandten Stadtplanungsliteratur diskutiert werden, inwieweit sich durch die Urban-Assemblage-Forschung neue Perspektiven (...) für die Stadtplanung gewinnen lassen. Anhand von vier thematischen Handlungsfeldern soll aufgezeigt werden, in welcher Weise ANT rezipiert wird und ob sich tatsächlich neue Perspektiven für die Stadtplanung ergeben können. Im Ergebnis wird aufgezeigt, dass es in der Tat durch eine veränderte Sicht auf Stadtplanung, die Beziehungen zwischen der sozialen und nichtmenschlichen Stadt integriert, in diesen Studien gelingt, neue Optionen für eine demokratisierende Stadtpolitik anzudeuten. Allerdings wird zugleich deutlich, dass diese empirischen Studien auch auf Defizite des Urban-Assemblage-Ansatzes hinweisen und insbesondere die Berücksichtigung der politischen und materiellen Dimension des Städtischen noch weiter verbessert werden muss. (shrink)

The article enters a heated debate about the ideals and organization of the postmodern left. Hardt and Negri, two key figures in this debate, claim that their concept of the multitude — a revolutionary, proletarian body that organizes singularities — integrates the insights of Deleuze and Lenin. I argue, however, that Deleuze anticipated and resisted a Leninist appropriation of his political theory. This essay challenges the widely accepted assumption that Hardt and Negri carry forth Deleuze’s legacy. At the same (...) time, the essay advocates Deleuze’s concept of left assemblages — protean political bodies working for freedom and equality — as a valuable but underappreciated contribution to the liberal-democratic tradition. (shrink)

This article shows how, in recent works of cultural analysis, the concept of ‘assemblage’ has been been derived from key sources of theory and put to work to provide a structure-like surrogate to express certain prominent values of a modernist sensibility in the discourse of description and analysis. Assemblage is a sort of anti-structural concept that permits the researcher to speak of emergence, heterogeneity, the decentred and the ephemeral in nonetheless ordered social life. There are other related (...) concepts, like collage, which have been used to give these values substance in research, but currently assemblage is enjoying a popularity perhaps because of the continuing fascination of the work of Deleuze and Guattari. (shrink)

This essay investigates the differences and points of contact between Walter Benjamin's concept of ‘constellation’ and the notion of ‘assemblage’ as theorised by Gilles Deleuze and Félix Guattari. Both concepts address the entanglement of discourse and matter, bodies and devices, and raise questions regarding the historicity and temporality of different kinds of multiplicity. Presently, the term ‘assemblage’ figures prominently in the context of the new materialism, a theoretical movement which calls for a renewal of materialist ideas, proposing a (...) break with the historical materialism of the past. Against this backdrop, the essay has a twofold purpose: first, by focusing on the notions of constellation and assemblage, it seeks to highlight the differences and analogies between the materialisms of Benjamin, on the one hand, and Deleuze and Guattari, on the other. Second, by examining the new materialism's appropriation of Deleuzian ‘assemblage theory’, it will not only analyse what is ‘new’ about the new materialism, but also underline its conceptual errors and political problems. Eventually, what the essay argues is that our contemporary understanding of assemblages might indeed benefit from a more thorough engagement with the historical materialism of an author like Benjamin. (shrink)

Colonization has traditionally been studied as a monological and definitive period. This article seeks to problematize its analysis by means of the so-called ‘philosophy of desire’ and ‘rhizomatic thinking’, enriching them, in methodological terms, by the Actor-Network-Theory. In this vein, an alternative explanation of the colonial regime is offered by emphasizing how it assembled several worlds—Indigenous and Europeans—guided by a desiring-production that put originary accumulation before anything else; a standpoint that also enables a discussion about the network of colonial (...) education deployed in the Audiencia de Quito, which can be evidenced by a revision of some actions of the Augustinian order during the sixteenth century. In conclusion, education was deeply related to colonial assemblage that was continuously deterritorializing the ‘New World’ and the indigenous cultures that inhabited it. (shrink)

From examinations of prehistoric burial to understanding post-industrial spaces and heritage practices, the writing of Gilles Deleuze and Felix Guattari is gaining increasing importance within archaeological thought. Their concept of 'assemblages' allows us to explore the past in new ways, by placing an emphasis on difference rather than similarity, on fluidity rather stasis and unpredictability rather than reproduceable models. Assemblage Thought and Archaeology applies the notion of assemblage to specific archaeological case studies, ranging from early urbanism in Mesopotamia (...) to 19th century military fortifications. It introduces the concept of assemblage within the context of the wider 'material turn' in the social sciences, examines its implications for studying materials and objects and urban settlements, and explores its consequences for the practice of archaeological research and heritage management. This innovative book will be of particular interest to postgraduate students of archaeological theory and researchers looking to understand this latest trend in archaeological thought, although the case studies will also have appeal to those whose work focusses on material culture, settlement archaeology and archaeological practice. (shrink)

Using Ang Lee’s Lust, Caution (2007), this article illustrates how an affective mode of address is encouraged when one attends to the ways in which on-screen cinematic audio-visual spectacles are produced through the interaction of different bodies on-screen. Affective cinematic encounters open up other ways of understanding the female body as productive assemblages of everyday affective interactions and relationalities with other bodies within material culture. Particularly, I demonstrate an affective mode of address that attends to the interaction of cinematic objects (...) and how they are constructed, arranged, and engaged with on-screen to reveal hidden dynamics to characters’ relationship and overarching narratives off-screen. (shrink)

Some variants of Object-Oriented Ontology define entities in terms of their powers. Such variants are rooted in Gilles Deleuze and Félix Guattari’s theory of “machinic assemblages”. This article asks whether such entities can be metaphysical primitives with regard to similarity and change. This is the case if no further existents are needed to account for these two features of reality. According to Levi Bryant’s machine-oriented ontology, entities defined in terms of powers are such primitives. According to Manuel DeLanda’s (...) class='Hi'>assemblage theory, they are not. DeLanda therefore holds that further metaphysical primitives must exist. After reconstructing the key features of the theories involved, I argue that Bryant’s position is ultimately more parsimonious, and that DeLanda’s theory confuses epistemological models with ontological realities. (shrink)

Much of the literature exploring the intersection between Deleuzo-Guattarian philosophy and architecture have focused on abstract theory, experimental projects and practices at the margins of the profession. But, one may ask, what of the mainstream, commercial practices that produce the offices, housing, shops, schools and community buildings that we see and engage with in our day-to-day lives? What of the everyday design decisions made by professional architects and technicians sitting at their desks and drawing boards? Are these to be (...) excluded from architecture's engagement with Deleuzo-Guattarian philosophy? As I will show in this paper, Deleuze and Guattari's proposals for the strata and the machinic assemblage are drawn from their underlying attempt to expand Hjelmslev's planar composition from a tool used to analyse language to a conceptual framework used to analyse the formation and evolution of all things. There is nothing within the conceptual framework of the strata/machinic assemblage to suggest, therefore, that they should not be used to analyse such practices. With this in mind, this article considers how these concepts can be translated through and help provide new insight into a real-world design sequence taken from mainstream, commercial architectural practice. In doing so it will show how such practices can offer Deleuzo-Guattarian scholars a more nuanced insight into this conceptual framework and the concepts that form it. (shrink)

Placing readings of early modern painting and literature in conversation with psychoanalytic theory and assemblage theory, this book argues that, far from isolating its sufferers, melancholy brings people together.

In this article I examine how Deleuzian-inspired assemblage theory allows us to offer a new challenge to the enlightenment categories of thought that have dominated archaeological thinking. The history of archaeological thought, whilst superficially a series of paradigm shifts, can be retold as arguments constructed within distinctions between ideas and materials, present and past, and culture and nature. At the heart of all of these has been the critical issue of representation, of how the gap between people and (...) the world can be bridged. In the last decade or so, however, archaeologists have begun to make a more significant challenge to these ideas, and have attempted to offer a critique of our enlightenment heritage that is ontologically, rather than epistemologically, inspired. Drawing on the manner in which assemblages allow for the vibrancy of matter, are non-anthropocentric, multiscalar and more-than-representational, this article argues that Deleuzian thought offers the best chance to rework our understanding of the past in this manner. This is explored through a case study of three scales of analysis of Neolithic Britain. (shrink)

The touristic place provides discourses that are worth examining as to which how the management of the site, its internal contestation and development, as well as experiences of its visitors. Examining a heritage of the ancient Majapahit kingdom in Java, this article discusses the assemblage of tourism and religious sites and the extent the site serves as a reservoir for interreligious dialog in contemporary Indonesia. It tries to point out how interreligious dialogue is at work in this site and (...) how surrounding communities participate and respond to the perseverance of the site. Finally, accentuating Swidler’s theory of dialogues, this paper looks at the practice of interreligious dialogue at a touristic site and how religious harmony is negotiated by Buddhist and Muslim through the site and the construction of “the other” by both religious communities. (shrink)

The concept of assemblage plays a crucial role in the philosophy of Gilles Deleuze and Félix Guattari. In a 1980 interview with Catherine Clément, Deleuze describes their invention of the concept of the assemblage as the “general logic” at work in A Thousand Plateaus. However, despite its thirty years of influence on political theory, this “general logic of the assemblage” still remains obscured by the fact that Deleuze and Guattari never formalized it as a theory (...) per se, but largely used it ad hoc throughout their work. This fact continues to pose problems for theorists today who wish to deploy something like a theory of assemblages, but also admit, as Manuel DeLanda does, that Deleuze and Guattari’s concept of... (shrink)

Food and life are intimately entangled. To grasp the underlying complexity of this seemingly simple statement, this article first introduces the approach to food/eating as an assemblage enacted by various heterogeneous components, and further develops it by engaging with actor network theory and material semiotics. Thereafter the focus turns to ‘entanglement’, as inspired by quantum physics, to elicit the basic dynamics of the entanglement of food and more-than-human beings, conceived of as involving mutual and differential becomings within and (...) among assemblages. The article illustrates these entangled becomings by drawing upon examples from Sri Lanka, which in an intercultural philosophical fashion serve to establish an articulation (in the sense of a connection) between the proposed abstract approach to food and some basic premises of Buddhism and Ayurveda, a South Asian health system. Overall, the article crafts a conceptual toolbox and performs ontological groundwork wherein food and human beings as entangled assemblages provide a productive, refined, and sensitive research apparatus for the intimate study of more-than-human life and organization while also spurring novel theorizations through food/eating. (shrink)

In this article, we explore how a posthumanist stance has enabled us to work a different consideration of the way in which voice is constituted and constituting in educational inquiry; that is, we position voice in a posthuman ontology that is understood as attributable to a complex network of human and nonhuman agents that exceed the traditional understanding of an individual. Drawing on the work of Deleuze and Guattari, Barad, and Bennett, we present a research artifact that illustrates how this (...) posthuman voice is productively bound to an agentic assemblage. The reconfiguration of a posthuman voice with/in an educational research artifact further enables us to explore various analytic questions: What happens when voice exceeds language and is more than vocalized words emanating from a speaking subject? If the materiality of voice is not limited to sound, how do we account for it? That is, how might the materiality of voice be located in the space of intra-action among human and non-human objects? We conclude with implications for thinking qualitative methodology in education differently. (shrink)

Many non-heteronormative Malaysian men find themselves on the receiving end of political, socio-cultural, and religious condemnations of their sexual identifyings and expressions. Their lived realities are often considered invalid, including from religious and theological perspectives. This article is a queer socio-theological project that examines the lived realities of six non-heteronormative Malaysian men who speak up and talk back on their sexualities and spiritual sensibilities. Using a Constructivist Grounded Theory Methodology, and aided by the theological musings of Marcella Althaus-Reid and (...) a document of the Federation of Asian Bishops' Conferences as analytical frameworks, this article analyzes and theologizes the complex processes of transcendent/desire, or negotiations of the “Profoundly More” and sexuality in the narratives of these men. This article suggests that transcendent/desire can be imaginatively assembled in three interrelated forms: as embodied connections with the transcendent; as a vocation; and as an imperative to flourish. (shrink)

Digital technologies have opened up new perspectives in thinking about the future of food and farming. Not only do these new technologies promise to revolutionise our way of meeting global food demand, they do so by boldly claiming that they can reduce their environmental impacts. However, they also have the potential to transform the organisation of agri-food systems more fundamentally. Drawing on assemblage theory, we propose a conceptual model of digitalisation organised around three facets: digitalisation as a project; (...) “everyday digitalisation”; and reflexive digitalisation. These facets reflect different relations between concrete practices and representations, imaginaries, and narratives, while representing different modes of agency: the collective, the distributed, and the individual, which, we argue, highlight contrasting ways for human and non-human actors to engage with digitalisation. With this model anchored in assemblage theory, we offer a tool for critically and comprehensively engaging with the complexity and multiplicity of digitalisation as a sociotechnical process. We then apply our theoretical framework to two ethnographic studies, one explores the growth of digital technologies in Switzerland as a way to govern and monitor national agriculture, the other focuses on Indonesia, where small digital startups have begun to dot the landscape. By identifying the material and semiotic processes occurring in each case, we notice similar issues being raised in terms of how digitalisation is co-constructed in society. (shrink)

Each of the antiretroviral drugs that are currently used to stop the progression of HIV infection causes its own specific side effects. Despite the expansion, multiplication, and simplification of treatment options over the past decade, side effects continue to affect people living with HIV. Yet, we see a clear disconnect between the way side effects are normalized, routinized, and framed in clinical practice and the way they are experienced by people living with HIV. This paper builds on the premise that (...) new approaches are needed to understand side effects in a manner that is more reflective of the subjective accounts of people living with HIV. Drawing on the work of Deleuze and Guattari, it offers an original application of the theory of ‘assemblage’. This theory offers a new way of theorizing side effects, and ultimately the relationship between the body and antiretroviral drugs (as technologies). Combining theory with examples derived from empirical data, we examine the multiple ways in which the body connects not only to the drugs but also to people, things, and systems. Our objective is to illustrate how this theory dares us to think differently about side effects and allows us to originally (re)think the experience of taking antiretroviral drugs. (shrink)

The way we perform identity in everyday situations nowadays is affected in very concrete ways by our interactions with technology. However, our conceptual understanding of such exchanges has been limited to a handful of concepts or narrative devices (i.e. acyborg), which have proved their limits when facing extreme complexity. This paper develops a proposal to reexamine various possible assemblages between man and machine – at the level of the self-awareness and self-signifying of an individualvis à vistechnological-based entities – by revisiting (...) Greimas’s semiotic square, a tool from classical structural semiotics that could be readjusted to unfold what is at stake in that relationship, and under the semantic category of identity. The paper explains the constituent terms of Greimas’s elementary structure of meaning, unfolds the logic of his semiotic square, and develops some of its key underlying notions. Moreover, the limitations of the semiotic square are also surveyed. Instead of trying to pose a new paradigm, this paper wants to explore its heuristic possibilities and resist any claims of the underlying theory to produce fix typologies, semantic determinisms or stable discursive forms. In that sense, the scope of this essay is not to identify the whole array of cases in which identity is formed out of the contact between man and his machinicalother, but to deliver a working scheme that may function as an initial, navigational map, a tool by which we can further explore the idea of how identity is affected by technology as a dynamic, performative process, therefore informing a semantic know-how and granting further access to yet unfamiliar fields of a post-human condition. (shrink)

Digital technologies have opened up new perspectives in thinking about the future of food and farming. Not only do these new technologies promise to revolutionise our way of meeting global food demand, they do so by boldly claiming that they can reduce their environmental impacts. However, they also have the potential to transform the organisation of agri-food systems more fundamentally. Drawing on assemblage theory, we propose a conceptual model of digitalisation organised around three facets: digitalisation as a project; (...) “everyday digitalisation”; and reflexive digitalisation. These facets reflect different relations between concrete practices and representations, imaginaries, and narratives, while representing different modes of agency: the collective, the distributed, and the individual, which, we argue, highlight contrasting ways for human and non-human actors to engage with digitalisation. With this model anchored in assemblage theory, we offer a tool for critically and comprehensively engaging with the complexity and multiplicity of digitalisation as a sociotechnical process. We then apply our theoretical framework to two ethnographic studies, one explores the growth of digital technologies in Switzerland as a way to govern and monitor national agriculture, the other focuses on Indonesia, where small digital startups have begun to dot the landscape. By identifying the material and semiotic processes occurring in each case, we notice similar issues being raised in terms of how digitalisation is co-constructed in society. (shrink)

Research that explores ethics can help educational communities engage twenty-first century crises and work toward ecologically and socially just forms of life. Integral to this research is an engagement with social theory, which helps educators imagine our shared worlds differently. In this paper I present two theoretical-methodological directions for educational research that centres ethics: Ethics and subjectivity; and Ethics-in-assemblage. While both approaches might be seen as commensurable, they can also be seen as quite divergent. Using Michel Foucault’s later (...) work on subjectivity and ethics, as well as recent work in Anthropology, I present a methodological direction for research into ethical subjectivity, how students come to see themselves as self-reflective ethical actors. Relevant here is the tension between ethics and politics, individual and collective modes of being, as both are crucial to both struggles for justice on a damaged planet. The second direction involves a sociomaterialist approach that employs Deleuze and Guattari’s concept of ‘assemblage’ as well as Karen Barad’s notion ‘entangled responsibility’ to show that ethics can also be seen to co-emerge with/in phenomena that exceed human relations. In short, exploring ethics through educational research means simultaneously examining ethics as subjectivity and ethics as co-emergent larger assemblages/phenomena. (shrink)

A project conceiving of political assemblages as anything larger than just an object of intellectual history will have to face a question—what is the potential scope and entailments of the idea of political assemblages outside of the very specific late twentieth-century milieu that it was conceived in? And given the present moment, there is also is much more specific question that should well be taken up: what place any project organized as a political assemblage could have in an era (...) of global capitalist accelerated economic inequalities and anthropocentric warming? Drawing on debates in contemporary social and cultural anthropology about Dumont, hierarchy, actor-network theory, and ontology, this essay... (shrink)

Despite the applicability of assemblage theory to extreme events, the relational ontology that assemblage thinkers employ makes it hard to ground the potential of artefacts to undergo substantial change. To better understand how artefacts can be unexpectedly destroyed, and thereby catch managers by surprise, this article draws on Graham Harman’s object-oriented ontology. This approach is used to explain how artefacts, as concrete objects, have the capacity both to cause and to exacerbate calamities. By contrast, assemblage (...) class='Hi'>theory is shown to provide insight into post-disaster organizing dilemmas. An analysis of artefact-based surprise at a disaster-prone New Zealand port illustrates the complementarity of the two approaches. Minimizing surprise was a major impetus behind attempts by port managers to make sizeable artefacts more disaster resilient. Yet there are limits to this process that stem from a gap revealed by the philosophical distinction between an artefact’s design plan and its maximum plan. Object-based surprise at the port also sparked tension between the competing imperatives of centralization and decentralization in post-disaster recovery. How this problem played out at the grassroots level is best explained, however, in assemblage-theoretic terms. (shrink)

This commentary is an attempt to begin to identify and think through some of the ways in which sociocultural theory may contribute to understandings of the relationship between humans and digital data. I develop an argument that rests largely on the work of two scholars in the field of science and technology studies: Donna Haraway and Annemarie Mol. Both authors emphasised materiality and multiple ontologies in their writing. I argue that these concepts have much to offer critical data studies. (...) I employ the tropes of companion species, drawn from Haraway, and eating data, from Mol, and demonstrate how these may be employed to theorise digital data–human assemblages. (shrink)

This essay’s main objective is to develop a theoretical, ontological basis for critical, social justice-oriented science education. Using Deleuze and Guattari’s notion of assemblages, rhizomes, and arborescent structures, this article challenges authoritarian institutional practices, as well as the subject of these practices, and offers a way for critical-social justice-oriented science educators and students to connect with sociopolitical contexts. Through diagramming institutional and community relationships using DG’s theory of assemblages, we envision new ontological spaces that bridge social and material entities. (...) A conceptualization of science education through DG’s philosophy of rhizomes and assemblages allows educators to merge critical, post-foundational perspectives with questions of ontology: not just what exists, but what could exist in terms of human social organizations, inorganic matter, microorganisms, and plant/animal populations. (shrink)

In exploring the intra-active, relational and material connections between humans and non- humans, proponents of posthumanism advocate a questioning of the ‘human’ beyond its traditional anthropocentric conceptualization. By referring specifically to controversial developments in mHealth applications, this paper critically diverges from posthuman accounts of human/non-human assemblages. Indeed, we argue that, rather than ‘dissolving’ the human subject, the power of assemblages lie in their capacity to highlight the antagonisms and contradictions that inherently affirm the importance of the subject. In outlining this (...) claim, we propose a turn from the posthuman to the inhuman as a way of understanding the contemporary landscape of (digital) health. (shrink)

This essay provides an analytic review of Jasbir Puar’s book, Terrorist Assemblages (2007), situating her discussion and analysis of “homonationalism” within the context of recent developments in queer theory in the USA, and specifically, critiques of queer liberalism and gay imperialism; racial analyses of hetero- and homo-normative formations; and challenges to identity politics and representational frameworks that dominate LGBT studies. It takes up Puar’s interest in finding new methods and ‘reading’ practices to track certain shifts in LGBT politics and (...) to account for alignments between (white) queerness and normative, nationalist and imperial interests. Engaging with and expanding on her analysis, this paper discusses the challenge that Terrorist Assemblage poses to the identity categories that undergird human rights campaigns, and addresses the racist and nationalist sentiments that she locates within them. (shrink)

While there has been much focus on the disempowering and incapacitating effects of ‘normative’ femininity, less attention has been paid to the queer possibilities of femininity. Queer femme has been proposed by some as a key site for rethinking femininity. Extending upon these discussions, and drawing on interviews conducted with queer femmes in Australia in 2013, this article proposes focusing on affective dimensions to deepen our understanding of queer femme as more than an identity, but rather, as assemblage Working (...) from the basis of assemblage, this article examines exactly how and why femme bodies queer femininity. However the article also argues that where queer femme discourse distances itself from non-femme, or ‘normative’, femininity, it misses an opportunity for advocating for a different approach to gender presentation within a broader collective. The central argument of this article is that from an affective theory of queer femme as assemblage, we can better understand both queer femme identity and the attachments to femininity that people maintain more generally, without relying on a binary logic that proclaims femininity as only disempowering or empowering, queer or not queer enough. (shrink)

This paper explores how Deleuze and Guattari's philosophical concepts extend and elaborate discursive and psychoanalytic interpretations of qualitative research findings. Analyzing data from a UK research project exploring young people's engagements with Social Networking Sites (SNSs), Deleuze and Guattari's schizoanalytic method is drawn upon to consider complex desire-flows in the social. In particular the notion of ‘affective assemblages’ is developed to explore the relationships between school and online spaces and subjective interfacing with these spaces. The paper suggests online space is (...) heterosexually striated and SNSs create new intensified gendered and sexualized identities and affective relations between young people. Investigating the case study of a teen girl, Louise, who is socially rejected through the affective assemblage of the SNS, then pathologized at school for violently retaliating against being called a ‘fat slag’ online, the paper suggests a Deleuzoguattarian analysis offers new theoretical tools for thinking about discursive subjectification but also for mapping complex desire-flows and micro movements through and against discursive/symbolic norms. (shrink)