Results of surveys in which pharmacy students and pharmacists responded to ethical dilemmas are discussed. Respondents indicated a high level of concern about patient welfare and patient rights in dilemmas involving conflicts with socio-economic issues, and with peers and physicians. Conflicts that might arise as the roles of pharmacists change and the health-care systems evolve are also discussed.

For half a century, Ernest Fortin's scholarship has charmed and educated theologians and philosophers with its intellectual search for the best way to live. Written by friends, colleagues, and students of Fortin, this book pays tribute to a remarkable thinker in a series of essays that bear eloquent testimony to Fortin's influence and his legacy. A formidable commentator on Catholic philosophical and political thought, Ernest Fortin inspired others with his restless inquiries beyond the boundaries of conventional scholarship. With essays on (...) subjects ranging across philosophy, political science, literature, and theology Gladly to Learn and Gladly to Teach reflects the astonishing depth and breadth of Fortin's contribution to contemporary thought. (shrink)

For half a century, Ernest Fortin's scholarship has charmed and educated theologians and philosophers with its intellectual search for the best way to live. Written by friends, colleagues, and students of Fortin, this book pays tribute to a remarkable thinker in a series of essays that bear eloquent testimony to Fortin's influence and his legacy. A formidable commentator on Catholic philosophical and political thought, Ernest Fortin inspired others with his restless inquiries beyond the boundaries of conventional scholarship. With essays on (...) subjects ranging across philosophy, political science, literature, and theology Gladly to Learn and Gladly to Teach reflects the astonishing depth and breadth of Fortin's contribution to contemporary thought. (shrink)

I am in a difficult situation, being asked as a survivor to talk about people who are no longer with us, for survival always poses the problem of whether we have to deal with an event of a purely biological nature or one that, considered from an intellectual standpoint, is not merely arbitrary. Goethe frequently grappled with exactly this problem — if I may, for a moment, appeal to such a great standard. A second personal remark: when one has lived (...) as long as I have and belonged to a group that has gained such historical significance, one is constantly considered a kind of historical fragment. (shrink)

Critical Theory is usually associated with an intellectual tradition which emerged from the work of a group of social philosophers who coalesced around the Institute for Social Research, established in Frankfurt in 1923. This tradition is now considered to have two major branches: the first related to the work of Theodor Adorno, Max Horkheimer, Herbert Marcuse, Erich Fromm, Leo Lowenthal, and Walter Benjamin, while the second pertains to the expansion of this original work which has been proffered by Jürgen (...) Habermas, Claus Offe, Niklas Luhmann, Karl-Otto Apel, and others. It should be immediately noted that Critical Theory does not form a unity, for it does mean different things to both its early and current adherents. Without overstating the case, however, the common theme which unites these theorists is a dislike for the types of determinism which saw socialism arising automatically from either appropriate social conditions or at the behest of elite party members. In each case the belief was inadvertently advanced that people do not make their own history. In line with the work of Lukács and Korsch, these critical theorists wanted to develop a more vital Marxist theory, one which understands human praxis to be at the center of social development and, thus, human liberation. (shrink)

Theodor W.Adorno was one of the towering intellectuals of the twentieth century. His contributions cover such a myriad of fields, including the sociology of culture, social theory, the philosophy of music, ethics, art and aesthetics, film, ideology, the critique of modernity and musical composition, that it is difficult to assimilate the sheer range and profundity of his achievement. His celebrated friendship with Walter Benjamin has produced some of the most moving and insightful correspondence on the origins and objects of the (...) Frankfurt School of Critical Theory. This unprecedented collection, devised and assembled by one of Europe's rising social theorists, distills the best from published assessments and responses to Adorno's oeuvre. The collection is divided into 4 volumes: Volume 1: Philosophy, Ethics and Critical Theory Part 1: Negative Dialectics Included here are contributions on the concept of totality in the writings of Adorno and Lukacs; Adorno and Bourgeois Philosophy; the relationship between Adorno and Kierkegaard; Adorno's Critique of Idealism; Adorno and Linguistics; Adono and Habermas. Part 2: Ethics and Redemption This is comprised of contributions on Adorno and Truth; Adorno's Inverse Theology; and Adorno and the Ineffable Part 3: Critical Theory, Ideology Critique and Social Science Included here are contributions on Adorno's relation to the Positivist Dispute; the Popper-Adorno Controversy; Adorno and Empirical Research; and Hermeneutics and Critical Theory. Volume 2: Aesthetic Theory Part 1: Art and Politics in 'Aesthetic Theory' This includes material on the De-Aestheticization of Art; Adorno, Utopia and Mimesis; Adorno and autonomous art; Adorno and Dialectics; Adorno, Marxism and Art; Art and Criticism in Adorno's Aesthetics; Adorno's concept of the Avant-Garde. Part 2: Philosophy of Music This includes contributions on Adorno's music and social criticism; Adorno and nostalgia; Adorno, Heidegger and the meaning of music; Adorno and Wagner. Part 3: On Jazz The material included here addresses questions of Adorno and Popular Music; Adorno's encounter with jazz; Adorno, Jazz and Society; and the reasons for Adorno's apparent hatred of jazz. Volume 3: Social Theory & The Critique of Modernity Part 1: On 'The Dialectic of Enlightenment' Included here are chapters on the dialectic of enlightenment and post-functionalist thought; dialectic of enlightenment as genealogy critique; the relationship between the dialectic of enlightenment, modernity and postmodernity; Adorno's critique of progress; Adorno and theories of subjectivity; and the dialectic of enlightenment and rationality. Part 2: Anti-Semitism This consists of material on Adorno and Horkheimer; and Adorno and Public Sphere Part 3: Popular Culture and Capitalism Included here are contributions on Adorno and Sport; Adorno's alleged left-wing elitism; Adorno's critique of astrology and the Occult; Benjamin and Adorno on Disney; Adorno, Totalitarianism and the Welfare State; and Adorno and Mass Society. Volume 4: Cultural Theory and the Postmodern Challenge Part 1: 'Damaged Life': Exile in America This section includes Leo Lowenthal's insightful recollections of Adorno; Adorno and the primal history of subjectivity; Adorno and Los Angeles; Adorno's relation to American culture; and Adorno's exile in England. Part 2: Film Theory This section includes chapters on Adorno and the Culture Industry; Benjamin, Adorno and Contemporary Film Theory; Adorno, Aesthetics and the Social. Part 3: Wellmer and Adorno Included here are papers on Aesthetic, Psychic and Social Synthesis in Adorno and Wellmer; and New German Aesthetic Theory after Adorno. Part 4: Jameson on Adorno Included here are papers on Jameson, Adorno and the persistence of the Utopian; and a Marxism for Postmodernism Part 5: Modernism and Postmodernism This section contains papers on Adorno, Foucault and the Modern Intellectual; Adorno, Foucault and Two forms of the Critique of Modernity; Adorno and the Habermas-Lyotard Debate; Adorno, Postmodernism and Edward Said; Adorno, Heidegger and Postmodernism; Adorno and the Decline of the Modern Age; The literary process of modernism; Adorno, Tradition and the Postmodern Part 5: The Feminist Response Included here are contributions on Adorno and Judith Butler; Adorno, Art Theory and Feminist Practice; and Gender in the writings of Adorno and Horkheimer. The collection comes with a superb Introduction to Adorno by Gerard Delanty which elucidates the main contributions of this penetrating and enduring thinker. Comprehensive and consistently illuminating, the collection includes the thought on Adorno from some of the most distinguished commentators on social theory. Included here are selections from the writings of Susan Buck-Morss, Martin Jay, Agnes Heller; David Frisby; Johann Arnason; Richard Wolin; Andrew Bowie; Robert Hulnot-Kentor; Leo Lowenthal; Richard Rorty Axel Honneth; Albrecht Wellmer; and Jurgen Habermas. The result is a peerless research resource allowing readers to delve into all aspects of Adorno's extraordinary accomplishments in social thought, philosophy and cultural criticism. It will be required reading for students of the Frankfurt School, Marxism, Critical Theory, Philosophy of Art and Aesthetics and Social Theory. (shrink)

In this remarkably wide-ranging book Professor Lowenthal analyses the ever-changing role of the past in shaping our lives. A heritage at once nurturing and burdensome, the past allows us to make sense of the present whilst imposing powerful constraints upon the way that present develops. Some aspects of the past are celebrated, others expunged, as each generation reshapes its legacy in line with current needs. Drawing on all the arts, the humanities and the social sciences, the author uses sources (...) as diverse as science fiction and psychoanalysis to examine how rebellion against inherited tradition has given rise to the modern cult of preservation and pervasive nostalgia. Profusely illustrated, The Past is a Foreign Country shows that although the past has ceased to be a sanction for inherited power or privilege, as a focus of personal and national identity and as a bulwark against massive and distressing change it remains as potent a force as ever in human affairs. (shrink)

Warm regards are exchanged between old friends who are seriously bent on changing the world, not merely analyzing it. Mutual appreciation is evident, as is some tension. Herbert Marcuse’s militant critique of US war-making, waste-making, and poverty is taking Europe by storm. Leo Löwenthal tips his hat with subtle irony and humor to Marcuse’s 1967 triumphs as a public intellectual and political theorist. Activist students give Marcuse great credit because other Frankfurt theorists like Max Horkheimer and Theodor Adorno have remained (...) aloof from this protest. Löwenthal remains more skeptical than Marcuse about the goals of the student movement, which seem to him too ideological and insufficiently radical. (shrink)

In this article, we analyze the intractability of the low-level radioactive waste debate in California through the construction and examination of policy frames and their associated policy narratives. Relying primarily on reports, formal comments, and written correspondence, we reconstruct three policy frames and explore their interaction in the public debate through the policy stories told by the actors. We analyze how policy actors using these policy frames appropriate available information, value scientific input, and respond to uncertainty in technical and regulatory (...) information to create policy stories. These policy frames and their associated policy narratives demonstrate how policy actors differ in their drivers for action, bases for trusting claims, and response to uncertainty. These differences lead to divergent characterizations of the risk of low-level radio-active waste disposal. This analysis provides insight into the dynamics of intractable policy controversies. (shrink)

Heritage has burgeoned over the past quarter of a century from a small e;lite preoccupation into a major popular crusade. Everything from Disneyland to the Holocaust Museum, from the Balkan wars to the Northern Irish troubles, from Elvis memorabilia to the Elgin Marbles bears the marks of the cult of heritage. In this acclaimed book David Lowenthal explains the rise of this new obsession with the past and examines its power for both good and evil.

Introduction: An Authorial Credo -- How My Past Became Foreign -- Making This Book -- Themes and Structure -- Part I. Wanting the Past -- Nostalgia : Dreams and Nightmares -- Time Travelling -- Benefits and Burdens of the Past -- Part II. Disputing the Past -- Ancients Vs. Moderns : Tradition and Innovation -- The Look of Age : Aversion -- The Look of Age : Affection -- Part III. Knowing the Past -- Memory -- History -- Relics -- (...) Part IV. Remaking the Past -- Saving the Past : Preservation and Replication -- Replacing the Past : Restoration and Re-Enactment -- Improving the Past -- Epilogue: The Past in the Present. (shrink)

As reflected in the spirit of the times, certain fundamental changes have occurred in such concepts as nature, reason, and life. While in the liberal era nature appeared to man as a sphere to be conquered by him for the enhancement of his material happiness, today it is an ideal offering an escape from the vicissitudes of social life. Confidence in the power of reason and of science turns into hatred of intelligence, because the latter is an instrument of domination (...) for the privileged classes, and leads the majority of men to accept utopian dreams which cannot be realized. Whereas the philosophy of liberalism glorifies the individual as an active agent having a higher meaning, he now falls into disrespect as a merely passive link in the overpowering totality of life.This article analyses Hamsun as a typical representative of such a postliberal ideology. At all points where he develops his own interpretation of life and the world, he portrays the longings of a disillusioned bourgeois civilization in terms of these new concepts. The ideal which he pictures as an escape from the bourgeois civilization of our times is only superficially in conflict with it. His most important subjects and themes derive their social function from a historical situation which calls for an attitude of obedient subordination to authority.There are two elements in Hamsun's dream of a return to nature : the resentful disillusionment which wants to fence off nature as its private property, because it has little to expect from the social reality in which it lives, on the one hand ; and on the other, the adoration of the heroic as reflected in the overpowering sweep of the forces of nature. This admiration of power is further enhanced by the glorification of peasant life. The ideal of nature is finally characterized by a biological interpretation of erotic relationships. Brutality and sentimentality interchange abruptly within such an ideology as they do in actual authoritarian character types of the present day.Hamsun criticizes all important aspects of urban life, exhibiting another form of his anti-rational attitude. However, it is important to notice his relationship to industry : he has contempt for the working class but utters not one critical word against the employers.His philosophy of life, which minimizes the individual and exalts the powers that be, corresponds to the trends of the time : men are scurrying around like ants, without plan or aim ; most of them are crushed, and this is justified because the forces of life require unconditional obedience and absolute subordination of the individual.Finally the author presents some characteristic documents about the influence which Hamsun has exerted. In the post-war period socialists and liberals were singing the same paeans of praise for Hamsun as the fascists more recently.Les trois transformations les plus importantes de la conscience sociale au cours de ces cinquante dernières années, concernent les idées de nature, d'esprit et de vie. Dans le libéralisme, la nature apparaît avant tout comme une réalité que l'homme doit maîtriser pour accroître ses richesses matérielles. Aujourd'hui, dans son apparence immédiate, elle devient un idéal qui doit libérer les hommes des déceptions que leur inflige l'existence collective. Au lieu de la confiance ancienne en l'esprit et en la science, éclate maintenant la haine de l'intellect, qui sans doute offre aux classes privilégiées un instrument affiné de domination, mais n'apporte à la majorité des hommes que des utopies rationalistes sans signification concrète. L'individu, que la philosophie libérale transfigurait en lui attribuant une fonction supérieure, apparaît comme un élément passif d'une totalité toute puissante, la vie.L'article montre ensuite en Hamsun un représentant typique de cette idéologie post-libérale. Sur tous les points décisifs, sa conception de l'homme et de la nature révèle sa véritable signification : elle traduit dans des catégories nouvelles les aspirations de la bourgeoisie déçue. L'opposition entre son idéal et la société bourgeoise est d'ailleurs tout apparente. La fonction sociale de ses thèmes les plus importants est la préparation d'une humanité soumise, prête à s'incliner sans protester devant l'autorité.Derrière le rêve de Hamsun d'une existence en accord immédiat avec la nature, on aperçoit le ressentiment petit bourgeois, qui veut faire de la nature sa propriété privée parce qu’il a peu à attendre dans la réalité. On aperçoit aussi le culte de l'héroïque en soi, que symbolise la violence desphénomènes naturels. Le culte de la force est encore accentué par la transfiguration du paysan. L'idéal d’une vie conforme à la nature est finalement caractérisé par la représentation biologique que se fait Hamsun des rapports érotiques. Constamment, dans cette idéologie, sentimentalisme et brutalité se juxtaposent sans intermédiaire — mélange qui appartient en propre également au type d’homme autoritaire du présent.L’anti-intellectualisme de Hamsun se manifeste sous forme d’une critique des éléments les plus importants de la civilisation urbaine. En particulier, son jugement sur l’industrie est décisif ; il méprise le prolétariat, sans jamais dire un mot contre les entrepreneurs.Sa représentation, marquée par l’actualité, du néant de l’individu et du respect qui convient devant les puissances existantes, s’exprime aussi dans une philosophie de la vie. Les hommes grouillent comme des vers, beaucoup sont piétinés ; mais cette destinée est juste, car la puissance de la vie a le droit d’exiger de l’individu obéissance sans réserve et soumission absolue.A la fin, l’article rassemble quelques témoignages caractéristiques de l’accueil fait à Hamsun. Il en résulte qu’en particulier après la guerre, socialistes et libéraux ont admiré sans critique Hamsun de la même manière que des littérateurs fascistes. (shrink)

I soon discovered that I was quite isolated in my attempts to pursue the sociology of literature. In any case, one searched almost in vain for allies if one wanted to approach a literary text from the perspective of a critical theory of society. To be sure, there were Franz Mehring’s articles which I read with interest and profit; but despite the admirable decency and the uncompromising political radicalism of the author, his writings hardly went beyond the limits of a (...) socialist journalist who wrote in essentially the same style about literature as about political and the economy. George Lukács had not yet published his impressive series of essays on Marxist aesthetics and interpretation of literature. Of course, I was deeply touched and influenced by his fine little book, The Theory of the Novel , which I practically learned by heart. Besides Levin Schücking’s small volume on the sociology of literary taste, the only other major influence I can recall was George Brandes’ monumental work on the literary currents of the nineteenth century.Nonetheless, I had the courage, not to say hubris, to plan an ambitious, socially critical series on French, English, Spanish, and German literature, the beginning of which was to be formed by the above-mentioned studies. My attention was especially focused on the writes and literary schools which the German literary establishment either punished by total silence or raised up into the clouds of idealistic babble or relegated to quasi-folkloric anthropology .In these studies, I limited myself to the narrative forms of literature; for reasons which I hold to be sociologically and artistically valid, I believe that novels and stories represent the most significant aspect of German literature in the nineteenth century. While I in no way feel ashamed of these documents of my youth, I am conscious of their weaknesses. If I were to write them over again, I would certainly be less sure of some of the direct connections I drew between literature and writers on the one hand, and the social infrastructure on the other. In later publications I attempted to analyze with greater circumspection the mediation between substructure and superstructure, between social currents and ideologies; but my views on the social world and the necessity to combine social theory and literary analysis have not changed in any essential way. In the last decades the sociology of literature has become progressively more fashionable. The writings of my contemporaries have often amazed me because some—frequently in unnecessarily complicated and esoteric language—are so concerned with “mediation” that the connections between social being and social consciousness became almost obscured. Leo Lowenthal is professor emeritus of sociology at the University of California, Berkeley. He is also professor emeritus at the University of Frankfurt in West Germany. His collected works have been published in five volumes in German and in a parallel English edition. Lowenthal’s autobiographical writings, edited by Martin jay, will appear in the fall of 1987 under the title An Unmastered Past. Lowenthal’s present studies deal with German postmodernism. Ted. R. Weeks is a graduate student at the University of California, Berkeley, specializing in imperial Russian history. (shrink)

It is very tempting to try to reconcile perception and cognition perceptual symbol systems may be a good way to achieve this; but is there actually a perception-cognition continuum? We offer several arguments for and against the existence of such a continuum and in favor of the choice of perceptual symbol systems. One of these arguments is purely theoretical, some are based on PET-scan observations and others are based on research with handicapped subjects who have communication problems associated with cerebral (...) lesions. These arguments suggest that modal perceptual symbols do indeed exist and that perception and cognition might have a common neuronal basis; but perceptual and cognitive activities require the activation of different neuronal structures. (shrink)

My original enthusiasm for the invitation of the city of Frankfurt to deliver the commemorative address on the occasion of the 150th anniversary of Goethe's death soon gave way to a state of depression. I thought of Walter Benjamin who, exactly fifty years ago, on the 100th anniversary of Goethe's death, wrote: “Every word about Goethe spared this year is a blessing.” I then came across Thomas Mann's caustic remark made on the 200th anniversary of Goethe's birth in 1949, in (...) his address “Goethe and Democracy”: “I have nothing new to say to you.” And as if this were not enough, Leo Kreutzer only recently told us that “there is no longer any idea connected with Goethe which might still be capable of playing any significant role.”. (shrink)

Poet, painter, self-described funny guy, idiot, failure, pickpocket, and anti-artist par excellence, Francis Picabia was a defining figure in the Dada movement; indeed, André Breton called Picabia one of the only "true" Dadas. Yet very little of Picabia's poetry and prose has been translated into English, and his literary experiments have never been the subject of close critical study. _ I Am a Beautiful Monster_ is the first definitive edition in English of Picabia's writings, gathering a sizable array of Picabia's (...) poetry and prose and, most importantly, providing a critical context for it with an extensive introduction and detailed notes by the translator. Picabia's poetry and prose is belligerent, abstract, polemical, radical, and sometimes simply baffling. For too long, Picabia's writings have been presented as raw events, rule-breaking manifestations of inspirational _carpe diem_. This book reveals them to be something entirely different: maddening in their resistance to meaning, full of outrageous posturing, and hiding a frail, confused, and fitful personality behind egoistic bravura. I Am a Beautiful Monster provides the texts of of Picabia's significant publications, all presented complete, many of them accompanied by their original illustrations. (shrink)

Poet, painter, self-described funny guy, idiot, failure, pickpocket, and anti-artist par excellence, Francis Picabia was a defining figure in the Dada movement; indeed, André Breton called Picabia one of the only "true" Dadas. Yet very little of Picabia's poetry and prose has been translated into English, and his literary experiments have never been the subject of close critical study. _ I Am a Beautiful Monster_ is the first definitive edition in English of Picabia's writings, gathering a sizable array of Picabia's (...) poetry and prose and, most importantly, providing a critical context for it with an extensive introduction and detailed notes by the translator. Picabia's poetry and prose is belligerent, abstract, polemical, radical, and sometimes simply baffling. For too long, Picabia's writings have been presented as raw events, rule-breaking manifestations of inspirational _carpe diem_. This book reveals them to be something entirely different: maddening in their resistance to meaning, full of outrageous posturing, and hiding a frail, confused, and fitful personality behind egoistic bravura. I Am a Beautiful Monster provides the texts of of Picabia's significant publications, all presented complete, many of them accompanied by their original illustrations. (shrink)

Helvetius -- Die Sozietätsphilosophie Franz von Baaders -- Gewalt und Recht in der Staats- und Rechtsphilosophie Rousseaus und der deutschen idealistischen Philosophie -- Das Dämonische.