The furore over the retention of organs at postmortem examination, without adequate consent, has led to a reassessment of the justification for, and circumstances surrounding, the retention of any human material after postmortem examinations and operations. This brings into focus the large amount of human material stored in various archives and museums, much of which is not identifiable and was accumulated many years ago, under unknown circumstances. Such anonymous archival material could be disposed of, used for teaching, used for research, (...) or remain in storage. We argue that there are no ethical grounds for disposing of the material, or for storing it in the absence of a teaching or research rationale. Nevertheless, with stringent safeguards, it can be used even in the absence of consent in research and teaching. Regulations are required to control the storage of all such human material, along the lines of regulations governing anatomy body bequests. (shrink)

Following the death of James Joseph Sylvester in 1897, contributions were collected in order to mark his life and work by a suitable memorial. This initiative resulted in the Sylvester Medal, which is awarded triennially by the Royal Society for the encouragement of research into pure mathematics. Ironically the main advocate for initiating this medal was not a fellow mathematician but the chemist and naturalist Raphael Meldola. Religion, not mathematics, provided the link between Meldola and Sylvester; they were among the (...) very few Jewish Fellows of the Royal Society. This paper focuses primarily on the politics of the Anglo-Jewish community and why it, together with a number of scientists and mathematicians, supported Meldola in creating the Sylvester Medal. (shrink)

Based on some materials from the A.V. Florovsky's Foundation in the Archive of the Russian Academy of Sciences, the author of the article reconstructs a little-known page from the history of academic and philosophical life of the Russian migr, that is the history of the Philosophical Society at the Russian Free University in the 1930s-1940s, including during the Nazi occupation of Czechoslovakia. It is justified that the reconstruction of the history of Russian philosophical institutions can set a new (...) research perspective that allows us to consider the history of Russian philosophy as a process of formation and development of institutionalized forms of production, reproduction and translation of philosophical knowledge, which would allow to create a new historical and philosophical cross-section of Russian thought, complementing traditional approaches to the historiography of Russian philosophy. The article reveals new aspects of the scientific activity of N.O. Lossky and I.I. Lapshin, who played a key role in the work of the Philosophical Society. In addition, the analysis of archival materials made it possible to identify and reconstruct new facts from the creative biography of such thinkers of Russian emigration as S.L. Frank, E.V. Spektorsky, B.P. Vysheslavtsev, G.V. Florovsky. Russian Free University's Philosophical Society report for 1941 is given as an appendix to the article, as well as the reconstruction of the problems of the circle for the study of the Russian national idea. It is concluded that scientific and philosophical activity at the RSU was carried out through an extensive network of scientific societies, associations, circles and seminars, which allowed developing a wide variety of issues - aesthetics, the history of Russian and Western philosophy, philosophical problems of Russian literature and history, the Russian national idea. (shrink)

In Archive Fever , Jacques Derrida deftly guides us through an extended meditation on remembrance, religion, time, and technology--fruitfully occasioned by a deconstructive analysis of the notion of archiving. Intrigued by the evocative relationship between technologies of inscription and psychic processes, Derrida offers for the first time a major statement on the pervasive impact of electronic media, particularly e-mail, which threaten to transform the entire public and private space of humanity. Plying this rich material with characteristic virtuosity, Derrida constructs (...) a synergistic reading of archives and archiving, both provocative and compelling. "Judaic mythos, Freudian psychoanalysis, and e-mail all get fused into another staggeringly dense, brilliant slab of scholarship and suggestion."-- The Guardian "[Derrida] convincingly argues that, although the archive is a public entity, it nevertheless is the repository of the private and personal, including even intimate details."-- Choice "Beautifully written and clear."--Jeremy Barris, Philosophy in Review "Translator Prenowitz has managed valiantly to bring into English a difficult but inspiring text that relies on Greek, German, and their translations into French."-- Library Journal. (shrink)

In this article I analyse the extent to which there has been a shift in the cultural turn in legal scholarship and specifically from visual to what I call material jurisprudence, that is from visual to material ways of knowing law. I do so through an analysis of Desmond Manderson’s edited collection, Law and the Visual: Representations, Technologies, Critique, and Katherine Biber’s monograph, In Crime’s Archive: The Cultural Afterlife of Evidence. Inspired by the material turn in the arts and (...) humanities I apply a material lens as defined by historians of emotions working within this turn to these books. Using this lens, I analyse the extent to which the authors conceptualise and analyse their primary sources in material terms. In so doing it is my intention to encourage scholars of visual jurisprudence to consider the multisensorial nature of law by considering the material as a constitutive part or instead of the visual as has happened elsewhere in the arts, humanities and social sciences, as well as to do so with greater specificity and depth. (shrink)

The archive is the place for the storage of documents and records. With the emergence of the modern state, it became the storehouse for the material from which national memories were constructed. Archives also housed the proliferation of files and case histories as populations were subjected to disciplinary power and surveillance. Behind all scholarly research stands the archive. The ultimate plausibility of a piece of research depends on the grounds, the sources, from which the account is extracted and (...) compiled. An expanding and unstable globalizing archive presents particular problems for classifying and legitimating knowledge. Increasingly the boundaries between the archive and everyday life become blurred through digital recording and storage technologies. Not only does the volume of recordable archive material increase dramatically, but the volume of material seen worthy of archiving increases too, as the criteria of what can, or should be, archived expands. Life increasingly becomes lived in the shadow of the archive. (shrink)

This article probes the relationship between archives and history by examining the archive policy on historical research in the first modern administration state of the German lands, the kingdom of Bavaria. Given the continuing tradition of the theory and practice of the arcana imperii in the 19th century, state archives served first and foremost the state. As a result, researchers’ interest in archival material was to undergo an administrative vetting procedure, in order to safeguard the interests of the state. (...) By examining comparatively the cases of two petitioners supplicating for the historical use of state archives in Munich, the article showcases the policy of secrecy and the resultant administrative threshold separating the sphere of the arcana from the public. Caution guided the archive politics of state officials and, ultimately, their more or less explicit notions and concerns decided which material was finally to be released, in order to become a ‘source’ for historical study. Historical researchers such as the writer Alessandro Volpi and the historian August Kluckhohn were thus required to meet specific criteria and to overcome political hurdles, in order to gain access to the desired clues guarded by the state. As a result of this, the opportunity to inspect archival material was very much dependent on the political communication between petitioner and government, and its result, the granting or denial of access, was not without ramifications for historical research and the epistemic status of historical knowledge. (shrink)

This article probes the relationship between archives and history by examining the archive policy on historical research in the first modern administration state of the German lands, the kingdom of Bavaria. Given the continuing tradition of the theory and practice of the arcana imperii in the 19thcentury, state archives served first and foremost the state. As a result, researchers’ interest in archival material was to undergo an administrative vetting procedure, in order to safeguard the interests of the state. By (...) examining comparatively the cases of two petitioners supplicating for the historical use of state archives in Munich, the article showcases the policy of secrecy and the resultant administrative threshold separating the sphere of the arcana from the public. Caution guided the archive politics of state officials and, ultimately, their more or less explicit notions and concerns decided which material was finally to be released, in order to become a ‘source’ for historical study. Historical researchers such as the writer Alessandro Volpi and the historian August Kluckhohn were thus required to meet specific criteria and to overcome political hurdles, in order to gain access to the desired clues guarded by the state. As a result of this, the opportunity to inspect archival material was very much dependent on the political communication between petitioner and government, and its result, the granting or denial of access, was not without ramifications for historical research and the epistemic status of historical knowledge. (shrink)

In _Archive Fever_, Jacques Derrida deftly guides us through an extended meditation on remembrance, religion, time, and technology—fruitfully occasioned by a deconstructive analysis of the notion of archiving. Intrigued by the evocative relationship between technologies of inscription and psychic processes, Derrida offers for the first time a major statement on the pervasive impact of electronic media, particularly e-mail, which threaten to transform the entire public and private space of humanity. Plying this rich material with characteristic virtuosity, Derrida constructs a synergistic (...) reading of archives and archiving, both provocative and compelling. "Judaic mythos, Freudian psychoanalysis, and e-mail all get fused into another staggeringly dense, brilliant slab of scholarship and suggestion."—_The Guardian_ "[Derrida] convincingly argues that, although the archive is a public entity, it nevertheless is the repository of the private and personal, including even intimate details."—_Choice_ "Beautifully written and clear."—Jeremy Barris, _Philosophy in Review_ "Translator Prenowitz has managed valiantly to bring into English a difficult but inspiring text that relies on Greek, German, and their translations into French."—_Library Journal_. (shrink)

The article examines the scholarly travels of Enno Littmann in Syria and Ethiopia as providing an alternative model for understanding ‘the archive’ as a theoretical topos in connection with the production of historical knowledge in the 19th century. The argument seeks to dismantle the nexus between classification and modern European statehood – here discussed with the help of Derrida’s Mal d’archive – that has come to dominate debates on the epistemological place of the archive. Instead, the article (...) seeks to sketch an understanding of practical work on plural, collected and textual records of the past in terms of epistemic situations displaying a high degree of spontaneity, thus ‘wildness’. For this purpose, reading procedures, archival material and normative orders purportedly regulating archival work are scrutinized in turn for signs of wildness. (shrink)

The article examines the scholarly travels of Enno Littmann (1875–1958) in Syria and Ethiopia as providing an alternative model for understanding ‘the archive’ as a theoretical topos in connection with the production of historical knowledge in the 19th century. The argument seeks to dismantle the nexus between classification and modern European statehood – here discussed with the help of Derrida’s Mal d’archive – that has come to dominate debates on the epistemological place of the archive. Instead, the (...) article seeks to sketch an understanding of practical work on plural, collected and textual records of the past in terms of epistemic situations displaying a high degree of spontaneity, thus ‘wildness’. For this purpose, reading procedures, archival material and normative orders purportedly regulating archival work are scrutinized in turn for signs of wildness. (shrink)

This essay proposes that subcultural practices such as gossip and fan writing are feminist epistemologies that can form radical archive inquiry and knowledge production, and creative outputs. Drawing on feminist new materialism and archive theory, I develop a set of principles for practice-based research methodologies that incorporate a researcher's intersubjective relationship with archive matter (e.g. records, documents, classification systems, social-material contexts) and consider the production of knowledge from such research as forms of tabulation. Fabulation here is seen (...) as part of a critically transgressive epistemological stance that expands feminist critiques of universalising master narratives and archive orthodoxies. My proposition, formed in part through a residency in the Woman's Art Library in London, is to name such research gestures ‘archive fanfiction’, where experimental and practice-oriented method moves with feminist politics and activism. (shrink)

The study is devoted to the study of actual state of the archival materials of V.S. Solovyov which are held in different funds of Russia. During the working process was carried out the analysis of Solovyov’s related materials in a number of archives of Moscow and St. Petersburg. In the context of this topic, documents from such archive funds as: RGALI, GARF, TsAGM, OR RSL (Moscow), OR RNL, IRLI RAS, RGIA (St. Petersburg) were reviewed. Particular attention was (...) paid to the 1880s as the least researched period of philosopher’s work in his biography due to the insufficient availability of sources and to the restrictions of spiritual censorship in connection with the church-political content of Solovyov’s works of this period (“The Great Debate and Christian Politics”, 1883; “The History and Future of Theocracy”, 1887, etc.). In this regard, special attention was paid to the Solovyov funds in such archives as RGALI (F. 446) and OR RNB (F. 718). In the course of the study, many storage units were identified containing unsorted, draft materials, notebooks and notes of the philosopher, which need to be systematized and studied. The work carried out allows us to establish the scale and determine the priority areas of current research on the creative biography and philosophy of V.S. Solovyov based on the study of primary sources in the archives of Russia. (shrink)

In this paper, I consider the materiality of experience as stemming from a temporal process of sense-formation (Sinnbildung), whose essence is not just formally configured, but also materially organized. In order to understand this process of sense-formation, I first examine the materiality that is intrinsic to the intentional sense and its relationship with the sensible materiality of experience brought forth by the project of hyletic phenomenology. In the second part of the paper, I propose to overcome the tension between a (...) materiality of sense and a materiality of sensibility by reflecting on the specific materiality that is created in our experience through the dynamism of imaginative modifications. Allowing us to switch between different temporal and spatial horizons, imaginative projections and reveries reveal a hidden “reverse” side of our perceptive field, that we access only when we let go of objectifying acts and established significance. In the last part of the paper, I turn toward bodily gestures, in which I see an expression of experience that resists objectification and straightforward symbolization, attesting for the complex social inscription of our bodily existence. I end the paper with an inquiry into the specific materiality of gestures, understanding them as vanishing archives offered to the future. (shrink)

This essay uses the concept of the constellation to characterize the relations among interdisciplinarity, cultural memory, and comparative literature. To do so entails: (a) reviewing the paradoxical interdisciplinarity of comparative literature, (b) tracing its establishment at a liberal arts college (Bryn Mawr College, USA), and (c) describing a course on “The Cultural Politics of Memory” that tested the limits of scholarship and testimony. The discussion includes an account of an unusual conference on cultural memory: that is, the ways in which (...) different cultural groups identify and describe their shared pasts. The informality and collegial dialogue of the conference were associated with a liberal arts context. It then turns to the question of theorizing aspects of cultural memory that are conveyed at the margins of conventional discourse: by what is largely unsaid, or represented in dance or pantomime. Because each of the performances discussed here is related in a distinct way to a preceding historical trauma (the Khmer Rouge regime in Cambodia, African American slavery in the USA, the terrorism of the Shining Path in Peru), it was important to determine what source of memory, what archival materials, could persist through traumas that often suppress memory. Traditional archives consist of written documents. Moreover, they often support or represent official histories. New ways of thinking about archives--their composition, their place in cultural history, and their theoretical dimensions--have suggested new approaches to cultural memory. The essay ends with accounts of three forms of dance or pantomime that convey cultural histories informed by trauma in significantly different ways. A narrative thread foregrounds the close relations between scholarship and pedagogy. (shrink)

Ethics codes define societal expectations for individual and institutional moral conduct and performance. This volume of fourty case studies considers nearly every facet of professional archival work--from appraisal and administration to reference and the work of archivists. It offers advice concerning how archivists resolve moral conflicts and the impact on the relationship to the public, the quality of archival work, and professional satisfaction.

In the ideal case archives are the official places or institutions where all the biographical, bibliographical, published and unpublished material of one or several authors are collected and presented as well as their correspondencies, material belonging to them or their families, secondary literature etc. As there is hardly any ideal archive to be found some archives - more or less related to Austrian Philosophy - and their work are sketched and a rough scheme for the order of the literary (...) estate of some author is suggested. By the example of the Meinong-Gesamtausgabe a fruitful combination of archival and editorial work is presented and finally some problems concerning present philosophical editions (Franz Brentano and Ludwig Wittgenstein) are discussed. (shrink)

In the ideal case archives are the official places or institutions where all the biographical, bibliographical, published and unpublished material of one or several authors are collected and presented as well as their correspondencies, material belonging to them or their families, secondary literature etc. As there is hardly any ideal archive to be found some archives - more or less related to Austrian Philosophy - and their work are sketched and a rough scheme for the order of the literary (...) estate of some author is suggested. By the example of the Meinong-Gesamtausgabe a fruitful combination of archival and editorial work is presented and finally some problems concerning present philosophical editions (Franz Brentano and Ludwig Wittgenstein) are discussed. (shrink)

In this article, I describe Andil Gosine’s artistic archives as ‘watery’ to chart a feminist genealogy of archival practice. I argue that routing interdisciplinary studies of Atlantic and Indian Oceans through the Caribbean provides a transoceanic method to analyse race and sexuality within Indo-Caribbean connections. To that end, I examine the representation of water and waterways in Gosine’s Our Holy Waters, and Mine (2014) to illustrate how relations with water provides a heuristic and representative practice for critiquing afterlives of colonialism (...) and indentureship. I bring together Indo-Caribbean feminist epistemology, scholarship on feminist and queer archival practices and ocean studies to read Gosine’s experimental artistic practice as offering ways to rethink oceanic materiality in the context of historical and archival knowledge production. (shrink)

– The purpose of this paper is to explore the claim that online communication technologies are detrimental to off‐line communication practices., – This paper is based on material from focus groups with students from the University of Cambridge and Anglia Ruskin University, and in‐depth interviews from a mixture of employed people and students. The breakdown is as follows: three focus groups in total are ran, two cohorts of participants were students from University of Cambridge, and the third group from ARU. (...) Six individuals aged between 21 and 36 were interviewed in‐depth on their Facebook use. Questions relating to personal use of Facebook are asked. All names of participants have been changed., – The research findings show that opportunities for communication are increased by using Facebook. Facebook use also impacts on how other types of communicative technologies are used – such as the phone and email. From the small participant sample, it is founded that off‐line encounters were a prerequisite for a friend connection to be made online in Facebook. Finally, it is founded that the participants rarely interact with the majority of their Facebook friends and it is this dormant archive of relationships that hold the most interest as it provides an archive of relationships that would have dissipated without these technologies., – The key value of the paper lies in understanding this technology as an archive of human relationships. (shrink)

Abstract:Christian Bendayán (Iquitos, Peru 1973 -) is one of a cadre of visual artists from Iquitos, Peru that has cultivated an Amazonian pop aesthetic over the last decade. Bendayán creates an alternative, counter-dominant viewpoint to seemingly intractable archival versions of the Amazon and its peoples. The place, its habitants, and its flora and fauna have been documented in published texts and drawings by sixteenth-century missionaries, eighteenth-century botanists, nineteenth-century rubber barons, and countless adventurers. I argue that Bendayán queers some of these (...) archival documents through his incorporation of gender non-conforming and homoerotic figures into his depiction of Iquitos. Additionally, he reconfigures images and texts from previous eras via his transformation of historical facts into open-ended narratives that reflect a queer temporality that toggles back and forth between the past, the present and the future. Through his transformation of archival materials, and his incorporation of local myths and pop culture, he presents physical desire not as a means to procreation, but as an end in and of itself. In sum, through his paintings, Bendayán perceives from and with Iquitos. He turns his city into a distinct viewpoint instead of a fantastical destination for the projections of outsiders. (shrink)

In this essay, I explore the founding violence that the Royal Danish Academy of Fine Arts can be said to rest on. I propose to view the building of Charlottenborg Castle which houses the Royal Danish Academy of Fine Arts as a “material witness” (Schuppli) to colonial history. I suggest that the building forms part of a material “cultural archive” (Wekker) of colonialism that can be seen as an entangled archive, that is simultaneously an entanglement of overlapping histories, (...) and an instrument that disentangled and disconnected communities affected by colonialism by producing a radical cut between the colonized communities and their creative expression. By juxtaposing paintings from the colonial era with contemporary art works the essay explores the following questions: What does it mean to conduct art education on such contested grounds? What are the ramifications of colonial-modernity within the art institutions today? And how does it continue (indirectly or directly) to distribute and determine what counts as a work of art and who counts as a subject? (shrink)

A "reading" of archival material on the Rani of Sirmur shows the soldiers and administrators of the East India Company constructing the object of representations that becomes the reality of India. The Rani emerges only when she is needed in the space of imperial production. Caught between the patriarchy of her husband, the Raja of Sirmur, and the imperialism of the British who deposed him, she is in an almost allegorical position. Both patriarchal subj ect- formation and imperialist object-constitution efface (...) the dubious place of the free will of the sexed subject as female. In the cracks between the production of the archives and indigenous patriarchy, today distanced by the waves of hegemonic "feminism," there is no "real Rani" to be found. (shrink)

The nature and place of archives in the premodern Islamicate world is a much debated topic and various explanations are offered for the relative scarcity of preserved material as well as the regional imbalance in the record. One factor that stands out in this discussion is the general prominence of counter-archival practices for the survival of what we are studying today. This contribution is the first to examine one such practice that has led to the preservation of a great number (...) of documents: the reuse of discarded papers for the production of bindings. The case study looks at the binding of Leiden Or. 122, which preserved letters, decrees, and lists from Egypt and Syria at the beginning of the Mamluk reign. They likely belonged to a large household in Cairo, more precisely located in the Ayyubid palace Iṣṭabl al-Quṭbiyya. The article offers an edition of the material with an analysis of the historical circumstances, namely the eventful early years of Mamluk rule in Egypt and Syria. (shrink)

Is there a specificity peculiar to the “Foucault archives” that makes them a sensitive object for philosophical and critical thought today? Can we use the “Foucault case” to reflect more broadly on the question of the philosophical archive / archives – what does the creation of archives for philosophers imply in terms of the reception and re-actualisation of their thought? In this article, we will start with a description of the multiple Foucault archives existing today and the history of (...) their composition, as well as an initial discussion of their possible uses. We would then like to start from the concrete, material experience of the archives in order to ask a question that is more than methodological, ethico-political: would there be a “good use” of the archives of and by philosophers? More specifically, is there a “Foucaultian exception” which would require the Foucaultian, and probably philosophical, archives to be used in a broad sense, in a “different” way? We will plead for the construction of an ethic which is rather an “aesthetic” of the philosophical archives: the ability to bring out through the work on archives not something like “the good and true identity” of their author, but points of diffraction, unexpected faces, new writings. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Archive Feelings: A Theory of Greek Tragedy by Mario TelòSean LambertTelò, Mario. Archive Feelings: A Theory of Greek Tragedy. Ohio State University Press, 2020. 344pp.In Archive Feelings: A Theory of Greek Tragedy, Mario Telò takes aim at one of the most canonical (if also one of the most contested) features of Greek tragedy: its potential to deliver catharsis (12).1 Through careful close readings of Greek (...) tragedies informed by psychoanalytic theory and deconstruction, Telò makes a persuasive case that tragedy is anti-cathartic. “The Freudian take on catharsis is complicated, or even undercut,” he writes in the introduction, “by its own anti-cathartic latencies… We can accordingly look at tragedy as a form of dramatic poetry that finds its affective raison d’être… in these anti-cathartic feelings” (34).Telò states that the intent of Archive Feelings is mainly to intervene in the age-old debate, asking: “why do human beings enjoy tragedy?” (14). He suggests that the pleasure of tragedy is, in fact, a masochistic one: a denial of release or pleasure (such as would come from catharsis) that an audience or reader enjoys in its specifically joyless jouissance. At stake is “feeling material,” a “fantasy” of “merging into the impersonal, anorganic, universal matter of elemental life” (44) evoked in tragedy’s death-driven withdrawal from action. With this concept in mind, Telò goes beyond even his own ambitions for his project. More than merely intervening in debates about the pleasures of tragedy, he argues powerfully for the continuing relevance of Greek tragedy for critical theory today, particularly in light of the so-called “affective” and “material” turns in the humanities. Archive Feelings is thus a useful book for classicists conducting interdisciplinary and/or trans-historical research, but even more so for any scholar working within the constellation of psychoanalysis, deconstruction, queer theory, affect theory or critical race theory. Telò makes a persuasive case for tragedy as a lodestar within this firmament–a vital tool for thinking through problems within and across disciplines.In striking contradistinction to previous theorists of Greek tragedy, including Aristotle and Nietzsche, Telò locates the engine of Greek tragedy in the death drive. In so doing, he reads in ancient narratives a number of experiences such as “acceleration, hoarding, vertiginous suspension, [End Page 113] breathless looping, affective bulimia or binge-eating, serial cutting, trying to enter or fold in upon oneself, auto-immune inflammation” (14), and finds in “the orgasm as an unfinished, non-teleological pleasure,” a desire to return to a state of “inert matter” (13).2 Noting that the original meaning of the Greek word archê is “origin,” Telò connects this impulse to once again become “inert” with the desire to create archives. Thus, Telò sees Greek tragedies as both a model for projects of archival reconstruction as well as archival projects themselves: they are “anxious and debilitating” attempts to “re-create the past as it was” (13).3Telò’s study is divided into three parts: Archival Time, Archival Space, and Archival Endings, which attempt to “structurally reproduce the psychological temporalities of the archive” (49). In each of his five chapters, Telò elaborates the diverse narrative masochisms of Greek tragedy, exploring the various stakes and species of tragic anti-catharsis. In Chapter 1, Telò reads the “archive fever” of Sophocles’ Oedipus at Colonus against the “archive fatigue” of Euripides’ Phoenissae, finding in both of these plays—near the end of the epoch of ancient tragedy—an impulse toward “textual hoarding” (76) that both undermines the possibility of catharsis and “exhausts” (106) the possibilities of the genre (107). In both the “synchronic gathering of disparate fragments of experience” into the body of Oedipus before his death and the aesthetics of boredom, fatigue, and inertia that suffuse the Phoenissae, Telò locates a desire to store up, rather than purge, emotions such as pity and fear, in a flouting of the normal formula for catharsis (73).In Chapter 2, Telò looks at the figures of Heracles and Medea in their original myths and tragic incarnations, seeing in both the compulsion to recircle around scenes of their respective “primordial traumas” (145). In Euripides’s Medea, this move manifests in repeated references... (shrink)

S'appuyant sur des exemples issus de l'étude de la Seconde Guerre mondiale ainsi que de l'histoire du passé récent dans les sociétés post-communistes, cet article tente de voir dans quelle mesure les modalités d'accès aux archives publiques peuvent être tenues pour responsables de phénomènes d'amnésie - ou d'hypermnésie - de la mémoire collective, de la fabrication de mythes et de légendes. Il est certain que sans l'accès aux archives du troisième Reich, Raul Hilberg n'aurait pu entreprendre son œuvre monumentale et (...) pionnière sur la destruction des juifs d'Europe. Pour autant, il est des domaines, notam­ment celui des comportements collectifs, sur lesquels l'archive est muette - à moins de bénéficier de ces formidables corpus que constituent par exemple les archives des polices politiques comme les dossiers de la Stasi. Toutefois, l'usage public de ce type d'archives peut poser problème et générer des batailles de mémoire. Lestés d'enjeux, les conflits de mémoire ne se résolvent certes pas à coup de preuves tirées des archives, mais la rétention de ces dernières favorise incontestablement l'élaboration de récits mythiques ou de « romans nationaux ».Drawing on examples from studies of the Second World War and from the recent history of post-Com­munist societies, this article attempts to discern how far rules of access to public archives may have been responsible for collective amnesia - or hyper-amnesia - and the emergence of myths and legends. What is certain is that without access to the archives of the Third Reich, Raul Hilberg would never have been able to undertake his monumental pioneering work on the destruction of Europe's Jews. And yet, there are areas, especially where collective behaviour is concerned, that cannot be fathomed through archives - short of having access to the extraordinary material represented by political police archives such as the Stasi files. However, public use of such archives can raise problems and generate conflicts over memory. Because they embody such a weight of issues, conflicts over memory cannot be resolved merely by pulling out evidence from an archive, but withholding such records most certainly fosters the emergence of mythical narratives and "national epics". (shrink)

This article emerges from a wider study on bicultural film archiving practice. It focuses on Jonathan Dennis as a subject of archiving, and as a distinctive archivist himself in relation to a specific archive at a particular moment. Dennis practice differed significantly from North American and European conventions contemporaneous with his life work. The charismatic founding director of Ngā Taonga Sound & Vision Jonathan Dennis became a conduit for tensions and debates during the 1981–2002 period in relation to indigenous (...) and non indigenous presentation of archival materials. This resulted in a film archive and curatorship practice which differed significantly from that of the North American and European archives he originally sought to emulate. As a Pākehā with a strong sense of social justice he argued for an awareness of geographical location and cultural context in his work. He supported a philosophical shift in archival practice, by engaging indigenous peoples in developing creative and innovative exhibitions and programmes from the 1980s period until his death.Note: From 1988 the official name for the New Zealand Film Archive was Ngā Kaitiaki o ngā Taonga Whitiāhua. Since August 2014 the institution is called Ngā Taonga Sound & Vision, New Zealand Archive of Film, Television and Sound Ngā Taonga Whitiāhua Me Ngā Taonga Kōrero to acknowledge the acquisition of the state-owned Television NZ Archive and Sound Archives from Radio NZ. For brevity’s sake the Archive is referred to throughout as NTSV.Key: NTSV PP JD refers to the NTSV Personal Papers of Jonathan Dennis. (shrink)

Historians in the 19th-century were not the first to discover the importance of source materials kept in archival depositories. More than their predecessors, however, scholars working in the historical discipline that the 19th century saw emerge tended to equate professional historical knowledge with knowledge based on primary source research, that is, practically speaking, on knowledge gained from source material that was usually kept in archives. While previous scholarship had paid ample attention to the methods that 19th-century historians employed for (...) the study of such archival material, to the epistemologies they developed in tandem with these methods and to the institutions they created for the study of archival records, this special issue explores the influence that archives, in a classic, institutional sense, exerted on the practices of 19th-century historiography. How did the archival turn affect historians’ working manners? How contested was this archival research imperative, with its underlying autopsy principle? And how did it spread geographically, in and outside Europe? (shrink)

This paper describes the materials in the Russell Archives relevant to Russell's work on logic and the foundations of mathematics, and suggests the kinds of information that may and may not be drawn about the historical development of his ideas. By way of illustration, a couple of episodes are described. The first concerns a logical system closely related to his theory of denoting, which preceeds the system used in Principia mathematics, while the second describes a delay in publishing the (...) second volume of that work due to the discovery by Whitehead of a conceptual error. (shrink)

Following the daily routines of collecting and record keeping at the Canadian Centre for Architecture, Albena Yaneva tells the story of how the nature of architectural archives reflects the nature of design as a collective endeavor in which archivists, librarians, editors, curators, digital humanists, and conservators all play a role. She also makes an argument about the importance of architectural archive-making as an index of the cultural position of design in contemporary societies.

This article concerns the electronic archive, in relation to the academy and to culture. It explores the metaphors by which the archive is con ceived, proposing as an exploratory and imaginative device an installa tion of the archived material from a contemporary newspaper database. The debates over the electronic archive are then viewed through four voices, each with a distinctive ethos, voices which draw on the other voices of Kant, Baudrillard and Derrida, of the Bible and contempor (...) ary social theory. (shrink)

The report is based on the first results of the study "The History of the Evangelical Christians-Baptists in Ukraine", carried out in 1994-1996 by the joint efforts of the Department of Religious Studies at the Institute of Philosophy of the National Academy of Sciences of Ukraine and the Odessa Theological Seminary of Evangelical Christian Baptists. A large-scale description and research of archival sources on the history of evangelical movements in our country gave the first experience of fruitful cooperation between secular (...) and church researchers. (shrink)

It can be said that Formal Logic begun by studying an idealization of the statements ’if p, then q’, something coming from long ago in both Greek and Scholastic Philosophy. Nevertheless, only in the XX Century it arrived at a stage of formalization once in 1910 Russell introduced and identified the ’material conditional’ with the expresion ”not p or q”. In 1918, and from paradoxical conditionals like ”If the Moon is a cheese, it is a Lyon’s face”, Lewis critiziced the (...) material conditional and introduced the so-called ’strict conditional’ as the modal necessity of the material one. In 1934, Huntington proved that both material and strict implications are coincidental in the setting of Boolean algebras and, hence, that they only can be actually different in algebraic structures weaker than Boolean algebras. Boolean algebras have too much laws for supporting the difference of both conditionals. This paper is nothing else than an algebraic trial to find simple binary Boolean operations able to express Lewis’ strict implication, and contains a new and simpler proof than that of Huntington, made by identifying ’possible’ with ’non self-contradictory’. By the way, it is shown that this proof is only valid in Boolean algebras, but neither in proper De Morgan algebras, nor in proper Ortholattices, with which it still remains open where the two conditional relations are actually different. (shrink)

In this essay Robert Davis provides a critical roadmap, which is also a genealogy, for understanding and examining the history of both the humanities and education in them. It relates appraisal of the so-called “crisis” in contemporary teaching of the humanities to a deeper understanding of crisis as a condition for periodic reassessment and renewal of the humanities that has recurred at a number of key historical conjunctures since the early modern period, most notably at the end of the Thirty (...) Years' War in 1648 and at the coming of industrialization and mass education more than a century later. Davis focuses on the traditionalist defense of the humanities as a route to the humane while also acknowledging the power of the poststructuralist critique of this agenda and its complicity with the moral failures of Western society and imperialism. He concludes the essay by advocating a position “beyond critique” where the humanities and education in them can attain a new universalism and material relevance. (shrink)

Archives are considered to be collections of administrative, legal, commercial and other records or the actual place where they are located. They have become ubiquitous in the modern world, but emerged not much later than the invention of writing. Following Foucault, who first used the word archive in a metaphorical sense as "the general system of the formation and transformation of statements" in his "Archaeology of Knowledge", postmodern theorists have tried to exploit the potential of this concept and initiated (...) the "archival turn". In recent years, however, archives have attracted the attention of anthropologists and historians of different denominations regarding them as historical objects and "grounding" them again in real institutions. The papers in this volume explore the complex topic of the archive in a historical, systematic and comparative context and view it in the broader context of manuscript cultures by addressing questions like how, by whom and for which purpose were archival records produced, and if they differ from literary manuscripts regarding materials, formats, and producers. (shrink)

Siegfried Kracauer was a leading figure on the Weimar arts scene and one of the foremost representatives of the Frankfurt School of critical theory. Best known for a wealth of writings on sociology and film theory, his influence is felt in the work of many of the period’s preeminent thinkers, including the critic Theodor W. Adorno, who once claimed he owed more to Kracauer than any other intellectual. Kracauer.Photographic Archive, a companion volume to The Past’s Threshold: Essays on Photography, (...) collects previously unpublished photographs by Siegfried and Elisabeth, “Lili,” Kracauer. With its remarkably rich material, the book tells the story of the Kracauer’s close working relationship, from their marriage in Germany to their escape to Paris and the war and postwar years in the United States. While neither Kracauer nor his wife trained in photography, their portraits, city views, and landscapes evince impressive aesthetic and technical skill, while simultaneously shedding light on their lives marked by exile and flight. (shrink)

Purpose This paper aims to provide a brief overview of the ethical challenges facing researchers engaging with web archival materials and demonstrates a framework and method for conducting research with historical web data created by young people. Design/methodology/approach This paper’s methodology is informed by the conceptual framing of data materials in research on the “right to be forgotten” (Crossen-White, 2015; GDPR, 2018; Tsesis, 2014), data afterlives (Agostinho, 2019; Stevenson and Gehl, 2019; Sutherland, 2017), indigenous data sovereignty and governance (...) (Wemigwans, 2018) and feminist ethics of care (Cifor et al., 2019; Cowan, 2020; Franzke et al., 2020; Luka and Millette, 2018). It demonstrates a new method called an archive promenade, which builds on the walkthrough and scroll-back methods (Light et al., 2018; Robards and Lincoln, 2017). Findings The archive promenades demonstrate how individual attachments to digital traces vary and are often unpredictable, which necessitates further steps to ensure that privacy and data sovereignty are maintained through research with web archives. Originality/value This paper demonstrates how the archive promenade methodological intervention can lead to better practices of care with sensitive web materials and brings together previous work on ethical fabrications (Markham, 2012), speculation (Luka and Millette, 2018) and thick context (Marzullo et al., 2018), to yield new insights for research on the experiences of growing up online. (shrink)

Centred on the diaries of Violet Thompson and Betty Whitla-Lucas, this exploratory paper self-reflexively plots key feminist problematics of integrating the personal with scholarship, while also enacting and working them through. By addressing my own familial connection to the archive, I explore the experience of using personal material within scholarship. Considering the increased incorporation of personal narrative into feminist scholarship, I question what is at stake in the production and reception of women’s life-writing. I propose a model of motivation (...) and desire for the process of reading and writing of women’s life-narratives, probing the relationship of desire that exists between women. Returning to the archive, Violet’s and Betty’s records of pregnancy are read as sites of power relations, examining the existence of inter-discursive networks of empowerment that disrupt the dominant cultural precepts on female sexuality. In closing, I reflect upon the interplay of private fantasy with public history and imagine the potential for the disparate forms of women’s life-writing, not only as feminist interventions in the cultural field but as contributions to discussions on the nature of feminine inscriptions. (shrink)

The Snowden Archive-in-a-Box is an offline wireless network and web server providing private access to a replica of the Snowden Digital Surveillance Archive. The online version is hosted by Canadian Journalists for Free Expression. A work-in-development since April 2015, the Archive-in-a-Box is both a research tool and a tool for public education on data surveillance. The original version is powered with battery packs and housed in a 1960s spy style briefcase. When it is turned on, anybody in (...) the vicinity can access the archive by connecting their wireless device to the Snowden Archive WiFi network and browsing to a website. Open the briefcase up and one finds a wood panel with a flatscreen inset, playing back the IP traffic of the archive's current users. Thus, while an audience such as a class of students or workshop group can access the Snowden documents and learn about mass surveillance from primary materials, they are also shown what data surveillance ‘looks like’. This Commentary explores my experiences during the first year of the Snowden Archive-in-a-Box. I examine my experiences as an international traveller carrying a suspicious briefcase of Top Secret materials and this project's reception by certain audiences. The project is still a prototype, yet it is quickly gathering a following and a number of permanent installations around the world. What could this mean for the future of surveillance education and leaks-enabled research? (shrink)