This chapter contains sections titled: The Sickness unto Death Three Discourses at the Communion on Fridays further reading.

According to standard comparativist views, death is bad insofar as it deprives someone of goods she would otherwise have had. In The Ethics of Killing, Jeff McMahan argues against such views and in favor of a gradualist account according to which how bad it is to die is a function of both the future goods of which the decedent is deprived and her cognitive development when she dies. Comparativists and gradualists therefore disagree about how bad it is to die (...) at different ages. In this paper I examine two prominent criticisms of gradualism and show that both misconstrue McMahan. I develop a related criticism that seems to show that a gradualist cannot coherently relate morbidity and mortality. This criticism also fails, but has an instructive implication for how policy-makers setting priorities for health care investments should regard choices between life-saving interventions and interventions against non-fatal diseases in the very young. (shrink)

Best known as a philosopher, one of the founders of existentialism, Kierkegaard also wrote books whose themes were primarily religious, psychological or literary. He was opposed to much in organised Christianity, stressing the necessity for individual choice against prescribed dogma and ritual. In this book, he concentrates his penetrating psychological observations on the theme of despair.

Kierkegaard’s analysis of despair in The Sickness unto Death receives welcome, complementary illustrations in the novelistic efforts, respectively, of Franz Kafka and J.M. Coetzee. Both Kafka and Coetzee succeed in fashioning dramatic settings in which their protagonists may be seen and understood to suffer from the sickness unto death. In both cases, moreover, the distinctly spiritual character of despair is on display, as the protagonists in question slowly come to the realization that their cognitive faculties and (...) resources will afford them no protection against, or immunity from, the despair they see in others. Finally, both Kafka and Coetzee succeed in depicting the first-personal experience of despair as that of a progressively suffocating claustrophobia. (shrink)

The Sickness unto Death is commonly regarded as one of Kierkegaard's most important works – but also as one of his most difficult texts to understand. It is a meditation on Christian existentialist themes including sin, despair, religious faith and its redemptive power, and the relation and difference between physical and spiritual death. This volume of new essays guides readers through the philosophical and theological significance of the work, while clarifying the complicated ideas that Kierkegaard develops. Some (...) of the essays focus closely on particular themes, others attempt to elucidate the text as a whole, and yet others examine it in relation to other philosophical views. Bringing together these diverse approaches, the volume offers a comprehensive understanding of this pivotal work. It will be of interest to those studying Kierkegaard as well as existentialism, religious philosophy, and moral psychology. (shrink)

This article focuses on the legality of euthanasia and assisted suicide in the Netherlands. Euthanasia and assisted suicide are allowed in certain cases, but there is no consensus with respect to the extent of the situations in which physicians should not be prosecuted. I argue that the individual, and, more specifically, his/her suffering, should be the focal point, and that the present legislation falls short in this respect; no solution can as yet be offered to individuals whose suffering cannot be (...) resolved through medical means and which cannot be subsumed under the terms the law specifies. (shrink)

One of the most persistent questions in modern theology has been that of how we can adequately acknowledge the stranger. Drawing upon the work of post‐Heideggerian theorist of language and death, Jacques Derrida, and his own creative re‐reading of Martin Heidegger and Emmanuel Levinas, the Catholic theologian and phenomenologist Jean‐Luc Marion has attempted to reconstruct what he regards as a genuinely Husserlian phenomenology. In so doing he has mapped out a phenomenology of love and a phenomenology of that divine (...) gift as ‘being given as givenness’; that is, a condition of life itself. In fact, as I will argue, this rests on the boundary between theology and thanatology (the philosophy of our encounter with that most radical stranger, death) and in his recent reflections upon ‘saturated phenomena’ Marion has explored the interplay between traditional theological topics such as hope and death and contemporary arguments on meaning, symbol and ritual. Christian hope resides in an act of remembrance and Marion argues for the eucharist – in its recollection of the life, death and resurrection of Jesus Christ – as the site of human hope; only this crucial eucharistic move upwards and outwards can overcome the burden of Western metaphysics. It is a literary move which takes us some way towards elevating the language which we use in talking about and recognising the other beyond that of the narrow model offered to us by some commentators of Levinas and one which encourages us to look again at poetry, hymn and Scripture. (shrink)

In The Sickness unto Death, Kierkegaard describes selfhood as an achievement, specifically claiming that the self’s task ‘is to become itself’ (SUD, 29/SKS 11, 143). But how can one can become who or what one already is, and what sort of achievement is it? This chapter draws on the work of Christine Korsgaard, another philosopher who sees selfhood as an achievement, using her notion of practical identity to explore Kierkegaard’s accounts of the structure of the self and of (...) selfhood as achievement. Kierkegaard’s treatment of selfhood—as aspirational and, if undertaken well, appropriately grounded in one’s facticity (i.e. the concrete facts of one’s situation)—suggests how consciously endorsed identities can guide (or fail to guide) our agency. Having a practical identity involves striving to inhabit adopted roles by aligning our actions with relevant normative demands, but also sometimes embracing and consciously adopting identities already tacitly guiding our engagement with the world. This framework also suggests several ways we can be alienated from desires, actions, or, more generally, our selves. Putting Kierkegaard in conversation with contemporary agency theory, this chapter has two guiding lines of inquiry. First, what does it mean to achieve selfhood and how can the notion of practical identity illuminate or be illuminated by this question? Second, how can this analysis clarify the experience of not being oneself, whether resulting from self-deception, self-ignorance, or the potentially frustrating gap between who one is and who one wants to be? (shrink)

Abstract: The present text compare the concepts of Spirit and Dialectic in Hegel's Phenomenology of Spirit and Kierkegaard's Sikness unto Death respectively. For this, the clarifications made by one author and the other of the concepts to be compared are taken, as a starting point, in order to detect whether or not these concepts have some kind of relationship that serves to bring german and danish closer together. -/- .

How are we to read and how translate the brief formulae with which ‟The Sickness unto Death” introduces two forms of ‛authentic despair’? In response to Michael Theunissen’s claim that, to conform with the actual drift of Kierkegaard’s thought, the first of the two forms of despair should be given priority, an alternative reading that conforms with the published ordering is defended on the strength of both the text itself and the development of Kierkegaard’s thought up to the (...) time of its writing. The further aim, shared with Theunissen, is to widen the basis for assessing the continuing relevance of Kierkegaard’s analysis of despair. (shrink)

This article seeks to demonstrate the influence of J. G. Fichte's philosophy on Søren Kierkegaard's theory of the self as he develops it in The Sickness unto Death and to interpret his theory of the self as a religious critique of autonomy. Following Michelle Kosch, it argues that Kierkegaard's theory of the self was developed in part as a critique of idealist conceptions of agency. Moreover, Kierkegaard's view of agency provides a powerful way of understanding human freedom and (...) finitude that has implications for contemporary debates about autonomy, normativity, and agency. (shrink)

In ____Selves in Discord and Resolve__, Edward Mooney examines the Wittgensteinian and deconstructive accounts of subjectivity to illuminate the rich legacy left by Kierkegaard's representation of the self in modes of self-understanding and self-articulation. Mooney situates Kierkegaard in the context of a post-Nietzschean crisis of individualism, and evokes the Socratric influences on Kierkegaard's thinking and shows how Kierkegaard's philsophy relies upon the Socratic care for the soul. He examines Kierkegaard's work on Judge Wilhelm, from _Either/Or,_ Socrates, in the _Postscript_ and (...) Abraham and Job in _Repetition_ and _Fear and Trembling_. (shrink)

The development of Vertigo’s main characters provides a detailed illustration of the dialectics of despair as analysed in Kierkegaard’s The Sickness unto Death, in particular of the so-called ‘masculine’ and ‘feminine’ types of failed selfhood. This article shows the relation of selfhood and despair to dizziness both in Kierkegaard’s work and in Hitchcock’s film, and it examines the religious subtext of Vertigo. The dramatis personae of Judy and Scottie are analysed by applying Kierkegaard’s phenomenology of despair. They display (...) a variety of failures to relate to their selves, like unconscious and conscious despair, possibility’s despair, despair over the earthly and despair of the eternal. Moreover, they epitomize the gendered types of despair as depicted in The Sickness unto Death: losing one’s self in relation to someone and obsessively striving for self-assertion at the cost of others. (shrink)

The concepts of anxiety and despair together are central to Kierkegaard's conception of the self. He discusses these concepts principally in two works, The Concept of Anxiety and The Sickness Unto Death. Anxiety and despair each have a complex structure and are closely interrelated to one another. This thematic interconnection between anxiety and despair is doubled and made more difficult by the textual relationship between the two works and the fact that they have different pseudonymous "authors." Further, both (...) these works are very dense and bristle with problems of meaning and interpretation. Therefore, the dissertation is a careful articulation of the structure and relation between anxiety and despair through a close textual analysis of The Concept of Anxiety and The Sickness Unto Death. ;Kierkegaard understands anxiety to be both the attraction to and the repulsion from the nothingness of future possibilities. Thus, anxiety is not simply a psychological state, mood or feeling, but is an ontological structure essential to human being and is the mark of human freedom. Anxiety is that which psychology refers to in seeking an explanation to free human choices. Further, anxiety is an explanation of choice only in the sense that it explains the possibility of choice; it does not and can not explain the cause of this or that particular choice. ;Kierkegaard understands despair to be a not-willing-to-be-oneself. Like anxiety, despair is not simply a psychological state. Instead, it is the structure of one's being who has wrongfully used freedom. Since the self is capable of relating itself to itself in multiple ways, and since despair is the misrelation of oneself to oneself, despair has a multitude of forms. ;I argue that in Kierkegaard's writings, anxiety and despair are surely not different terms for the same mood or psychological state. Rather, anxiety is the mark of human freedom and the condition for the possibility of despair. Despair is the wrongful use of freedom through the failure to choose to be oneself. Finally, a cure for despair must include anxiety, that is, freedom's possibility. (shrink)

In response to the claim that Kierkegaard's highly compressed definition of the self, given near the beginning of The Sickness unto Death, should be understood in Hegelian terms, I show that it can be better understood in terms of an earlier development in the history of German idealism, namely, Fichte's theory of self-consciousness. The notion that the self ?posits? itself found in this theory will be used to explain Kierkegaard's definition of the self, including his rejection of the (...) idea that the self posits itself absolutely. I go on to show how this conception of the self relates to certain features of the concept of despair described in The Sickness unto Death. This in turn allows me to indicate some implications of this conception of the self in relation to Kierkegaard's attitude towards the social and political forces shaping the modern world. (shrink)

This chapter philosophically examines the transformation of “Walter White” into “Heisenberg,” as depicted in the television series Breaking Bad, in terms of Søren Kierkegaard’s “stages of life” and Carl Jung’s “process of individuation.” Though Walt’s transformation is an oft-discussed topic regarding Breaking Bad, there has yet to appear in the philosophical literature an examination of this transformation in terms of Kierkegaard and Jung. Such an examination is important since it also addresses a number of the questions regarding the shift in (...) Walt’s moral compass given his terminal prognosis. That is to say, Walt’s transformation into Heisenberg in terms of Kierkegaard and Jung provides a moral account of his decisions without sacrificing a notion of his free-will or accepting the imminence of death as justification for the perpetration of evil. (shrink)

이 논문은 지금까지 규정되어온 절망에 관한 통속적이고 피상적인 고찰과 불충분한 이해에서 벗어나 인간이 왜 절망하는지 그 본질적 문제에 주목하고, 나아가 절망 끝에 숨어있는 새로운 삶의 시작이 어떻게 가능한지에 대해 논의한다. 현대를 ‘절망의 시대’로 선언한 키에르케고어가 그의 저서 『죽음에 이르는 병』에서 절망을 죽음의 병으로 규정하는 근거가 무엇인지, 절망이 현실적인 문제로 인한 일시적인 혼란의 감정이 아니라면 도대체 왜 인간은 절망하는지, 그에 대한 이론적 고찰을 수행한 뒤, 절망에 빠진 인간이 삶을 지탱해나갈 수 있는 근원을 오히려 절망에서 찾는 키에르케고어의 역설적 시도를 철학상담의 관점에서 재해석한다. (...) 키에르케고어에게 자기와의 참된 관계란 절망을 통하지 않고서는 자기기만에서 벗어날 수 없으며, 또한 자기의 한계를 인정하고 수용하는 진정한 ‘나’로 거듭날 수 없다. 이 점에 주목하는 이 논문은 ‘자기 자신’에 관한 논고라 할 수 있는 『죽음에 이르는 병』이 절망하는 사람을 도울 수 있는 매우 중요한 철학적 단초를 제공하고 있다고 보고, 이를 토대로 철학상담이 어떻게 그들을 도울 수 있는지에 대해 그 가능성을 모색하고 있다. (shrink)

Danish theologian and philosopher Søren Kierkegaard is often overlooked as an author in the Christian spiritual tradition. This paper answers Christopher Barnett's call to investigate themes of Christian spirituality in Kierkegaard's writing. In this paper, I argue that we can construct of vision of sanctification from Kierkegaard's The Sickness unto Death. While Kierkegaard does not directly deal with themes of sanctification in The Sickness unto Death, Kierkegaard's pseudonym Anti-Climacus does demonstrate the ‘spiritless’ life of despair. The (...) ‘spiritless’ life, as Anti-Climacus defines it, is a life that is not truly a ‘self’. Anti-Climacus systematically demonstrates four categories of despair, and all people not living in faith, whether they realise it or not, fit into one of these categories of ‘spiritless’ existence. I argue that by constructing the opposites of Kierkegaard's categories of despair I demonstrate that a ‘spirit-filled’ life exemplifies a vibrant Christian life of sanctification. (shrink)

Name der Zeitschrift: Kierkegaard Studies Yearbook Jahrgang: 23 Heft: 1 Seiten: 125-154.

For the first time in English the world community of scholars is systematically assembling and presenting the results of recent research in the vast literature of Soren Kierkegaard. Based on the definitive English edition of Kierkegaard's works by Princeton University Press, this series of commentaries addresses all the published texts of the influential Danish philosopher and theologian.

A distrust of focus on subjectivity and the individual provoked by his meeting with Sartrean existentialism led György Lukács to turn his early but qualified admiration of Søren Kierkegaard into an accusation of fostering a bourgeois culture of the kind Kierkegaard is usually thought to have opposed. Not every Marxian thinker has been equally wary of subjectivity, but all have found in Kierkegaard a crucial absence of concern for human exploitation within a context of natural scarcity. However, a more measured (...) reading suggests a case for resolving the need to choose between Lukács’s insistence on “spirit” as a collective notion and Kierkegaard’s as cultivation of a trans-historically oriented, self-stabilizing social will. (shrink)

L’article étudie les relations étroites, aux débuts de l’époque moderne, entre la représentation des femmes âgées et des sorcières, à partir du tableau de Hans Baldung, Les Trois Âges et la Mort. Il s’intéresse au cycle de vie féminin qui définit les femmes par rapport aux hommes comme vierges, mères, puis veuves. Il se penche en dernier lieu sur la peur qui entoure la sexualité des femmes âgées au début de l’époque moderne.

In healthcare, it should be a primary requirement that we define accurately what we are trying to do. The necessity for this intensifies when we are under stress, a part of which is caused by increased technological ingenuity outstripping the general ability to pay for it. Dealing with human beings and their problems, we are person and event oriented; our creed has always been and is the best that can be done for an individual, at a point in time. Increasingly, (...) we must modify this traditional approach by viewing episodic care of the individual as a part of two continua, of the individual in relation to their life span, and of the individual in relation to the community and healthcare system to which all belong. We are not skilled or practised in defining our overall aims. (shrink)