This article analyzes the conflictive role of religion in post-1989 Europe. Three major reasons for this are addressed: first, the restoration of structural and cultural pluralism of European civilization since the breakdown of communism entails the reconstitution of the full diversity of European religion. Second, international migration as a crucial part of globalization has intensified, contributing to the transformation of Europe into a complex of multi-cultural and pluri-religious societies. Third, the wave of contemporary globalization has been accompanied by an intensification (...) of inter-civilizational and inter-religious encounters and conflicts — particularly between Christianity and Islam. As a result, European integration and enlargement as a secular and humanist mode of cultural integration and religious governance are basically challenged by this three-fold revitalization of religion. The growing tendency is to respond to this challenge by enhancing the Christian foundations of Europe rather than, as this article argues, to follow a more cosmopolitan, secularist and religious pluralist mode of European cultural integration. (shrink)

This article outlines a comparative-civilizational multiple modernities perspective on political sociology. In the context of the major currents within political sociology — modernization approaches, critical and neo-Marxist as well as postmodern and global approaches — it is argued that a comparative-civilizational multiple modernities perspective is defined by several characteristics. First, against functionalist-evolutionist modernization approaches it emphasizes the fragility, contradictions and openness as well as civilizational multiplicity of political modernity and political modernization processes. Second, against critical and neo-Marxist approaches, it insists (...) on the cultural and institutional contradictions of political power, social protest and political conflict. Third, against post-modern and post-colonial micro-sociological approaches, often primarily micro-sociological, it holds to a macro-sociological constructivist orientation. Fourth, against the primarily socio-economic and political-institutional approaches to global political sociology, it again emphasizes the historically changing, culturally contradictory and pluri-civilizational dimensions of international relations and world politics. Though sharing with all these major currents in political sociology some common ground, the outlined comparative-civilizational multiple modernities perspective conceptualizes and analyses, more specifically, the varying impacts of civilizations, empires and world religions on the complex dimensions and levels of the political arena and on power relations in a modernizing and globalizing world. (shrink)

The aim of this article is to assess Arnason’s civilizational theory and methodology and their application to non-Western civilizations from a historical-comparative sociological perspective. Although civilizational analysis and historical sociology as historical-comparative orientations in sociology are closely connected, civilizational analysis concentrates particularly on the macro-history of civilizations, whereas historical-comparative sociology (particularly in its American variety) is orientated rather to a meso- and micro-analytical foundation of societal developments and therefore is more time- and context-sensitive. From such a perspective, the article reconstructs, (...) first, Arnason’s theoretical and methodological approach to civilizational analysis and discusses his contribution to the civilizational origins and dynamics of the West as a measuring rod for non-European societies. Second, it then assesses Arnason’s two major exemplary civilizational studies: the Soviet model in Russia, Eastern Europe and the non-European world as well as the Japanese civilization in the broader East Asian civilizational context. The article concludes with a critical summary of Arnason’s highly innovative approach from the vantage point of a recently developing global orientation in historical and comparative sociology. (shrink)

This paper explores the various meanings of precision during the early modern period in Europe. In contrast with existing literature focused on assessing the precision of early instruments, this study delves into the intended significance of the term ‘precision’ as understood by historical figures such as J. Stöffler, P. Nunes or F. Mordente. By analysing a selection of instruments equipped with scales, both in their physical form and as they are described in instrument texts, several facets of precision emerge. Some (...) findings demonstrate that the precision of scales can be enhanced through corrections obtained from tables. In other cases, visual estimation is substituted with a method for obtaining values of multiple sexagesimal places. Furthermore, certain instruments designed to represent theoretical concepts achieve greater precision by incorporating the most intricate details of these notions. This investigation into lesser-known meanings of precision underscores the need of comprehensively exploring the concepts, the practices and the terminology surrounding precision that were in use over the fifteenth and sixteenth centuries. (shrink)

Human emotion,considered in its structure and functionality, can serve as a means of communication,interaction and cooperation in robots with humans.Emotions have to be analyzed as both intrasubjective and intersubjective processes in order to construct androids as human-like robots.Based on a cognitive modeling of emotions and the description of a 'language of mind 'we developed a methodological tool for the representation of situations and the elicitation conditions of emotions.

His Mithridate is one of the first works of linguistics, with numerous citations and samples (twenty-six versions of the Our Father). This edition is presented with an introduction, the Latin text and translation and critical apparatus.

In what way does the construction of three-dimensional spherical models in the early modern period reflect the search for an appropriate representation of subtle, slow changes perceived in the firmament of the fixed stars? The present paper analyses some of the preserved models and assesses the potential they held to stimulate contemporary thinking on this question, termed the “motion of the eighth sphere.” The spheres discussed here reveal different ways of conceiving and visualizing stellar precession, which was more commonly expressed (...) in tabular form, such as the Alfonsine tables, or by means of theoretical texts, such as Peurbach’s Theoricae novae planetarum. One of the spheres unexpectedly turns out to be the only known material representation of Johannes Werner’s alternative theory of trepidation. Although our knowledge of the context in which these spheres were produced is limited, their material characteristics point to their distinct origins. A focus on the rare and understudied species of “trepidation spheres” leads to questions not addressed in studies drawing only on written sources. It brings additional actors into the spotlight, in particular instrument-makers. Moreover, the variety of constructions found in the group of surviving spheres indicates that the available traditional sources allowed for variant interpretations. Besides texts and diagrams, the trepidation spheres are historical tools of thought that can literally be touched. While further investigation is needed, this paper looks at the spheres’ potential role for practitioners in exploring the geometric implications of trepidation in Alfonsine astronomy from the second half of the 15th century onwards. (shrink)

Mathematical instruments in the early-modern period lay at the intersection of various knowledge traditions, both practical and scholarly. Scholars treated instrument-related questions in their works, while instrument makers and mathematical practitioners also put much energy into producing instrument books. Assessing the role of that literature in the exchange of knowledge between the different traditions is a complex task. Did it directly influence workshop practice? Here, I will examine instruments from a famous Louvain workshop ca. 1570, focussing on the role of (...) printed images. I will suggest that woodcuts did indeed inspire instrument makers; that images were sometimes more important than the text; and that the viewer’s appreciation of the images depended upon his familiarity with an instrument’s mathematical structure. -/- . (shrink)

In this article, we publish the critical edition of Andalò di Negro’s De compositione astrolabii, with English translation and commentary. The mathematician and astronomer Andalò di Negro presumably redacted this treatise on the astrolabe in the 1330s, while residing at the court of King Robert of Naples. The present edition has three purposes: first, to make available a text missing from the previous compilations of works by Andalò di Negro; second, to revise a privately circulated edition of the text; and (...) third, to help disseminating one of the rare Latin texts presenting the principles of the stereographic projection which underlie the construction of the astrolabe. (shrink)

Summary Gessner's sources for the pictures in his Historia animalium were varied in kind and in quality. This should be understood within the larger context of the Historia animalium in which Gessner sought to collect everything ever written about animals, an enterprise that could not be completed by a single individual. Just as Gessner did not distil or reduce similar texts but retained these as well as contradictory or false textual descriptions as part of a repository of (...) knowledge, so also Gessner included several pictures of the same animal, false or badly drawn ones, and juxtaposed erroneous and ?true? images. The attribution of images to witnesses and correspondences also reflects Gessner's strategy to credit those who drew his attention to new information first. The sources of Gessner's images thus indicate how his visual world encompassed more than the strictly self-observable, and a pictorial practice that was intimately connected with textual traditions and intellectual networks. (shrink)

The 102 dedications composed by the sixteenth-century physician and polymath Conrad Gessner between 1541 and 1565 offer a rich trove of insight into many aspects of his particular career but also into the workings of the Republic of Letters more generally. Although Gessner never benefitted from a major patronage relationship and probably received limited financial support from his dedicatees, he nonetheless managed to publish a number of major works on his initiative, including folio volumes of philology, bibliography, and (...) especially expensive works of illustrated natural history. Crucial to Gessner’s success was his accumulation of smaller contributions in kind from a wide range of people who offered him hospitality or sent him information and specimens, manuscripts and images, which Gessner used in his publications. Gessner rewarded contributors not only by private expressions of thanks, but also in print, and especially visibly in his dedications. Gessner was also unusual in calling attention to the role of learned printers for his work, by composing dedications to them and by advertising that various of his publications were initiated by requests from printers or bequests of manuscripts by recently deceased scholars. Gessner thus used the high visibility of the printed dedication to invite further contributions from learned readers, bequests of unfinished manuscripts, and proposals from printers with which to fuel his remarkable productivity. (shrink)

The essay examines the function and the meaning of documentary images by examining the geological image collection of the Swiss natural philosopher Conrad Gessner. Gessner?s interest in pictorial documentation can only be understood in the context of his special interest in the formal aspects of nature. His approach marked a turning point in the history of natural philosophy and would be unthinkable without the pictorial techniques used to collect and document the objects of his research. By reconsidering philosophical (...) definitions of form and matter, he set geoscience on a new philosophical foundation. This reorientation is closely connected to the metaphysics of nature. Both aspects were essential to the establishment of a new scientific approach, in which the old epistemological technique of studying texts was coupled to a new source of knowledge: the study of images. (shrink)

Conrad Gessner was town physician and lecturer at the Zwinglian reformed lectorium in Zurich. His approach towards the world and mankind was centred on his preoccupation with the human soul, an object of study that had challenged classical writers such as Aristotle and Galen, and which remained as important in post-Reformation debate. Writing commentaries on Aristotles De Anima was part of early-modern natural philosophy education at university and formed the preparatory step for studying medicine. This article uses the case (...) study of Gessners commentary on De Anima to explore how Gessners readers prioritised De Animas information. Gessners intention was to provide the students of philosophy and medicine with the most current and comprehensive thinking. His readers responses raise questions about evolving discussions in natural philosophy and medicine that concerned the foundations of preventive healthcare on the one hand, and of anatomically specified pathological medicine on the other, and Gessners part in helping these develop. (shrink)

This paper establishes the 'emblematic' use of natural history as a propaedeutic to self-betterment in the Renaissance; in particular, in the natural histories of Gessner and Topsell, but also in the works of Erasmus and Rabelais. Subsequently, it investigates how Francis Bacon's conception of natural history is envisaged in relation to them. The paper contends that, where humanist natural historians understood the use of natural knowledge as a preliminary to individual improvement, Bacon conceived self-betterment foremost as a means to (...) Christian charity, or social-betterment. It thus examines the transformation of the moralizing aspect of Renaissance natural history in Bacon's conception of his Great Instauration. (shrink)

Geist und Natur im Widerspruch und in der Übereinstimmung.--Das Menschenbild im Lichte der Heilkunde.--Roger Bacon (1214[?]-1292) und Nicolaus Cusanus (1401-1464) als Begründer chemischer und physikalisch-chemischer Methoden in der Medizin.--Leonardo da Vinci als Physiologe.--Die kosmologische Anthropologie des Paracelsus als Grundlage seiner Medizin.--Konrad Gessner (1516-1567).--Johann Jakob Scheuchzer (1672-1733).--Goethe und die wissenschaftliche Medizin seiner Zeit.--Die Krankheitsauffassung Friedrich von Hardenbergs (Novalis).--Rudolf Kassner.--Anmerkungen (p. [285]).

Questo articolo è dedicato al De Aucupio di Pietro degli Angeli da Barga, altrimenti conosciuto come ‘il Bargeo’ (1517-1596), e alla trama di corrispondenze tematiche che questo poema intreccia con la parafrasi degli Ixeutica di Dionisio (III-V sec.), presumibilmente nota al poeta tramite la mediazione di Conrad Gessner. Dopo un’introduzione sui protagonisti della questione, ci si concentrerà su un caso esemplare, corredato di apparato critico, tratto dal De Aucupio, e sulle possibili fonti impiegate dal Bargeo.

Studie se zabývá problematikou renesančních historiae naturalis, zejména potom vztahem, který v tomto žánru zaujímala empirie a tradiční vědění. Článek analyzuje rozdíly mezi historiae naturalis Starého světa (Gessner, Aldrovandi) a světa Nového (Oviedo, Hernández). Hlavním cílem textu je charakterizovat specifika těchto dvou typů „přírodní historie“ a stejně tak ukázat jejich podobnosti a poukázat na „zdánlivé paradoxy“.

This paper examines the inter-relationship between image, text and object in the Codex Kentmanus, which is one of the earliest records of the plants in the botanical garden at Padua, studied by Johannes Kentmann . The manuscript shows that “observation” for Kentmann involved a gradual process of assimilating knowledge from other physicians, apothecaries, and books in order to make the plants which were originally encountered at a specific time and place into a more generalised object of study for learned physicians.